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AND CAN IT BE FLUTE and TROMBONE
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Vous avez sélectionné:
AND CAN IT BE FLUTE and TROMBONE
Partitions à imprimer
552 partitions trouvées
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551
AND CAN IT BE - FLUTE and TROMBONE (or Baritone TC) with Piano Accompaniment
AND CAN IT BE - FLUTE and TROMBONE (or Baritone TC) with Piano Accompaniment
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Accompagnement Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Thomas Campbell
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Glen Poehlmann
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Performance Time approx 5:20
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AND CAN IT BE - FLUTE and TROM
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arrangements by GPoehlmann
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.807217 Composed by Thomas Campbell. Arranged by Glen Poehlmann. C...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.807217 Composed by Thomas Campbell. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 26 pages. Arrangements by GPoehlmann #6630607. Published by arrangements by GPoehlmann (A0.807217). AND CAN IT BE - FLUTE and TROMBONE (or Baritone TC) with Piano accompanimentHymn Tune: SAGINA131 measures. Performance Time approx 5:20. Medium in DifficultyKey: F - G. Meter: 4/4. Instrument Ranges (C4=middle C)Flute F4 - G6 (grade 3+) Trombone G2 - D4 (grade 3) or Baritone TC A3 - E5 (written)PDF parts included: Score, Flute, Trombone, Baritone Treble Clef, Piano
$5.00 ≈
4.61€
First 5 - Trombone - Solo, duet or 2-part Ensemble
First 5 - Trombone - Solo, duet or 2-part Ensemble
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2 Trombones (duo)
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DÉBUTANT
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Kathy Hirche
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First 5 - Trombone - Solo, due
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Kathy Hirche
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SheetMusicPlus
Trombone Duet Trombone - Level 1 - SKU: A0.819923 Composed by Kathy Hirche. Contemporary,Standards. Score. 14 pages. Kathy Hirche #428997. Published by ...
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Trombone Duet Trombone - Level 1 - SKU: A0.819923 Composed by Kathy Hirche. Contemporary,Standards. Score. 14 pages. Kathy Hirche #428997. Published by Kathy Hirche (A0.819923). The First 5 series is suitable for elementary level performers of all ages. It provides seven pieces which are musically satisfying and fun to play without demanding more than basic technical ability and theoretical knowledge and the first five notes learned on the instrument. Pitches used: Bb C D Eb F. Rhythmic values used: semibreve (whole-note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter note), quavers (eighth-notes). Quavers (eighth-notes) appear only in groups of 2 or 4. Articulations/signs used: staccato, accent, slur, tie, repeat, 1st and 2nd time endings. Each piece may be performed as a Solo (use Part 1), Duet or 2-part Ensemble. All pieces in the First 5 series are in the same concert key, enabling performances with various combinations of these instruments: Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Trombone, Euphonium. Accompaniments for each piece are available as FREE MP3 FILES. These can be downloaded from kathysprintmusic.com. The audio sample provided here consists of excerpts of all seven pieces: A Sad Song, Tick Tock Rock, Waltzing in the Rain, Swinging, Lullaby, The Old Clock, Tim's Dance. ISMN 9790-9009-679-2-3. Serie Los Primeros 5. Solo, Ensamble de 2 partes, duo - la serie de los Primeros 5 es adecuada para intérpretes Nivel Elemental de todas las edades. Contiene 7 piezas que son musicalmente satisfactorios, divertidas de tocar sin demandar de una habilidad técnica mas allá de un conocimiento teórico básico dado al tocar las primeras 5 notas del instrumento. Los tonos usados son: Bb, C, D, Eb, F. Los valores rÃÂtmicos usados son: semibreve (nota entera), minim apuntillarÃÂa (media nota con punto), minim (media nota), cuarto de nota o negrita, corchea (octavos de nota). Los octavos de nota aparecen solo en grupos de 2 o de 4. Los sÃÂmbolos/articulaciones usadas son: staccato, acento, legato, repetición, fin de primer y segundo tiempo. Cada pieza puede ser tocada como solista (usando la Parte 1), como un cueto o como ensamble de 2 partes. Todas las piezas en la seria de los Primeros 5 están en la misma clave de concierto, permitiendo a los músicos ejecutarlas con diversas combinaciones de estos instrumentos: falta, clarinete, alto saxofón, saxofón tenor, trompeta, trombon, eufónico. Los acompañamientos para cada pieza se encuentran como ARCHIVOS GRATIS de MP3 que se pueden descargar desde el sitio kathysprintmusic.com La muestra de audio que se proporciona aquàcontiene fragmentos de las siete piezas: una canción triste , tick tick rock, bailando vals en la lluvia, swinging, canción de cuna, el reloj viejo, el baile de Tim.
$9.99 ≈
9.21€
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Trombone Duo
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Trombone Duo
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2 Trombones (duo)
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FACILE
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Six Sonatas Op. 5 No
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jmsgu3
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SheetMusicPlus
Trombone Duet Trombone - Level 2 - SKU: A0.612844 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroqu...
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Trombone Duet Trombone - Level 2 - SKU: A0.612844 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score. 59 pages. Jmsgu3 #222039. Published by jmsgu3 (A0.612844). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95 ≈
69.07€
The Addams Family Theme for Trombone Quartet
The Addams Family Theme for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE
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Film/TV
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Vic Mizzy
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Phyllis Avidan Louke
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The Addams Family Theme for Tr
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Louke Publishing
#
SheetMusicPlus
Trombone Quartet - Early Intermediate - Digital Download By Vic Mizzy. Arranged by Phyllis Avidan Louke. Score, Set of Parts. 10 pages. Published by ...
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Trombone Quartet - Early Intermediate - Digital Download By Vic Mizzy. Arranged by Phyllis Avidan Louke. Score, Set of Parts. 10 pages. Published by Louke Publishing
The Addams FamilyTheme
Program Notes
The Addams Family Theme is from the Addams Family TV Showand Movie. This flute choir arrangementcan be performed with as few as 5 players or a full flute choir with multipleplayers on a part. It is scored for 4trombones.
Halloween
Broadway
Movies
Television
Musicals
Phyllis Avidan Louke is an award-winning composer andarranger with more than 70 published pieces to her credit. www.phyllislouke.com
$14.00 ≈
12.90€
American Patriotic Music for All, Volume 1 (Flexible Band)
American Patriotic Music for All, Volume 1 (Flexible Band)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Various
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Randy Calistri-Yeh
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American Patriotic Music for A
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Custom Chamber Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.742741 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pa...
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Concert Band - Level 4 - SKU: A0.742741 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #350874. Published by Custom Chamber Music (A0.742741). 2nd edition - new and improved.Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has seven songs and over 14 minutes of music that both you and your audience are sure to love. Each song is also available separately from the publisher link above.These arrangements can be played with anywhere from 3 to 7 parts, with a great deal of flexibility in instrumentation. This makes it ideal for bands of all types (school, community, or professional). This is one of the most versatile collections you'll ever use!The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England).Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. The difficulty level ranges from medium-easy to medium-advanced. The arrangements respect the original style of the composers while greatly expanding the instrument flexibility.This collection contains a full score, as well as individual parts in all the appropriate clefs and transpositions to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.Be sure to also check out our three volumes of Christmas Carols for All!
$45.00 ≈
41.47€
O Come, Emmanuel - jazz flute and trombone
O Come, Emmanuel - jazz flute and trombone
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Flûte, Trombone (duo)
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INTERMÉDIAIRE
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Phil Beaman
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O Come, Emmanuel - jazz flute
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Phil Beaman
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SheetMusicPlus
Flute,Instrumental Duet,Trombone - Level 3 - SKU: A0.1350499 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beama...
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Flute,Instrumental Duet,Trombone - Level 3 - SKU: A0.1350499 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935311. Published by Phil Beaman (A0.1350499). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel.  I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody.  The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line.  I have altered the melody, part 1, and moved much of it to the off beats.  As in period early music, I allow occassional dissonances in order to keep the ostinato.  This piece makes a wonderfully useful and unique addition to the season's repertoire.  (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.)  (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part,  2:05 minutes.
$4.99 ≈
4.60€
Wellerman sea shanty arranged for epic Bigband
Wellerman sea shanty - epic Bigband
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Traditional
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Sophia Transistor
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Wellerman sea shanty - epic Bi
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Sophia Transistor
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.851136 Composed by Traditional. Arranged by Sophia Transistor. Jazz,Ragtime,World. Score. 49 pages. Sophia ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.851136 Composed by Traditional. Arranged by Sophia Transistor. Jazz,Ragtime,World. Score. 49 pages. Sophia Transistor #6463869. Published by Sophia Transistor (A0.851136). This Bigband Arrangement is part of the NDR Bigband Composition & Arrangement Contest.The Wellerman sea shanty (soon may the wellerman come) is an ear catching tune and the best part: It's public domain! Therefor it went viral in early 2021 on TikTok and YouTube.This Big Band Arrangement features:- full score in landscape modeset of parts in DIN A4:- Alto Sax 1 (with instrument change to flute)- Alto Sax 2- Tenor Sax 1- Tenor Sax 2- Bari Sax- Trumpet 1- Trumpet 2- Trumpet 3- Trumpet 4- Trombone 1- Trombone 2- Trombone 3- Trombone 4- Guitar- Piano Keys- Bass- Drums- Steel Drum (Percussion)Jazz Solos are set for trumpet 2 and trombone 2.The unique instrument Steel Drum was added to achieve a caribbean flair.It can be played by the percussionist or the band leader.If a steel drum is not available, please consider using a xylophone, marimba or any kind of glockenspiel.The genre (stil) is set to funk (no swing) to find some remembrance to the traditional Bigband Arrangement of John Brown's Other Body.In addition a part is added, that introduces some electro swing moves as the one in Louis Primas Sing Sing Sing. The last crossreference can be made to the computer game music of The Course of Monkey Island, because the Pirate atmosphere meets ups with a sea shanty.If you have any comments, please contact me, I would be very happy if this arrangement will be played by any kind of Big Band.YouTube Play Along: https://youtu.be/eSaqtmG2E0k
$42.00 ≈
38.70€
Kommos (Lamentation) / "When the World Moved On" - Flute 2
Kommos (Lamentation) / "When the World Moved On" - Flute 2
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Pub...
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Flute Solo - Level 4 - SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Published by Benjamin Sajo (A0.1018943). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.23€
And Can It Be? (with "Amazing Grace") (for Woodwind Quartet and Piano)
And Can It Be? (with "Amazing Grace") (for Woodwind Quartet and Piano)
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Musique Sacrée
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Traditional, Thomas Campbell
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Stephen DeCesare
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And Can It Be?
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Exultet Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.622697 Composed by Traditional, Thomas Campbell. Arranged by Stephen DeCesare. Easter,Praise & Wo...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.622697 Composed by Traditional, Thomas Campbell. Arranged by Stephen DeCesare. Easter,Praise & Worship,Sacred. 20 pages. Exultet Music #3879343. Published by Exultet Music (A0.622697). This hymn combines the two melodies of And Can It Be? with the traditional and uplifting melody of Amazing Grace. Scored for a Woodwind Quartet (Bb-Trumpet (2), French Horn, Trombone) with Piano accompaniment. Accessible and appropriate for any church or concert setting and can be used throughout the liturgical year, but especially during the season of Lent.
$12.99 ≈
11.97€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flûte traversière
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.23€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flûte traversière
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
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Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.23€
Variations on a Canarian Hymn
Variations on a Canarian Hymn
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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Variations on a Canarian Hymn
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. Published by Mus...
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Concert Band - Level 3 - SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. Published by Musica Nova USA (A0.917393). Variations on a Canarian Hymn grade 4, duration 11:00 was commissioned and composed for the Banda Muncipal of Tenerife, Spain, Filipe Neri, conductor. They premiered it on June 25, 2017. The American premiere was March 21, 2019 by the University of Wisconsin River Falls Symphony Band, Kristin Tjornehoj, Conductor.The Canary Islands is a region of Spain. The anthem used in the Canaries for local official occasions is an adaptation of a local folk song called Arrorró (Lullaby) by Teobaldo Power (1848 – 1884). Tenerife is the largest and most populated island of the seven Canary Islands. Tenerife has a special relation to Columbus and the New World as he first stopped in Tenerife on each of his passages before sailing to the New World. There is a plaque in the center of Tenerife city depicting this.Variations on a Canarian Hymnis in the classictheme and variations form, startingwith a presentation of the folk song in its entirety, then following with six variations of the folk song. Each variation displays different colors and moods of the symphonic band. The triumphal ending depicts the strength of the Canarian people. The piece features several instruments, some with extended solos including: flute, oboe, alto saxophone, horn, trumpet, trombone, clarinet, English horn and timpani. There are several cues in the parts to cover certain instruments that may not be available, such as English horn.
$70.00 ≈
64.50€
Standin’ in the Need of Prayer with Take Time to Be Holy
Standin’ in the Need of Prayer with Take Time to Be Holy
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Standin’ in the Need of
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Stephen R Dalrymple
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SheetMusicPlus
Small Ensemble Flute,Piano - Level 3 - SKU: A0.818340 By Stephen R Dalrymple. By African American Spiritual, George C Stebbins, William D Longstaff. Arr...
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Small Ensemble Flute,Piano - Level 3 - SKU: A0.818340 By Stephen R Dalrymple. By African American Spiritual, George C Stebbins, William D Longstaff. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 64 pages. Stephen R Dalrymple #6232369. Published by Stephen R Dalrymple (A0.818340). Standin’ in the Need of Prayer with Take Time to Be Holy arranged for flute and piano by Stephen R Dalrymple transcribed for clarinet, trumpet, euphonium (or trombone), violin, and cello sequenced by the composer Standin’ in the Need of Prayer African American Spiritual  Take Time to Be Holy lyrics - William D. Longstaff 1882 melody - George C. Stebbins 1890   It has often been said that when a person points a finger at someone else, that person is actually pointing 3 fingers back at himself or herself. All the way back to the Garden of Eden, blaming others can be useful to take the attention away from our own actions and problems. Living a clean life begins with acknowledging our guilt, finding God’s grace, then trying to follow the Creator’s plan.   This .pdf file includes 14 score choices ♫ Full Score for flute and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for flute and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet   (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50 ≈
4.15€
Celtiberian Landscape For Harp And Orquestra
Celtiberian Landscape For Harp And Orquestra
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Orchestre
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FACILE
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeir...
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Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99 ≈
23.03€
Go Tell It on the Mountain!--trombone solo
Go Tell It on the Mountain!--trombone solo
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Trombone et Piano
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INTERMÉDIAIRE
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Gospel Spirituel
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Musique Sacrée
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African-American Spiritual
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Beka Wilson
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Go Tell It on the Mountain!--t
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Beka Wilson
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.786463 Composed by African-American Spiritual. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred,Spiritual. Sc...
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Piano,Trombone - Level 3 - SKU: A0.786463 Composed by African-American Spiritual. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred,Spiritual. Score and part. 5 pages. Beka Wilson #6037397. Published by Beka Wilson (A0.786463). This simple yet lively arrangement of a folk Christmas favorite would be perfect for gigs, church, or other holiday events. 5 pages (includes score and separate solo part) Approximately 2:40 in length at 110 bpmWant this arrangement for another instrument? It’s also available for flute, oboe, clarinet, bassoon, alto sax, tenor sax, horn, trumpet, violin, viola, or cello on Sheet Music Plus. If you would like this arrangement in another key or for an instrument not listed, shoot me an email at bekmars10@gmail.com and I can get a custom arrangement up for sale for you.
$6.99 ≈
6.44€
National Anthem of the Faroe Islands: Mítt alfagra land
National Anthem of the Faroe Islands: Mítt alfagra land
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Orchestre d'harmonie
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FACILE
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Patriotique
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Petur Alberg
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Colin Kirkpatrick
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National Anthem of the Faroe I
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522166 Composed by Petur Alberg (1885-1940). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 31 pages. Co...
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Concert Band - Level 2 - SKU: A0.522166 Composed by Petur Alberg (1885-1940). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 31 pages. Colin Kirkpatrick Publications #4295401. Published by Colin Kirkpatrick Publications (A0.522166). This quick and easy national anthem arrangement is essential for traveling musicians,bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band,clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!This arrangement is in five independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a two-page score with five instrumental staves (including timpani) and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file.Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute,oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in British-style brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin, oboe); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone,bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium,bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn).Part 5 in B flat (bass clarinet, B flat tuba); Part 5 in E flat (baritone sax, E flat tuba); Part 5 in C (bass clef for trombone, euphonium, bassoon, tuba, double bass. There’s also apart for timpani, percussion (3 players) and a piano reduction.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$9.99 ≈
9.21€
Dimensión [trombone octet]
Dimensión [trombone octet]
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Juan María Solare
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Dimensión [trombone octet]
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Juan Maria Solare
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SheetMusicPlus
Trombone, trombone octet - Advanced Intermediate - Composed by Juan María Solare. Contemporary Classical, Neo-Classical, Latin Jazz, Repertoi...
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Trombone, trombone octet - Advanced Intermediate - Composed by Juan María Solare. Contemporary Classical, Neo-Classical, Latin Jazz, Repertoire, Latin. Score, Set of Parts. 32 pages. Published by Juan Maria Solare
Dimensión is a tango that wascomposed based on two simple piano pieces destined to young pianists: the firsttheme is "Langostango" andthe second one "Continuando".When joining to build up "Dimensión",additional elements came into the game, such as an important secondary melodyand a few transitions.
Dimensión is therefore a clearexample of a successful composition: a couple of good ideas and a lot of workto achieve that nobody notices how much work lies behind it.
About the title, it obeys to my (slightly excessive) concerntowards finding names that can be understood in any language of the places Iusually am related to (i.e. in Spanish, English and German). In the case of "dimensión"it is a transparent word, understandingas such the words that are practically identical in any language while keepingtheir meaning (there exist words that are quite similar in different languages,but mean different things, in Linguistics these are called false friends.) Among my titles one finds several of such transparent words.
In September 2002 I began to conductthe Orquesta No Típica at theUniversity of Bremen, Germany, a chamber group of variable instrumentationdevoted to tango music. Dimensión wasthe first piece that I composed especially for this group, in January /February 2003. The original version of Dimensiónis therefore for Sextet: flute, clarinet, violin, guitar, bass,piano.
Sincethat first version (performed several times in Germany and Argentina) I wrote along dozen of arrangements for different instrumental groups.
Dimensión for trombone octet: https://www.youtube.com/watch?v=Q8Uq4_PSlPI
$10.00 ≈
9.21€
Stomp It Out!
Stomp It Out!
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2 Trombones (duo)
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INTERMÉDIAIRE
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Lawrence H
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Stomp It Out!
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Lawrence H Underwood
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.968036 Composed by Lawrence H. Underwood. Contemporary,Instructional,Standards. Score. 6 pages. Lawrence H Un...
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Trombone Duet Trombone - Level 3 - SKU: A0.968036 Composed by Lawrence H. Underwood. Contemporary,Instructional,Standards. Score. 6 pages. Lawrence H Underwood #6254545. Published by Lawrence H Underwood (A0.968036). All the pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals.Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone - treble clef), trombone, euphonium/baritone - bass clef, tuba, mallet percussion, violin, viola, cello, and bass.
$4.99 ≈
4.60€
Stomp It Out!
Stomp It Out!
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2 Trombones (duo)
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INTERMÉDIAIRE
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Lawrence H
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Stomp It Out!
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Lawrence H Underwood
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.968037 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score. 6 pages. Lawre...
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Trombone Duet Trombone - Level 3 - SKU: A0.968037 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score. 6 pages. Lawrence H Underwood #6254549. Published by Lawrence H Underwood (A0.968037). All the pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals.Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone - treble clef), trombone, euphonium/baritone - bass clef, tuba, mallet percussion, violin, viola, cello, and bass.
$4.99 ≈
4.60€
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.21€
American Patriotic Music for All, Volume 1 (Flexible Orchestra)
American Patriotic Music for All, Volume 1 (Flexible Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Various
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Randy Calistri-Yeh
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American Patriotic Music for A
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Custom Chamber Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.742743 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 ...
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Full Orchestra - Level 4 - SKU: A0.742743 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #350877. Published by Custom Chamber Music (A0.742743). 2nd edition - new and improved.Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has seven songs and over 14 minutes of music that both you and your audience are sure to love. Each song is also available separately from the publisher link above.These arrangements can be played with anywhere from 3 to 7 parts, with a great deal of flexibility in instrumentation. This makes it ideal for bands of all types (full orchestra, string orchestra, chamber orchestra, school, community, or professional). This is one of the most versatile collections you'll ever use!The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England).Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. The difficulty level ranges from medium-easy to medium-advanced. The arrangements respect the original style of the composers while greatly expanding the instrument flexibility.This collection contains a full score, as well as individual parts in all the appropriate clefs and transpositions to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.Be sure to also check out our three volumes of Christmas Carols for All!
$45.00 ≈
41.47€
Sousa Semper Fidelis (Flexible Band)
Sousa Semper Fidelis (Flexible Band)
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Orchestre d'harmonie
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John Philip Sousa
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Randy Calistri-Yeh
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Sousa Semper Fidelis
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Custom Chamber Music
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SheetMusicPlus
Concert Band - SKU: A0.745475 Composed by John Philip Sousa. Arranged by Randy Calistri-Yeh. Holiday,Patriotic,Traditional. Score and parts. 77 pages. C...
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Concert Band - SKU: A0.745475 Composed by John Philip Sousa. Arranged by Randy Calistri-Yeh. Holiday,Patriotic,Traditional. Score and parts. 77 pages. Custom Chamber Music #353404. Published by Custom Chamber Music (A0.745475). Semper Fidelis is one of John Philip Sousa's most popular marches. This extremely flexible arrangement can be played with anywhere from 3 to 7 parts, suitable for bands of all types (school, community, or professional).This song is also available as part of the collection American Patriotic Music for All, Volume 1, a package of four classic patriotic tunes and three complete Sousa marches (click the publisher link above).To demonstrate the flexibility of this arrangement, the audio clip has an excerpt performed as a full concert band, a string orchestra, and a woodwind trio.This song is in its original key, so it is easy to combine with your own choir or piano/organ parts.Your purchase contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet, with optional percussion.Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.
$15.00 ≈
13.82€
American Patriotic Music for All, Volume 1
American Patriotic Music for All, Volume 1
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Orchestre de chambre
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Americana
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Various
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American Patriotic Music for A
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Custom Chamber Music
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SheetMusicPlus
Composed by Various. Arranged by Randy Calistri-Yeh. Fourth of July, Recital, Patriotic, Old-time, Americana. Score, Set of Parts. 468 pages. Published by ...
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Composed by Various. Arranged by Randy Calistri-Yeh. Fourth of July, Recital, Patriotic, Old-time, Americana. Score, Set of Parts. 468 pages. Published by Custom Chamber Music
Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has 15 minutes of music that both you and your audience are sure to love.
These arrangements can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional). This is one of the most versatile collections you'll ever use!
To demonstrate the flexibility of this collection, the audio clip has "America the Beautiful" performed as a full concert band, a string orchestra, and a woodwind trio.
The songs included in Volume 1 are:
The Star-Spangled Banner (US National Anthem), by John Stafford Smith.
America the Beautiful, by Samuel Ward.
Battle Hymn of the Republic ("Mine Eyes Have Seen the Glory").
My Country, 'Tis of Thee ("America", known as "God Save the King/Queen" in England).
Stars and Stripes Forever, by John Philip Sousa.
Washington Post March, by John Philip Sousa.
Semper Fidelis, by John Philip Sousa.
These songs are also available separately through the publisher link above.
Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts.
This collection contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:
Brass trio, quartet, quintet, and sextet.
Woodwind trio, quartet, quintet, and sextet.
String trio, quartet, quintet, and sextet.
Clarinet trio, quartet, quintet, and sextet.
Saxophone trio, quartet, and quintet.
Mixed trio, quartet, quintet, and sextet, with optional percussion.
Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.
The parts are described as follows:
Part 1 [D4-Ab5] is the main melody. Flute/Piccolo, Oboe, Bb Clarinet, Alto Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.
Part 2 [G3-Eb5] has some B-section melody and harmony. Bb Clarinet, Alto/Bass Clarinet, Alto Saxophone, French Horn, Bb Trumpet, Violin, Viola.
Part 3 [G3-Bb4] is additional harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Baritone, Trombone, C/Bb Euphonium, Violin, Viola, Cello.
Part 4 [F2-C4] is the main bass line. Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.
Part 5 [E2-C4] is other harmony. Bass Clarinet, Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.
Part 6 [E2-F4] is the main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.
Part 7 is an optional percussion part (snare drum, cymbal, bass drum) that can be added to any of the above combinations, or skipped entirely.
We recommend the following combinations:
Trio: Parts 1, 2, 4 (4 works better than 3 for trio).
Quartet: Parts 1, 2, 3, 4.
Quintet: Parts 1, 2, 3, 4, 5.
Sextet: Parts 1, 2, 3, 4, 5, 6.
Septet: Part 1, 2, 3, 4, 5, 6, 7.
Be sure to also check out our three volumes of Christmas Carols for All!
$45.00 ≈
41.47€
I Heard the Bells on Christmas Day - Trombone solo (opt. duet)
I Heard the Bells on Christmas Day - Trombone solo (opt. duet)
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2 Trombones (duo)
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INTERMÉDIAIRE
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Noël
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Brian Buda
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Brian Buda
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I Heard the Bells on Christmas
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budaful music
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SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.1040841 By Brian Buda. By John Calkin. Arranged by Brian Buda. Christmas,Contest,Festival,Holiday,Sacred,Trad...
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Trombone Duet Trombone - Level 3 - SKU: A0.1040841 By Brian Buda. By John Calkin. Arranged by Brian Buda. Christmas,Contest,Festival,Holiday,Sacred,Traditional. Score. 12 pages. Budaful music #645610. Published by budaful music (A0.1040841). This arrangement of the classic carol 'I Heard the Bells on Christmas Day' (WALTHAM) is a great addition to a holiday themed school program, church service, and Christmas contests and recitals. As with any song, the lyrics are very important, even when performed instrumentally as in this case. The emotions of the poem are imitated in the music. Encourage listeners to follow along by printing/displaying Henry W. Longfellow's well loved text: I heard the bells on Christmas day Their old familiar carols play, And wild and sweet the words repeat Of peace on earth, good will to men. This arrangement functions very well for both a moderately advanced solo trombone and trombone duet. The duet part is more intermediate, making it a great option for an intermediate level student, or a less experienced player. While the duet part has been written for its corresponding solo instrument, the duet part can be purchased for other instruments as well. Separate duet parts available for: Flute, Oboe, Soprano sax, Clarinet in Bb, Alto Sax, Horn in F, Trumpet in Bb, Trombone, Baritone (T.C.), Violin, Viola, and Cello. Search for this arrangement and its 'supplemental' parts. .
$5.99 ≈
5.52€
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