Partitions Numériques de Sam Cooke pour Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

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Sam Cooke
Non classifié 25

Piano & claviers
Piano, Voix et Guitare 82
Piano, Voix 46
Piano seul 20
Piano Facile 13
Instruments en Do 5

Piano grosses notes 2

+ 1 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 8
Ukulele 5
Guitare notes et tablatures 4
Dobro 1
Guitare 1

Paroles et Accords 1
Basse electrique 1

+ 2 instrumentations

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Voix
Chorale SATB 8
Voix moyenne, Piano 3
Chorale SSAA 3
Chorale 3 parties 2
Chorale 2 parties 1

Voix seule 1

+ 1 instrumentations

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Vents
Saxophone (partie séparée) 10
Clarinette 7
Flûte traversière 7
Saxophone Alto 6
Saxophone Tenor 4

Saxophone Soprano 4
Quatuor de Clarinettes: 4 clarinettes 2
Flute (partie séparée) 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2

Clarinette (partie séparée) 2
Hautbois (partie séparée) 2
2 Saxophones (duo) 1
Cor Anglais 1
2 Flûtes traversières (duo) 1
Flûte traversière et Piano 1
Flûte, Hautbois, Clarinette, Basson 1
Clarinette et Piano 1
Quatuor de Saxophones: 4 saxophones 1
Quatuor de Flûtes : 4 flûtes 1
Saxophone Tenor et Piano 1
Saxophone Alto et Piano 1

+ 16 instrumentations

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Cuivres
Trompette 5
Trompette (partie séparée) 4
Trombone 4
Trombone (partie séparée) 3
Cor (partie séparée) 2

2 Tubas (duo) 1
Cor et Piano 1
Quatuor de Cuivres 1
Cor Anglais 1
Trombone et Piano 1
Trompette, Piano 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Cor 1
Tuba (partie séparée) 1
2 Trombones (duo) 1
Tuba 1

+ 11 instrumentations

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Cordes
Violon 5
Alto seul 5
Violon (partie séparée) 4
Violoncelle (partie séparée) 4
Quatuor à cordes: 2 violons, alto, violoncelle 3

Violoncelle 3
Violon et Piano 3
Contrebasse (partie séparée) 2
Violoncelle, Piano 1
Trio à Cordes: violon, alto, violoncelle 1
Alto, Piano 1
Alto (partie séparée) 1

+ 7 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 11
Orchestre à Cordes 4
Fanfare 2
Orchestre de chambre 2
Percussion (partie séparée) 2

Batterie (partie séparée) 1
Ensemble Jazz 1
Jazz combo 1
Percussion 1
Orchestre 1
Batterie 1
Ensemble de Percussions 1
Timbales (partie séparée) 1

+ 8 instrumentations

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Sam Cooke

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

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2 partitions trouvées

Jeanie with the Light Brown Hair

Jeanie with the Light Brown Hair #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #Stephen Foster #Judith Katz #Jeanie with the Light Brown Ha #Imagine Music - Digital #SheetMusicPlus

Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Pub...(+)

Woodwind quintet - SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Published by Imagine Music - Digital (IZ.CMS1612). 9 x 12 in inches.Jeanie With The Light Brown Hair is one of the most enduring, and popular American songs of all times.Characterized as a parlor song, it was written by Stephen Foster, and published by Firth, Pond & Co. of NewYork, in1854.In 1850, Foster married Jane Denny McDowell, whose nickname was Jennie. However, this was an unhappymarriage, short-lived, with numerous conflicts and separations. Jeanie With The Light Brown Hair, was written asperhaps an attempt to win his wife back. To add to his problems, Foster also ran into deep financial difficulties.Jeanie With the Light Brown Hair was virtually unknown during its time. When it was first published, the royaltieson the ten thousand copies sold, earned just $200 for Stephen Foster. To make ends meet, he had to sell the rights toJeanie, as well as other songs. After his death, the rights to Jeanie With The Light Brown Hair reverted back to hiswife and daughter.It would indeed be a pleasant surprise to Stephen Foster, if he only knew what a wide range of artists have adaptedthis song to different genres. Among solo instrumentalists, Jascha Heifitz, and William Primrose have arranged itfor solo violin and viola. The big bands of Gene Krupa, and Glen Miller have recorded it. The great R & B artist,Sam Cooke used it, as well as opera stars, Marilyn Horne and John McCormick, who added it to their concertrepertoire.The song's frequent airplay in the 1940's, led Spike Jones to create a parody, called, I Dream of Jeanie with theLight Blue Jeans. Les Brown in 1941, created a big band song, Joltin' Joe DiMaggio with the line.....We Dream ofJoey With the Light Brown Bat. Even Bugs Bunny got into the act. The 1960 short, From Hare To Heir, featuresBugs singing, I dream of Jeanie, she's a light brown hareMy arrangement, for woodwind quintet is written to capture a lyric, singing style, which I think Foster had in mind.

$12.00 ≈ 11.06€

Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet

Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #INTERMÉDIAIRE #Methodes #Joshua Hauser # #Donut Etudes vol. 3: Don&rsquo #Slide Ride #SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide R...(+)

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

$17.50 ≈ 16.13€

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