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2 fit nicely together.
Partitions à imprimer
13 partitions trouvées
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1
Gymnopedie No 2 for flute and piano
Gymnopedie No 2 for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Contemporain
#
Classique
#
Erik Satie
#
Mark Reeves
#
Gymnopedie No 2 for flute and
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Mark Reeves
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.748672 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Concert,Film/TV,Wedding,World. Score and part. 5 pa...
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Flute,Piano - Level 3 - SKU: A0.748672 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Concert,Film/TV,Wedding,World. Score and part. 5 pages. Mark Reeves #3022545. Published by Mark Reeves (A0.748672). Erik Satie's Gymnopedies were written for piano solo but lend themselves perfectly to being played by other musical instruments too. Indeed, Claude Debussy arranged the first and third Gymnopedies for orchestra. This arrangement for flute with piano accompaniment would fit nicely into a school concert programme and is also perfect for wedding ceremonies. Performance time is approximately two and a half minutes. Breath marks are not indicated, as the long phrases should be played in one breath if possible. A separate part is supplied for the soloist. The composer's original autographed manuscripts have been used as the initial source material, along with the very first printed editions published in 1888 and 1895. Obvious errors in these first editions have been corrected and Satie's unconventional preference for distributing the notes of chords across both staves has been ignored in favour of grouping the notes together to facilitate chord recognition and performance. More arrangements by Mark Reeves: www.sheetmusicplus.com/publishers/Mark-Reeves/1850 Facebook: www.facebook.com/MarkReevesPianist Twitter: https://twitter.com/MarkReeves001 Website: www.markreeves.co.uk Email: info@markreeves.co.uk
$3.99 ≈
3.71€
Five duets for F recorders
Five duets for F recorders
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2 Flûte à bec (duo)
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FACILE
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Thomas Morley
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Clive Lane
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Five duets for F recorders
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Clive Lane
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SheetMusicPlus
Recorder Duet Alto Recorder - Level 2 - SKU: A0.1407384 Composed by Thomas Morley (1557-1602). Arranged by Clive Lane. Classical,Renaissance. Score. 20 ...
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Recorder Duet Alto Recorder - Level 2 - SKU: A0.1407384 Composed by Thomas Morley (1557-1602). Arranged by Clive Lane. Classical,Renaissance. Score. 20 pages. Clive Lane #990061. Published by Clive Lane (A0.1407384). These attractive duets are from Thomas Morleys's book of Canzonets to Two Voices (1595).They are not very difficult and fit nicely on recorders.Score and parts for recorder 1 and recorder 2 (though I would recommend playing from the score as seeing the other part can help you to keep together).
$4.99 ≈
4.64€
Five duets for C recorders
Five duets for C recorders
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2 Flûte à bec (duo)
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FACILE
#
Thomas Morley
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Clive Lane
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Five duets for C recorders
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Clive Lane
#
SheetMusicPlus
Recorder Duet Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.1407303 Composed by Thomas Morley (1557-1602). Arranged by Clive Lane. Classical,Renai...
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Recorder Duet Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.1407303 Composed by Thomas Morley (1557-1602). Arranged by Clive Lane. Classical,Renaissance. Score. 20 pages. Clive Lane #989979. Published by Clive Lane (A0.1407303). These attractive duets are from Thomas Morleys's book of Canzonets to Two Voices (1595).They are not very difficult and fit nicely on recorders.Score and parts for recorder 1 and recorder 2 (though I would recommend playing from the score as seeing the other part can help you to keep together).
$4.99 ≈
4.64€
Three variations on "Caswall"
Three variations on "Caswall"
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Orgue
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FACILE
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Tim Attride
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2 fit nicely together.
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Three variations on "Casw
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Tim Attride
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SheetMusicPlus
Instrumental Solo,Organ - Level 2 - SKU: A0.1387379 Composed by (Original tune - Friedrich Filitz, 1847). Arranged by Tim Attride. Christian,Lent,Religi...
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Instrumental Solo,Organ - Level 2 - SKU: A0.1387379 Composed by (Original tune - Friedrich Filitz, 1847). Arranged by Tim Attride. Christian,Lent,Religious,Sacred. Individual part. 4 pages. Tim Attride #971233. Published by Tim Attride (A0.1387379). Three contrasting variations on this popular Passiontide hymn tune. Most suitable as either a Prelude or to play during Communion in Holy Week. Generally very easy, but with a bit of thumbing down at one point.The three arrangements may be played individually, although 1 & 2 fit nicely together.
$2.99 ≈
2.78€
Chocolate
Chocolate
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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The 1975
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Katrina Wreede
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Chocolate
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Vlazville Music-Digital
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.737320 By The 1975. By Adam Hann and Daniel George. Arranged by Katrina Wreede. Con...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.737320 By The 1975. By Adam Hann and Daniel George. Arranged by Katrina Wreede. Contemporary. Score and parts. 16 pages. Vlazville Music-Digital #4812849. Published by Vlazville Music-Digital (A0.737320). Flowing and syncopated Alternative/Pop song that fits very nicely into a string quartet with very fun repeating groove for the viola. Better for more advanced players for professional gigs, mostly for fitting the syncopated parts together. Also good for serious high school or amateur quartets for recitals, outreach concerts, music camps, retreats, workshops, etc. .
$13.99 ≈
13.00€
Come Hear the Bells - In Dulci Jubilo
Come Hear the Bells - In Dulci Jubilo
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Traditional
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Dana Taylor
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Come Hear the Bells - In Dulci
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Dana Taylor Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.987755 Composed by Traditional. Arranged by Dana Taylor. Christian,Christmas,Classical,Contempora...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.987755 Composed by Traditional. Arranged by Dana Taylor. Christian,Christmas,Classical,Contemporary. 22 pages. Dana Taylor Music #3056197. Published by Dana Taylor Music (A0.987755). In Dulci Jubilo was first published in 1400, then modified often. The current version if relatively modern, and the one that most hymnals use. I've used the 6/4 dancing form more than the chant. Both are beautiful, but this is more in the spirit of Come Hear the Bells. The bassoon has a cantus firmus at mm 29, and is otherwise featured.This is the fourth of five Christmas carols for woodwind quintet, in various styles. They share the themes of coming together and heeding the call of bells to celebrate the holidays.They would work separately running between 2 and 3 minutes or all together for about 13 minutes. So they would give your winds a chance to shine in contrast to your full ensemble. They would also fit nicely as holiday music at the local airport or in the lobby before your concert.They are intended for advanced high school, college or community musicians.Check out my other works here at SMP or on my website: DanaTaylorMusic.com.2017 Chamber Music Contest Entry - PD Arrangement
$12.00 ≈
11.15€
Come Hear the Bells - Carol of the Bells
Come Hear the Bells - Carol of the Bells
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
#
Noël
#
Leontovich
#
Dana Taylor
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Come Hear the Bells - Carol of
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Dana Taylor Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.987753 Composed by Leontovich (1916). Arranged by Dana Taylor. Christian,Christmas,Contemporary. ...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.987753 Composed by Leontovich (1916). Arranged by Dana Taylor. Christian,Christmas,Contemporary. 18 pages. Dana Taylor Music #3056067. Published by Dana Taylor Music (A0.987753). Here is the second of five Christmas carols for woodwind quintet, in various styles. They share the themes of coming together and heeding the call of bells to celebrate the holidays.They would work seperately running between 2 and 3 minutes or all together for about 13 minutes. So they would give your winds a chance to shine in contrast to your full ensemble. They would also fit nicely as holiday music at the local airport or in the lobby before your concert.They are intended for advanced high school, college or community musicians.Check out my other works here at SMP or on my website: DanaTaylorMusic.com.2017 Chamber Music Contest Entry - PD Arrangement
$12.00 ≈
11.15€
Come Hear the Bells - Bring a Torch, Jeannette Isabella
Come Hear the Bells - Bring a Torch, Jeannette Isabella
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Traditional French
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Dana Taylor
#
Come Hear the Bells - Bring a
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Dana Taylor Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.987754 Composed by Traditional French. Arranged by Dana Taylor. Christian,Christmas,Contemporary....
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.987754 Composed by Traditional French. Arranged by Dana Taylor. Christian,Christmas,Contemporary. 26 pages. Dana Taylor Music #3056165. Published by Dana Taylor Music (A0.987754). Here is the third of five Christmas carols for woodwind quintet, in various styles. They share the themes of coming together and heeding the call of bells to celebrate the holidays.They would work separately running between 2 and 3 minutes or all together for about 13 minutes. So they would give your winds a chance to shine in contrast to your full ensemble. They would also fit nicely as holiday music at the local airport or in the lobby before your concert.They are intended for advanced high school, college or community musicians.Check out my other works here at SMP or on my website: DanaTaylorMusic.com.2017 Chamber Music Contest Entry - PD Arrangement
$12.00 ≈
11.15€
Come Hear the Bells - I Heard the Bells
Come Hear the Bells - I Heard the Bells
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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John Baptiste Calkin, Henry Wa
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Dana Taylor
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Come Hear the Bells - I Heard
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Dana Taylor Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.987756 Composed by John Baptiste Calkin, Henry Wadsworth Longfellow. Arranged by Dana Taylor. Chr...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.987756 Composed by John Baptiste Calkin, Henry Wadsworth Longfellow. Arranged by Dana Taylor. Christian,Christmas,Contemporary. 14 pages. Dana Taylor Music #3056201. Published by Dana Taylor Music (A0.987756). Here is the fifth of five Christmas carols for woodwind quintet, in various styles. They share the themes of coming together and heeding the call of bells to celebrate the holidays.They would work separately running between 2 and 3 minutes or all together for about 13 minutes. So they would give your winds a chance to shine in contrast to your full ensemble. They would also fit nicely as holiday music at the local airport or in the lobby before your concert.They are intended for advanced high school, college or community musicians.Check out my other works here at SMP or on my website: DanaTaylorMusic.com.2017 Chamber Music Contest Entry - PD Arrangement
$12.00 ≈
11.15€
Trois Gymnopedies for Flute and Piano
Trois Gymnopedies for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Contemporain
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Classique
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Erik Satie
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Mark Reeves
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Trois Gymnopedies for Flute an
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Mark Reeves
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.748673 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Film/TV,Multicultural,Wedding,World. Score and part...
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Flute,Piano - Level 3 - SKU: A0.748673 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Film/TV,Multicultural,Wedding,World. Score and part. 13 pages. Mark Reeves #3029515. Published by Mark Reeves (A0.748673). Erik Satie's Trois Gymnopedies were written for piano solo but lend themselves perfectly to being played by other musical instruments too. Indeed, Claude Debussy arranged the first and third Gymnopedies for orchestra. These arrangements for flute with piano accompaniment would fit nicely into a school concert programme and are also perfect for wedding ceremonies. Performance time for each piece is approximately 2.5 to 3 minutes. Breath marks are not indicated, as the long phrases should ideally be played in one breath if possible. A separate part is supplied for the soloist. The composer's original autographed manuscripts have been used as the initial source material, along with the very first printed editions published in 1888 and 1895. Obvious errors in these first editions have been corrected and Satie's unconventional preference for distributing the notes of chords across both staves has been ignored in favour of grouping the notes together to facilitate chord recognition and performance. About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger with years of experience. More of his arrangements can be downloaded here: http://www.sheetmusicplus.com/publishers/Mark-Reeves/1850 For further information email: info@markreeves.co.uk or follow Mark on Twitter @MarkReeves001
$14.99 ≈
13.92€
Patapan - Carol for easy guitar quartet
Patapan - Carol for easy guitar quartet
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Bernard de la Monnoye
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Derek Hasted
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Patapan - Carol for easy guita
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.797756 Composed by Bernard de la Monnoye. Arranged by Derek Hasted. Baroque,Christmas. Score and parts. 17 pa...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.797756 Composed by Bernard de la Monnoye. Arranged by Derek Hasted. Baroque,Christmas. Score and parts. 17 pages. Derek Hasted #4836609. Published by Derek Hasted (A0.797756). PATAPAN - traditional carol - 4 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.There are TWO ARRANGEMENTS in this one edition.Derek Hasted writes This Burgundian Carol, first published in 1720, usually has four verses in the French version and three in the English. This arrangement has three verses, all in slightly different styles.The melody and the onomatopoeia in the lyrics are together meant to symbolise the fife (“Ture-lure-luâ€) and the drum (“Pata-pata-panâ€).In both arrangements Guitar One has melody, and it fits nicely in a mix of IV and V position. There is no fingering, because your ensemble might want to choose between two different approaches...A less experienced ensemble might prefer to venture up the neck just to reach for the A and B notes, and return to the first position as soon as possible...A more experienced group might want to stay up the neck to get a more rounded tone throughout. Depending on your choice of fingering, slurs might be possible to improve the flow.There are two versions of the lower parts. In the first arrangement, in “SATB†style, Guitar 4 plays the bass; Guitar 3 provides, in the three verses, percussion, a choral countermelody, and finally a Hurdy-Gurdy style drone; Guitar provides a countermelody.In the second arrangement, the roles rotate at the end of each verse, so that all the accompanying players have three very different verses to play. Guitar 1 stays with the tune, because in a mixed ability ensemble, moving the tune about tends to highlight any weaknesses. This arrangement highlights the strengths!Percussion (the X-headed notes) works well if you tap the guitar near the bridge to get a deep bass drum.At the end, the brave amongst you can shout “Patapan†to bring the piece to a surprise conclusion...I hope you enjoy this piece!
$2.99 ≈
2.78€
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