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Mendelssohn Hymn Sacred
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Vous avez sélectionné:
Mendelssohn Hymn Sacred
Violon et Piano
Partitions à imprimer
4 partitions trouvées
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1
Bach: Wachet auf for Violin & Piano
Bach: Wachet auf for Violin & Piano
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Violon et Piano
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FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Violin &a
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jmsgu3
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Piano,Violin - Level 2 - SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards....
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Piano,Violin - Level 2 - SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. 12 pages. Jmsgu3 #3554469. Published by jmsgu3 (A0.549836). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
23.11€
Hark the Herald Angels Sing
Hark the Herald Angels Sing
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Kristin Coleman Campbell
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Hark the Herald Angels Sing
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Horsehair Music
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Piano,Violin - Level 3 - SKU: A0.1335807 Composed by Felix Bartholdy Mendelssohn. Arranged by Kristin Coleman Campbell. Advent,Christmas,Holiday,Sacred....
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Piano,Violin - Level 3 - SKU: A0.1335807 Composed by Felix Bartholdy Mendelssohn. Arranged by Kristin Coleman Campbell. Advent,Christmas,Holiday,Sacred. 8 pages. Horsehair Music #921634. Published by Horsehair Music (A0.1335807). Here is a violin solo with piano accompaniment of the Christmas hymn Hark the Herald Angels Sing. This solo is set for an intermediate student, level 4 or 5. The last measure shifts into 5th position with an optional high A (A6). An alternate note in 1st or 3rd position is included. It begins the key of C Major and then modulates to F Major for the last stanza. This is written specifically for the violinist and includes fingerings and bowings so that the student can self learn if desired. Add this joyful and triumphant arrangement of this Christmas hymn to your repertoire this year.Horsehair Music brings you music for stringed instruments by people who play stringed instruments. These arrangements will never be adapted and published for other instruments. Play these arrangements with confidence knowing they will work for the violinist.
$5.00 ≈
4.63€
Sullivan: The Lost Chord for Violin & Piano
Sullivan: The Lost Chord for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for V
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jmsgu3
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Piano,Violin - Level 3 - SKU: A0.549439 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacr...
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Piano,Violin - Level 3 - SKU: A0.549439 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 14 pages. Jmsgu3 #3494667. Published by jmsgu3 (A0.549439). Score: 9 pages, solo part: 2 pages, piano part: 4 pages. Duration: 4:18. Suitable for a recital of church meditation. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
24.97€
Christmas Medley - Violin
Christmas Medley - Violin
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Violon et Piano
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FACILE
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Noël
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Charles Wesley, Felix Barthold
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Lee Marcum
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Christmas Medley - Violin
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leemarcummusic.com
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Piano,Violin - Level 2 - SKU: A0.745678 Composed by Charles Wesley, Felix Bartholdy Mendelssohn, and John Francis Wade. Arranged by Lee Marcum. Christma...
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Piano,Violin - Level 2 - SKU: A0.745678 Composed by Charles Wesley, Felix Bartholdy Mendelssohn, and John Francis Wade. Arranged by Lee Marcum. Christmas,Sacred. 12 pages. Leemarcummusic.com #6588975. Published by leemarcummusic.com (A0.745678). Christmas Medley is an intermediate level arrangement for Violin Solo with Piano Accompaniment. Full of interesting harmonies and transitions, these 3 Hymns of the church, Hark! The Herald Angels Sing, The First Noel and O Come, All Ye Faithful are a fun, yet majestic setting. This arrangement is great for any kind of Christmas church service, esp. as an offertory and is great for high school or college level players in a church or school concert setting. The performance time is 3:34. lee@leemarcummusic.com to contact the arranger.
$10.00 ≈
9.26€
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