Partitions Numériques de Let It Be Me pour Violoncelle (partie séparée)

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Let It Be Me
Non classifié 24

Piano & claviers
Piano seul 39
Piano, Voix 12
Piano, Voix et Guitare 6
2 Pianos, 4 mains 3
1 Piano, 4 mains 1

Piano Facile 1
Piano Trio: piano, violon, violoncelle 1
2 Pianos, 8 mains 1

+ 3 instrumentations

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Guitares
Basse electrique 2
Guitare 2
Ligne De Mélodie, (Paroles) et Accords 1

Voix
Chorale SATB 16
Chorale TTBB 2
Chorale 3 parties 2
Chorale Unison 1
Voix Tenor 1

Chorale 2 parties 1

+ 1 instrumentations

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Vents
Ensemble de Flûtes 5
Clarinette 3
Quatuor de Saxophones: 4 saxophones 3
Flûte, Clarinette et Basson 2
Clarinette et Piano 2

Saxophone Alto 2
Flûte traversière 2
Saxophone (partie séparée) 1
Flûte à bec Soprano 1
Quintette de Saxophone: 5 saxophones 1
Flûte à bec Tenor 1
Hautbois (partie séparée) 1
Quintette de Clarinettes: 5 clarinettes 1
Ensemble de saxophones 1
Hautbois, Piano (duo) 1

+ 10 instrumentations

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Cuivres
Quatuor de cuivres: 4 trombones 5
Trompette 4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Cor 2
Quatuor de Cuivres 1

Trombone 1

+ 1 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 20
Violon, Violoncelle (duo) 5
Harpe 3
Violoncelle (partie séparée) 3

Trio à Cordes: violon, alto, violoncelle 3

Violon 3
Harpe, Voix 3
Violon et Piano 2
Trio à Cordes: 2 violons, violoncelle 2
Alto (partie séparée) 1
Contre Basse 1
2 Violoncelles (duo) 1
Harpe, Flûte (duo) 1

+ 8 instrumentations

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Percussions & orchestre
Orchestre 14
Orchestre d'harmonie 8
Orchestre à Cordes 5
Orchestre de chambre 4
Jazz combo 3

Ensemble Jazz 2
Ensemble de cuivres 2
Fanfare 1

+ 3 instrumentations

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Let It Be Me

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Violoncelle (partie séparée)

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3 partitions trouvées

Kommos (Lamentation) / "When the World Moved On" - Violoncello

Kommos (Lamentation) / "When the World Moved On" - Violoncello #Violoncelle (partie séparée) #INTERMÉDIAIRE/AVANCÉ #Contemporain #Benjamin Harry Sajo #Kommos #Benjamin Sajo #SheetMusicPlus

Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Pub...(+)

Cello Solo - Level 4 - SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethovenâ€™s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove thatâ€™s just began to overflow its bubbles.â€ƒThe first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out. â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen Kingâ€™s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.â€ƒTaken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:â€ƒBenjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50 ≈ 3.23€

A Gift From The Bower (Revised)

A Gift From The Bower (Revised) #Violoncelle (partie séparée) #INTERMÉDIAIRE/AVANCÉ #New Age #Contemporain #Chris Becker #A Gift From The Bower #Beckeresque #SheetMusicPlus

Cello Solo - Level 4 - SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASC...(+)

Cello Solo - Level 4 - SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASCAP) #879245. Published by Beckeresque (ASCAP) (A0.1288214). When I first saw the enormous chair Rachel Gardner and Carlos Canul constructed for A Gift from the Bower, an outdoor, multi-disciplinary group exhibition conceived by renowned artists James Surls and Charmaine Locke, I had a vision of a cellist seated in a chair on the chair, performing solo in a bower deep in the woods of Splendora Gardens. I shared this image with Rachel, who didnâ€™t think I was nuts, and over the course of several weeks, composed a piece for unaccompanied cello to be performed at the opening of the exhibit. I was honored when cellist Patrick Moore agreed to premiere the work; his formidable technique and the deep expression he brings to his playing inspired me to embrace the challenge of composing a solo for his instrument.Knowing my piece would be performed outdoors, I was inspired to evoke the rhythm of sound events one hears in woods, especially the rise and fall of wind as it moves through branches and leaves. The very opening of the piece and later, what I hear as an extended coda, were created as moments for the cellist as much as for the listener and are performed in a sort of meditative state, calling to mind the age-old question, â€œIf a tree falls in a forest and no one is around to hear it, does it make a sound?â€ The repeating measures of 16th notes in the pieceâ€™s demanding middle section pay tribute to two of my heroes, Terry Riley and Philip Glass. While composing the work, Bachâ€™s Six Suites for Violoncello Solo was another important point of reference, as was double bassist Eberhard Weber's 1973 album, The Colours of ChloÃ«.Once finished, it made sense to name the piece A Gift from the Bower since the opportunity to compose the work was a gift, and in exchange, so is the music I have composed.A Gift from the Bower premiered on April 22, 2023, by Patrick Moore at the Locke Surls Center for Art and Nature.A revised version of this piece was completed on September 5, 2023.

$6.99 ≈ 6.45€

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