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Vous avez sélectionné:
Ethnic
avancé
Partitions à imprimer
31 partitions trouvées
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1
26
Singkilan
Singkilan
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Pinikpikan
#
Reenan Vincent M
#
Singkilan
#
Reenan Vincent M. Nobong
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1340961 By Pinikpikan. By Pinikpikan. Arranged by Reenan Vincent M. Nobong. 21st Century,A Cappell...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1340961 By Pinikpikan. By Pinikpikan. Arranged by Reenan Vincent M. Nobong. 21st Century,A Cappella,Contemporary,Folk. 34 pages. Reenan Vincent M. Nobong #926535. Published by Reenan Vincent M. Nobong (A0.1340961). It is an original choral arrangement of the known rock/ethnic/pop of the band Pinikpikan in the Philippines. The lyrics imitates the sounds of the gongs and other ethnic percussions like the kulintang.
$5.00 ≈
4.59€
Straits of Gibraltar
Straits of Gibraltar
#
Ensemble de Percussions
#
INTERMÉDIAIRE/AVANCÉ
#
Tsoof Baras
#
Straits of Gibraltar
#
Tsoof Baras
#
SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.1152916 Composed by Tsoof Baras. Multicultural,World. Score and parts. 71 pages. Tsoof Baras #753155. Published ...
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Percussion Ensemble - Level 4 - SKU: A0.1152916 Composed by Tsoof Baras. Multicultural,World. Score and parts. 71 pages. Tsoof Baras #753155. Published by Tsoof Baras (A0.1152916). Written for the FCIP Senior percussion ensemble 2021, this piece for 12 players draws inspiration from the many cultures that surround the Straits of Gibraltar. The fusion of ethnicities and trade that surround one stretch of water inspires images of belly dancing in a middle eastern bazaar, staring at the ocean from the coast and travelling into the wonders of the desert. Straits of Gibraltar is for Intermediate/Advanced percussion ensembles with access to 2x4.3 Octave Marimbas, 2x Vibraphones, Xylophone, Glockenspiel/Bells, Timpani, Concert toms, Darbuka or Djembe, Drum Set and Auxiliary Percussion.
$70.00 ≈
64.23€
Jambalaya (On The Bayou)
Jambalaya (On The Bayou)
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Country
#
Hank Williams
#
Peet du Toit
#
Then
#
Jambalaya
#
Peet du Toit
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1405315 By Hank Williams. By Hank Williams. Arranged by Peet du Toit. Country. 26 pages. Pe...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1405315 By Hank Williams. By Hank Williams. Arranged by Peet du Toit. Country. 26 pages. Peet du Toit #988363. Published by Peet du Toit (A0.1405315). Jambalaya (On the Bayou) is a song written and recorded by American country music singer Hank Williams that was first released in July 1952. Named for a Creole and Cajun dish, jambalaya, it spawned numerous cover versions and has since achieved popularity in several different music genres.Since the original melody of the song was from Grand Texas, the song is a staple of Cajun culture. However, although Williams kept a Louisiana theme, the song is not a true cajun song, which helped the song gain widespread popularity:Ethnic music is usually unpalatable for a mass market unless it is diluted in some way (Harry Belafonte's calypsos, Paul Simon's Graceland… the list is endless). The broader audience related to 'Jambalaya' in a way that it could never relate to a true cajun two-step led by an asthmatic accordion and sung in patois.The Carpenters featured the song, in an up-tempo pop version with country flourishes, on their 1973 album Now & Then. Their version was released as a single outside the United States in 1974 and sold well in the UK (peaking at number 12 in the charts) and Japan.Presented here as a brass quintet with up-tempo percussion, there is some resemblance of the Carpenters' cover, but also demands spectacular playing from all the players. Enjoy!
$22.00 ≈
20.19€
Oh My Coffee
Oh My Coffee
#
Voix duo, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Soji Ojeniyi
#
Oh My Coffee
#
Tinglescroll Publishers
#
SheetMusicPlus
Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 4 - SKU: A0.1342221 Composed by Soji Ojeniyi. 21st Century,Broadway,Contemporary,Musical/Show,R...
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Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 4 - SKU: A0.1342221 Composed by Soji Ojeniyi. 21st Century,Broadway,Contemporary,Musical/Show,R & B,Traditional. 21 pages. Tinglescroll Publishers #927738. Published by Tinglescroll Publishers (A0.1342221). From Star of Wonder the musical, Oh My Coffee is sung by the protagonist and her fiance along with his nomad quartet. If choosing a bride from another tribe is not enough to worry about, accepting foreign beverage from her on native soil is sufficient reason for excommunication. Properly choreographed, the song becomes a duel between ethnic bias and love's sentiments.
$10.00 ≈
9.18€
Now Weep for the Children II
Now Weep for the Children II
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
George Edwin Smith
#
Now Weep for the Children II
#
GloriaDeoMusic
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.902066 Composed by George Edwin Smith. Contemporary. Score and parts. 16 pages. GloriaDeoMusic #6860379. Published...
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Chamber Orchestra - Level 4 - SKU: A0.902066 Composed by George Edwin Smith. Contemporary. Score and parts. 16 pages. GloriaDeoMusic #6860379. Published by GloriaDeoMusic (A0.902066). This advanced-intermediate work for String Quartet or String Ensemble, is a requiem for the children of the world who are victims of war, ethnic cleansing, poverty, starvation, or sold into bondage. It is a poignant piece which will tug at one's heartstrings.The performance time is 5:44 minutes.
$15.00 ≈
13.76€
You And I (nobody In The World)
You And I (nobody In The World)
#
Violon, Violoncelle (duo)
#
INTERMÉDIAIRE/AVANCÉ
#
John Legend
#
Sarah Cellobat Chaffee
#
You And I
#
Sarah Cellobat Chaffee
#
SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.526333 By John Legend. By Daniel Dodd Wilson, Dave Tozer, James Ryan Ho, and John Stephens. Arranged ...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.526333 By John Legend. By Daniel Dodd Wilson, Dave Tozer, James Ryan Ho, and John Stephens. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 8 pages. Sarah Cellobat Chaffee #6504229. Published by Sarah Cellobat Chaffee (A0.526333). Released as a single from John Legend's fourth studio album in 2014, You & I (Nobody In The World) was meant to showcase Legend's appreciation for the true beauty of all women and was released with a music video featuring a variety of women of every age, shape, size, and ethnic background. The beautiful ballad was well received by audiences and critics alike, and even won a NAACP Image Award for Outstanding Music Video! This Cellobat arrangement for violin and cello duet was written for a wedding, and it maintains the soaring melodic lines, laid-back beat, and emotional intensity of the original for a chart that's sure to pull at your audience's heartstrings. This will be perfect for proposals, ceremonies, receptions, cocktail hour, solo & ensemble contest, and more! Rated advanced-intermediate for tricky rhythms in the violin part; both parts remain in first position throughout. This will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$9.99 ≈
9.17€
Jambalaya (on The Bayou)
Jambalaya (on The Bayou)
#
Country
#
Hank Williams
#
Then
#
Jambalaya
#
Peet du Toit
#
SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802680 By Hank Williams. By Hank Williams. Arranged by Richard Carpenter & Peet du T...
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802680 By Hank Williams. By Hank Williams. Arranged by Richard Carpenter & Peet du Toit. Country. Score and parts. 30 pages. Peet du Toit #6383245. Published by Peet du Toit (A0.802680). Jambalaya (On the Bayou) is a song written and recorded by American country music singer Hank Williams that was first released in July 1952. Named for a Creole and Cajun dish, jambalaya, it spawned numerous cover versions and has since achieved popularity in several different music genres.Since the original melody of the song was from Grand Texas, the song is a staple of Cajun culture. However, although Williams kept a Louisiana theme, the song is not a true cajun song, which helped the song gain widespread popularity:Ethnic music is usually unpalatable for a mass market unless it is diluted in some way (Harry Belafonte's calypsos, Paul Simon's Graceland… the list is endless). The broader audience related to 'Jambalaya' in a way that it could never relate to a true cajun two-step led by an asthmatic accordion and sung in patois.The Carpenters featured the song, in an up-tempo pop version with country flourishes, on their 1973 album Now & Then. Their version was released as a single outside the United States in 1974 and sold well in the UK (peaking at number 12 in the charts) and Japan.Presented here as a brass quintet with up-tempo percussion, there is some resemblance of the Carpenters' cover, but also demands spectacular playing from all the players. Enjoy!
$22.00 ≈
20.19€
Elysian Fields for Trombone Quartet
Elysian Fields for Trombone Quartet
#
Quatuor de cuivres: 4 trombones
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David F
#
Elysian Fields for Trombone Qu
#
Gordon Cherry
#
SheetMusicPlus
Trombone - Level 4 - SKU: A0.811261 Composed by David F. Wilborn. 20th Century,Contemporary. 27 pages. Gordon Cherry #6624625. Published by Gordon Cherr...
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Trombone - Level 4 - SKU: A0.811261 Composed by David F. Wilborn. 20th Century,Contemporary. 27 pages. Gordon Cherry #6624625. Published by Gordon Cherry (A0.811261). Here is a detailed description of the work by composer, David F. Wilborn.Elysian Fields was written for the Elysian Trombone Consort. Members of the ensemble include: Timothy Anderson, Chad Arnow, Nathan Siler, and Brett Shuster. The work was created as part of a recital feature that took place at the 2021 International Trombone Festival entitled A New Initiative II: Trombone Quartet Music by Composers of Color. The Elysian Trombone Consort created the New Initiative concert series as a vehicle to promote new and existing works by composers from under-represented gender, ethnic and social communities. The concert series aims to highlight the creative scholarship of under-represented artists. The ultimate goal is to encourage the programming and creation of more compositions by these scholars.The title Elysian Fields (also known as Elysium) is a venue in mythology that references a final resting place in the afterlife for the Greek Gods. Although Elysium was originally designated for Greek Gods and mortals who may have been related to the Gods, the venue was also accessible to certain mortals by the Gods for their heroic deeds or by those who enjoyed favor with the Gods. Images of Elysium are said to have radiant sunshine, rolling hills and, according to Homer in his Odyssey, the most pleasant weather conditions – no snow, nor heavy storm, nor ever rain.The music Elysian Fields attempts to capture the frivolity of living in Elysium. It portrays the radiant sunshine and the spirit of joy. The place is by all accounts a surreal landscape where sun rays softly beam down on the fields and, in some cases, it emanates as a heavenly backdrop. It is a place of everlasting happiness, serenity, and peace. This 5-minute work is accessible by intermediate to moderately advanced performers.The track below is from a live performance by the Elysian Trombone Consort at the International Trombone Festival in 2021.
$27.50 ≈
25.23€
Three Voices from the Americas, Trio for Oboe, Viola & Trombone
Three Voices from the Americas, Trio for Oboe, Viola & Trombone
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Brett L Allen
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Three Voices from the Americas
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brettallenmusic.com
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SheetMusicPlus
Small Ensemble Oboe,Trombone,Viola - Level 4 - SKU: A0.977975 Composed by Brett L Allen. Blues,Latin,Rock,World. Score and parts. 50 pages. Brettallenmu...
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Small Ensemble Oboe,Trombone,Viola - Level 4 - SKU: A0.977975 Composed by Brett L Allen. Blues,Latin,Rock,World. Score and parts. 50 pages. Brettallenmusic.com #6675973. Published by brettallenmusic.com (A0.977975). This work was originally designed to introduce young listeners to diverse instruments within the orchestra. The Oboe represents the Woodwind family, the Viola the String family, and the Trombone the Brass family. Reaches audience through styles likely to be familiar, Rock and Roll, Blues, and Latin/Indigenous Dance. These styles represent the rich racial and ethnic make up of the Americas, hence the title, Three Voices from the Americas. Works equally well as a stand-alone concert piece.
$30.00 ≈
27.53€
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)- Full Ensemble performance
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)- Full Ensemble performance
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Harpe
#
INTERMÉDIAIRE/AVANCÉ
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn f
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Blue Steer Studios
#
SheetMusicPlus
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multic...
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 277. Blue Steer Studios #857711. Published by Blue Steer Studios (A0.1264873). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99 ≈
1.83€
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Harp 3 part only
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Harp 3 part only
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Harpe
#
INTERMÉDIAIRE/AVANCÉ
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn f
#
Blue Steer Studios
#
SheetMusicPlus
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - SKU: A0.1264880 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,Ne...
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - SKU: A0.1264880 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857718. Published by Blue Steer Studios (A0.1264880). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99 ≈
1.83€
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)- Full Ensemble performance
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)- Full Ensemble performance
#
Harpe
#
INTERMÉDIAIRE/AVANCÉ
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn f
#
Blue Steer Studios
#
SheetMusicPlus
Harp - Level 4 - SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full ...
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Harp - Level 4 - SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 279. Blue Steer Studios #859689. Published by Blue Steer Studios (A0.1267054). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99 ≈
1.83€
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 1 part
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 1 part
#
Harpe
#
INTERMÉDIAIRE/AVANCÉ
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn f
#
Blue Steer Studios
#
SheetMusicPlus
Harp - Level 4 - SKU: A0.1026506 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Bl...
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Harp - Level 4 - SKU: A0.1026506 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #6206575. Published by Blue Steer Studios (A0.1026506). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99 ≈
3.66€
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor) - Score Only
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor) - Score Only
#
Laura Olson
#
Laura Olson
#
Black Hounds of Cŵn Annwn f
#
Blue Steer Studios
#
SheetMusicPlus
Level 4 - SKU: A0.1264876 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 12 pages. Bl...
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Level 4 - SKU: A0.1264876 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 12 pages. Blue Steer Studios #857714. Published by Blue Steer Studios (A0.1264876). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$4.99 ≈
4.58€
Flight of the Star Owls Harp Arrangement- Full score (F minor) - Score Only
Flight of the Star Owls Harp Arrangement- Full score (F minor) - Score Only
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Laura Olson
#
Laura Olson
#
Flight of the Star Owls Harp A
#
Blue Steer Studios
#
SheetMusicPlus
Level 4 - SKU: A0.1212329 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 11 pages. Blue St...
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Level 4 - SKU: A0.1212329 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 11 pages. Blue Steer Studios #809832. Published by Blue Steer Studios (A0.1212329). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement.  You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.   Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.  Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$3.99 ≈
3.66€
Flight of the Star Owls Harp Arrangement- Full score and parts (F minor)
Flight of the Star Owls Harp Arrangement- Full score and parts (F minor)
#
Harpe
#
INTERMÉDIAIRE/AVANCÉ
#
Laura Olson
#
Laura Olson
#
Flight of the Star Owls Harp A
#
Blue Steer Studios
#
SheetMusicPlus
Harp - Level 4 - SKU: A0.1212320 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 27 pages. ...
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Harp - Level 4 - SKU: A0.1212320 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 27 pages. Blue Steer Studios #809584. Published by Blue Steer Studios (A0.1212320). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement.  You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.   Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.  Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$9.99 ≈
9.17€
Zacatecas March (for Brass Quintet)
Zacatecas March (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Genaro Codina
#
Kenneth Abeling
#
Zacatecas March
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.515061 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 17 pa...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.515061 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 17 pages. LINCOLN MUSIC PUBLICATIONS #4635411. Published by LINCOLN MUSIC PUBLICATIONS (A0.515061). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for Brass Quintet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$13.99 ≈
12.84€
Suite Revelation for cello and piano
Suite Revelation for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Robert M
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Suite Revelation for cello and
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Robert M. Greenberg
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SheetMusicPlus
Cello,Instrumental Solo,Piano - Level 4 - SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages...
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Cello,Instrumental Solo,Piano - Level 4 - SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.
$28.00 ≈
25.69€
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.III Molto vivace - symphonic wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.III Molto vivace - symphonic wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1128641 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic P...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1128641 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 30 pages. RayThompsonMusic #729243. Published by RayThompsonMusic (A0.1128641). Arranged wind dectet/bass (double wind quintet) Mvt III Molto vivace The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour.
$14.95 ≈
13.72€
Dvorak: String Quartet No.12 in F Op.96 " American" (Complete) - wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 " American" (Complete) - wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143368 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,Folk,Romantic Per...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143368 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,Folk,Romantic Period. 132 pages. RayThompsonMusic #743725. Published by RayThompsonMusic (A0.1143368). Arranged wind dectet/bass (Double wind quintet) Mp3 is of 1st mvt. The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This arrangement is of the complete workL you can alos buy each mvt separately.
$29.95 ≈
27.48€
Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic P...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 23 pages. RayThompsonMusic #743323. Published by RayThompsonMusic (A0.1143137). Arranged wind dectet/bass 2nd mvt Lento - The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind ensemblet, so have given the horns repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and also used the horns to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinets and bassoons.
$9.95 ≈
9.13€
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.I Allegro -symphonic wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.I Allegro -symphonic wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1130508 Composed by Antonin Dvorak. Arranged by Ray Thompson. Folk,Roman...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1130508 Composed by Antonin Dvorak. Arranged by Ray Thompson. Folk,Romantic Period. Score and parts. 38 pages. RayThompsonMusic #730825. Published by RayThompsonMusic (A0.1130508). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 1st movement: Allegro Check out my SMP page : https://www.sheetmusicplus.com/publishers/raythompsonmusic-sheet-music/3002229.
$14.95 ≈
13.72€
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic P...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 55 pages. RayThompsonMusic #725159. Published by RayThompsonMusic (A0.1124411). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 4th movement: Finale (Vivace ma non troppo) It is in a traditional rondo form, A–B–A–C–A–B–A. The main melody is pentatonic. The B section is more lyrical, but continues in the spirit of the first theme. The C section is a chorale theme. I have adapted the string music for winds, and included some sustained horn chords. It has a similar feel to the finale of Dvorak’s wind serenade in D minor op.44.
$14.95 ≈
13.72€
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.III Molto vivace - wind quintet
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.III Molto vivace - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1139860 Composed by Antonin Dvorak. Arranged by Ray Thompson. Fo...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1139860 Composed by Antonin Dvorak. Arranged by Ray Thompson. Folk,Romantic Period. 19 pages. RayThompsonMusic #740132. Published by RayThompsonMusic (A0.1139860). Arranged wind quintet Mvt III Molto vivace The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour.
$9.95 ≈
9.13€
Souvenir de Porto Rico - Marche des Gibaros
Souvenir de Porto Rico - Marche des Gibaros
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Louis Moureau Gottschalk
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Simeon Loring
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Souvenir de Porto Rico - March
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S. Loring
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.953679 Composed by Louis Moureau Gottschalk. Arranged by Simeon Loring. Latin,Romantic Period. 42...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.953679 Composed by Louis Moureau Gottschalk. Arranged by Simeon Loring. Latin,Romantic Period. 42 pages. S. Loring #1750195. Published by S. Loring (A0.953679). Louis Moureau Gottschalk (1829-1869) was on of the first great American virtuoso pianists. He studied and performed in Europe and settled in the Carribean. He heard the workers (Gibaros) sing this song and arranged it for solo piano. This arrangement makes much of the ethnic rhythms that Gottschalk used. Duration of work: 6'30.
$24.99 ≈
22.93€
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