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Byzantine hymn
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Vous avez sélectionné:
Byzantine hymn
Partitions à imprimer
33 partitions trouvées
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Byzantine hymn: O THRINOS TIS ALOSEOS: LAMENT OVER THE FALL OF CONSTANTINOPLE
Byzantine hymn: O THRINOS TIS ALOSEOS: LAMENT OVER THE FALL OF CONSTANTINOPLE
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Chorale SATB
#
INTERMÉDIAIRE
#
Classique
#
Byzantine hymn
#
Marilena Zlatanou
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Byzantine hymn: O THRINOS TIS
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343529 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 6 pages. Marilena Zlatanou ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343529 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 6 pages. Marilena Zlatanou #929058. Published by Marilena Zlatanou (A0.1343529). BYZANTINE HYMN: O THRINOS TIS ALOSEOS: Lament over the Fall of Constantinople in 1453 (after Simon Karas) arranged for soloist and SATB choirConstantinople (ΚωνταντινοÏπολη=Constantin's City), had been the capital of the Byzantine (Eastern Roman) empire from 330 until 1453, when it fell to the Ottomans. It continued then as the capital of the Ottoman empire, and has since 1930 been called Istanbul, the Turkish understanding of the sound of Greek: Stin Poli (= to the City). This Hymn survived in the Greek Orthodox Church and has both a secular and a religious character, as it records the end of the 1100 years glorious era, as well as it is lamenting the religious restrictions the Greek Orthodox Church was subjected to as a result of the Islamic Occupation. The content of the text is the praising of the brave heroes who fought to protect Constantinople, under emperor Constantin, against the invading forces of the Ottomans. duration: 2'25'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00
Byzantine hymn: APOLYTIKION EVANGELIZMOU
Byzantine hymn: APOLYTIKION EVANGELIZMOU
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Byzantine hymn
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Marilena Zlatanou
#
Byzantine hymn: APOLYTIKION EV
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Marilena Zlatanou
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343534 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 3 pages. Marilena Zlatanou ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343534 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 3 pages. Marilena Zlatanou #929060. Published by Marilena Zlatanou (A0.1343534). BYZANTINE HYMN: APOLITIKION EVANGELIZMOU (Apolytikion of the Annunciation): Arrangement for SATB choir a cappella Panayia, (St. Mary, always referred to as all-holy in Greek), is celebrated several times during the year in the Greek Orthodox Church, and on the 25th. of March, the Annunciation celebration, this Apolytikion is performed during the liturgy. duration: 2'20'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page.The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00
Byzantine hymn: APOLYTIKION of St. DIMITRIOS
Byzantine hymn: APOLYTIKION of St. DIMITRIOS
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Chorale SATB
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INTERMÉDIAIRE
#
Classique
#
Byzantine hymn
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Marilena Zlatanou
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Byzantine hymn: APOLYTIKION of
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Marilena Zlatanou
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343531 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 4 pages. Marilena Zlatanou ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343531 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 4 pages. Marilena Zlatanou #929061. Published by Marilena Zlatanou (A0.1343531). BYZANTINE HYMN (Apolytikion) for St. DIMITRIOS arrangement for SATB choirSt. Dimitrios was born around 280-284 in Thessaloniki (N. Greece), and martyred under Roman Emperor Diocletian in ca 306. He had become a Roman army officer but was incarcerated after converting to Christianity. In prison he met with Nestor, a gladiator set out to fight the famous and feared Lyeos. Dimitrios gave Nestor his blessing who then won the fight, something that enraged Maximilian (then governor of the city and later emperor), and who then ordered the execution of both Nestor and Dimitrios. St. Dimitrios is the patron saint of Thessaloniki, the second largest city in Greece, which has, since its establishment in 315 BC, been the administrative center of the whole area. duration: 3'25' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00
Byzantine Hymn: TI IPERMAHO
Byzantine Hymn: TI IPERMAHO
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Romanos o Melodos
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Marilena Zlatanou
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Byzantine Hymn: TI IPERMAHO
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Marilena Zlatanou
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343535 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. Classical. 8 pages. Marilena Zlatan...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343535 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. Classical. 8 pages. Marilena Zlatanou #929063. Published by Marilena Zlatanou (A0.1343535). BYZANTINE HYMN: TI IPERMAHO (To the defender army leader) arranged for SATB choir and pianoDuring a siege of Constantinople in the 6th cent., and while the regular army was engaged in fighting elsewhere, the city was attacked by Avars. The women, children and seniors left there fought as best they could, but finally realized that they had to give up. As a last resort, they carried the icon of Panayia (St. Mary, always referred to as all-holy in Greek), alongside the city walls, something that produced an unexpected effect: The besiegers left! For three days the citizens participated in liturgies addressed to Her, in a hymn called AKATHISTOS YMNOS (=Non-sitting Hymn), where this tropation is central, as it is most actively still used in the Greek Orthodox Church at many other relevant services. The first part is the original, in unison, or sung by a soloist. The piano part and the following choir arrangement are my contribution.duration: 3'33'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00
Byzantine Christmas Hymn, I PARTHENOS SIMERON, for SATB choir a cap.
Byzantine Christmas Hymn, I PARTHENOS SIMERON, for SATB choir a cap.
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Romanos o Melodos
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Marilena Zlatanou
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Byzantine Christmas Hymn, I PA
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.887056 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. A Cappella. 4 pages. Marilena Zlatan...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.887056 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. A Cappella. 4 pages. Marilena Zlatanou #3033149. Published by Marilena Zlatanou (A0.887056). A SATB choir a cappella arrangement of the original Byzantine Music Christmas hymn by Romanos o Melodos (415- 560)Duration just under 3 minutes.In this arrangement the hymn is presented both in its original byzantine form as well as in a subsequent western classical form but mindful to keep the original tone colour.There is also a vocal soloist part, male or female, at the conductor's discretion.The original Greek text and a transcription with latin letters is provided, as well as a translation. The attached mp3 file is a converted sibelius file.For more information on the arranger (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netÂ
$15.00
Greek Byzantine music for Mixed Choir/Three Holy Hymn
Greek Byzantine music for Mixed Choir/Three Holy Hymn
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Chorale SATB
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Dimitris Minakakis
#
#
Greek Byzantine music for Mixe
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Dimitris Minakakis
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.958875 Composed by Dimitris Minakakis. A Cappella,Christian,Contemporary. Octavo. 10 pages. Dimitris Minakakis #4757711. P...
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Choral Choir (SATB) - SKU: A0.958875 Composed by Dimitris Minakakis. A Cappella,Christian,Contemporary. Octavo. 10 pages. Dimitris Minakakis #4757711. Published by Dimitris Minakakis (A0.958875). Sacred Choral WorksGreek Byzantine MusicGreek Byzantine Music For Mixed Choir A CapellaIt is appropriate for Mixed Chorus It works well for events with Christian content Minakakis1951@gmail.com www.dimitrisminakakis.gr Mixed Choir Sheet Music Mixed Choir Music
$4.99
Improvisation On Tchaikovsky`s Cherubic Hymn
Improvisation On Tchaikovsky`s Cherubic Hymn
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Orchestre à Cordes
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FACILE
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Luis Anjos Teixeira
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Improvisation On Tchaikovsky`s
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Luis Anjos Teixeira
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages....
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String Orchestra - Level 2 - SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages. Luis Anjos Teixeira #4727333. Published by Luis Anjos Teixeira (A0.889429). „Improvisation On Tchaikovsky`s Cherubic Hymn. It is an original Harp improvisation to be accompanied by an adaptation for strings inspired by Tchaikovsky`s choir piece „Cherubic Hymn. The harmonic structure of Tchaikowky`s original work has been faithfully reproduced, so all credits for this piece goes to him. Rather than an arrangement, the outcome of this adventurous experience resulted in an improvisation for the Harp. With the added melodies on the Harp and the stringed instrumental caracter of the orquestral adaptation, the piece gains a stronger tone contrast, keeping at the same time its deep spiritual beauty, thus bringing it to a wider range of public and performance choices. it is very easy to perform, yet it moves deeply both performer and public. The piece is appropriate for beginner students. It can be used in serious concerts and all kinds of cultural events. It is a very Spiritual piece, it induces a wonderful mood in Baptism or Christmas celebrations. One can get married to it. The piece is also appropriate to honor someone in a funeral. Although this score was composed in full intent to be performed as written, the Harp part can be played by itself and the orquestral arrangement from the Hymn can also be performed without the Harp. This score was conceived so that without adaptations, the Harp the orchestra and the original Choir could perform at the same time. Or intercalated „Ad Lieb, the Harp with the choir, or the orquestra with the choir. Instead of a full string orquestra one can also use just a string quartet and a doublebass. A Little Historical Note. „The Cherubic Hymn is part of the Liturgy of St. John Chrysostom written in the fourth century by the Byzantine saint, honored as such by both Eastern Orthodox and Roman Catholic churches. In the context of the liturgy, the hymn is sung during the most mystical and spiritual part of the service as a prelude to the transubstantiation of bread and wine into the real presence of Our Lord. Pyotr Ilyich Tchaikovsky, the inspiring Master and genial composer with whom I had the happy causality to write this improvisation or „collab was born in; 25 April/7 May 1840 – 25 October/6 November 1893, was a Russian composer of the late Romantic period, he created an outstanding number of unique musical masterpieces. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design, this work is dedicated to her. Special Thanks to Tchaikovsky, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was produced with Garritan instruments. Thank You very much that You toke Your Time to read this text and to listen the file. I hope You enjoy it, Sheers…
$9.99
Hymn of Light from the Bridegroom Matins
Hymn of Light from the Bridegroom Matins
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Chorale SATB
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FACILE
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Christopher Aspaas
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Hymn of Light from the Bridegr
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Aspen Hill Music - Digital
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SheetMusicPlus
SATB chorus divisi and soloist a cappella - Easy - SKU: MQ.AHM-16-E Composed by Christopher Aspaas. 4 pages. Aspen Hill Music - Digital #AHM-16-E. Publi...
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SATB chorus divisi and soloist a cappella - Easy - SKU: MQ.AHM-16-E Composed by Christopher Aspaas. 4 pages. Aspen Hill Music - Digital #AHM-16-E. Published by Aspen Hill Music - Digital (MQ.AHM-16-E). English.This introit drawn from the Byzantine tradition sets a text in Church Slavonic over a simple drone. A solo voice and aleatoric verse provide a unique set of textures to open any concert or worship and music event.This setting makes for an excellent introit or processional with the choristers either in performance position or in the round. Begin with the tenors and basses in drone on the given pitches on either a hum or pure vowel such as [u] or [É‘]. All sopranos and altos should sing the melody in unison once through, followed by a male soloist who should sing the melody from the back of the performance space and move forward as he sings. The third and final iteration of the melody should be the sopranos and altos singing through each phrase in an aleatoric style. After the final release, one could move directly into an anthem such as Tebye poyem of Rachmaninoff. The key of this piece should be adjusted to fit the needs of the ensemble and program.
$2.85
Hymn Of The Cherubim
Hymn Of The Cherubim
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Damian Mihaylov
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Damian Mihaylov
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Hymn Of The Cherubim
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Damian Mihaylov
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - SKU: A0.1111405 Composed by Damian Mihaylov. Arranged by Damian Mihaylov. 20th Century,Religious,Sacred. Octavo. 4 pag...
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Choral Choir (4-Part) - Level 3 - SKU: A0.1111405 Composed by Damian Mihaylov. Arranged by Damian Mihaylov. 20th Century,Religious,Sacred. Octavo. 4 pages. Damian Mihaylov #713691. Published by Damian Mihaylov (A0.1111405). A chant written for an ancient prayer that is said during the Liturgy of the Byzantine rite.
$10.00
The Cherubic Hymn (Downloadable)
The Cherubic Hymn (Downloadable)
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Robert Lehman
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The Cherubic Hymn
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Double choir a cappella - Moderately Difficult - SKU: MQ.50-6095-E Composed by Robert Lehman. 5 pages. MorningStar Music Publishers - Digital Sheet Musi...
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Double choir a cappella - Moderately Difficult - SKU: MQ.50-6095-E Composed by Robert Lehman. 5 pages. MorningStar Music Publishers - Digital Sheet Music #50-6095-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6095-E). English.This lush, spacious piece for double choir is set to the text of the Cherubikon, the troparian normally sung at the Great Entrance in the Byzantine liturgy. It symbolically incorporates those present into the presence of the angels gathered around God's throne. Beautiful sonorities and a wide dynamic range paint the text.
$2.25
Christmas Apolytikion for Mixed Choir
Christmas Apolytikion for Mixed Choir
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Chorale SATB
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Dimitris Minakakis
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Christmas Apolytikion for Mixe
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Dimitris Minakakis
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.958930 Composed by Dimitris Minakakis. 20th Century,Christian,Christmas,Contemporary. Octavo. 5 pages. Dimitris Minakakis ...
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Choral Choir (SATB) - SKU: A0.958930 Composed by Dimitris Minakakis. 20th Century,Christian,Christmas,Contemporary. Octavo. 5 pages. Dimitris Minakakis #4809017. Published by Dimitris Minakakis (A0.958930). Christmas Apolytikion Christmas Troparion Byzantine Hymn Arranged by Dimitris Minakakis Mixed Choir Christmas Byzantine hymns Thy Nativity, O Christ our God Christmas hymns and songs Mixed Choir and Piano Η γÎννησίς σου ΧÏιστΠο Θεός ημών It is appropriate for schools and students
$3.99
Kontakion of Christmas
Kontakion of Christmas
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Chorale 3 parties
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Dimitris Minakakis
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Kontakion of Christmas
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Dimitris Minakakis
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SheetMusicPlus
Choral Choir (SSA) - SKU: A0.958915 Composed by Dimitris Minakakis. 20th Century,Children,Christian,Christmas,World. Octavo. 6 pages. Dimitris Minakakis...
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Choral Choir (SSA) - SKU: A0.958915 Composed by Dimitris Minakakis. 20th Century,Children,Christian,Christmas,World. Octavo. 6 pages. Dimitris Minakakis #4806521. Published by Dimitris Minakakis (A0.958915). Greek byzantine musicChristmas hymns and songsKontákion ChristougénnonByzantine hymnchildren’s choirChoir of equal voices
$3.99
PAPYRUS OXY. 1786
PAPYRUS OXY. 1786
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Chorale SATB
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INTERMÉDIAIRE
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Anon
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Marilena Zlatanou
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PAPYRUS OXY. 1786
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1372416 Composed by Anon. Arranged by Marilena Zlatanou. A Cappella. 6 pages. Marilena Zlatanou #956715. ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1372416 Composed by Anon. Arranged by Marilena Zlatanou. A Cappella. 6 pages. Marilena Zlatanou #956715. Published by Marilena Zlatanou (A0.1372416). PAPYRUS OXY.1786 Fragment of hymn to the Holy Trinity (end og 3rd cent. AD)Found on papyrus at ancient Oxyrhynchus (Egypt), written in Ancient Greek and in ancient Greek musical notation, transcribed to modern notation and published in Documents of Ancient Greek Music (edited and transcr. by E. Pöhlmann and M.L. West, Clarendon Press/Oxford, 2001).(...All praise through us the Father, the Son and the Holy Ghost...) The first 15 bars are written as printed in the above-mentioned publication and simply distributed to the choir voices. The rest is my attempt to incorporate this fragment in an a cappella SATB choir piece, in an effort to combine my knowledge and inspiration of both ancient Greek music and Byzantine hymnography, as well as classical choir writing.Duration: ca 5'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page.The mp3 file provided is exported from the sibelius fileFor more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.net
$25.00
Ti Ypermácho Stratigó
Ti Ypermácho Stratigó
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Chorale 3 parties
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INTERMÉDIAIRE
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Byzantine hymn
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Dimitris Minakakis
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Ti Ypermácho Stratig&oa
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Dimitris Minakakis
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.958940 Composed by Byzantine hymn. Arranged by Dimitris Minakakis. Christian,Concert. Octavo. 5 pages. Dimitris M...
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Choral Choir (SSA) - Level 3 - SKU: A0.958940 Composed by Byzantine hymn. Arranged by Dimitris Minakakis. Christian,Concert. Octavo. 5 pages. Dimitris Minakakis #4832853. Published by Dimitris Minakakis (A0.958940). Greek Orthodox Byzantine Music Byzantine musicGreek music
$3.99
Ti Ypermácho Stratigó
Ti Ypermácho Stratigó
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Chorale SATB
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INTERMÉDIAIRE
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Byzantine hymn
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Dimitris Minakakis
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Ti Ypermácho Stratig&oa
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Dimitris Minakakis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.958941 Composed by Byzantine hymn. Arranged by Dimitris Minakakis. Christian. Octavo. 5 pages. Dimitris Minakaki...
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Choral Choir (SATB) - Level 3 - SKU: A0.958941 Composed by Byzantine hymn. Arranged by Dimitris Minakakis. Christian. Octavo. 5 pages. Dimitris Minakakis #4832857. Published by Dimitris Minakakis (A0.958941). Greek Orthodox Byzantine Music Byzantine MusicMixed ChoirGreek music
$3.99
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Missa Solemnis, op. 27 (parts)
Missa Solemnis, op. 27 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #8...
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Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99
Christmas canonas for Mixed Choir
Christmas canonas for Mixed Choir
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Chorale SATB
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Dimitris Minakakis
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Christmas canonas for Mixed Ch
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Dimitris Minakakis
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.958929 Composed by Dimitris Minakakis. Christian,Christmas,Contemporary. Octavo. 10 pages. Dimitris Minakakis #4808219. Pu...
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Choral Choir (SATB) - SKU: A0.958929 Composed by Dimitris Minakakis. Christian,Christmas,Contemporary. Octavo. 10 pages. Dimitris Minakakis #4808219. Published by Dimitris Minakakis (A0.958929). Christmas Byzantine hymns Christmas hymns and songs Mixed Choir and Piano Christmas Canon Ode 1 – Katavasia Christ is born; glorify Him! Ode 3 - Katavasia To the Son, begotten of the Father Ode 9 – Katavasia Magnify, O my soul ΧÏιστός γεννάται δοξάσατε Τω Ï€Ïο των αιώνων Μεγάλυνον ψυχή μου It is appropriate for schools and students
$4.99
Kontakion of Christmas for Mixed choir
Kontakion of Christmas for Mixed choir
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Chorale SATB
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Dimitris Minakakis
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Kontakion of Christmas for Mix
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Dimitris Minakakis
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.958928 Composed by Dimitris Minakakis. Christian,Christmas,Contemporary,World. Octavo. 6 pages. Dimitris Minakakis #480819...
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Choral Choir (SATB) - SKU: A0.958928 Composed by Dimitris Minakakis. Christian,Christmas,Contemporary,World. Octavo. 6 pages. Dimitris Minakakis #4808191. Published by Dimitris Minakakis (A0.958928). Christmas Byzantine hymns Mixed Choir and Piano Mixed Choir Kontakion Christougénnon Kontakion of Christmas Κοντάκιον ΧÏιστουγÎννων Βυζαντινή Μουσική It is appropriate for schools and students Today, the Virgin bears Him who is transcendent
$3.99
Come, Ye Faithful, Raise the Strain - brass quintet
Come, Ye Faithful, Raise the Strain - brass quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jan Roh
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Todd Marchand
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Come, Ye Faithful, Raise the S
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726098 Composed by Jan Roh. Arranged by Todd Marchand. Christian,Easter,Sacred. Score and ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.726098 Composed by Jan Roh. Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 17 pages. Con Spirito Music #5374805. Published by Con Spirito Music (A0.726098). Come, Ye Faithful, Raise the Strain is a resurrection hymn-text authored by the Byzantine priest, theologian, and poet, St. John of Damascus (c. 675-754). He is counted among the Fathers of the Eastern Orthodox Church and is regarded by the Roman Catholic Church as one the Doctors of the Church. The English translation of the hymn was completed by the Anglican priest, scholar, and hymn-writer John Mason Neale (1818-1866) and published in his Hymns of the Eastern Church (1862).  Come, Ye Faithful, Raise the Strain is typically sung to either of two hymn tunes: ST. KEVIN, by the English composer Sir Arthur Sullivan (1842-1900), and GAUDEAMUS PARITER, by the Bohemian bishop, hymn writer and composer Jan Roh (c. 1487-1547). The latter tune is the basis for this arrangement. With introductory and concluding fanfares, exposition of the tune in various instrumental combinations and harmonizations, and rich, powerful sonorities throughout, it is ideal as a prelude or postlude to Easter worship, or for use at any time. ©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
GREEK LIFE RONDO for String Quartet
GREEK LIFE RONDO for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Trad and Alan Edgar
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GREEK LIFE RONDO for String Qu
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Alan Edgar Ted Moon
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1323031 Composed by Trad and Alan Edgar. Early Music,Folk,Religious,Traditional. 30 pages. Alan Edgar ...
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String Quartet String Quartet - Level 2 - SKU: A0.1323031 Composed by Trad and Alan Edgar. Early Music,Folk,Religious,Traditional. 30 pages. Alan Edgar Ted Moon #911306. Published by Alan Edgar Ted Moon (A0.1323031). GREEK LIFE RONDO String 4tet Based on ancient tunes about Greek life.The lively Food Market song (I'll buy you a rooster) forms the refrain.Paraponiariko moy (Don't be unhappy, little one) is a short melody I found, with a scale I cannot name but very sad.Kariotikos from Ikaria is a slow or accelerating dance with some singing, often seen at weddings, in a flexible mode (partly phrygian).I entered the vineyard (Pour love over me) is related to Solomon's Song. I could only find about 6 bars of this melody: the rest is mine. Aeolian mode.Lullaby: this lovely melody uses the Hitzaz scale, which is common in Greek regions and found in Africa, North America and Spain.Hymn for Matins: this is the oldest Greek Orthodox chant I can find. It is from the 13th C Sticherarion and printed in modern notation in JISOCM Vol 4 (2), p357. Nowadays, chanting there is often a solo, often by a woman, but I believe parallel organum was heard in Greece from the 16th C. Modern services include 4- part hymns. I present all three styles.Song of the Dead Brothers is a complex 9th C Byzantine mourning poem which has since been set to music many times. (The nine brothers died.) I found this phrygian setting from Karystos.
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Agni Parthène Déspoina
Agni Parthène Déspoina
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Hymn for Mother of God of St
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Dimitris Minakakis
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Agni Parthène Dé
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Dimitris Minakakis
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.958938 Composed by Hymn for Mother of God of St. Nectarius of Aegina. Arranged by Dimitris Minakakis. A Cappella,...
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Choral Choir (SSA) - Level 4 - SKU: A0.958938 Composed by Hymn for Mother of God of St. Nectarius of Aegina. Arranged by Dimitris Minakakis. A Cappella,Children,Christian. Octavo. 14 pages. Dimitris Minakakis #4832843. Published by Dimitris Minakakis (A0.958938). Agnà Parthéne Déspoina Pure Virgo DespinaGreek Orthodox Byzantine MusicByzantine MusicChildren’s Choir Women’s Choir A Capella
$4.99
Agni Parthène Déspoina
Agni Parthène Déspoina
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Hymn for Mother of God of St
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Dimitris Minakakis
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Agni Parthène Dé
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Dimitris Minakakis
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.958939 Composed by Hymn for Mother of God of St. Nectarius of Aegina. Arranged by Dimitris Minakakis. Christian,...
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Choral Choir (SATB) - Level 4 - SKU: A0.958939 Composed by Hymn for Mother of God of St. Nectarius of Aegina. Arranged by Dimitris Minakakis. Christian,Concert. Octavo. 19 pages. Dimitris Minakakis #4832851. Published by Dimitris Minakakis (A0.958939). Greek Orthodox Byzantine Music Byzantine MusicPure Virgo DespinaMixed Choir
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Christmas Apolytikion
Christmas Apolytikion
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Chorale 3 parties
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Dimitris Minakakis
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Christmas Apolytikion
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Dimitris Minakakis
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SheetMusicPlus
Choral Choir (SSA) - SKU: A0.958916 Composed by Dimitris Minakakis. 20th Century,Children,Christian,Christmas,World. Octavo. 5 pages. Dimitris Minakakis...
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Choral Choir (SSA) - SKU: A0.958916 Composed by Dimitris Minakakis. 20th Century,Children,Christian,Christmas,World. Octavo. 5 pages. Dimitris Minakakis #4806921. Published by Dimitris Minakakis (A0.958916). I génnisÃs sou Christé o Theós imónThy Nativity, O Christ our GodGreek Byzantine Music It is appropriate for schools and students Christmas hymns Children’s Choir Choir of equal voicesΑπολυτίκιον ΧÏιστουγÎννωνΒυζαντινή Μουσική
$3.99
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Byzantine hymn
