Partitions Numériques de I Can pour Chorale SSATTB

SSATBB choir unaccompanied - Moderately Difficult - SKU: MQ.1.3676-E Composed by Adrian Dunn. African American Heritage. 20 pages. Galaxy Music Corporat...(+)

SSATBB choir unaccompanied - Moderately Difficult - SKU: MQ.1.3676-E Composed by Adrian Dunn. African American Heritage. 20 pages. Galaxy Music Corporation - Digital #1.3676-E. Published by Galaxy Music Corporation - Digital (MQ.1.3676-E). English.An exciting new arrangement of the Negro Spiritual. This setting is a great closer for advanced high school and older choirs.

$3.15 ≈ 2.95€

On That Cross

On That Cross #Chorale SSATTB #FACILE #Musique Sacrée #Stuart Richard Brown #Stuart Richard Brown #On That Cross #Stuart Brown Music #SheetMusicPlus

Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...(+)

Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..

$3.00 ≈ 2.81€

Ubi caritas

Ubi caritas #Chorale SSATTB #PÃ¤r Olofsson #Ubi caritas #Bo Ejeby Forlag - Digital #SheetMusicPlus

SSATBB a cappella chorus - SKU: BJ.1327 Composed by PÃ¤r Olofsson. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1327. Published by Bo Ejeby ...(+)

SSATBB a cappella chorus - SKU: BJ.1327 Composed by PÃ¤r Olofsson. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1327. Published by Bo Ejeby Forlag - Digital (BJ.1327). 8.27 x 11.7 inches.No. 3 from Three Latin motets. A six parts a cappella setting of the old Ubi caritas text from the 7th century. The Three latin motets were composed for the communion service at Oscarskyrkan in Stockholm. They have also been performed at concerts and at various choral competitions throughout Europe. The pieces make up a small suite, where the hymns by Thomas Aquinas frame the ancient Ubi caritas as a centerpiece. Beginning with the epic multi-verse setting of Tantum ergo and ending with the dance-like ritornello structure of O sacrum convivium, the suite makes up a nice ternary form with the warm stillness of Ubi caritas in the middle. While composing, I aimed to evoke the antiquity of the texts by assigning them to mock-plainchant melodies and then treating them in a cantus firmus setting. All three pieces are written in a neo-romantic style. The Ubi caritas is an ancient hymn associated with Maundy Thursday and the service of the washing of the feet. It is believed to have its roots in the earliest Christian church, before the mass was formalized. The service of Maundy Thursday revolves around the Last Supper and the washing of the disciples' feet by Jesus Christ. Par Olofsson, musician in Oscarskyrkan, Stockholm. See also Tantum ergo and O sacrum convivium by Par Olofsson.

$2.40 ≈ 2.25€

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