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All Because Of Jesus Oboe
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Vous avez sélectionné:
All Because Of Jesus Oboe
Partitions à imprimer
15 partitions trouvées
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1
Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano
Bach-Gounod: Ave Maria, Schwencke version for Oboe & Piano
#
Hautbois, Piano (duo)
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.550929 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. ...
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Oboe,Piano - Level 2 - SKU: A0.550929 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888381. Published by jmsgu3 (A0.550929). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations, school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
30.33€
3 ONE MOVEMENT HYMN SONATAS (for Oboe and Piano with Score/Parts)
3 ONE MOVEMENT HYMN SONATAS (for Oboe and Piano with Score/Parts)
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Gary Lanier, Lowell Mason, Tra
#
Gary Lanier
#
3 ONE MOVEMENT HYMN SONATAS
#
The Lanier Company
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.617744 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score a...
(+)
Oboe,Piano - Level 3 - SKU: A0.617744 Composed by Gary Lanier, Lowell Mason, Traditional, and William H. Doane. Arranged by Gary Lanier. Sacred. Score and part. 41 pages. The Lanier Company #6048897. Published by The Lanier Company (A0.617744). 3 ONE MOVEMENT HYMN SONATAS is a musical work created by Gary Lanier for Oboe and Piano. It includes three of our most cherished Hymns: (1) Amazing Grace, (2) Take My Life and Let It Be, and (3) To God Be the Glory. The theme is one of God's Grace, the Christian's response to what He has done for us, and God's Love, all seen through His Son, Jesus Christ. The word, sonata is used by the composer/arranger because of the many ways the hymn tunes are presented and developed through: motifs, secondary themes, variation, repetition, recapitulation and other compositional devices. 3 ONE MOVEMENT HYMN SONATAS is perfect for Church services, recitals or gatherings where hymns of God's grace, His love and our praise to Him is desired. The score, including cover and instrumental parts is 41 pages long. All three for the price of two.
$19.99 ≈
18.40€
TAKE MY LIFE AND LET IT BE Hymn Sonata (for Oboe and Piano with Score/Part)
TAKE MY LIFE AND LET IT BE Hymn Sonata (for Oboe and Piano with Score/Part)
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Hautbois, Piano (duo)
#
Musique Sacrée
#
HENRI A
#
Gary Lanier
#
TAKE MY LIFE AND LET IT BE Hym
#
The Lanier Company
#
SheetMusicPlus
Oboe,Piano - SKU: A0.617684 Composed by HENRI A. C. MALAN, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 11 pages. The Lanier Company #5...
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Oboe,Piano - SKU: A0.617684 Composed by HENRI A. C. MALAN, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 11 pages. The Lanier Company #5999129. Published by The Lanier Company (A0.617684). TAKE MY LIFE AND LET IT BE Hymn Sonata (one movement) is a musical work by Gary Lanier for Oboe and Piano of one of our most cherished Hymns. The theme is one of total love and devotion to the Lord Jesus in all aspects of life. Gary uses the term hymn sonata, because of the many uses of the hymn tune, such as: motifs, secondary themes, variations, recapitulation and other compositional devices. TAKE MY LIFE AND LET IT BE Hymn Sonata is perfect for Church or any gathering where hymns of love and devotion for the Lord is desired. The score, including cover and instrumental part is 11 pages long.
$8.99 ≈
8.27€
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,S...
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
30.33€
There is a Balm in Gilead (with "What a Friend We Have in Jesus") (Unison Choir, Accompanied)
There is a Balm in Gilead (with "What a Friend We Have in Jesus") (Unison Choir, Accompanied)
#
Chorale Unison
#
INTERMÉDIAIRE
#
George Scriven, C
#
Cathy Stamegna
#
There is a Balm in Gilead
#
Cathy Stamegna
#
SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.781131 Composed by George Scriven, C.C. Converse. Arranged by Cathy Stamegna. Christmas,Contemporary,Easter,Pr...
(+)
Choral Choir (Unison) - Level 3 - SKU: A0.781131 Composed by George Scriven, C.C. Converse. Arranged by Cathy Stamegna. Christmas,Contemporary,Easter,Praise & Worship,Spiritual. Octavo. 7 pages. Cathy Stamegna #5316837. Published by Cathy Stamegna (A0.781131). There is a Balm in Gilead (with What a Friend We Have in Jesus) (Unison Choir, Optional C Instrument, Piano Accompaniment). Two well-known hymns of comfort are brought together in this arrangement. Optional C instrument possible for flute, oboe, violin, mallet percussion. Set of Parts (for C Instrument).  Arranger’s comments. Accompaniment track available separately.  Arranged during a time of social distance because of the coronavirus pandemic, and part of the Hymns of Comfort collection.
$2.00 ≈
1.84€
There is a Balm in Gilead (with "What a Friend We Have in Jesus") Vocal Solo, Optional C Instrument
There is a Balm in Gilead (with "What a Friend We Have in Jesus") Vocal Solo, Optional C Instrument
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Voix moyenne, Piano
#
INTERMÉDIAIRE
#
George Scriven, C
#
Cathy Stamegna
#
There is a Balm in Gilead
#
Cathy Stamegna
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - SKU: A0.781130 Composed by George Scriven, C.C. Converse. Arranged by Cathy Stamegna. Christmas,Contemporary,Easter,...
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Medium Voice,Vocal Solo - Level 3 - SKU: A0.781130 Composed by George Scriven, C.C. Converse. Arranged by Cathy Stamegna. Christmas,Contemporary,Easter,Spiritual. 7 pages. Cathy Stamegna #5316819. Published by Cathy Stamegna (A0.781130). There is a Balm in Gilead (with What a Friend We Have in Jesus) (Vocal Solo, Optional C Instrument, Piano Accompaniment). Two well-known hymns of comfort are brought together in this arrangement. Optional C instrument possible for flute, oboe, violin, mallet percussion. Set of Parts (for C Instrument). Arranger’s comments. Accompaniment track available separately.  Arranged during a time of social distance because of the coronavirus pandemic, and part of the Hymns of Comfort collection.
$4.99 ≈
4.59€
Who Is Jesus?
Who Is Jesus?
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Joel Raney
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Who Is Jesus?
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Hope Publishing - Digital
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SheetMusicPlus
(Orchestra) - SKU: H1.8941DP Composed by Joel Raney. Musicals for Adults. Lent, Holy Week, Good Friday, Jesus Christ - Cross, Jesus Christ - Death. Chor...
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(Orchestra) - SKU: H1.8941DP Composed by Joel Raney. Musicals for Adults. Lent, Holy Week, Good Friday, Jesus Christ - Cross, Jesus Christ - Death. Choral score. 68 pages. Hope Publishing - Digital #8941DP. Published by Hope Publishing - Digital (H1.8941DP). Raney, Joel.Lent & Easter Musical Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. 'Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.
$12.95 ≈
11.92€
Who Is Jesus?
Who Is Jesus?
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Joel Raney
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Who Is Jesus?
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Hope Publishing - Digital
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SheetMusicPlus
Instrument Parts - SKU: H1.8944DP Composed by Joel Raney. Instrumental parts. 155 pages. Hope Publishing - Digital #8944DP. Published by Hope Publishing...
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Instrument Parts - SKU: H1.8944DP Composed by Joel Raney. Instrumental parts. 155 pages. Hope Publishing - Digital #8944DP. Published by Hope Publishing - Digital (H1.8944DP). Lent & Easter Musical Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. 'Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.
$175.00 ≈
161.07€
WHO IS JESUS?-ORGAN PART-Digital Download
WHO IS JESUS?-ORGAN PART-Digital Download
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Joel Raney
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WHO IS JESUS?-ORGAN PART-Digit
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.8949DP Composed by Joel Raney. Instrumental parts. 24 pages. Hope Publishing - Digital #8949DP. Published by Hope Publishing - Digital (H1.8949D...
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SKU: H1.8949DP Composed by Joel Raney. Instrumental parts. 24 pages. Hope Publishing - Digital #8949DP. Published by Hope Publishing - Digital (H1.8949DP). Lent & Easter Musical Not 'Who Was Jesus?' but 'Who Is Jesus?' The question is asked in the present tense because it's Christ's interaction with our lives in the here and now that is the focus of this 30 minute Tenebrae service. The events of Holy Week are presented through enticing arrangements of familiar hymns and spirituals plus narration, culminating with the crucifixion story in a moving rendition of 'O Sacred Head, Now Wounded. ' There are opportunities to include vocal solos, as well as, congregational singing. The accompaniment can be provided by piano, CD track, or a chamber ensemble of five instruments. A further option is an organ part that can work with just piano or can be added to the chamber instruments. Finally, there are instructions for lighting and extinguishing seven candles ending in darkness with all softly singing of the first verse of 'Fairest Lord Jesus. 'Instrumental Parts: Conductor's Score, Organ, Flute, Oboe, Violin,Cello and Horn in F.
$23.95 ≈
22.04€
All Because Of Jesus - Oboe
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Hautbois (partie séparée)
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Musique Sacrée
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Casting Crowns
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Richard Kingsmore
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All Because Of Jesus - Oboe
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Casting Crowns. By Steve Fee. Arranged by Richard Kingsmore. Concert, Contemporary, Praise & Worship, Sacred. Choral Instrumental Pak. 1 pages. Duration 245....
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By Casting Crowns. By Steve Fee. Arranged by Richard Kingsmore. Concert, Contemporary, Praise & Worship, Sacred. Choral Instrumental Pak. 1 pages. Duration 245. Published by Hal Leonard - Digital Sheet Music (HX.93966). - Choral Instrumental Pak - Concert,Contemporary,Praise & Worship,Sacred - Hal Leonard - Digital Sheet Music
$7.00 ≈
6.44€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.84€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.84€
Choralvorspiele ... Homage an Busoni-Reger-Bach (2021) for solo piano
Choralvorspiele ... Homage an Busoni-Reger-Bach (2021) for solo piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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Choralvorspiele ... Homage an
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Thomas Oboe Lee
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.869870 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score. 29 pages. Thomas Oboe Lee #6633069. Published by Th...
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Piano Solo - Level 4 - SKU: A0.869870 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score. 29 pages. Thomas Oboe Lee #6633069. Published by Thomas Oboe Lee (A0.869870). I was very taken by Ferruccio Busoni’s transcription of J.S. Bach’s Chorale Preludes for organ. I am not familiar with the original version mainly because I don’t enjoy listening to organ music; except when it is in a jazz context, like Jimmy Smith and Joey DeFrancesco.Using Busoni’s version as a model I re-did all nine of his Bach Chorale Preludes in my fashion and then I realized that I needed three more to make a nice simple dozen. So I looked at Max Reger’s transcriptions of the Bach Chorale Preludes and found three that would fit into my twelve-movement work.I. Andante … Komm, Gott Schöpfer, heiliger GeistII. Adagio … Wachet aufm ruft uns die StimmeIII. Andante … Nun komm’ der Heiden HeilandIV. Presto … Nun freut euch, lieben Christen, g’meinV. Largo … Ich ruf’ zu dir, Herr Jesu ChristVI. Moderato … Herr Gott, nun schleuß den Himmel aufVII. Largo … Durch Adams Fall ist ganz verderbtVIII. Allegro … In dir ist FreudeIX. Adagio … Jesus Christus, unser HeilandX. Moderato … O Mensch, bewein’ dein’ Sünde großXI. Presto … Ach wie nichtig, ach wie flüchtigXII. Largo … Christ lag in TodesbandenEnjoy!!!
$9.99 ≈
9.19€
Your Favorite Christmas Hymns and Carols for Wind Instruments Book 1
Your Favorite Christmas Hymns and Carols for Wind Instruments Book 1
Woodwind Quartet: any 4 woodwinds
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Noël
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Various
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Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Christmas. Score, Set of Parts. 125 pages. Publi...
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Christmas. Score, Set of Parts. 125 pages. Published by Colin Kirkpatrick Publications
Your Favorite Christmas Hymns and Carols for Wind Instruments
Arranged by Colin Kirkpatrick
Book 1
This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! The arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing.
The publication consists of a four-staff score in concert pitch together with fourteen separate parts in various transpositions. There is also a fairly easy optional keyboard part. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing. You can also create interesting instrumental tone colour by omitting groups of instruments. This can be achieved with the aid of a pencil. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities. You can hear the effect of omitting sections in the audio samples. The arrangements could therefore be played by brass quartet, woodwind quartet, saxophone quartet or virtually any combination of wind instruments. Using the piano part (which has been kept as simple as possible) the arrangements could also be used as solos or duets, depending of what instruments are available. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because the parts invariably are too low for flute or oboe. All the scores and parts are contained in a single125-page PDF file.
The publication consists of four-stave scores for each hymn and carol plus:
1. Part 1 in B flat (clarinet, trumpet, cornet, soprano sax);
2. Part 1 in C (8ve higher for piccolo, flute, oboe);
3. Part 1 in E flat (alto saxophone, E flat clarinet);
4. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn);
5. Part 2 in C (8ve higher for flute, oboe);
6. Part 2 in E flat (alto saxophone);
7. Part 3 in B flat (tenor saxophone, B flat baritone);
8. Part 3 in C (bass clef for trombone, bassoon);
9. Part 3 in E flat (E flat tenor horn, alto saxophone, alto clarinet);
10. Part 3 in F (French horn in F);
11. Part 3a in B flat (8ve below score pitch for 3rd clarinet);
12. Part 4 in B flat (B flat bass clarinet, B flat bass);
13. Part 4 in C (bass clef for trombone, bass trombone, bassoon, tuba);
14. Part 4 in E flat (E flat baritone saxophone, E flat bass)
Book 1 includes the following 19 titles: Angels from the Realms of Glory (Melody: Gloria); Away in a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: Puer Nobis); Christians Awake! (Melody: Yorkshire); Deck the Halls with Boughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; Good Christian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; It Came Upon the Midnight Clear (Melody: Carol); Little Jesus, Sweetly Sleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); O Come all ye Faithful (Melody: Adeste Fidelis); O Little Town of Bethlehem (Melody: Saint Louis); O Holy Night (Melody: Cantique Noël); Silent Night (Melody: Stille Nacht); The Holly and the Ivy; We Wish You a Merry Christmas and What Child is This? (Melody: Greensleeves)
The audio samples include Angels from the Realms of Glory, Deck the Halls with Boughs of Holly, Go Tell it on the Mountain and Silent Night. Please note that arrangements in the publication are not intended to be compatible with Your Favorite Christmas Hymns and Carols for Brass.
$29.99 ≈
27.60€
Your Favorite Easter Hymns for Strings
Your Favorite Easter Hymns for Strings
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Quatuor à cordes: 2 violons, alto, violoncelle
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Musique Sacrée
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Various
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Colin Kirkpatrick
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Your Favorite Easter Hymns for
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by Various. Arranged by Colin Kirkpatrick. Christian, General Worship, Easter. Piano Reduction, Score, Set of Parts. 81 pages. Published by Colin Kirkp...
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, General Worship, Easter. Piano Reduction, Score, Set of Parts. 81 pages. Published by Colin Kirkpatrick Publications (S0.304855). - Piano Reduction,Score,Set of Parts - Christian,General Worship,Easter - Colin Kirkpatrick Publications
Thisis an essential collection of twenty-two favorite Easter hymns arranged forstring quartet, string quintet or string orchestra. Designed for school, college or church this useful collection should be in your library! The double bass is optional, because itdoubles the cello part throughout. There?s a piano part too, so you can also use thearrangements as string solos, duets or trios. They are intended either as stand-alonepieces that could be used as interludes in an Easter service, or they could beused to accompany solo, choral or congregational singing. The music has beenset in string-friendly keys and leans towards G major, D major and C major. Thepiano part has been written for with the early intermediate pianist in mind,though some hymns are actually quite easy. In a string orchestra, you canbrighten the sound by instructing a few of the more advanced violin players to playan octave higher in both 1st and 2nd violin parts. Youcan also use the arrangements as flute or oboe solo pieces, the wind instrumentplaying the 1st violin part. Skillfully arranged by Colin Kirkpatrick, the 22 hymns include: Amazing Grace; And Can it Be? (Sagina); At the Lamb?s High Feast We Sing(Salzburg); Christ the Lord is Risen Again! (Würtemburg); Crown Him with ManyCrowns (Diademata); Jesus Christ is Risen Today (Easter Hymn); Jesus Lives!(St. Albinus); Love?s Redeeming Work is Done (Savannah); Low in the Grave HeLay (Lowry); There is a Green Hill Far Away (Horsley); Near the Cross (Doane); OSacred Head Now Wounded (Passion Chorale); The Day of Resurrection (Ellacombe);The Strife is O'er, the Battle Won (Victory); Rock of Ages (Toplady); Thine bethe Glory (Maccabæus); This Joyful Eastertide (Easter-tide); To God be theGlory! (Doane); When I Survey the Wondrous Cross (Hamburg); When I Survey theWondrous Cross (Rockingham); Were You There When They Crucified my Lord? andYe Choirs of New Jerusalem (St. Fulbert).
$25.99 ≈
23.92€
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All Because Of Jesus Oboe
