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Vous avez sélectionné:
Early American Banjo
Partitions à imprimer
13 partitions trouvées
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1
Early American Banjo
Early American Banjo
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Banjo
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INTERMÉDIAIRE
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Bluegrass
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Early American Banjo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Transcriptions from Buckley's Banjo Guide of 1868. Composed by Tim Twiss. Banjo: 5-String. 0. E-book and online audio. Mel Bay Publications - Digit...
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Transcriptions from Buckley's Banjo Guide of 1868. Composed by Tim Twiss. Banjo: 5-String. 0. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30718MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118478.
Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckleyas Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 a 1872), sometimes referred to as the aFather of the Classical Banjo,a was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayaall in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio.
$17.99 ≈
16.60€
Early American Classics for Banjo
Early American Classics for Banjo
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Banjo
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FACILE
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Bluegrass
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Rob Mackillop
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Early American Classics for Ba
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Rob Mackillop. For Banjo (5-String). American. 60 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Rob Mackillop. For Banjo (5-String). American. 60 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610659963. Here is the Forgotten Heritage: Great Banjo Music! Discover the birth of the American fingerstyle banjo in this collection of 28 of the finest tunes culled from banjo publications between 1860 and 1887. Learn amazing banjo music by some of the early leading players, James Buckley, Albert Baur, and the great Frank B. Converse, the greatest virtuoso of his day. From folk-style dances to parlor dances such as the Polka, Mazurka and Schottische, to advanced Romantic-period classical-style solos. Can be played on modern banjos or period-style instruments. The audio recording by Rob MacKillop features a gut-strung banjo, and is played with the flesh of the fingertips, in the old American tuning. For modern instrument players, Rob has provided TAB and a Standard Notation stave at modern banjo pitch. Clawhammer players will find many of the pieces in the book suitable for their technique, and bluegrass/fingerstyle players will be able to play all the pieces. Rob MacKillop provides a fascinating introductory essay, placing the music in its historical context, while his audio of performances can be viewed as a stand-alone recording by a leading player in the revival of this great American banjo heritage. Online audio available for download.
$17.99 ≈
16.60€
Early American Fantasy--Octavo edition
Early American Fantasy--Octavo edition
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Chorale SATB
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Traditional
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Marilyn Thompson
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Early American Fantasy--Octavo
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Marilyn Thompson
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SheetMusicPlus
Choral Choir (4-Part) - SKU: A0.809453 Composed by Traditional. Arranged by Marilyn Thompson. Folk,Patriotic. Octavo. 26 pages. Marilyn Thompson #598339...
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Choral Choir (4-Part) - SKU: A0.809453 Composed by Traditional. Arranged by Marilyn Thompson. Folk,Patriotic. Octavo. 26 pages. Marilyn Thompson #5983395. Published by Marilyn Thompson (A0.809453). A lively and tuneful medley of early American songs for chorus and duo pianos. Additional posts feature full optional orchestra score and parts. Moderate difficulty. Suitable for patriotic concerts. colorful touches of banjo and and xylophone add to fun.
$1.99 ≈
1.84€
Banjo Picking Tunes - An Early American Christmas
Banjo Picking Tunes - An Early American Christmas
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Banjo
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Banjo Picking Tunes - An Early
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Christmas. Folk. Ebook and online audio. 33 pages. Mel Bay Publications - Digital Sheet Music #30910MEB. Published by Mel Bay Publications - Digital S...
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Christmas. Folk. Ebook and online audio. 33 pages. Mel Bay Publications - Digital Sheet Music #30910MEB. Published by Mel Bay Publications - Digital Sheet Music
$14.99 ≈
13.83€
Early Irish-American Banjo
Early Irish-American Banjo
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Banjo
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Rob Mackillop
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Early Irish-American Banjo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Rob Mackillop. For Banjo (5-String). American. 60 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Rob Mackillop. For Banjo (5-String). American. 60 pages. Published by Mel Bay Publications - Digital Sheet Music
$17.99 ≈
16.60€
Patricia: A Ragtime Composition
Patricia: A Ragtime Composition
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99 ≈
11.98€
Traditional Patterns
Traditional Patterns
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Piano seul
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INTERMÉDIAIRE
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Donald Ashwander
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Traditional Patterns
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1414362 Composed by Donald Ashwander. Classical,Contemporary,Folk. Score. 26 pages. The Donald Ashwander Estate #996164. ...
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Piano Solo - Level 3 - SKU: A0.1414362 Composed by Donald Ashwander. Classical,Contemporary,Folk. Score. 26 pages. The Donald Ashwander Estate #996164. Published by The Donald Ashwander Estate (A0.1414362). Donald Ashwander's Traditional Patterns is a remarkable 25-page musical journey inspired by the rich tapestry of American folk art. Through this suite of eight pieces, Ashwander masterfully weaves together melodies that evoke a myriad of emotions and imagery.The suite opens with Dove in the Window, a gentle yet haunting composition that pays homage to the Sacred Harp tradition with its modal echoes and soul-stirring melodies. From there, the journey continues with Crow Tracks, a jaunty march that seamlessly transitions into the exuberant revelry of a hoe-down.Road to California paints a vivid picture of early westward treks, with its march-like rhythm in the beloved 6/8 time signature of the 19th century. Meanwhile, Drunkard's Path explores shifting meters, mirroring the lurching and stumbling of the town drunk on a Saturday night.Sunshine and Shadow offers a gentle yet vivacious waltz, showcasing Ashwander's talent for capturing the true essence of American country music. Pine Trees utilizes juxtapositions of 3/4 and 4/4 measures, evoking the distant echoes of church singing amidst the tranquil scenery.Goose in the Pond is a celebration of rural dance, bursting with extroverted energy and lyrical evocations of banjo plucking. Finally, the suite concludes with The Moonflower Vine, a magical and solemn piece reminiscent of midsummer nights filled with enchantment and mystery.Through Traditional Patterns, Donald Ashwander invites pianists to immerse themselves in the rich history and evocative imagery of American folk art, as each composition unfolds like a vibrant patchwork quilt, revealing new layers of beauty and meaning with every note.
$9.95 ≈
9.18€
Down by the Riverside - Trad. New Orleans Brass Band - Adv. Intermediate
Down by the Riverside - Trad. New Orleans Brass Band - Adv. Intermediate
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Gospel Spirituel
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African - American Spiritual
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Dennis Ruello
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Down by the Riverside - Trad.
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Chicory Music
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1222967 By African - American Spiritual. By Traditional Spiritual. Arranged by Dennis Ruello. 20th Century,Jazz,March,Spi...
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Jazz Combo - Level 4 - SKU: A0.1222967 By African - American Spiritual. By Traditional Spiritual. Arranged by Dennis Ruello. 20th Century,Jazz,March,Spiritual,Traditional. 25 pages. Chicory Music #819156. Published by Chicory Music (A0.1222967). Gospel music has infiltrated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues and parades.Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for a typical New Orleans Brass Band includes parts for Bb Clarinet, BbTrumpet, Tenor Sax, Trombone, Banjo (Optional), Tuba, Acoustic Bass (Tuba Sub. Part), Drum Set and Full Score.Performance Time is Approx. 2 minutes 40 seconds.
$21.99 ≈
20.29€
Red Wing
Red Wing
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Violon
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FACILE
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Kerry Mills
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Sandy McIntire
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Red Wing
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Sandy McIntire
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.697571 Composed by Kerry Mills. Arranged by Sandy McIntire. Contest,Country,Festival,Folk,Instructional,Traditional. 3 p...
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Violin Solo - Level 2 - SKU: A0.697571 Composed by Kerry Mills. Arranged by Sandy McIntire. Contest,Country,Festival,Folk,Instructional,Traditional. 3 pages. Sandy McIntire #5308437. Published by Sandy McIntire (A0.697571). Red Wing entered the genre of American folk music when Kerry Mills adapted the tune from Robert Schumann's Happy Farmer. The lyrics by Thurland Chattaway began, There once lived an Indian Maid. Woody Guthrie later adapted the tune and lyrics to become There once was a union maid, a popular rallying song for union workers. Today, the tune survives in old time and bluegrass genre for fiddle, mandolin, banjo and guitar.This version is for early intermediate fiddle or mandolin and includes chords and guitar tab. It is part of McIntire's series, Mountain Momma Fiddle Tunes.
$3.99 ≈
3.68€
Overture to "A Lucky Star" A 1920s Musical, Full Orchestra Score and Individual Parts
Overture to "A Lucky Star" A 1920s Musical, Full Orchestra Score and Individual Parts
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Orchestre de chambre
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INTERMÉDIAIRE
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James Nathaniel Holland
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Overture to "A Lucky Star
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James Nathaniel Holland
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.730508 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Jazz,Musical/Show,Patriotic. Score and p...
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Chamber Orchestra - Level 3 - SKU: A0.730508 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Jazz,Musical/Show,Patriotic. Score and parts. 74 pages. James Nathaniel Holland #5955675. Published by James Nathaniel Holland (A0.730508). Overture to American composer James Nathaniel Holland's early 1920s-styled musical A Lucky Star. The story about coming to terms with where you're from while attaining your dreams. Featured are 4 popular songs: A Lucky Star; O Baby, You Treat Me Too Rough; New York The City, The Town of Your Dreams; and Indiana. Perfect for period 20s jazz concert or opening to pops orchestra concert. Full score in concert pitch and individual instrument parts included. Instr: picc, fl12, ob12, cl12, bsn, hrn12, tpt, trmb, timp, drum set, piano (w/opt. banjo), strings. Duration: 8:28.
$15.95 ≈
14.71€
Git Along Little Dogies [SA(T)B]
Git Along Little Dogies [SA(T)B]
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Chorale SATB
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FACILE
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Traditional
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Laurie Betts Hughes
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Git Along Little Dogies [SA(T)
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages...
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Choral Choir (SATB) - Level 2 - SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages. Dandelion Music Press #3103589. Published by Dandelion Music Press (A0.891191). An ideal SATB choice for Middle School/early High School changing voice and developing ensembles of all ages, this boy-friendly accompanied concert arrangement explores the cambiata voice, male vocal registers, and encourages enthusiastic use of the falsetto and upper range through the use of an appealing yodel. Ask your choristers to bring their guitars, ukuleles, mandolins, and banjos and strum along!Conceived using the SA(T)B concept (http://www.dandavisonmusic.com/what-is-satb.html) and also available in Two-Part Treble and Unison voicings, Git Along Little Dogies is a traditional American cowboy ballad. The melody and lyrics were first published in 1910 in John Lomax's Cowboy Songs and Other Frontier Ballads, though the song has existed long before publication in the anonymous aural tradition of folk music. Since selling cattle was quite profitable, a crew of cowboys drove a herd, particularly from Texas, to railheads where they would be loaded into railcars and shipped cross-country to get the best price at market. Cowboys watched the cattle 24 hours a day, herding them in the proper direction in the daytime and watching them at night to prevent stampedes and deter theft. Around the campfire, cowboys sang of life on the trail with all the challenges, hardships, and dangers encountered along the way.E. C. Teddy Blue Abbott, honored in the Montana Cowboy Hall of Fame, explains The singing was supposed to soothe the cattle and it did... The two men on guard would circle around with their horses on a walk, if it was a clear night and the cattle was bedded down and quiet, and one man would sing a verse of a song, and his partner on the other side of the herd would sing another verse; and you'd go through a whole song that way.Notable performances: 2016 Idaho Middle School All-State Choir, inaugural year | 2016 Northshore 6th Grade Honor Choir, boys2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
1.94€
Encyclopedia of Irish and American Fiddle Tunes
Encyclopedia of Irish and American Fiddle Tunes
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Celtique/Irlandais
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Fingerstyle/Fingerpicking
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Duck Baker
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Encyclopedia of Irish and Amer
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Duck Baker. For Guitar (Fingerpicking). Fiddle Tunes. 152 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Duck Baker. For Guitar (Fingerpicking). Fiddle Tunes. 152 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610656849. This volume is intended as a folio of arrangements from the repertoire of a working musician. As such, there is only a minimum of discussion about the technical aspects of playing. Students who have already dealt with the American style called fingerpicking or fingerstyle guitar, which is quite distinct from other kinds of guitar playing, will be at an advantage. The easiest arrangements here are early intermediate level, while the other end of the scale includes pieces that may challenge even a professional. Tunes within each section are presented generally in order of difficulty. The bulk of the tunes presented are fiddle tunes, with a couple of banjo tunes and several songs as well as tunes originally played on other instruments such as harp, pipes, or accordion. There are even a small number composed for the guitar. For the most part, differences in approach among the tunes here are unrelated to the instrumental sources. All the tunes are presented in notation and tablature. Audio available for download online.
$22.99 ≈
21.21€
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Early American Banjo
