Partitions Numériques de Iron pour Orchestre de chambre

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Iron
Non classifié 20

Piano & claviers
Piano seul 13
Piano, Voix 6
Piano, Voix et Guitare 5
Orgue 1
1 Piano, 4 mains 1

Guitares
Basse electrique 5
Guitare notes et tablatures 4

Voix
Chorale SATB 9
Chorale SSAA 3
Chorale TTBB 2

Vents
Saxophone (partie séparée) 4
Flûte traversière 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Ensemble de Flûtes 2
Quatuor de Saxophones: 4 saxophones 2

Saxophone Alto et Piano 1
Saxophone Tenor et Piano 1
Flûte traversière et Piano 1
Hautbois, Piano (duo) 1
Saxophone Alto 1
2 Flûtes traversières (duo) 1
Ensemble de Clarinettes 1
Clarinette, Guitare (duo) 1
Clarinette et Piano 1
Quatuor de Flûtes : 4 flûtes 1
Clarinette 1
Hautbois 1
Saxophone Soprano et Piano 1

+ 13 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Quatuor de cuivres: 4 trombones 2
Trombone et Piano 2
Trompette 1

Cor et Piano 1
Tuba 1
Trompette, Piano 1

+ 3 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 6
Violoncelle (partie séparée) 3
Violon et Piano 3
Harpe 3
2 Violons (duo) 2

Violon 2
Violoncelle, Piano 2
Alto, Piano 2
Alto seul 2
Contre Basse 1
Trio à Cordes: violon, alto, violoncelle 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Violoncelle 1
Alto (partie séparée) 1
Violon, Alto (duo) 1
Violon, Guitare (duo) 1

+ 11 instrumentations

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Percussions & orchestre
Orchestre 10
Ensemble Jazz 6
Orchestre à Cordes 4
Orchestre d'harmonie 3
Orchestre de chambre 2

Ensemble de cuivres 1
Fanfare 1

+ 2 instrumentations

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Orchestre de chambre

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2 partitions trouvées

Fitch Overture for chamber orchestra

Fitch Overture for chamber orchestra #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #Contemporain #Joseph Dillon Ford #Fitch Overture for chamber orc #David Warin Solomons2 #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2...(+)

Chamber Orchestra - Level 4 - SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.

$10.00 ≈ 9.21€

Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren

Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #Classique #Claude Debussy/Robert Orledge #Claude Debussy: Sér&eac #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...(+)

Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flÃ»tes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 Ã©xecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durÃ©e/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi quâ€™une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est Ã©galement disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________PrmiÃ¨re: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011PremiÃ¨re of the version for violin and 17 instruments: FrÃ©dÃ©ric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist EugÃ¨ne YsaÃ¿e. After Debussyâ€™s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violinâ€™s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussyâ€™s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the SÃ©rÃ©nade begins and ends with Debussyâ€™s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel FaurÃ©, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussyâ€™s unfinished works, and especially his theatre projects. His completion of Debussyâ€™s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.

$16.95 ≈ 15.62€

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