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Vous avez sélectionné:
Prologue
Orchestre de chambre
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1
Les Indes Galantes - Prologue (Overture)
Les Indes Galantes - Prologue (Overture)
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Orchestre de chambre
#
AVANCÉ
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Jean Phillipe Rameau
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Arte Nova Music Lab
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Les Indes Galantes - Prologue
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score a...
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Chamber Orchestra - Level 5 - SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00 ≈
18.67€
Prologue To Peace
Prologue To Peace
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Orchestre de chambre
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INTERMÉDIAIRE
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Lee Johnson
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Prologue To Peace
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Lee Johnson Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1147675 By Lee Johnson. By Lee Johnson. 20th Century,Chamber. Score and Parts. 11 pages. Lee Johnson Music #747892...
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Chamber Orchestra - Level 3 - SKU: A0.1147675 By Lee Johnson. By Lee Johnson. 20th Century,Chamber. Score and Parts. 11 pages. Lee Johnson Music #747892. Published by Lee Johnson Music (A0.1147675). Prologue To Peace is a beautiful, solemn, lyrical, and expressive chamber work for strings and vibraphone on the subject of peace.
$15.00 ≈
14.00€
Prologue for Small Orchestra
Prologue for Small Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Jordan Grigg
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Prologue for Small Orchestra
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Jordan Grigg
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.863997 Composed by Jordan Grigg. 20th Century,Concert,Standards. Score and parts. 20 pages. Jordan Grigg #3470598....
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Chamber Orchestra - Level 3 - SKU: A0.863997 Composed by Jordan Grigg. 20th Century,Concert,Standards. Score and parts. 20 pages. Jordan Grigg #3470598. Published by Jordan Grigg (A0.863997).
$12.95 ≈
12.09€
Serenata for Chamber Orchestra
Serenata for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Richard E Brown
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2
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Serenata for Chamber Orchestra
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Dacker Music
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.814732 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 121 pages. Dacker Music #2993111. Pub...
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Chamber Orchestra - Level 5 - SKU: A0.814732 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 121 pages. Dacker Music #2993111. Published by Dacker Music (A0.814732). Serenata for Chamber Orchestra is a contemporary style work in five movements. Scored for flute, oboe, clarinet, bassoon, 2 horns, trumpet, trombone, 2 percussion, and strings.1. Prologue 2. Scherzo 3. Nocturne 4. Tarantella 5. Epilogue The price includes license to make as many string parts as necessary.Grade 5+ - Duration 10:00
$45.00 ≈
42.00€
Mermaid in the Jar Full Score - Score Only
Mermaid in the Jar Full Score - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rachel J Peters
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Mermaid in the Jar Full Score
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. ...
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Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. Published by Rachel J Peters (A0.1325451). A short chamber operaLibretto by Royce Vavrek, based on the short story by Sheila Heti.Mermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voices. (If the Prologue is omitted, no bass-baritone is required.)INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-1.0.0.1.1 (Parts need to be rented separately.)DURATION: 20 minutesPAGES: 86WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright.. For all performance inquiries, please write to rachel@racheljpeters.com.
$28.00 ≈
26.13€
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95 ≈
24.22€
Boris Godunov Suite No. 1 for Chamber Orchestra - Score Only
Boris Godunov Suite No. 1 for Chamber Orchestra - Score Only
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Orchestre de chambre
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AVANCÉ
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Classique
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Classique
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Modest Petrovich Mussorgsky
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Yoon Jae Lee
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Boris Godunov Suite No. 1 for
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.866104 Composed by Modest Petrovich Mussorgsky. Arranged by Yoon Jae Lee. Opera,Romantic Period. 64 pages. Ondine ...
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Chamber Orchestra - Level 5 - SKU: A0.866104 Composed by Modest Petrovich Mussorgsky. Arranged by Yoon Jae Lee. Opera,Romantic Period. 64 pages. Ondine Press #62213. Published by Ondine Press (A0.866104). Instrumentation: 2d1. 2d1. 2. 2 - 4. 2. 0. 0 - tp. hrp - strThis is a full score to the Suite compiled and arranged for chamber orchestra from Mussorgsky's masterful opera, Boris Godunov, by Yoon Jae Lee. This new suite allows for Mussorgsky’s exquisite music to be heard in the concert hall in a similar style to the Bizet Carmen Suites. It is comprised of four famous selections: an abridged version of the Prologue, On the Azure Vistula women’s chorus, Marina & Dimitri’s Duet, and the Coronation of Boris Godunov. A version for symphony orchestra is also available. Performance materials are available for hire. Please contact ondinepress@gmail.com for all inquiries.Click here to view perusal score.
$40.00 ≈
37.33€
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