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Vous avez sélectionné:
Call Across Score
Partitions à imprimer
127 partitions trouvées
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126
Across The Universe
Across The Universe
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
The Beatles
#
Timothy Stapay
#
Across The Universe
#
Timothy Stapay
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1434797 By The Beatles. By John Lennon and Paul McCartney. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Rock...
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Piano Solo - Level 4 - SKU: A0.1434797 By The Beatles. By John Lennon and Paul McCartney. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Rock,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #1014928. Published by Timothy Stapay (A0.1434797). Across the Universe is a song that holds a special place in the hearts of many Beatles fans. It was released as part of their final studio album, Let It Be, and holds a deep and profound meaning both lyrically and musically.Lyrically, Across the Universe is a complex and poetic exploration of spirituality, love, and universal connection. John Lennon, the primary songwriter of the song, crafted lyrics that evoke a sense of transcendence and the interconnectedness of all things. The song takes listeners on a journey through beautiful imagery and metaphors, inviting them to contemplate the vastness and wonder of the universe.Words are flowing outLike endless rain into a paper cupThey slither wildly as they slip away across the universePools of sorrow waves of joyAre drifting through my opened mindPossessing and caressing meJai Guru Deva, OmNothing's gonna change my worldNothing's gonna change my worldNothing's gonna change my worldNothing's gonna change my worldImages of broken lightWhich dance before me like a million eyesThey call me on and on across the universeThoughts meander like aRestless wind inside a letter boxThey tumble blindly as they make their way across the universeJai Guru Deva, OmNothing's gonna change my worldNothing's gonna change my worldNothing's gonna change my worldNothing's gonna change my world.
$7.99 ≈
7.41€
Uphill Heart - Score Only
Uphill Heart - Score Only
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Roy LaVern
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Uphill Heart - Score Only
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Roy LaVern
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SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.535366 By Roy LaVern. By Jacob Sumpter. A Cappella,Broadway,Contemporary,Folk,Musical/Show,Spiritual. Score and parts...
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Large Ensemble - Level 3 - SKU: A0.535366 By Roy LaVern. By Jacob Sumpter. A Cappella,Broadway,Contemporary,Folk,Musical/Show,Spiritual. Score and parts. 10 pages. Roy LaVern #145501. Published by Roy LaVern (A0.535366). Text from poem Alumnus Football by Grantland Rice You'll find the road is long and rough, with soft spots far apart, Where only those can make the grade who have the Uphill Heart. And when they stop you with a thud or halt you with a crack, Let Courage call the signals as you keep on coming back. Keep coming back, and though the world may romp across your spine, Let every game's end find you still upon the battling line; For when the One Great Scorer comes to mark against your name, He writes - not that you won or lost - but how you played the Game. I own the rights to the music / score, not the lyrics.
$9.99 ≈
9.26€
Across The Violet Sky
Across The Violet Sky
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Piano seul
#
INTERMÉDIAIRE
#
Evan Adrian Call
#
poon
#
Across The Violet Sky
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poon
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1228128 Composed by Evan Adrian Call (Pka Evan Call). Arranged by poon. Film/TV,Pop. Score. 4 pages. Poon #824247. Publis...
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Piano Solo - Level 3 - SKU: A0.1228128 Composed by Evan Adrian Call (Pka Evan Call). Arranged by poon. Film/TV,Pop. Score. 4 pages. Poon #824247. Published by poon (A0.1228128). Across The Violet Sky (Violet Evergarden) Â - For Piano Solo.
$4.99 ≈
4.63€
Call Across - Score
Call Across - Score
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Brian Newhouse and Kyle Peders
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Call Across - Score
#
Hal Leonard - Digital
#
SheetMusicPlus
Choir,Choral - SKU: HX.486365 Composed by Brian Newhouse and Kyle Pederson and Kyle Pederson. This edition: scorch. Concert,Festival,Inspirational. Chor...
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Choir,Choral - SKU: HX.486365 Composed by Brian Newhouse and Kyle Pederson and Kyle Pederson. This edition: scorch. Concert,Festival,Inspirational. Choral Instrumental Pak. 28 pages. Hal Leonard - Digital #332224. Published by Hal Leonard - Digital (HX.486365).
$7.00 ≈
6.49€
Amazing Grace, for Organ, with Taps (Military Bugle Call), for Trumpet (Bugle)
Amazing Grace, for Organ, with Taps (Military Bugle Call), for Trumpet (Bugle)
#
Trompette, Piano
#
FACILE
#
Traditional American
#
Nigel Williams
#
Amazing Grace, for Organ, with
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Nigel Williams
#
SheetMusicPlus
Piano,Trumpet - Level 2 - SKU: A0.763485 Composed by Traditional American. Arranged by Nigel Williams. Contemporary,Folk,Holiday,Patriotic. Score and pa...
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Piano,Trumpet - Level 2 - SKU: A0.763485 Composed by Traditional American. Arranged by Nigel Williams. Contemporary,Folk,Holiday,Patriotic. Score and part. 3 pages. Nigel Williams #5803281. Published by Nigel Williams (A0.763485). The much loved traditional American hymn tune New Britain is associated with the text Amazing Grace. In this arrangement the military bugle call Taps is played on either a trumpet, cornet or bugle while the organ plays Amazing Grace. This unique arrangement will appeal across all denominations and the arrangement is ideal for any commemorative or memorial event, and Veteran's Day events, and also patriotic occasions where Taps is appropriate. The performance duration is two minutes. See also my arrangement of What A Friend We Have In Jesus with Taps, and enjoy browsing my many trumpet and organ arrangements on SMP.
$5.99 ≈
5.55€
The Palatka Port March - Score Only
The Palatka Port March - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
#
David M
#
The Palatka Port March - Score
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DMStewart Music
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.123968...
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Concert Band - Level 4 - SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00 ≈
9.27€
Les Mystères: Attendez l'Epoux - Score Only
Les Mystères: Attendez l'Epoux - Score Only
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Suzy Robinson
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Suzy Robinson
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Les Mystères: Attendez
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Suzy Robinson
#
SheetMusicPlus
Level 3 - SKU: A0.1166886 Composed by Suzy Robinson. Arranged by Suzy Robinson. 20th Century,Chamber,Contemporary. 5 pages. Suzy Robinson #767094. Publi...
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Level 3 - SKU: A0.1166886 Composed by Suzy Robinson. Arranged by Suzy Robinson. 20th Century,Chamber,Contemporary. 5 pages. Suzy Robinson #767094. Published by Suzy Robinson (A0.1166886). I wanted to write something based on a mediaeval mystery play and happened across an 11th Century version of the play of the Bridegroom – the tale of the wise and the foolish virgins. It was called Sponsus and is the oldest of this type of play written in both the vernacular and in Latin. What is even more extraordinary is that it is, in fact, a trilingual text in Latin, langue d'oc, and some words in the langue d'oïl. The passage which I have set is in langue d'oc, but for ease of singing I used a modern-French translation. This is scored for soprano, baroque violin, and viola da gamba. It can be performed at 415 or 440 ad libertum.I am very taken by the patchwork nature of mystery plays which is part promenade, part liturgy, part staged, part audience participation. I hope that having set a straightforwardly strophic text and using instruments more often heard in Early Music, jigsaws well with the more modern angular and sometimes dissonant nature of the melodic lines of this piece. I love the play of languages, and the mixing up through words and music of past, present, and future, revealing that time is perhaps a circuitous exploration rather than a strictly linear trajectory. And the end of all our exploring / Will be to arrive where we started / And know the place for the first time..
$3.99 ≈
3.70€
Deep In The Heart Of Texas - Score Only
Deep In The Heart Of Texas - Score Only
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Cloches
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FACILE
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Alvino Rey & His Orchestra
#
Stephanie Berryman
#
Deep In The Heart Of Texas - S
#
Stephanie Berryman
#
SheetMusicPlus
Handbell - Level 2 - SKU: A0.1101143 By Alvino Rey & His Orchestra. By Don Swander and June Hershey. Arranged by Stephanie Berryman. Country,Standards,T...
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Handbell - Level 2 - SKU: A0.1101143 By Alvino Rey & His Orchestra. By Don Swander and June Hershey. Arranged by Stephanie Berryman. Country,Standards,Traditional. Score. 2 pages. Stephanie Berryman #704579. Published by Stephanie Berryman (A0.1101143). Everyone clap along! The light percussive effects put this crowd favorite over the top. It calls for light body marts instead of hand claps for ringers: gently tap the bell against your side or across your thigh. Too hard and you will loose the pitch, so go easy. Enjoy performing this 12-bell arrangement with no tables, and no page turns.
$1.99 ≈
1.85€
Helios Rising: Score
Helios Rising: Score
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Orchestre d'harmonie
#
Methodes
#
Todd Stalter
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Festival.
#
Helios Rising: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PR-0005720 Score. Composed by Todd Stalter. Instructional. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-00...
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Concert Band - SKU: AX.00-PR-0005720 Score. Composed by Todd Stalter. Instructional. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-0005720. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005720). UPC: 038081517636.In Greek mythology, Helios is a Titan who faithfully drove the Sun's chariot across the sky each day, disappearing in the west into Oceanus (the ocean, which the Greeks believed encircled the Earth), and rising out of it again in the east the next morning. Helios' journey at sunrise is referenced musically by the ascending leap in the main theme and the strong driving rhythms of the low winds and percussion. The contrasting light and dark textures in the slow section depict twilight inevitably giving way to the darkness of night. (2:45)Concert/Contest; Festival.
$7.00 ≈
6.49€
Crazy Little Thing Called Love
Crazy Little Thing Called Love
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Rock
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Queen
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Jim Farley - www
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Crazy Little Thing Called Love
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Jim Farley arrangementsone.com
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SheetMusicPlus
Small Ensemble Alto Saxophone,Bass Guitar,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.997757 By Queen. By Freddie Mercury. ...
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Small Ensemble Alto Saxophone,Bass Guitar,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.997757 By Queen. By Freddie Mercury. Arranged by Jim Farley - www.arrangementsone.com. Pop,Rock. Score and parts. 46 pages. Jim Farley arrangementsone.com #603430. Published by Jim Farley arrangementsone.com (A0.997757). Arranged for 7 piece horn band including: Conductor Score, Piano/Vocal/Chords, Lead Sheet, Guitar, Bass Guitar, Alto Sax, Tenor Sax (identical to Alto), Trumpet & Trombone.ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s,and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptionsthat are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
$40.00 ≈
37.09€
Crazy Little Thing Called Love
Crazy Little Thing Called Love
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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Queen
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Jim Farley - www
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Crazy Little Thing Called Love
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Jim Farley arrangementsone.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.997759 By Queen. By Freddie Mercury. Arranged by Jim Farley - www.arrangementsone.com. Pop,Rock. Score. 11 ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.997759 By Queen. By Freddie Mercury. Arranged by Jim Farley - www.arrangementsone.com. Pop,Rock. Score. 11 pages. Jim Farley arrangementsone.com #603432. Published by Jim Farley arrangementsone.com (A0.997759). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s,and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptionsthat are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
$4.99 ≈
4.63€
Cygnus X-1 Book Ii: Hemispheres
Cygnus X-1 Book Ii: Hemispheres
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Basse electrique
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Rush
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Tracy Dean McCallum
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Cygnus X-1 Book Ii: Hemisphere
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tra...
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Bass Guitar - Level 4 - SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99 ≈
5.55€
The Monkey (aka Capricorn)
The Monkey (aka Capricorn)
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Contemporain
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Stanley M
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The Monkey
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stanleymhoffman.com
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.924829 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Sc...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.924829 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913035. Published by stanleymhoffman.com (A0.924829). The Monkey (AKA Capricorn) was composed for a call for scores from The Zodiac Trio. It was chosen performance and was included in their 2013 compilation of twelve brief titles by twelve composers called Zodiac: Across the Universe, which they performed on their tour of China. It was subsequently published on their CD titled Dreamtime (BGR 391). .
$3.00 ≈
2.78€
Kalla
Kalla
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Orchestre d'harmonie
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Contemporain
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Jazz
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Allan Gilliland
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Kalla
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Allan Nimmo Gilliland
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SheetMusicPlus
Concert Band - SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. Published by All...
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Concert Band - SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. Published by Allan Nimmo Gilliland (A0.987813). The word Kalla is Norwegian for call, a theme that appears both in the inspiration for this piece and the structure of the work itself. Commissioned by the 2009 National Youth Band of Canada and funded through a grant from MacEwan University’s Centre for the Arts Research and Scholarly Activity Fund, the work was premiered May 13, 2009 by the National Youth Band of Canada under the direction of Dr. Shelley Jagow, featuring Dean McNeill as the soloist. For me Kalla is a crossover piece stylistically for the soloist. It draws upon both classical and jazz inspired techniques including traditional cadenzas with virtuosic runs and triple tonguing and contrasting sections featuring jazz plunger techniques, a unique sound not often heard in band music. The trumpet culture at turn of the century (late 19th century-early 20th century) in New Orleans was the inspiration for Kalla. Trumpet players would go down to the river and play a note to see how long it took the echo to come back. Soon, another trumpet would answer, higher and louder, and the game of one-upsmanship would begin. Trumpet calls and answers from across the city would sound. Kalla is based on this concept of call and response with the opening trumpet call coming physically from three different places in the concert hall. As the piece develops call and response continues between the soloist and ensemble.
$100.00 ≈
92.73€
Cheer Up, Pull Away: A Duet for Oboe and Bb Clarinet
Cheer Up, Pull Away: A Duet for Oboe and Bb Clarinet
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Thomas Van Dyke Wiesenthal
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Brittany Sommerville
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Behold you island afar
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Cheer Up, Pull Away: A Duet fo
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Brittany Sommerville
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SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Instrumental Duet,Oboe - Level 2 - SKU: A0.857506 Composed by Thomas Van Dyke Wiesenthal. Arranged by Brittany Sommerv...
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Instrumental Duet B-Flat Clarinet,Instrumental Duet,Oboe - Level 2 - SKU: A0.857506 Composed by Thomas Van Dyke Wiesenthal. Arranged by Brittany Sommerville. Classical,Contest,Festival,Multicultural,Renaissance,Traditional,World. Score and parts. 2 pages. Brittany Sommerville #463969. Published by Brittany Sommerville (A0.857506). Cheer Up, Pull Away: A Duet for Oboe and Bb Clarinet is inspired by the travels of Thomas Forrest (1729-1802). Forrest was a captain in the British Royal Navy and a captain for the British East India Company. During his travels to Indonesia, he recorded his adventures in a journal. The Maluku islands are a province in Indonesia, west of New Guinea. The islands were known for their production of nutmeg and cloves. During Forrest's time in the Maluku islands, he came across a local fishing vessel. There, he noticed that when the sailors on the ship became fatigued, the first-mate would begin a call of motivation to the men at the oars. The men would respond back with a melody, which lighted their drowsy spirits enough to continue rowing for the whole night. Forrest recorded one of these locals songs. Translated into English, the chants contain, What fishes abound in its main; Behold you island afar; Haste, Haste and the fishes obtain. In 1818, Thomas Van Dyke Wiesenthal of the United States Navy composed a chorus and piano arrangement based on Forrest's journals; Cheer up! Pull away! The song featured calls and responses as similar to the sea chanties from the Maluku sailors. The melody in this arrangement of Cheer Up, Pull Away is passed between the oboe and the Bb clarinet; resembling the call and response of the Maluku sea chanties. The dynamically loud and abrupt sixteenth note arpeggios throughout the piece represent abrupt transition from drowsy and fatigued sailors to alert and motivated crew after participating in the chanty. This arrangement is suggested for those in grades 8, 9 and 10. Students will gain experience working with a six-eight time signature and controlling dynamics without being distracted with difficult fingerings and octaves. This piece may be used in solo and ensemble competitions throughout the United States of America, or as a fun piece for students to become comfortable in a six-eight time signature. There are 68 measures in this piece. The tempo is set to be dotted quarter note = 80 BPM; students should perform the piece in any tempo best suited to their needs. This piece will be 104 seconds long at quarter note = 80 BPM. Bb Concert Key.
$4.99 ≈
4.63€
The Wreck Of The Edmund Fitzgerald
The Wreck Of The Edmund Fitzgerald
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Piano seul
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AVANCÉ
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Folklorique/Traditionel
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Gordon Lightfoot
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Dean Gilbert
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The Wreck Of The Edmund Fitzge
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Dean Gilbert
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1043795 By Gordon Lightfoot. By Gordon Lightfoot. Arranged by Dean Gilbert. Folk. Score. 6 pages. Dean Gilbert #648473. P...
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Piano Solo - Level 5 - SKU: A0.1043795 By Gordon Lightfoot. By Gordon Lightfoot. Arranged by Dean Gilbert. Folk. Score. 6 pages. Dean Gilbert #648473. Published by Dean Gilbert (A0.1043795). Forty-five years ago, on November 10, 1975 29 crew members lost their lives on the Edmund Fitzgerald sailing across Lake Superior. I took Gordon Lightfoot's beautiful song and turned it into my own piano arrangement. You will notice that the ship bell is heard throughout the song. This song is in six parts. The summon begins with the ship's bell ringing summoning everyone to gather for a story, Next is The Voyage Begins with a calm Lake Superior. The ship bell rings again announce heavy seas ahead and we are now into the next section called The Storm Begins. The bell continues to ring warning the crew of heavy waves. The next section is called The Gales of November. The intensity picks up. The bell rings with force calling for help. The next section is called The Sinking. You can hear the waves crashing into the ship as the bell continues to call for help. At the end the ship sinks as the bell continues to ring. There is one last ring as it settles on the bottom of Lake Superior. The last section is The Memorial. It is the stillness of the water after a storm with no sign of the Edmund Fitzgerald. The bell ring 29 times for each of the crew members. Enjoy.
$4.99 ≈
4.63€
Song To The Siren
Song To The Siren
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Tim Buckley
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Andrew Orgee
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Song To The Siren
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Andrew Orgee
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1369022 By Tim Buckley. By Larry Beckett and Tim Buckley. Arranged by Andrew Orgee. 20th Century,C...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1369022 By Tim Buckley. By Larry Beckett and Tim Buckley. Arranged by Andrew Orgee. 20th Century,Contemporary,New Age,Pop. 17 pages. Andrew Orgee #953365. Published by Andrew Orgee (A0.1369022). This arrangement of “Song To The Siren†is based on Tim Buckley's original 1970 version of the song, and is scored for SATB choir with piano. The arrangement follows the verse and chorus structure of Larry Beckett's original text, but there is a countermelody which threads its way between the melody of the song. This is first stated by the piano accompaniment and then taken up by the choir throughout. This is the siren's song calling across the sea which is intended to be both beautiful and haunting at the same time. The piano accompaniment mimics the rolling movement of the sea which builds in intensity until the final closing bars.The arrangement is intended for choirs of a medium to large size, as the soprano and bass parts occasionally split into two parts.
$1.99 ≈
1.85€
Rock - a Roger Jones musical
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99 ≈
9.26€
Lakeside Revels
Lakeside Revels
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Harpe
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INTERMÉDIAIRE
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Contemporain
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David Wain Solomons
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Lakeside Revels
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,English Horn,Flute,Harp - Level 3 - SKU: A0.576451 Composed by David Wain Solomons. 20th Century,Contemporary. Score and parts. 33 ...
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Small Ensemble Cello,English Horn,Flute,Harp - Level 3 - SKU: A0.576451 Composed by David Wain Solomons. 20th Century,Contemporary. Score and parts. 33 pages. David Warin Solomons #26507. Published by David Warin Solomons (A0.576451). An upbeat piece with a hint of hornpipe in some places. This is one of two related pieces (same instrumental combination), the other being a more pensive piece called Across the lake (also available on this site) The sound sample is an electronic preview The pdf file contains score and parts.
$12.00 ≈
11.13€
12 Evocations (for Piano solo)
12 Evocations (for Piano solo)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Tiago Videira
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12 Evocations
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Tiago Videira
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by T...
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Piano Solo - Intermediate - Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by Tiago Videira
?vocations? is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.
These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.
Evocation I ? The Harvest
The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.
Evocation II ? The Sepia photograph
Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.
Evocation III ? The dead soldier
The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.
Evocation IV ? The composer
The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.
Evocation V ? The Glowing Sun
The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn ? she spins and swirls with heavenly grace.
Evocation VI ? The Far
Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...
Evocation VII ? The Queen of Spades
The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.
Evocation VIII ? The Poem
A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?
Evocation IX ? The Thinker
A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.
Evocation X ? The Island of the Hydrangeas.
A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.
Evocation XI ? The Near
When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.
Evocation XII ?Saffron rice
The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.
$25.99 ≈
24.10€
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Piano Facile
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FACILE
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo, Narrator - Advanced - Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Publish...
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Piano Solo, Narrator - Advanced - Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically
bringing my Debussy works to public attention in their solo piano formats, both through his recent
recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are
true piano pieces (like Toomai des lphants), in others they are piano reductions of orchestral scores
(like Ftes galantes), while in others they are piano solos in their own right that also exist in orchestral
versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world
premire recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording):
[After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap-
pears once again where the clock should be ? briefly
$19.95 ≈
18.50€
Oscillation
Oscillation
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Contemporain
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contrast, the string quartet h
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pa...
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95 ≈
18.50€
AT LAST FOR STRING QUARTET
AT LAST FOR STRING QUARTET
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Etta James
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Helen Marple-Horvat
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AT LAST FOR STRING QUARTET
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Helen Marple- Horvat
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SheetMusicPlus
String Quartet - Advanced - By Etta James. Arranged by Helen Marple-Horvat. Score, Set of Parts. 18 pages. Published by Helen Marple- Horvat...
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String Quartet - Advanced - By Etta James. Arranged by Helen Marple-Horvat. Score, Set of Parts. 18 pages. Published by Helen Marple- Horvat
https://www.youtube.com/watch?v=fA0-Tg4tul8andfeature=youtu.be
?At Last? was composed by Mack Gordon and Harry Warren for the musical ?Sun Valley Serenade? in 1941. It was recorded by Glenn Miller and his orchestra, becoming a chart hit in 1942, and in 1960 by Etta James, who was subsequently inducted into the Grammy Hall of Fame. The song is a frequent wedding favourite for quartets.
If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs-Capriccio Quartet-At Last.
This version of the song is for a professional/advanced quartet, as the opening is tricky for the first violin. However, most of the double stopping includes open strings for at least one of the notes. I have spread the melody across each member of the quartet so that everyone has their place in the sun! As a cellist myself, I know that my part can sometimes be a bit dull, so the cellist gets a lot of the tune! In the solos I have sometimes tried to approximate the feel of jazz by precisely notating the rhythms, but realistically I think it is better for each player to listen to different versions of the song and to play it,to some extent, by ear in order to feel the syncopation. It needs to have a ?rubato? melody, but with the accompaniment as a rock solid 12/8 beat, albeit with an emphasis on the ?off beat? which I have notated with an accent. I also recommend grace notes and glissandi to enhance the bluesy mood.I think Capriccio Quartet does this beautifully!
As well as this version for Quartet, I also have another arrangement of the song in the same key for String Quartet and Female Singer. You can find it uploaded to Sheet Music Press, and is recorded by Capriccio Quartet with my daughter singing.The accompanying parts are almost identical, but each player has more double stopping in the Quartet version. It is in the same key. Have fun and post me any recordings. I can be found on Facebook very easily.
$20.00 ≈
18.55€
Sound the Bright Trumpets - Chorus from Cantata #207a
Sound the Bright Trumpets - Chorus from Cantata #207a
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Cloches
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FACILE
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Classique
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Johann Sebastian Bach
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Mark Arnold
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Sound the Bright Trumpets - Ch
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Brass & Bronze Music
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.905052 Composed by Johann Sebastian Bach. Arranged by Mark Arnold. Baroque,Sacred. Score. 4 pages. Brass & Bronze Music #48...
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Handbell - Level 2 - SKU: A0.905052 Composed by Johann Sebastian Bach. Arranged by Mark Arnold. Baroque,Sacred. Score. 4 pages. Brass & Bronze Music #4804723. Published by Brass & Bronze Music (A0.905052). Bach for Bells!A hidden gem of the baroque repertoire, this short piece makes a great concert opener or call to worship. Scored for 3-5 octaves of handbells with optional G2, it was written for the arranger's middle school church group and has been field tested in performances across the midwest! .
$1.99 ≈
1.85€
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