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Vous avez sélectionné:
Duo Recitativ
Partitions à imprimer
16 partitions trouvées
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Handel - Recitativo & Aria "Lascia ch'io pianga" for cello & guitar
Handel - Recitativo & Aria "Lascia ch'io pianga" for cello & guitar
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Violoncelle , Guitare (duo)
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FACILE
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Classique
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George Frideric Handel
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Georg Mertens
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Handel - Recitativo & Aria
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Georg Mertens
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SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 2 - SKU: A0.790857 Composed by George Frideric Handel. Arranged by Georg Mertens. Baroque,Multi...
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Instrumental Duet Cello,Guitar,Instrumental Duet - Level 2 - SKU: A0.790857 Composed by George Frideric Handel. Arranged by Georg Mertens. Baroque,Multicultural,Opera,Standards,World. Score and parts. 8 pages. Georg Mertens #3509891. Published by Georg Mertens (A0.790857). The edition of the Recitativo and Aria from Handel's opera Rinaldo provides:The score of the recitativo for melody cello, continuo & guitarcello melody part of the Ariacello continuo part of the Ariaguitar part of the AriaThe Recitativo is by itself rather more suitable for being expressed in words. However, the transition from the Recitativo to the Aria is so masterfully constructed, it creates a very special moment just in the transition to the Aria, the very beginning through the changes in measure, key and speed ( which is lost by not playing the Recitativo).the Aria itself is written in the dance form of the slow sarabande with accents on the first and second beat.In the guitar part the player should bring out the bass.Here an example for cello & guitar (unfortunately before I transcribed the Recitativo): https://www.youtube.com/watch?v=qKec1dQbypQ
$4.99 ≈
£3.90
Four Soprano Recitatives from The Messiah
Four Soprano Recitatives from The Messiah
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Voix duo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Joy Simons
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Joy Simons
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Four Soprano Recitatives from
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Joy Simons
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.1038778 By Joy Simons. By George Frideric Handel. Arranged by Joy Simons. Baroque,Christmas,Classical,H...
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Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.1038778 By Joy Simons. By George Frideric Handel. Arranged by Joy Simons. Baroque,Christmas,Classical,Holiday,Sacred. 6 pages. Joy Simons #643757. Published by Joy Simons (A0.1038778). These popular Recitatives can now be sung as a soprano duet or to highlight your soprano section in your next concert. The score also includes two flutes and piano.
$1.99 ≈
£1.55
Cesar Franck : Sonate pour violon et piano en la majeur - III. Ben moderato: Recitativo-Fantasia
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Violon
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AVANCÉ
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Classique
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Cesar Franck
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Sonate pour violon et piano en
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Tomplay
Telechargez la partition Violon Sonate pour violon et piano en la majeur - III. Ben moderato: Recitativo-Fantasia de Franck. Partition pour Duo (Violon-Piano) -...
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Telechargez la partition Violon Sonate pour violon et piano en la majeur - III. Ben moderato: Recitativo-Fantasia de Franck. Partition pour Duo (Violon-Piano) -- Classique
7.99€ ≈
£6.80
Cesar Franck : Sonate pour violon et piano en la majeur - III. Ben moderato: Recitativo-Fantasia
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Piano seul
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AVANCÉ
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Classique
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Cesar Franck
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Sonate pour violon et piano en
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Tomplay
Telechargez la partition Piano Sonate pour violon et piano en la majeur - III. Ben moderato: Recitativo-Fantasia de Franck. Partition pour Duo -- Classique...
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Telechargez la partition Piano Sonate pour violon et piano en la majeur - III. Ben moderato: Recitativo-Fantasia de Franck. Partition pour Duo -- Classique
7.99€ ≈
£6.80
J S Bach Recit. and Aria from The Easter Oratorio, BWV 249, Duet for Flute and Clarinet
J S Bach Recit. and Aria from The Easter Oratorio, BWV 249, Duet for Flute and Clarinet
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Flûte, Clarinette (duo)
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INTERMÉDIAIRE/AVANCÉ
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J S Bach BWV 249
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Nils Fahl
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J S Bach Recit. and Aria from
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Nils Fahl
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SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - SKU: A0.920191 Composed by J S Bach BWV 249. Arranged by Nils Fahl. Christian,Easter,Inst...
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - SKU: A0.920191 Composed by J S Bach BWV 249. Arranged by Nils Fahl. Christian,Easter,Instructional,Standards. Score and parts. 11 pages. Nils Fahl #6138741. Published by Nils Fahl (A0.920191). Recitativ O kalter Männer Sinn och Aria Seele, deine Spezereien från JS Bach Easter Oratorio, BWV 249 .
$7.99 ≈
£6.24
J S Bach Recit. and Aria from The Easter Oratorio, BWV 249, Duet for Flute and Bass Instrument (Bass
J S Bach Recit. and Aria from The Easter Oratorio, BWV 249, Duet for Flute and Bass Instrument (Bass
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Classique
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Johann Sebastian Bach
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Nils Fahl
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J S Bach Recit. and Aria from
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Nils Fahl
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.920192 Composed by Johann Sebastian Bach. Arranged by Nils Fahl. Christian,Easter,Instructional,Standards. 13 page...
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Woodwind Ensemble - Level 4 - SKU: A0.920192 Composed by Johann Sebastian Bach. Arranged by Nils Fahl. Christian,Easter,Instructional,Standards. 13 pages. Nils Fahl #6139327. Published by Nils Fahl (A0.920192). Recitativ för 4 röster som flödas av en Sopran-aria med ackompanjemang av flöjtsolo arrangerad för flöjt och bas Instrument Duo. Poäng och delar för I. Flöjt och II. Basflöjt, fagott / cello eller basklarinett i B).
$7.99 ≈
£6.24
Bach: Wachet auf for Euphonium & Piano
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
£19.49
Bach: Wachet auf for Baritone Horn & Piano
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
£19.49
Paul Wehage: Ryoanji for contrabassoon and piano
Paul Wehage: Ryoanji for contrabassoon and piano
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Basson, Piano (duo)
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AVANCÉ
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Paul Wehage
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Paul Wehage: Ryoanji for contr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bassoon,Piano - Level 5 - SKU: A0.533523 Composed by Paul Wehage. Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Pub...
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Bassoon,Piano - Level 5 - SKU: A0.533523 Composed by Paul Wehage. Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Publishing #3010457. Published by Musik Fabrik Music Publishing (A0.533523). This piece is named for the Japanese Zen Rock Garden in Kyoto, which uses 15 stones, but only 14 of them can ever been seen at one time. The work is in three large sections, played without pause: Prelude, Recitativo and Dance. Composer, conductor and saxophonist, Paul Wehage is a complete musican. After his studies at the University of Texas and at the Paris Conservatory (1st prize in Saxophone in 1990), he began his career as a concertiste, performing throughout Europe, Asia, and North America. Several generations of composers have wirtten pieces specially for him, from Jean Françaix to Carson Cooman. His own catalog of nearly a hundred works includes chamber works, works for solo instruments, vocal works, choral works and orchestral music. Since 1997, he has directed Music Fabrik Music Publishing where he has amassed a catalog of over a thousand titles; 
$19.95 ≈
£15.58
Bach: Wachet auf for Bassoon & Piano
Bach: Wachet auf for Bassoon & Piano
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Basson, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bassoon &
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Bar...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555069. Published by jmsgu3 (A0.549851). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
£19.49
BACH: Wachet Auf BWV 140 for Violin & Harp
BACH: Wachet Auf BWV 140 for Violin & Harp
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Harpe, Violon (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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BACH: Wachet Auf BWV 140 for V
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jmsgu3
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Violin - Level 3 - SKU: A0.552205 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,East...
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Instrumental Duet Harp,Instrumental Duet,Violin - Level 3 - SKU: A0.552205 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #6265607. Published by jmsgu3 (A0.552205). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
$32.95 ≈
£25.74
BACH: Wachet Auf BWV 140 for Flute & Harp
BACH: Wachet Auf BWV 140 for Flute & Harp
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Harpe, Flûte (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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BACH: Wachet Auf BWV 140 for F
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jmsgu3
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SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.552206 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Conce...
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.552206 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Concert,Easter,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265633. Published by jmsgu3 (A0.552206). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
$24.95 ≈
£19.49
BACH: Wachet Auf BWV 140 for Clarinet & Harp
BACH: Wachet Auf BWV 140 for Clarinet & Harp
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Clarinette, Harpe (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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BACH: Wachet Auf BWV 140 for C
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jmsgu3
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SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552207 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Bar...
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Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552207 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Concert,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #6265915. Published by jmsgu3 (A0.552207). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
$24.95 ≈
£19.49
Bach: Wachet auf for Oboe & Piano
Bach: Wachet auf for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe &
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards...
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Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
£19.49
Duo Recitativ
Duo Recitativ
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Saxophone
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INTERMÉDIAIRE
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Lacanski, Nick
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Duo Recitativ
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theupperstaff.com
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SheetMusicPlus
By Lacanski, Nick. For Saxophone. Intermediate. Set of Parts, Score. Published by theupperstaff.com ...
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By Lacanski, Nick. For Saxophone. Intermediate. Set of Parts, Score. Published by theupperstaff.com
$5.95 ≈
£4.65
Duo Recitativ
Duo Recitativ
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Clarinette
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Contemporain
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Nick Lacanski
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Duo Recitativ
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theupperstaff.com
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SheetMusicPlus
Composed by Nick Lacanski. 20th Century. Score, Set of Parts. 14 pages. Published by theupperstaff.com (S0.26653). - Score,Set of Parts - 20th Century - theuppe...
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Composed by Nick Lacanski. 20th Century. Score, Set of Parts. 14 pages. Published by theupperstaff.com (S0.26653). - Score,Set of Parts - 20th Century - theupperstaff.com
$7.99 ≈
£6.24
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Duo Recitativ
