Partitions Numériques de We Are One in Christ pour Piano Quatuor: piano, violon, alto, violoncelle

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We Are One in Christ
Non classifié 400

Piano & claviers
Piano seul 125
Piano, Voix et Guitare 87
Piano, Voix 70
Accompagnement Piano 62
Piano Facile 50

Orgue 21
Instruments en Do 9
1 Piano, 4 mains 7
Piano Trio: piano, violon, violoncelle 5
2 Pianos, 4 mains 2
Piano Quatuor: piano, 2 violons, violoncelle 2
Piano Quatuor: piano, violon, alto, violoncelle 2

1 Piano, 6 mains 2

+ 8 instrumentations

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Guitares
Guitare notes et tablatures 19
Guitare 9
2 Guitares (duo) 2
4 Guitares (Quatuor) 1
Ukulele 1

Paroles et Accords 1
Basse electrique 1

+ 2 instrumentations

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Voix
Chorale SATB 185
Chorale 3 parties 41
Chorale 2 parties 24
Voix Tenor, Piano 17
Chorale TTBB 14

Chorale Unison 13
Voix duo 8
Voix Soprano, Piano 7
Voix Alto, Piano 7
Chorale SSAA 5
Voix seule 4
Voix Tenor 3
Voix duo, Piano 3
Chorale SSATTB 2
Chorale SSAB, Piano 1
Voix Mezzo-Soprano, Piano 1
Voix haute 1

+ 12 instrumentations

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Vents
2 Saxophones (duo) 89
Quatuor de Saxophones: 4 saxophones 44
Saxophone Alto et Piano 36
Saxophone, Clarinette (duo) 30
Flûte, Hautbois, Clarinette, Basson 27

Saxophone Tenor et Piano 26
Saxophone (partie séparée) 23
Quintette de Saxophone: 5 saxophones 21
Saxophone Soprano et Piano 21
2 Clarinettes (duo) 21
Clarinette, Violon (duo) 21
Saxophone Alto 20
Quatuor de Clarinettes: 4 clarinettes 19
Clarinette, Trompette (duo) 18
2 Flûtes traversières (duo) 17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 17
Hautbois, Piano (duo) 14
Clarinette et Alto 13
Saxophone Baryton, Piano 13
Flûte, Clarinette (duo) 13
3 Saxophones (trio) 12
Flûte traversière et Piano 11
Clarinette et Piano 11
Flûte, Alto (duo) 10
Quatuor de Flûtes : 4 flûtes 10
Flûte, Saxophone (duo) 9
2 Hautbois (duo) 9
Clarinette 9
Hautbois, Clarinette (duo) 8
Hautbois, Basson (duo) 8
Ensemble de saxophones 8
Flûte, Violon 8
Flûte, Trompette (duo) 7
Hautbois (partie séparée) 6
Hautbois, Flûte 6
Flûte traversière 6
Saxophone Tenor 5
Cor anglais, Piano 4
Flûte à bec Soprano 4
Saxophone Baryton 4
Ensemble de Clarinettes 4
Quintette de Clarinettes: 5 clarinettes 3
3 Clarinettes (trio) 3
Saxophone Soprano 3
Quatuor de Flûtes à bec 2
Ensemble à vent 2
Quintette de Flûte : 5 flûtes 2
Ensemble de Flûtes 2
5 Flûtes à bec 2
Flute, harpe et violon 1
Harmonica 1
Trio de Flûtes: 3 flûtes 1
Clarinette, Guitare (duo) 1
2 Flûte à bec (duo) 1
Flûte, Violoncelle 1
Flûte à Bec 1
Clarinette, Harpe (duo) 1
Flûte à bec Tenor 1
2 Clarinettes, Piano 1
Clarinette, Basson (duo) 1
Flûte, Hautbois, Basson 1
Clarinette, Trombone (duo) 1
Clarinette, Violoncelle (duo) 1
2 Flûtes traversières, Piano 1

+ 59 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 42
Trombone et Piano 28
Trompette, Saxophone (duo) 24
2 Trombones (duo) 22
Quatuor de cuivres: 4 trombones 18

Trombone 16
Trompette, Piano 15
Trompette, Trombone (duo) 13
2 Trompettes (duo) 11
Cor et Piano 9
Quatuor de Cuivres: 2 trompettes, Cor, trombone 7
Trompette 7
Quatuor de Cuivres : 2 trompettes, trombone, tuba 7
Tuba et Piano 6
Quatuor de Cuivres 6
Tuba 5
Trio de Cuivres 5
Cor anglais, Piano 4
Euphonium, Piano (duo) 3
Cor 2
2 Cors (duo) 2
3 Trombones (trio) 2
Ensemble de Trombones 2
Ensemble de Cors 2
Quatuor de cuivres: 2 trompettes, 2 trombones 2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones 2
Quatuor de cuivres: 4 trompettes 2
Quatuor de cuivres: 4 cors 2
Ensemble de Trompettes 2
Trompette, Cor (duo) 2
Cor, Violoncelle (duo) 1
Trompette (partie séparée) 1
4 Tubas 1
Tuba et Orgue 1
3 Trompettes (trio) 1
2 Trompettes, Clavier (piano ou orgue) 1
2 Tubas (duo) 1

+ 32 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 39
Violon et Piano 25
Harpe 18
Violoncelle, Piano 16
2 Violons (duo) 16

Alto, Piano 15
Violon, Violoncelle (duo) 13
2 Violoncelles (duo) 13
Violon, Alto (duo) 12
2 Altos (duo) 10
4 Violoncelles 6
Trio à Cordes: violon, alto, violoncelle 6
Violoncelle (partie séparée) 6
Contrebasse, Piano (duo) 5
Violon 5
Alto seul 5
Quintette à cordes: 2 violons, alto, violoncelle, basse 4
Harpe, Voix 4
Alto, Violoncelle (duo) 4
Quatuor à cordes: 4 violons 4
Piano Trio: Violon, Alto, Piano 3
Quatuor à cordes : 4 altos 3
Trio à Cordes: 3 violoncelles 2
Trio à cordes: 3 violins 2
Contre Basse 2
Trio à cordes: 3 altos 2
Violoncelle 1
Alto et Harpe 1
Trio à Cordes: 2 violons, violoncelle 1
4 Contrebasses 1
Violoncelle , Guitare (duo) 1
2 Harpes (duo) 1
2 Violons, Piano 1
Harpe, Flûte (duo) 1
Alto (partie séparée) 1

+ 30 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 94
Ensemble de cuivres 26
Orchestre à Cordes 18
Orchestre 16
Cloches 14

Ensemble de Percussions 3
Ensemble Jazz 3
Orchestre de chambre 2
Jazz combo 2
Xylophone, Piano 1
Marimba 1
Instrumentation Flexible 1

+ 7 instrumentations

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We Are One in Christ

Piano Quatuor: piano, violon, alto, violoncelle

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2 partitions trouvées

Jingle Bells for Piano Quartet

Jingle Bells for Piano Quartet #Piano Quatuor: piano, violon, alto, violoncelle #INTERMÉDIAIRE #Noël #James Pierpont #James M #Jingle Bells for Piano Quartet #jmsgu3 #SheetMusicPlus

Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Publishe...(+)

Piano Quartet - Level 3 - SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus.Â Â

$39.95 ≈ $54.50

O Come All Ye Faithful for Piano Quartet

O Come All Ye Faithful for Piano Quartet #Piano Quatuor: piano, violon, alto, violoncelle #DÉBUTANT #Noël #Wade #James M #O Come All Ye Faithful for Pia #jmsgu3 #SheetMusicPlus

Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...(+)

Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â€“1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â

$24.95 ≈ $34.04

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