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Being Alive Bass
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Vous avez sélectionné:
Being Alive Bass
Partitions à imprimer
22 partitions trouvées
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1
Being Alive
Being Alive
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Basson, Piano (duo)
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FACILE
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Stephen Sondheim
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Rodrigo Ramos
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Being Alive
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Rodrigo Ramos
#
SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.1367012 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,Musical/Show,Si...
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Bassoon,Piano - Level 2 - SKU: A0.1367012 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,Musical/Show,Singer/Songwriter,World. Score and part. 13 pages. Rodrigo Ramos #951354. Published by Rodrigo Ramos (A0.1367012). Being Alive is a song from the musical Company with music and lyrics by Stephen Sondheim. The song appears at the end of the second act and is sung by Robert, a 35-year-old bachelor at the center of the show, who ...realizes that being a lone wolf isn't all it's cracked up to be. He declares that he wants to take risks, to have fear, being heartbroken - or whatever happens when you decide to love and be loved. This arrangement is a sung version of the theme adapted for bassoon and piano.
$5.99 ≈
5.57€
Being Alive
Being Alive
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Contrebasse, Piano (duo)
#
FACILE
#
Stephen Sondheim
#
Rodrigo Ramos
#
Being Alive
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Rodrigo Ramos
#
SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - SKU: A0.1367019 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural...
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Double Bass,Piano,String Bass - Level 2 - SKU: A0.1367019 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,Musical/Show,Singer/Songwriter,World. Score and part. 13 pages. Rodrigo Ramos #951361. Published by Rodrigo Ramos (A0.1367019). Being Alive is a song from the musical Company with music and lyrics by Stephen Sondheim. The song appears at the end of the second act and is sung by Robert, a 35-year-old bachelor at the center of the show, who ...realizes that being a lone wolf isn't all it's cracked up to be. He declares that he wants to take risks, to have fear, being heartbroken - or whatever happens when you decide to love and be loved. This arrangement is a sung version of the theme adapted for Bass and piano.
$5.99 ≈
5.57€
Being Alive
Being Alive
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Stephen Sondheim
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Daryl McKenzie
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Being Alive
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Daryl McKenzie
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.734139 Composed by Stephen Sondheim. Arranged by Daryl McKenzie. Broadway,Contemporary,Musical/Show. Score and parts. 9...
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Concert Band - Level 3 - SKU: A0.734139 Composed by Stephen Sondheim. Arranged by Daryl McKenzie. Broadway,Contemporary,Musical/Show. Score and parts. 92 pages. Daryl McKenzie #6495847. Published by Daryl McKenzie (A0.734139). Arranged in the style of the original Broadway orchestration for the music Company for Vocal with Concert Band (2 Flutes, Oboe, 3 Clarinets, Bass Clarinet, Bassoon, 4 Saxes, 4 F Horns, 3 Trumpets, 3 Trombones, Euphonium, Tuba, String Bass, Drum Kit, Percussion) Key of Eb to E
$79.99 ≈
74.37€
Being Alive
Being Alive
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Violoncelle
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DÉBUTANT
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Rock
#
Stephen Sondheim
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André Laitano
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Being Alive
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ANDRÃ? DOS SANTOS
#
SheetMusicPlus
Small Ensemble Cello,Double Bass,Harpsichord,Organ,Piano,Voice - Level 1 - SKU: A0.706810 Composed by Stephen Sondheim. Arranged by André Laitano. Co...
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Small Ensemble Cello,Double Bass,Harpsichord,Organ,Piano,Voice - Level 1 - SKU: A0.706810 Composed by Stephen Sondheim. Arranged by André Laitano. Contemporary. Score and parts. 3 pages. ANDR� DOS SANTOS #6631691. Published by ANDR� DOS SANTOS (A0.706810). Stephen Sondheim - Being Alive (from Company) Easy Violoncello Solo.
$4.99 ≈
4.64€
Being Alive
Being Alive
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
#
Stephen Sondheim
#
Daryl McKenzie
#
Being Alive
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Daryl McKenzie
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.718688 Composed by Stephen Sondheim. Arranged by Daryl McKenzie. Broadway,Musical/Show. Score and parts....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.718688 Composed by Stephen Sondheim. Arranged by Daryl McKenzie. Broadway,Musical/Show. Score and parts. 71 pages. Daryl McKenzie #6500069. Published by Daryl McKenzie (A0.718688). Arranged in the style of the original Broadway orchestration for the music Company for Vocal with Big Band (2 Flutes, 2 Clarinets, Bass Clarinet, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums, Percussion) Key of C to Db
$59.99 ≈
55.77€
Being Alive
Being Alive
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Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
#
Stephen Sondheim
#
Daryl McKenzie
#
Being Alive
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Daryl McKenzie
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.718467 Composed by Stephen Sondheim. Arranged by Daryl McKenzie. Broadway,Musical/Show. Score and Parts....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.718467 Composed by Stephen Sondheim. Arranged by Daryl McKenzie. Broadway,Musical/Show. Score and Parts. 73 pages. Daryl McKenzie #6235619. Published by Daryl McKenzie (A0.718467). Arranged in the style of the original Broadway orchestration for the music Company for Vocal with Big Band (2 Flutes, 2 Clarinets, Bass Clarinet, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums, Percussion) Key of Eb to E
$59.99 ≈
55.77€
Being Alive
Being Alive
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Contemporain
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Stephen Sondheim
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Toshi Clinch
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Being Alive
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Toshi S Clinch
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SheetMusicPlus
Small Ensemble Alto Saxophone,Double Bass,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1016542 Composed by Stephen Sondheim. ...
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Small Ensemble Alto Saxophone,Double Bass,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1016542 Composed by Stephen Sondheim. Arranged by Toshi Clinch. Contemporary. Score and parts. 43 pages. Toshi S Clinch #5724513. Published by Toshi S Clinch (A0.1016542). This arrangement takes Stephen Sondheim’s original melody from the musical Company and places it over a soft Bossa Nova groove. The melody is shared between all of the horns and the piece features an improvised piano solo, followed by a short horn soli. Duration: 4:30Style: Bossa NovaTempo: 100 BPMLevel: IntermediateLead Trumpet Range: Written G (F5 Concert)Solos: PianoInstrumentation:- Flugelhorn x2- Trombone- Alto Sax- Tenor Sax- Guitar- Piano- Bass- Drum Kit
$40.00 ≈
37.19€
Being Alive
Being Alive
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Jazz combo
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AVANCÉ
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Stephen Sondheim
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Nigel Hanley
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tenor saxes, and trombone
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Being Alive
#
Nigel Hanley Music
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SheetMusicPlus
Jazz Combo - Level 5 - SKU: A0.790222 Composed by Stephen Sondheim. Arranged by Nigel Hanley. 20th Century,Broadway,Contemporary,Musical/Show,Opera,Pop....
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Jazz Combo - Level 5 - SKU: A0.790222 Composed by Stephen Sondheim. Arranged by Nigel Hanley. 20th Century,Broadway,Contemporary,Musical/Show,Opera,Pop. 22 pages. Nigel Hanley Music #4267263. Published by Nigel Hanley Music (A0.790222). This chart is an 8 piece musical theater pit band arrangement of the Stephen Sondheim tune from the musical 'Company'. The instrumentation is keyboards, bass, guitar, drums, trumpet, alto & tenor saxes, and trombone. The keyboard/piano part has cues for strings, oboe, horns, and guitar, which means the chart will work with various instrumentations, ie a trio, up to an octet. Download the complete mp3 track from www.nigelhanleymusic.com Other keys and instrumentation available on request: info@nigelhanley.com
$29.99 ≈
27.88€
Christchurch Alive!
Christchurch Alive!
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Dale Vail
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Christchurch Alive!
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Dale Vail
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1308595 Composed by Dale Vail. Classical,Contest,Festival,Jazz. Brass Band. 107 pages. Dale Vail #897836. Published by Dale Vail (A0.1308595). Christchurch Alive! - Brass Band Major WorkPlaying level : Suitable for bands of all levelsParts for British Brass Band, and transposed options for Bass clef Trombone/Euphonium/Baritones/Tubas and Horns in F.Christchurch Alive! was written for the Nor'west Brass Band in 2017 by Dale Vail as the own choice work for their first New Zealand National Brass Band Contest in 2018.Christchurch Alive! is a testimony to the spirit of the Christchurch Community, and their resilience to the life changing earthquakes of 2010 and 2011. The piece is built around the harmonic circle of fifths. The circle of fifths is famous for being a common harmonic pattern in both baroque and classical music, and jazz and modern music. Most influentially used by Arcangelo Corelli, the pattern appears commonly in the Johann Sebastian Bach's music, and the works of Antonio Lucio Vivaldi.In the modern age, it is most famously heard in Joseph Kosma's Autumn Leaves. Dale's piece takes the two sides of this famous progression, and links them into one seamless piece of music, symbolising the union of two eras making something new, much like pre-earthquake culture, and new post-earthquake culture, joining together to create a new community.The work opens with a traditional style melody, utilising a modern minor 7th tonality. Tubular bells sound 5 times, a clock tower striking 5am marking the first hour after the first earthquake. The band explodes into a New Orleans style street band theme, showing the nightlife and central city vibrancy that still exists amongst the repairs. This swaps to a Vivaldi inspired melody, using the same circle of 5ths progression, a blend of two different times, old and new buildings forming one city. A solo voice from offstage begins a cadenza, echos of a busker in the old arts centre markets, which brings one intoA nostalgic melody from the flugel. A reflection on what used to be. The circle of fifths becomes a I - V progression, stuck on a continuous loop, illustrating a longing to remember, and to restore what was. The circle begins to move forward again with a solo trombone taking the stage, a reflection on the late night jam sessions from the Christchurch Jazz School on Poplar lane. A Sibelius inspired melody reminds that whilst the past is remembered, it cannot be revisited. The flugel melody is re-harmonized, remembering what made the old Christchurch great, and taking that with us to the new Christchurch. All the themes are revisited and brought together in a vibrant ending, a hybrid of different communities, restored and new landmarks, and a resolve to make the future their own.The city is thriving and more alive than ever.
$100.00 ≈
92.97€
Come Alive
Come Alive
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Benj Pasek and Justin Paul
#
Christopher Alexander
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Paul)
#
Come Alive
#
Christopher Alexander
#
SheetMusicPlus
Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.839918 Composed by Benj Pasek and Justin Paul. Arranged by C...
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Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.839918 Composed by Benj Pasek and Justin Paul. Arranged by Christopher Alexander. Film/TV,Rock. 78 pages. Christopher Alexander #6072357. Published by Christopher Alexander (A0.839918). When The Greatest Showman opened in theatres in 2017, the world instantly fell in love with the music and lyrics of Benj Pasek and Justin Paul (collectively known as Pasek & Paul).  Their work has been featured in other great films such as La La Land and the 2019 remake of Disney's Aladdin, as well as on stage in shows such as Dear Evan Hansen and Dogfight. Arguably the biggest ensemble song of the movie, Come Alive will have your show choir not being able to contain themselves from the impressive lyrics and rhythmic cadences in the vocal lines.  This is definitely not one to miss!Octavo also available:https://www.sheetmusicplus.com/title/come-alive-digital-sheet-music/21870272.
$25.00 ≈
23.24€
Love Will Keep Us Alive
Love Will Keep Us Alive
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Quatuor à cordes: 2 violons, alto, violoncelle
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Rock
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The Eagles
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Jeff Perholtz
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Love Will Keep Us Alive
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Fab Forward Entertainment
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1120583 By The Eagles. By Jim Capaldi, Paul Carrack, and Peter Vale. Arranged by Jeff Perholt...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.1120583 By The Eagles. By Jim Capaldi, Paul Carrack, and Peter Vale. Arranged by Jeff Perholtz. Rock. Score and parts. 7 pages. Fab Forward Entertainment #721829. Published by Fab Forward Entertainment (A0.1120583). Eagles - Love Will Keep Us Alive (For String Quartet to accompany a Rock Band) This arrangement of the Eagles classic Love Will Keep U Alive is great for rock bands that want to perform with a full background ensemble. Throw away the phony keyboard patches and perform with real human beings! This arrangement should be used to accompany a band performing the song as it was originally recorded on the Hell Freezes Over album released in 1994. Includes individual parts and master score. Piano, guitar, bass, vocal & drum parts are not included.
$12.99 ≈
12.08€
Children Of The Grave
Children Of The Grave
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Basse electrique
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INTERMÉDIAIRE
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Rock
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Black Sabbath
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Tracy Dean McCallum
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Children Of The Grave
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar - Level 3 - SKU: A0.1262768 By Black Sabbath. By Frank Iommi, John Osbourne, Terence Butler, and William Ward. Arranged by Tracy Dean McCall...
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Bass Guitar - Level 3 - SKU: A0.1262768 By Black Sabbath. By Frank Iommi, John Osbourne, Terence Butler, and William Ward. Arranged by Tracy Dean McCallum. Rock. Score. 7 pages. Tracy Dean McCallum #855777. Published by Tracy Dean McCallum (A0.1262768). https://tracymccallum.com/Revolution in their minds, the children start to marchAgainst the world in which they have to liveAnd all the hate that's in their heartsThey're tired of being pushed aroundAnd told just what to doThey'll fight the world until they've wonAnd love comes flowing through, yeahChildren of tomorrow live in the tears that fall todayWill the sun rise up tomorrow bring in peace in any way?Must the world live in the shadow of atomic fear?Can they win the fight for peace or will they disappear? YeahSo, you children of the worldListen to what I sayIf you want a better place to live inSpread the word todayShow the world that love is still alive, you must be braveOr you children of today are children of the grave, yeah
$6.99 ≈
6.50€
Stephen Sondheim: Being Alive - choir (TTBB: tenor, bass)
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Chorale TTBB
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INTERMÉDIAIRE
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Comédie Musicale
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Stephen Sondheim
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Virtualsheetmusic
Instantly printable sheet music by Stephen Sondheim for choir (TTBB: tenor, bass) of MEDIUM skill level. / musical/show,pop,broadway,concert
Instantly printable sheet music by Stephen Sondheim for choir (TTBB: tenor, bass) of MEDIUM skill level. / musical/show,pop,broadway,concert
$5.88 ≈
5.47€
Stephen Sondheim: Being Alive - choir (SATB: soprano, alto, tenor, bass)
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Chorale SATB
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INTERMÉDIAIRE
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Comédie Musicale
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Stephen Sondheim
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Virtualsheetmusic
Instantly printable sheet music by Stephen Sondheim for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / musical/show,pop,broadway,concert...
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Instantly printable sheet music by Stephen Sondheim for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / musical/show,pop,broadway,concert
$6.28 ≈
5.84€
Where Are We Going?
Where Are We Going?
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Alan Wagstaff
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Alan Wagstaff
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Where Are We Going?
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Alan Wagstaff
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SheetMusicPlus
Level 3 - SKU: A0.1422251 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Country,Folk,Irish,New Age,Singer/Songwriter. 18 pages. ...
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Level 3 - SKU: A0.1422251 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Country,Folk,Irish,New Age,Singer/Songwriter. 18 pages. Alan Wagstaff #1003599. Published by Alan Wagstaff (A0.1422251). 'Where Are We Going?' is an Irish style waltz written for soprano voice, fiddle, harp, accordion, flute, and bass. Here is the lyric:'Where are we going?' you asked me today.Truth is - I have no idea.Wherever we're heading - we're heading that way;today - let's enjoy being here. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive. What happens next, now that we two have met,Leave in the lap of the gods.'Now' is a moment I cannot regret -right now, we have beaten the odds. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive. I love uncertainty - I love the road,I love the time spent with you.I love not knowing the last episode,I love what we're going through. Don’t even know what's around the next bend.Don't want to know, or to see.One thing's for certain - I'll still be your friend,Right now, that feels solid to me. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive.
$2.50 ≈
2.32€
Don't Stop Me Now
Don't Stop Me Now
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Queen
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Jeffrey Bowen
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Don't Stop Me Now
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1078067 By Queen. By Freddie Mercury. Arranged by Jeffrey Bowen. Contest,Festival,Pop. Score and parts. 63 pages. Music...
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Concert Band - Level 4 - SKU: A0.1078067 By Queen. By Freddie Mercury. Arranged by Jeffrey Bowen. Contest,Festival,Pop. Score and parts. 63 pages. Music Arrangement Services Inc. #682272. Published by Music Arrangement Services Inc. (A0.1078067). Performed by Queen. This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. This song is about feeling vibrant and alive. The song refers to having fun, being alive and vibrant, feeling unstoppable, being like a shooting star, tiger, racing car, rocket ship, and satellite. This arrangement offers vocal features and a dance break and is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:25.
$49.99 ≈
46.48€
Being Alive - Bass
Being Alive - Bass
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Contrebasse (partie séparée)
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Comédie Musicale
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Stephen Sondheim
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Mac Huff
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Concert
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Being Alive - Bass
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show; Pop. EPak. 2 pages. Duration 3:35. Published by Hal Leonard - Digital...
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By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show; Pop. EPak. 2 pages. Duration 3:35. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.51€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
52.05€
As The World Caves In
As The World Caves In
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Chorale SSAA
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INTERMÉDIAIRE
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Matt Maltese
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Rowena Harper
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As The World Caves In
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Rowena Harper
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1378011 By Matt Maltese. By Matt Maltese. Arranged by Rowena Harper. A Cappella,Barbershop. 3 pages. Rowe...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1378011 By Matt Maltese. By Matt Maltese. Arranged by Rowena Harper. A Cappella,Barbershop. 3 pages. Rowena Harper #962631. Published by Rowena Harper (A0.1378011). Originally written by Matt Maltese, this song was made popular by Sarah Cothran. It was written about a ficitious situation where two people were spending their last moments alive together, having just pushed a button to nuke the world! As a song, it highlights how human beings can completely lose sight of the bigger picture, whilst focusing only on themselves.  Purchasing allows printing of one copy, and one copy per singer is required.Key: Ab majorRange (Lowest-Highest): Bass F3-F4, Baritone C4-C5, Lead Bb3-D5, Tenor F4-F5. (Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The Bass clef parts are sung an octave higher than written.) Contact: acappellatenor@gmail.com or on Facebook: Rowena Harper Arrangements
$1.99 ≈
1.85€
The Great Healer
The Great Healer
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David Kai
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David Kai
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The Great Healer
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David Kai
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105120 By David Kai. By David Kai. Arranged by David ...
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Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105120 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Folk,Rock. Full Performance. Duration 215. David Kai #708367. Published by David Kai (A0.1105120). This fun song was written when heart transplants were fairly new and still in the news. The song depicts the healing ministry of Jesus brought into modern times. Since people like to put music into categories, the style could be roughly described as being country/bluegrass/synth-driven/gospel pop, which might make it pretty unique! The song was first recorded by the Christian rock group, Whitestone. The Great Healer words and music by David Kai ©1980 I’ve had a heart transplant with a bit of a difference, it may seem rather odd No scalpel, no surgeon, no anesthetic, just between me and God And now a new life beats inside of me, it’s more than mere words can describe My heart keeps time to the rhythm of the Spirit inside Well I went fishing for the truth to life, but I opened up a can of worms False religions and philosophies, misleading me at every turn Well I soon realized that knowledge is fine, but it’s really just a place to start ‘Cause you can change your mind but it’s God that has to change your heart Chorus: Yes, he’s the great healer, in a world of pain and strife He’s the great healer, and he can mend a broken life And though your hurts be too much to bear He can heal your wounds with his loving care And give you a new life that will never die So if you feel that you’ve lost all your reason to live Good and bad look the same And you’re walking around more dead than alive Life clotting up in your veins Just end your confusion, accept a transfusion of love from the heavenly Lord And to your surprise you’ll find that you have been restored Chorus:.
$1.99 ≈
1.85€
Trio for flute, viola and classical guitar (arrangement of XV:10)
Trio for flute, viola and classical guitar (arrangement of XV:10)
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Classique
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Franz Joseph Haydn
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Nick Stokes
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Trio for flute, viola and clas
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Nick Stokes
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SheetMusicPlus
Acoustic Guitar,Flute,Viola - Level 3 - SKU: A0.1317395 Composed by Franz Joseph Haydn. Arranged by Nick Stokes. Chamber,Classical. 37 pages. Nick Stoke...
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Acoustic Guitar,Flute,Viola - Level 3 - SKU: A0.1317395 Composed by Franz Joseph Haydn. Arranged by Nick Stokes. Chamber,Classical. 37 pages. Nick Stokes #906057. Published by Nick Stokes (A0.1317395). This arrangement is of a light 2 movement piano trio by Haydn. It goes for about 10 to 15 minutes (depending on if you do repeats). It has a number of delightful and catchy tunes and has plenty of energy in the presto movement.   It is for what I think is the best combination of instruments involving guitar in chamber music - flute , viola & guitar. the level of difficulty is probably in that order too , with the flute doing the lion’s share of the tunes, the viola doing a fair amount of double stops and some secondary tunes and the guitar not too hard but involving some grand barres and half barres and requires tuning the low string down to Eb.  This version has a many tone colours to explore and is very light in the bass which I find makes for a sparkling sound . All the players are busy and get to have solos, which is sometimes a complaint of cellists playing Haydn piano trios where the requirement at the time seemed to be to make the music work with or without the cello being there.   I hope other guitarists and amateur musicians find it fun and worthwhile putting the time in to learn and perform it. I feel the best of Haydn will never sound old and the basic structure is so solid that it has been used for centuries since he was alive and creating. Maybe this arrangement will allow a fresh listen to this particular piece.
$10.00 ≈
9.30€
Being Alive - Trombone 2 (Bass Trombone)
Being Alive - Trombone 2 (Bass Trombone)
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Trombone (partie séparée)
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Comédie Musicale
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Stephen Sondheim
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Mac Huff
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Concert
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Being Alive - Trombone 2
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show; Pop. EPak. 1 pages. Duration 3:35. Published by Hal Leonard - Digital...
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By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show; Pop. EPak. 1 pages. Duration 3:35. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.51€
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