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Vous avez sélectionné:
Back Where I Started
Partitions à imprimer
22 partitions trouvées
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1
Where Is Jesus
Where Is Jesus
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin Longley
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Where Is Jesus
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1019372 Composed by Kevin Longley. Christian,Easter,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #65...
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Choral Choir (SATB) - Level 4 - SKU: A0.1019372 Composed by Kevin Longley. Christian,Easter,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6550433. Published by Kevin Longley (A0.1019372). Where Is JesusInspiration January 1st, 2021 was the start of my official retirement from a wonderful company that I had been employed at for 40+ years, Cirtronics Corporation. Where Is Jesus was my first retirement music so to speak. A 2 measure musical idea came to me in early January. Several weeks later I had the overall structure completed and started inputting the score into my music program. At this point I had no lyrical ideas, however with Easter approaching it occurred to me that the musics dramatic content leaned heavily towards Good Friday, in spirit. As I pondered that, I couldn't help but wonder what the disciples thought when Jesus was taken. Certainly they would question where he was, question what had happened. Thus was born Where is Jesus with the lyrical content asking and then answering. The Music The music is comprised of an A section which begins with the Tenors and Altos singing Where Is Jesus. The choir then responds (in chronological order, as recorded in the Gospels ) with lyrics that describe the brutality that Jesus endured. Here the weight of what has occurred is felt with the lyrics and music evoking great emotion. The B section follows; a retrospective look back sung by the soloist, stating that all had transpired as foretold, or as stated, by Jesus and the prophets. A C section is then introduced which contains the hope then, and the crux now, of our faith deaths chain cannot have its reign, he will rise, he will rise. After a short piano interlude we are returned to the A section, now modulated to a higher key; here the most emotional section of the music is felt with the raw truth of what has happened. He is nailed to the cross, he has died, we are lost. The piece then ends as it started Where Is Jesus, to be answered three days later.
$4.99 ≈
4.60€
Back to the Heart
Back to the Heart
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95 ≈
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Back Where I Started by The Derek Trucks Band - Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
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Guitare notes et tablatures
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The Derek Trucks Band
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Back Where I Started
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Musicnotes
Performed by: The Derek Trucks Band: Back Where I Started Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital shee...
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Performed by: The Derek Trucks Band: Back Where I Started Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar 1;Guitar 2; 10 pages -- Blues Rock~~Pop Rock~~Modern Electric Blues~~Jam Band
$5.50 ≈
5.07€
February
February
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Piano seul
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INTERMÉDIAIRE
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Paul Thurmond
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February
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.828263 Composed by Paul Thurmond. New Age,Pop,Sacred,Spiritual. Score. 3 pages. Paul Thurmond #4969097. Published by Paul...
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Piano Solo - Level 3 - SKU: A0.828263 Composed by Paul Thurmond. New Age,Pop,Sacred,Spiritual. Score. 3 pages. Paul Thurmond #4969097. Published by Paul Thurmond (A0.828263). Use: Prelude, Offertory, CommunionI have a nice view from my studio window on the second floor of my house. It overlooks our big backyard, some trees and brush, a couple of fields, and some small mountains in the distance. My studio is set up so that as I play I can look outside.This year in Tennessee we’ve had more snow than normal. There have been many school closings. Even Tennessee Tech shut down at times, which hardly ever happens.So I’ve had some opportunities to sit in my studio in the middle of the day, look out my window at the beautiful falling snow, and write music.I began today’s piece a few weeks ago, during one of the largest snowfalls I’ve seen since I moved here from Wisconsin. I composed a few measures that I liked, couldn’t think of where to go next, and put it aside for a time. For the next few days I kept coming back to it, always liking what I had already written, but not able to add anything new.Then we had another snowfall. This time I was able to finish the basic structure of the piece, but I got stuck when I started to polish it up.A couple of days ago it snowed yet again, and I completed the work and recorded it.Today is Saturday, and it’s not snowing as I write this. However, they’re predicting more snow on Monday, which is usually the day I edit my blog posts. [Last minute update: No snow on Monday, although we did get 2 inches of rain.]Apparently, this piece owes its existence to frozen precipitation. I considered naming it Paean to the Snow Muses, but I think I’ll stick with my original title, February.
$4.99 ≈
4.60€
Trapped
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00 ≈
23.03€
2023/4: 8. Patience
2023/4: 8. Patience
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Piano seul
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FACILE
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Matthew Colson
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2023/4: 8. Patience
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Matthew Colson
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1408324 Composed by Matthew Colson. 21st Century,Classical,Contemporary,Romantic Period. Score. 3 pages. Matthew Colson #...
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Piano Solo - Level 2 - SKU: A0.1408324 Composed by Matthew Colson. 21st Century,Classical,Contemporary,Romantic Period. Score. 3 pages. Matthew Colson #990907. Published by Matthew Colson (A0.1408324). 2023/4 is a collection of 11 pieces for solo piano. They are all written in ¾ time and were composed throughout 2023.“Patience is the eighth piece from 2023/4. I started this piece back in July after a therapy session. I shelved it as I didn't know where to take it at the time, and brought it back later in the year, where I finished it.I generally do not put pedal markings in my music - please use pedals (sustain & una corda) at your discretion. About the composer:Matthew Colson is a hobby composer from New England. He began writing little piano pieces in 2003. Since then, he has written several pieces, ranging from piano to orchestral. His music has been performed live in the United States and Australia. To listen to his original compositions, please visit his YouTube page: EmceeMusic42If you perform my music, I’d love to hear it! For any business or personal correspondence: emceemusic42@gmail.com.
$2.50 ≈
2.30€
Back Where I Started
Back Where I Started
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Guitare notes et tablatures
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Rock
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The Derek Trucks Band and Dere
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Back Where I Started
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By The Derek Trucks Band and Derek Trucks. Pop; Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music ...
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By The Derek Trucks Band and Derek Trucks. Pop; Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.60€
Warren Haynes: Back Where I Started for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Warren Haynes
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Virtualsheetmusic
Instantly printable sheet music by The Derek Trucks Band for guitar (tablature) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by The Derek Trucks Band for guitar (tablature) of MEDIUM skill level. / pop,rock
$8.97 ≈
8.26€
Cornus - A Fantasy Ballade for Piano
Cornus - A Fantasy Ballade for Piano
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Piano seul
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AVANCÉ
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Aris Antoniades
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Cornus - A Fantasy Ballade for
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Aris Antoniades
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.942946 Composed by Aris Antoniades. Concert,Contemporary. Score. 14 pages. Aris Antoniades #3914555. Published by Aris An...
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Piano Solo - Level 5 - SKU: A0.942946 Composed by Aris Antoniades. Concert,Contemporary. Score. 14 pages. Aris Antoniades #3914555. Published by Aris Antoniades (A0.942946). Cornus - A Fantasy Ballade for Piano, composed by Aris Antoniades.Cornus is the name of the forest that surrounds the Army Unit I was stationed at, during the first year of my military service back in my homeland, Cyprus. The magical sounds of nature and the myths surrounding this forest were what kept me company during many cold, endless nights of sentry guard duty. On such nights, I would often let my imagination soar, making up stories and music. It was during one of those moments of spontaneous inspiration that I came up with the opening motif for this piece.The piece tries to musically depict the different feelings a questing knight experiences when he sets off into the depths of the forest and back. Just like all typical chivalric romances, the hero discovers something remarkable while he travels - something that has the power to change him forever. Although by the end of the story the hero returns back to where he started, he is now a different person since the adventure forced him to undergo a catharsis.
$12.95 ≈
11.93€
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
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Piano, Voix et Guitare
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FACILE
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James R
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Connie Boss
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Here to See Santa Claus
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Bo...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
$5.50 ≈
5.07€
River Music
River Music
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Contemporain
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Sarah Hersh
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River Music
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Burbury Lane Music
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and parts. 59 pages. ...
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and parts. 59 pages. Burbury Lane Music #3368591. Published by Burbury Lane Music (A0.1028052). River Music is a fun and accessible piece that has received much positive feedback in the clarinet world and has been performed many times, including at the International Clarinet Association's ClarinetFest. It is an approximately 8 minute piece for two Bb clarinets and bass clarinet that would be equally at home on an environmental-themed concert or any other type of program. It is a relatively advanced piece but has been performed by high school students. River Music was written for Clarinets for Conservation.Program Note: River Music was inspired by my time one summer spent on the Chattahoochee River and at the Chattahoochee Nature Center near Atlanta, Georgia. I have always had a connection to bodies of water, having spent many summers and weekends at the lake by my grandparents’ house in New York. While sometimes I feel like an outsider as a New Yorker living in the South, as soon as I got on the river, canoeing down the Chattahoochee, I felt at home again. Something about the river reminds me of my childhood on Lake Peekskill, and River Music was partially inspired by that connection.Once I started writing the piece, it took on a life of its own, as water and nature (and composing) often does. One reason I’ve always felt strongly about environmentalism and protecting our natural environment is that all of it – the trees, the earth, the rivers, the lakes – has been here long before we came along and started messing it up, and it will (hopefully) be here long after we’re gone, as long as we make sure to protect these natural spaces and wilderness areas. I often think about how much trees have seen, and as I wrote this piece I started thinking about how much the river has seen too. I hear stories in River Music, and to me it’s the river telling us some, though certainly nowhere near all, of its stories.Perhaps River Music will take you, the listener, on a journey down the river-not just through space, but through time. You might hear some of the same stories I hear. Or you may not. Part of the beauty of writing a piece inspired by a river is that I hope you hear in it whatever the river means to you.Note: The sheet music includes a score, regular set of parts, and a bonus set of parts that include a partial score underneath the main part.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$15.99 ≈
14.73€
B Dog - Piano Solo
B Dog - Piano Solo
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Piano seul
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Jonathan Wilson
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B Dog - Piano Solo
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Fresh Air
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SheetMusicPlus
Piano Solo - SKU: A0.1023019 Composed by Jonathan Wilson. Contemporary,Folk,World. Score. 4 pages. Fresh Air #4345451. Published by Fresh Air (A0.102301...
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Piano Solo - SKU: A0.1023019 Composed by Jonathan Wilson. Contemporary,Folk,World. Score. 4 pages. Fresh Air #4345451. Published by Fresh Air (A0.1023019). B Dog is just one of the nicknames for Barker, our black Working Cocker Spaniel. If he's not on the lead then he's off in all directions wherever his nose takes him, with a boundless enthusiasm for life. This is what happened with this tune. It started life as a simple doodling on a thumb piano which quickly became an earworm and then dashed off in all directions once I started tinkering with it on the piano. It was a heck of a job just trying to get it back on the lead and safely home again. I hope you have fun playing it, others enjoy listening to it and do watch out for the earworm!
$3.99 ≈
3.68€
We Must Learn to Walk Together
We Must Learn to Walk Together
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Piano, Voix et Guitare
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FACILE
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99 ≈
3.68€
Vivace For Violin And Horn
Vivace For Violin And Horn
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Luis Anjos Teixeira
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Vivace For Violin And Horn
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Horn,Violin - Level 5 - SKU: A0.889418 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 14 pages. Luis Anjos Teixe...
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Small Ensemble Horn,Violin - Level 5 - SKU: A0.889418 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 14 pages. Luis Anjos Teixeira #3492583. Published by Luis Anjos Teixeira (A0.889418). Vivace For Violin And Hornfor the 2018 Chamber Music Contest Entry I was so impressed while listening to some of the wonderful recordings of Elmira Darvarova on the violin and Howard Wall on the Horn. It inspired me to finish a duet that toke birth back in the times when I started playing violin. Now after 40 years I guess it is ready!!! I am very grateful for their inspiration. It is dedicated to - „Elmira and Howard The piece requires high skilled and experienced artists. I have used some interpretation symbols to suggest an interpretation and of course I tried to manipulate the audio file. I did very little Bowing. I prefer to leave it to your own interpretation, creativity, or school demands or preferences. Feel free to experience your own bowing and interpretation. Remember that as an artist you can perform as it pleases you better. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever. Luis Anjos Teixeira
$12.44 ≈
11.46€
Hallelujah
Hallelujah
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Piano Facile
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FACILE
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Rock
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Lee DeWyze
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Angela Marshall
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Hallelujah
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Avanell Publishing
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.843820 By Lee DeWyze. By Leonard Cohen. Arranged by Angela Marshall. Rock. Score. 3 pages. Avanell Publishing #3879353. P...
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Easy Piano - Level 2 - SKU: A0.843820 By Lee DeWyze. By Leonard Cohen. Arranged by Angela Marshall. Rock. Score. 3 pages. Avanell Publishing #3879353. Published by Avanell Publishing (A0.843820). Discover a poignant version of the classic song! This lyrical arrangement of Hallelujah is perfect for early intermediate students or more advanced pianists who just want to enjoy playing without worrying about excessive technical challenges. The rhythm has been simplified to make the 6/8 time signature more accessible, and careful fingering makes the moves easy and pianistic. The fingers never have to stretch beyond a fifth, so pianists with smaller hands can play without strain. This arrangement has been tested and approved by both young students and college professors!A Note from the ArrangerAs a piano teacher, I love using music my students already know and love. It is my favorite way to keep them motivated and develop their skills. But it is difficult to find arrangements that are suitable for beginners. Much of the music is either too hard or doesn’t sound like the original tune. That’s why I started creating my own arrangements of popular favorites!Each of my arrangements has been meticulously arranged with beginning pianists in mind. I have transposed the melody to minimize accidentals and keep students in familiar hand positions. I have simplified rhythms where necessary while still maintaining the original feel of the piece.Most importantly, these arrangements have been used in the real world! Every piece I publish has been tested and approved by independent piano teachers, college professors, and music students of various ages and levels. I use their feedback to ensure each arrangement provides an enjoyable experience for beginning pianists and their teachers. Now students can play their favorite music with confidence!Angela Marshall
$4.99 ≈
4.60€
Skyfall
Skyfall
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Piano Facile
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INTERMÉDIAIRE
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Pop musique
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Adele
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Angela Marshall
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Skyfall
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Avanell Publishing
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SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.843824 By Adele. By Adele Adkins and Paul Epworth. Arranged by Angela Marshall. Pop,R & B. Score. 3 pages. Avanell Publis...
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Easy Piano - Level 3 - SKU: A0.843824 By Adele. By Adele Adkins and Paul Epworth. Arranged by Angela Marshall. Pop,R & B. Score. 3 pages. Avanell Publishing #3880287. Published by Avanell Publishing (A0.843824). Tired of searching for a pianistic arrangement of Skyfall? Look no further! This arrangement has been carefully adapted from the original recording to suit pianists who want music that stays true to Adele's version while also being fun to play. Listen to the recording to see how good you can sound with this intermediate level arrangement!A Note from the ArrangerAs a piano teacher, I love using music my students already know and love. It is my favorite way to keep them motivated and develop their skills. But it is difficult to find arrangements that are suitable for all levels! Much of the music is either too hard or doesn’t sound like the original tune. That’s why I started creating my own arrangements of popular favorites!Each of my arrangements has been meticulously created with beginning pianists in mind. I have transposed the melody to minimize accidentals and keep students in familiar hand positions. I have simplified rhythms where necessary while still maintaining the original feel of the piece.Most importantly, these arrangements have been used in the real world! Every piece I publish has been tested and approved by independent piano teachers, college professors, and music students of various ages and levels. I use their feedback to ensure each arrangement provides an enjoyable experience for pianists and their teachers. Now students can play their favorite music with confidence!Angela Marshall
$5.99 ≈
5.52€
Ready To Go
Ready To Go
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Jazz combo
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INTERMÉDIAIRE
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Rock
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Republica
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Thomas Ruggieri
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Ready To Go
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Thomas Ruggieri
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.1350380 By Republica. By Andrew Todd, Jonathan Male, Samantha Sprackling, and Tim Dorney. Arranged by Thomas Ruggieri. Po...
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Jazz Combo - Level 3 - SKU: A0.1350380 By Republica. By Andrew Todd, Jonathan Male, Samantha Sprackling, and Tim Dorney. Arranged by Thomas Ruggieri. Pop,Rock. 27 pages. Thomas Ruggieri #935176. Published by Thomas Ruggieri (A0.1350380). Ready To Go is arranged for a pop/rock band with or without horns. Lead and backing vocals are included. I started where the rhythm kicks in but the mellow, acoustic guitar intro on the Republica recording appears later in the chart if you want to begin with it.
$24.99 ≈
23.02€
The Doomsday Clock
The Doomsday Clock
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Blaze Scheuerman
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The Doomsday Clock
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Blaze Scheuerman
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1047338 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 10 pages. B...
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Piano Solo - Level 4 - SKU: A0.1047338 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 10 pages. Blaze Scheuerman #651896. Published by Blaze Scheuerman (A0.1047338). The Doomsday Clock is a piece that primarily shows anxiety and being overwhelmed. I composed this piece my senior year of high school. At the time I could feel the impending deadline of college piano auditions approaching, and this coupled with a hand injury caused me to be very stressed out and feel that I was unable to put in the time needed to practice and prepare. I chose the name “Doomsday Clock†as I felt that the event that was slowly creeping closer was actually going to be the destruction of my dreams. The intro starts up bleak as the main character feels lost and afraid. The baseline hints at something to come that keeps inching closer and closer. Then at measure 8 it hits him, the thing to come is inevitable and can’t be stopped. He tries to reason with it, but it does not budge. This forces him to go into a mad scuffle in order to keep up and be ahead, as seen in measure 13. What then proceeds is a series of highs and lows, such as in measure 24 where the main character is terrified of what is to come and in measure 33 where he begins to believe he can do it. The piece then modulates to C major, where the main character feels that he is ahead and going to be successful. But every time he states a confident line, it seems to deteriorate or break down. Eventually he leads back into the mad scuffle and reaches his lowest point in measure 74. Here he feels lost and is about to give up when something encourages him to keep on going. It manifests a childlike voice reminding him of why he started this journey in the first place, and it convinces him to not give up and instead keep on going (seen in the Eb major section in the style of the intro). He eventually reaches the end and makes it, almost collapsing at the finish.
$5.99 ≈
5.52€
Coventry Carol
Coventry Carol
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Unknown
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Del Ahlin
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Coventry Carol
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Del Ahlin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1337391 Composed by Unknown. Arranged by Del Ahlin. 21st Century,Advent,Christmas,Renaissan...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1337391 Composed by Unknown. Arranged by Del Ahlin. 21st Century,Advent,Christmas,Renaissance,Sacred. 6 pages. Del Ahlin #923210. Published by Del Ahlin (A0.1337391). The Coventry Carol text is based on the Gospel of Matthew (2:16–18) and deals with the Massacre of the Innocents in which Herod the Great, king of Judea, orders the execution of all male children who are two years old and under in the vicinity of Bethlehem.The music tends to use a lot of Picardy Third (the practice of raising the third of a chord at the end of a cadence, and changing the quality of a minor chord to a major chord). I took the Picardy Third thing one step further and modulated to the relative major (Cmaj from Amin), and fanfared on a bright, C major chord -indicating Christ the Savior's successful conquest despite all odds. Then quickly modulate once again to C minor (C major's parallel minor, and up a minor third where the piece started), to bring back the somber feeling the piece is supposed to have.
$1.99 ≈
1.83€
In Malaysia
In Malaysia
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Basson, Piano (duo)
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Shao Fern Teo
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In Malaysia
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Imagine Music - Digital
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SheetMusicPlus
Bassoon & piano - SKU: IZ.IMS175 Composed by Shao Fern Teo. Score and Parts. 37 pages. Imagine Music - Digital #IMS175. Published by Imagine Music - Dig...
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Bassoon & piano - SKU: IZ.IMS175 Composed by Shao Fern Teo. Score and Parts. 37 pages. Imagine Music - Digital #IMS175. Published by Imagine Music - Digital (IZ.IMS175). 9 x 12 in inches.When I first started thinking about In Malaysia (sometime inApril 2015), I immediately heard a bassoon melody playing inmy mind that grew into a larger piece of music that painted my memories from my home country, Malaysia. This piece isconstructed of three movements that each tells a different story of its own. Opening expresses the mixed emotions offlying home and seeing the surrounding clouds from the airplane window. Panorama is a stark contrast to the firstmovement where the music is in a concise form, depicting the layout and landscape of the ground as seen from the plane(e.g. palm tree plantation). Grandpa's House, the concluding movement of this work, was written in memory of my lategrandfather. Each motive represents various childhood memories at the traditional village house, such as playing the 5-stone game known as Batu Seremban with my cousins, cycling in the backyard, and jumping rope made out of rubber bands.Duration: 12 minutes
$18.00 ≈
16.58€
Your Eyes Tell, Bts, STRING TRIO Early Intermediate - for 2 violins and cello or violin, viola and cello
Your Eyes Tell, Bts, STRING TRIO Early Intermediate - for 2 violins and cello or violin, viola and cello
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Trio à Cordes: 2 violons, violoncelle
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FACILE
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Rock
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BTS
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Sherry Lewis
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Your Eyes Tell, Bts, STRING TR
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Sherry Lewis Publishing
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SheetMusicPlus
Violin, Viola, Cello, String Trio - Early Intermediate - By BTS. Arranged by Sherry Lewis. Score, Set of Parts. 21 pages. Published by Sherry Lewis ...
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Violin, Viola, Cello, String Trio - Early Intermediate - By BTS. Arranged by Sherry Lewis. Score, Set of Parts. 21 pages. Published by Sherry Lewis Publishing
Your Eyes Tell, String Trio, Early Intermediate Level for 2 violins and cello or violin, viola and cello
Score: 6 pages
parts: 9 pages
time: 3'45"
DEMO INFO: I started the 30 second demo (as allowed) about 45 seconds into the piece to get closer to the refrain.
MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts
however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.
Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.
If you can?t find a title then contact me through stringquartet@hotmail.com and I?ll give you the link back to Sheet Music Plus?s listing.
VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.
PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups.
AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.
LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations.
ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.
EXCELLENT for corporate events, weddings, social gatherings and recitals.
APPROPRIATE for students and schools.
CHURCH REPERTOIRE I?m always adding more titles.
Thank you for your purchase!
$12.99 ≈
11.96€
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamara released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamara released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamara, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamara's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamara at friend Donald Byrd's urging. Santamara started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamara later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamara recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamara included the track on his album Watermelon Man (1962). Santamara's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzl Pygmies (1966), by Simha Arom and Genevive Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
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