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Eight Hymns of Isaac Watts
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Vous avez sélectionné:
Eight Hymns of Isaac Watts
Partitions à imprimer
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1
Eight Hymns of Isaac Watts
Eight Hymns of Isaac Watts
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Brian Joyce
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Eight Hymns of Isaac Watts
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Brian Joyce
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joy...
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Choral Choir (SATB) - Level 3 - SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joyce (A0.836712). If you ever need a break from the soundbyte theology found in so many contemporary Christian lyrics, why not revisit the words of Isaac Watts (1674-1748), who could stretch a single coherent thought across multiple verses of his hymns? Watts was a prolific writer on many subjects, including geography, astronomy, ethics, and psychology. His book on Logic became a standard university text, being used at Oxford for over 100 years. But his greatest desire was to assist Christians in the worship of God and it is his hymns for which he is best remembered today.These old words are here set to new music which represents a blending of three different traditions: First, and most obvious, is the rustic sound of early American shape-note singing. Second is the strong linearity of 13th century Ars Antiqua voice leading, in which each part was more or less independent. And third is my own fondness for mixed meters and sonorities built on fourths and seconds. Yet it all works somehow: these are actually very singable hymns once the choir has acclimated to the style. Most fall comfortably into a simple diatonic language and would present no jarring problems for the listener. Five of the hymns are for standard mixed voices (SATB); one is for men’s voices (TTB); one for women’s (SSA) and the last, a Doxology, is in six parts (SSATTB) with a florid threefold amen. There is admittedly a certain sameness about these settings; perhaps it’s best if they are not all sung in one go, cover to cover. Taken individually, however, there is no reason they couldn’t make for a refreshing change from the usual church anthem, and a group of three or four could easily find a place on a choral recital program.
$2.50 ≈
2.32€
In the Hour of Trial — SATB voices, organ
In the Hour of Trial — SATB voices, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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In the Hour of Trial — S
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1365141 Composed by Todd Marchand. Christian,Lent,Sacred. 7 pages. Con Spirito Music #949447. Published b...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1365141 Composed by Todd Marchand. Christian,Lent,Sacred. 7 pages. Con Spirito Music #949447. Published by Con Spirito Music (A0.1365141). Scottish-born James Montgomery (1771-1854) was a poet, writer, and editor, raised and theologically trained in the Moravian Church. As a writer of hymns, his work has been compared favorably to that of Samuel Wesley, Isaac Watts, Philip Doddridge, John Newton, and William Cowper (Cooper). Among his most well-known lyrics are Angels From the Realms of Glory, Go to Dark Gethsemane, and Hail to the Lord's Anointed.In the Hour of Trial consists of four stanzas of eight lines in 6.5.6.5 meter, written in the first-person voice. Stanzas 1 and 2, presented by unison women's voices, then men's, are pleas for Jesus' presence in times of temptation; stanza 3, in full harmony and unaccompanied, expresses the author's reliance on Christ in times of affliction; stanza 4, with full choir and organ accompaniment, expresses the author's reliance, at time of death, on Jesus' truth and promise of eternal life. This anthem is especially appropriate in Lent and for memorial services, and is fitting for general worship as well.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00 ≈
1.86€
Twelve More Classic Hymns (for 8-note Bells and Boomwhackers with Color Coded Notes)
Twelve More Classic Hymns (for 8-note Bells and Boomwhackers with Color Coded Notes)
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Sharon Wilson
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Twelve More Classic Hymns
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565377 By Sharon Wilson. By Dorothy A. Th...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565377 By Sharon Wilson. By Dorothy A. Thrupp, Franklin L. Sheppard, George Frederick Root, Isaac Watts, John Hatton, Judson W. Van DeVenter, Lowell Mason, Maltbie D. Babcock, Ray Palmer, Robert Lowry, Robert Robinson, Various, William B. Bradbury, Winfield S. Weeden, and etc. Arranged by Sharon Wilson and Sharon Wilson Music. Children,Folk,Instructional,Sacred,Traditional. 111 pages. Sharon Wilson #4281841. Published by Sharon Wilson (A0.565377). This collection contains 12 hymns arranged for 2-part ensembles using only 8-note instruments. Each song in this collection is notated for Handbells on one part and Boomwhackers® on a second part. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Several of these arrangements include two verses with a first easy verse followed by an intermediate second verse. For the songs with two verses, an optional ending is provided for the first verse or it can be skipped to perform the two verses together. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of these songs. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included for each song.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers®* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, or children's ministriesEach of the 12 hymn arrangements is also available separately with accompanying preview pages and audio samples. Titles included in this collection:All Creatures of Our God and KingCome, Thou Fount of Every BlessingFather, Lead Me Day by DayGod Leads Us AlongHow Can I Keep from Singing?I Surrender AllJesus Shall ReignMorning PraiseMy Faith Looks Up to TheeSavior, Like a Shepherd Lead UsThis Is My Father's WorldWhen He Cometh Boomwhackers® is a registered trademark of Rhythm Band Instrument, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$19.99 ≈
18.57€
A Billings Triptych - for 8-Part Brass Choir
A Billings Triptych - for 8-Part Brass Choir
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Pa
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99 ≈
32.50€
Jesus Shall Reign (for 8-note Bells and Boomwhackers® with Black and White Notes)
Jesus Shall Reign (for 8-note Bells and Boomwhackers® with Black and White Notes)
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Jesus Shall Reign
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565366 By Sharon Wilson. By Isaac Watts. ...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565366 By Sharon Wilson. By Isaac Watts. Arranged by Sharon Wilson. Children,Easter,Folk,Praise & Worship,Sacred. 12 pages. Sharon Wilson #4279639. Published by Sharon Wilson (A0.565366). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This arrangement includes two verses. The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 ≈
5.56€
Alas, and Did My Savior Bleed with Were You There
Alas, and Did My Savior Bleed with Were You There
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Ken Barker
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John Purifoy
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Alas, and Did My Savior Bleed
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Ken Barker
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1155271 By Ken Barker. By Spiritual and W-Isaac Watts, M-Hugh Wilson. Arranged by John Purifoy. Christian,Easter,Religiou...
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Piano Solo - Level 4 - SKU: A0.1155271 By Ken Barker. By Spiritual and W-Isaac Watts, M-Hugh Wilson. Arranged by John Purifoy. Christian,Easter,Religious,Sacred,Spiritual. Score. 4 pages. Ken Barker #755556. Published by Ken Barker (A0.1155271). The combined message of these two Easter hymns intertwined together provides a powerful moment of introspection and meditation regarding the work of Christ on the cross and how we are to interface with that. It should be performed with great care and sensitivity, taking the time for expression and reverence. The opening verse eighth notes need to be played lightly and effortlessly. By way of contrast, the key change provides opportunity for a strong musical statement, followed by a transition back to a quieter final contemplation of Were you there when they crucified my Lord. The ending requires extreme delicacy and practice to get the timing with the sustain pedal, and with the soft pedal down, to play the chords as lightly as possible while still having every note sound.
$4.25 ≈
3.95€
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Eight Hymns of Isaac Watts
