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Dialog II
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Vous avez sélectionné:
Dialog II
Partitions à imprimer
36 partitions trouvées
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1
26
Dialog II
Dialog II
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Flûte traversière, Orgue (duo)
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Kurt Bossler
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Dialog II
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Schott Music - Digital
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SheetMusicPlus
Flute and organ - SKU: S9.Q40370 Composed by Kurt Bossler. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q40370. ...
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Flute and organ - SKU: S9.Q40370 Composed by Kurt Bossler. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q40370. Published by Schott Music - Digital (S9.Q40370).
$11.99 ≈
11.17€
Bela Bartok : Mikrokosmos, Volume II - N° 65 Dialogue (avec voix)
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Piano seul
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DÉBUTANT
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Classique
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Bela Bartok
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Mikrokosmos, Volume II
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Tomplay
Telechargez la partition Piano Mikrokosmos, Volume II - N° 65 Dialogue (avec voix) de Bartók. Partition pour Duo (2 pianos) -- Classique...
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Telechargez la partition Piano Mikrokosmos, Volume II - N° 65 Dialogue (avec voix) de Bartók. Partition pour Duo (2 pianos) -- Classique
1.99€
Dialogues with Shostakovich
Dialogues with Shostakovich
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Orchestre
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Rodion Shchedrin
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Dialogues with Shostakovich
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q6198 Symphonic Etudes. Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score...
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Orchestra - SKU: S9.Q6198 Symphonic Etudes. Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q6198. Published by Schott Music - Digital (S9.Q6198). Many of Rodion Shchedrin’s compositions are distinguished by deeply Slavonic feeling and thrilling virtuoso displays. Even though Shchedrin has won recognition all over the world for his work, he remains an essentially Russian composer who has not broken off his ties to Russian musical folk traditions and poetry. It is thus not surprising to learn of his profound admiration for his compatriot Shostakovich (Shchedrin writes: “He is like a God to me.â€) The “dialogues†in this one-movement orchestral piece give expression to this admiration; they describe and offer a musical commentary on the character of Shostakovich’s music and of the man himself.2 Picc. · 2 · 2 · 1 Engl. Hr. · Es-Klar. · 2 · 2 · Kfg. - 4 · 3 · 3 · 1 - P. S. (I: hg. Crot. Mil.-Tr. [hoch], Choclo; II: Tamt., Mil.-Tr. [mittel], Troika-Schellen, Pfeife; III: 2 Tomt. [mittel/mitteltief]; IV: Beckenpaar, Gr. Tr.) (4 Spieler) - Str. (18 · 16 · 14 · 12 · 10).
$27.99 ≈
26.09€
Dialogue (part I)
Dialogue (part I)
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Rock
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Chicago
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Patrick Sheehan
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Dialogue
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747877 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 144 pages. Patrick Sheehan...
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Small Ensemble - Level 5 - SKU: A0.747877 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 144 pages. Patrick Sheehan #4968609. Published by Patrick Sheehan (A0.747877). INSTRUMENTATION: Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II, Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Fender Rhodes Piano, Electric Guitar, Bass, Tambourine, Maracas, Sleigh Bells, Drumset. All parts transcribed by ear from the original recording from Chicago V released in 1972. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
23.30€
String Quartet no. II
String Quartet no. II
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Martin Watt
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String Quartet no. II
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Martin Watt
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1027526 Composed by Martin Watt. Contemporary. Score and parts. 37 pages. Martin Watt #1988647. Published by Mar...
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String Quartet String Quartet - SKU: A0.1027526 Composed by Martin Watt. Contemporary. Score and parts. 37 pages. Martin Watt #1988647. Published by Martin Watt (A0.1027526). The String Quartet no II comprises four movements: 1. Preludio, Passacaglia, Minuetto and Trio and Rondo. The first movement is fast and furious and cast in a modified sonata form - announcing two contrasting themes with a transitional section in between. The development section fulfills the role of various transformations and fragmental modifications of segmented thematic material, adding instabitily to the movement. The recapitulation is truncated, rather referential to the exposition and presented in reversed order. The second movement is a plaintive passacaglia, with a recurring eight-bar melody - in this case not traditional in nature as the bassline mostly carried the melody throughout, but nw distributed between all the string instuments. The theme is heard fourteen times. The use of textural contrast and canonic procedures add to the contrapuntal nature of the movement. The Minuetto and Tro movement is strikingly neo-tonal, and but sudden shifts of scalar centricities in the Minuetto add to suspension and elements of surprise. The Trio is more lyrical in character and fluttering fragments create dialogue between the members of the quartet. The last movement is cast in a modified Rondo form. The refrain parts are continuously presented in different textural and harmonic content. The alternating first episode draws material from the first movement and the second from the third movement, resulting in a cyclic structure of the work as a whole. The musical language is loosely based within extended tonality, with modal intersections and dissonant colours, making consonant sonoroties slightly ambiguous and unpredictable.2016 Chamber Music Contest Entry.
$9.99 ≈
9.31€
Antiphon No. II for organ by Mark Andersen
Antiphon No. II for organ by Mark Andersen
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Orgue
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INTERMÉDIAIRE
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Mark Andersen
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Antiphon No. II for organ by M
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International Artists Foundation
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1282121 By Mark Andersen. By Mark Andersen. Classical,Religious,Sacred. Score. 6 pages. International Artists Foundation #8734...
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Organ - Level 3 - SKU: A0.1282121 By Mark Andersen. By Mark Andersen. Classical,Religious,Sacred. Score. 6 pages. International Artists Foundation #873466. Published by International Artists Foundation (A0.1282121). An Antiphon second in the set of four which makes use of the dialogue between the larger and smaller divisions of the pipe organ. Â Suitable for concert work and service playing.
$8.00 ≈
7.46€
Hornpipe from Water Music - Violin I,Violin II,Cello & Piano Quartet
Hornpipe from Water Music - Violin I,Violin II,Cello & Piano Quartet
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G
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Rafael Dengra
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Hornpipe from Water Music - Vi
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Rafael Dengra Rodriguez-Vida
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SheetMusicPlus
Piano Quartet Cello,Piano,Violin - Level 3 - SKU: A0.1430308 Composed by G.F. Haendel. Arranged by Rafael Dengra. Baroque,Wedding. 13 pages. Rafael Deng...
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Piano Quartet Cello,Piano,Violin - Level 3 - SKU: A0.1430308 Composed by G.F. Haendel. Arranged by Rafael Dengra. Baroque,Wedding. 13 pages. Rafael Dengra Rodriguez-Vida #1010950. Published by Rafael Dengra Rodriguez-Vida (A0.1430308). Original work for Orchestra of Haendel have many dialog between Horns, Woods, Strings and Tuttis. Our arrangements for Duo, Trio or Quartet have diferents parts to develope diferent kind of dialog in each arrangement.
$6.99 ≈
6.51€
"Tania's Portrait" for violin solo
"Tania's Portrait" for violin solo
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Violon
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AVANCÉ
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Panagiotis Theodossiou
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"Tania's Portrait" f
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Panagiotis Theodossiou
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.886691 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 10 pages. Panagiotis Theodossiou #3574435. Pu...
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Violin Solo - Level 5 - SKU: A0.886691 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 10 pages. Panagiotis Theodossiou #3574435. Published by Panagiotis Theodossiou (A0.886691). Tania's Portrait for violin solo (2011)I.Elegy (Lento espressivo)II.Ostinato i (L' istesso tempo e marcato)III.Recitativo i (Poco piu mosso)IV.Dialogue i (L' istesso tempo)V.Ostinato ii (Largo sostenuto)VI.Recitativo ii (Tempo primo)VII.Dialogue ii, Finale (L' istesso tempo) Musical portrait of Greek violonist Tania Sikelianou who gave the premier performance at Cabaret Voltaire Cultural Center, Athens, Greece in 2012. The work is inspired from her violonistic artistry.
$10.00 ≈
9.32€
The Strife Is O'er (Choral Score)
The Strife Is O'er (Choral Score)
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Chorale SATB
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FACILE
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Robert J
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The Strife Is O'er
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Congregation, SATB choir, and organ, with optional brass quartet or quintet and timpani (Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in ...
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Congregation, SATB choir, and organ, with optional brass quartet or quintet and timpani (Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, opt. Tuba, Timpani) - Moderately Easy - SKU: MQ.60-4019-E Composed by Robert J. Powell. Easter, Easter Season. Instrument parts. 6 pages. MorningStar Music Publishers - Digital Sheet Music #60-4019-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-4019-E). English.A bright concertato setting of this powerful Easter hymn. The piece begins with dialog between the brass and the choir, then immediately involves the congregation. The congregation sings in unison while the choir augments the singing with parts. A choral stanza, then a final stanza with congregation and descant serve as the conclusion to this very useful setting.
$2.25 ≈
2.10€
Oh, diese Frauen! Nein, diese Männer!
Oh, diese Frauen! Nein, diese Männer!
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Ernst Fischer
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Oh, diese Frauen! Nein, diese
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Schott Music - Digital
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SheetMusicPlus
Percussion I / II - intermediate - SKU: S9.Q38401 Dialog. Composed by Ernst Fischer. This edition: separate part. Downloadable, Individual part. ...
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Percussion I / II - intermediate - SKU: S9.Q38401 Dialog. Composed by Ernst Fischer. This edition: separate part. Downloadable, Individual part. Duration 20 minutes. Schott Music - Digital #Q38401. Published by Schott Music - Digital (S9.Q38401). German.
$7.99 ≈
7.45€
Selected Duets for Violin - Volume 2
Selected Duets for Violin - Volume 2
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Harvey S
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Selected Duets for Violin - Vo
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Rubank Publications
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SheetMusicPlus
Violin; Violin Duet - Grade 4 SKU: HL.4472670 Advanced First Position. Arranged by Harvey S. Whistler. Ensemble Collection. Concert, Contest, Inst...
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Violin; Violin Duet - Grade 4 SKU: HL.4472670 Advanced First Position. Arranged by Harvey S. Whistler. Ensemble Collection. Concert, Contest, Instruction. 40 pages. Rubank Publications #RUBL168. Published by Rubank Publications (HL.4472670). ISBN 9781540001757. UPC: 073999726701. 9.0x12.0x0.11 inches.This classic series of duets is recognizable to nearly everyone who has ever studied an instrument. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. These volumes written specifically for violin duet are carefully edited and bowed. (Vol. I – First Position [Medium]; Vol. II – First Position [Advanced]).
Song List
: Dramatic Episode Abendlied (Tours) Allegro (Sym.Duo) Kalliwoda A Mirage (Mazas) Bal Masque (Dancla) Beau Soir (Dancla) Caprice-Elegante (Henning) Dialogue No. 1 (Eichberg) Dialogue No. 2 (Eichberg) Duo Chromatic (Eichberg) Duo De Concours (Wohlfahrt) Duo Processional (Wohlfahrt) Etude De Concert (Spohr) Eudoxa (Mazas) Finale (Concert.E Flat) Spohr Grand Duo De Salon (Kalliwoda) Guitare (Dancla) Intro & Scherzo-Capricc. (Weiss) La Capricieuse (Mazas) La Fileuse (Alard) Le Papillon (Mazas) Marche Melisande (Dancla) Menuet(2nd Duettino) Pleyel Poeme D'amour (De Beriot) Polka De Concert (Dancla) Promenade (Eichberg) Reveuse (De Beriot) Rondo (Duo In D) Mazas Scene De Danse (Kalliwoda) Theme & Var. (4th Duo) Pleyel Wellenspiel (L.Schubert)
$9.99 ≈
9.31€
Akrilates No.2
Akrilates No.2
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Jailton de Oliveira
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Section II: bars 43-99
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Akrilates No.2
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Jailton de Oliveira
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SheetMusicPlus
Bass Drum,Bongos,Cymbals,Glockenspiel,Piano,Snare Drum,Tam Tam,Tom Tom,Triangle,Vibraphone,Woodblock,Xylophone - SKU: A0.1438474 Composed by Jailton de ...
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Bass Drum,Bongos,Cymbals,Glockenspiel,Piano,Snare Drum,Tam Tam,Tom Tom,Triangle,Vibraphone,Woodblock,Xylophone - SKU: A0.1438474 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary. 27 pages. Jailton de Oliveira #1018493. Published by Jailton de Oliveira (A0.1438474). Akrilates II, for piano and percussion. The title “Akrilates” does not refer to a specific thematic material in the work. Rather, it is only a neutral word, allowing the music to be free of any pre-established idea. The work has a single movement divided into two sections: Section I: bars 1-42; Section II: bars 43-99. Section II is a retrograde variation of Section I. The work has a slow tempo and uses the overtone scale, an octatonic scale, starting on note G ( G-A-B-C#-D-Eb-F-F#-G) . The piano is the lead instrument of thematic events and it dialogues with various timbres of percussion instruments. In most of the work sequences of measures are explored, progressing alternately every two bars. Also are explored harmonic intervals of 5th., 4th., 3rd. and 2nd. In some stretches occur numeric relationships between measure and intervals used, e.g., measure 5/4 = interval of 5th; 4/4 = 4th, etc. From measure 85 to the end occurs a coda, where the work concludes summarizing the main materials used earlier.
$12.95 ≈
12.07€
Egomia, for Woodwind Quintet
Egomia, for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Panagiotis Theodossiou
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Egomia, for Woodwind Quintet
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Panagiotis Theodossiou
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.886684 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 37 pages. Panagiotis T...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.886684 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 37 pages. Panagiotis Theodossiou #3213759. Published by Panagiotis Theodossiou (A0.886684). Egomia, Concert Monologues, for Wind Quintet (2009)Ι. Stasis I, Lento, come un recitativo II. Stasis II, L ‘istesso tempo, molto ritmicoIII. Stasis III, Passacaglia Ritmica, L ‘istesso tempo, grave A work of free serialism, composed on the ritual of the Egomia, a very famous litany of the Eastern Orthodox Church which takes place on Holly Friday. It consist of 3 parts, 3 Stasis, according to the traditional ritual. The unaccompanied monologues of the 1st Stasis lead to the virtuosic dialogues of the 2nd and to the general fortissimo tutti of the 3d. The work has a version with narration on the prototype text of the traditional ritual. It was written on November 2009 for the Q innegal Wind Quintet which gave the premier at the German Evangelic Church in Athens next year and is dedicated to composer’s stepmother, Eleni, who died after the completion of the work. The 3d part has also a dedication to Olivier Messiaen, on the musical style of whom there are intentional references. https://www.youtube.com/watch?v=4BNVUEHBdhg
$20.00 ≈
18.64€
Almost May Score and Parts
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
23.29€
Two Views of Scott Joplin
Two Views of Scott Joplin
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Chorale SATB
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INTERMÉDIAIRE
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James Siddons
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Two Views of Scott Joplin
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James Siddons Music and Writings
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings...
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Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplin’s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishers’ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplin’s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.
$9.99 ≈
9.31€
The Duke of Alva's entry into Brussels for brass quintet
The Duke of Alva's entry into Brussels for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Classique
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Peter Benoit
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Marc Goris
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The Duke of Alva's entry into
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Brassery Publications
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SheetMusicPlus
Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #602...
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Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #6025981. Published by Brassery Publications (A0.999619). The Duke of Alva's entry into Brussels from The Pacification of Ghent, duration : 2 min music : Peter Benoit arr. : Marc Goris Peter Benoit composed music based on the historical drama with the title 'De Pacificatie van Gent' by Emiel Van Goethem. Because of the combination of drama and music he defined the piece as a lyrical drama. He completed The Pacification of Ghent on 11 July 1876, the world premiere happening on 3 September at the Ghent Municipal Theatre. On 8 November 1576 a treaty was proclaimed from the balcony of the city hall in Ghent between the different regions of the southern and the northern Netherlands. This Pacification of Ghent occurred after the revolt against the Spanish occupation of Philip the Second and was the great ideal of William of Orange: he was striving for unity in the seventeen provinces in the Netherlands as well as for freedom of religion. Furthermore the treaty stipulated that the Spanish troops were to be removed from the Netherlands. Although this treaty was observed for only three years, the Pacification was embellished with a mythical aura in the Flanders of the 19th century. King Philip II sent the Duke of Alva to Brussels on 22 August 1567, at the head of a powerful army. On arrival, Alva replaced Margaret of Parma, the sister of the Spanish king, as head of the civil jurisdiction. He decided that the local nobility was in open rebellion against the king and supported the new Protestant teachings, heresy in his view. A few days later, on 5 September 1567, Alva established the Council of Troubles, popularly known in the Netherlands as the Court of Blood, to prosecute those responsible for the riots of 1566, especially those who were deemed heretics. Alba also targeted the local Catholic nobility, who favoured dialogue and opposed outside intervention. Two of the three heads of the Flemish nobility, the Count of Egmont, a Catholic General for Philip II, who had led the cavalry that defeated the French at the Battle of San Quentin, and Philip de Montmorency, Count of Horn, were arrested. The court sentenced both counts to death. The Major of Antwerpen, Anthony van Stralen, Lord of Merksem and Jan van Casembroot were other famous victims of the bloody repression, along with a large group of other heretics. The condemned persons were executed on 5 June 1568 in the Town Hall Square in Brussels. Alva had little confidence in Flemish justice, which he perceived as sympathetic to the defendants, and witnessed the executions in person.
$12.00 ≈
11.18€
Concerto Pour Une Voix
Concerto Pour Une Voix
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Saint Preux Langlade
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Emiliano Bernagozzi
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Concerto Pour Une Voix
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Emiliano Bernagozzi
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Ocarina,Piano - Level 3 - SKU: A0.1365445 Composed by Saint Preux Langlade. Arranged by Emiliano Bernagozzi. 2...
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Instrumental Duet,Piano Instrumental Duet,Ocarina,Piano - Level 3 - SKU: A0.1365445 Composed by Saint Preux Langlade. Arranged by Emiliano Bernagozzi. 20th Century,Classical,Instructional,Jazz,Pop. 14 pages. Emiliano Bernagozzi #949772. Published by Emiliano Bernagozzi (A0.1365445). Arrangiamento per due ocarine e pianoforte (Ocarina I DO3/3AC - Ocarina II SOL4/4AG) di Concerto pour une voix.Concerto per una voce è una canzone classica contemporanea scritta dal compositore francese Saint-Preux nel 1969, che combina elementi della musica popolare e della musica elettronica. Il brano è stato cantato per la prima volta Danielle Licari.Brano da concerto per Ocarinisti esperti, livello medio alto. In questa versione la melodia si intreccia in un dialogo sensuale fra le due linee melodiche.
$20.00 ≈
18.64€
Mare Agone
Mare Agone
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Contemporain
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Rove Monteux
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Rove Monteux
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Mare Agone
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Rove Monteux
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1132703 By Rove Monteux. By Rove Monteux. Arranged by Rove Monteux. Classical,Contemporary,Film/TV. Individual par...
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Instrumental Solo - Level 5 - SKU: A0.1132703 By Rove Monteux. By Rove Monteux. Arranged by Rove Monteux. Classical,Contemporary,Film/TV. Individual part. 12 pages. Rove Monteux #732901. Published by Rove Monteux (A0.1132703). Mare Agone (“Sea Warfareâ€, “Θαλάσσιος Πόλεμοςâ€) is the twelfth single from Rove Monteux, accompanying his seven albums, in his solo career into Classical, Cinematic, Drama and Neoclassical music. Themed around the series of battles fought in the Mediterranean and immediate seas, it brings to a closure to the albums Mare Magnum and Titanomachia, which go back in time around the Mediterranean, up to the Orthodox times with the albums Nekrikos Dialogos Opus I and II, and the more recent WWII times on the album Marching Towards the End. Composition, interpretation, recording, production, names and imagery created by and ©℗ 2022 Rove Monteux. UPC: 5063161347655 Artist: Rove Monteux Release date: pre-sales 12 of November 2022, All stores 22 of November 2022 Label: Ditto, Lua Vermelha ©℗ 2022, Rove Monteux.
$5.00 ≈
4.66€
[Various] The Soul of Brevity
[Various] The Soul of Brevity
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Piano seul
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Contemporain
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Various Collected Composers
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[Various] The Soul of Brevity
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American Composers Alliance Inc.
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SheetMusicPlus
Piano Solo - SKU: A0.952089 Composed by Various Collected Composers. 20th Century,Contemporary. Score. 50 pages. American Composers Alliance Inc. #44098...
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Piano Solo - SKU: A0.952089 Composed by Various Collected Composers. 20th Century,Contemporary. Score. 50 pages. American Composers Alliance Inc. #4409889. Published by American Composers Alliance Inc. (A0.952089). An anthology of miniatures for solo piano collected by Richard Cameron-Wolfe. Includes: Etude in E Major (H. Leslie Adams), Mia Music (Elizabeth R. Austin), Caprice No. 5 (Richard Brooks), Elegy for Janis (Richard Cameron-Wolfe), Babbittelle [ohne tonart] (Brian Fennelly), Image (Robert Gibson), Aphorism I (Edward Jacobs), Dialoghi (Barbara Jazwinski), Hopak (Darleen Mitchell), Le jardin mysterieux (Thomas L. Read), Fifteen - for Ahmed Jamal (Steven Sacco), From Wood Vale to High Table (Elliott Schwartz), For Rita Angel (Christopher Shultis), Litanie (Michael Slayton), African Dance (Glenn Stallcop), Variations on Haec Dies (Stephen Suber), Entropy II (Robert Scott Johnson), Blind Man's Bluff (Nancy Van de Vate), Moment (Roger Vogel), Night Meowsic (Samuel Wellman), Icicles (Donald M. Wilson).
$16.95 ≈
15.80€
"Echoes" for alto flute and vibraphone
"Echoes" for alto flute and vibraphone
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Panagiotis Theodossiou
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"Echoes" for alto fl
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Panagiotis Theodossiou
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SheetMusicPlus
Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 5 - SKU: A0.886687 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards....
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Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 5 - SKU: A0.886687 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 27 pages. Panagiotis Theodossiou #3419139. Published by Panagiotis Theodossiou (A0.886687). Echoes for alto flute and vibraphone (2018) op.74.Work specially written iwona Glinka και Leszek Lorent to both whom is dedicated.Τα μÎÏη:I. ...from inner self (Misterioso)II. ...from a dialogue (Giocoso)III. ...from beyond (Quiet)IV. ...from an illusion (Dancing)V. ...from herself (Tempo di Waltz) to MyrtoThe mysterious echo of inner self after a dialogue stimulation with another person. The intervention of the divine. A moment illusion. The unveiling of the other's soul echo. Dance.The last part is dedicated to composer's wife, Myrto Lazaridou - Theodossiou.
$10.00 ≈
9.32€
Dialogue (Part II) by Chicago - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Chicago
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Dialogue (Part II)
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Musicnotes
Performed by: Chicago: Dialogue (Part II) Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyri...
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Performed by: Chicago: Dialogue (Part II) Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 3 pages -- Jazz-Rock~~Pop Rock~~Soft Rock~~AM Pop
$5.50 ≈
5.13€
Dialogue (Part II) by Chicago - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Chicago
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Dialogue (Part II)
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Musicnotes
Performed by: Chicago: Dialogue (Part II) Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyri...
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Performed by: Chicago: Dialogue (Part II) Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice;C Instrument; 2 pages -- Adult Contemporary~~Pop Rock~~Soft Rock~~AM Pop
$2.99 ≈
2.79€
Almost May for Piano Solo
Almost May for Piano Solo
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Piano seul
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Song...
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Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.72€
Almost May Lead Sheet
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
2.79€
Duet for Flute and Violin, Op. 2
Duet for Flute and Violin, Op. 2
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Flûte, Violon
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Contemporain
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Tyler J
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Duet for Flute and Violin, Op.
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Violin - SKU: A0.1021610 Composed by Tyler J. Holt. Contemporary. Score and parts. 16 pages. TJHoltMusic #6116...
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Instrumental Duet Flute,Instrumental Duet,Violin - SKU: A0.1021610 Composed by Tyler J. Holt. Contemporary. Score and parts. 16 pages. TJHoltMusic #6116021. Published by TJHoltMusic (A0.1021610). Duet for Flute and Violin, Op. 2 was composed for the Snow Pond Composer's Workshop. The first movement, Allegro, is a lighthearted dialogue between the flute and violin, which is portrayed through simple melodic motives played by both instruments. The second movement, Danse, is a syncopated folk dance, which is portrayed through constantly shifting time signatures. I. Allegro II. Danse. Composed by Tyler J. Holt Published by TJHoltMusic Copyright © Tyler J. Holt, Composer.
$10.00 ≈
9.32€
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Dialog II
