Partitions Numériques de All By Myself pour Mandoline

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All By Myself
Non classifié 122

Piano & claviers
Piano seul 139
Piano, Voix 49
Piano, Voix et Guitare 41
Piano Facile 17
Orgue 9

Instruments en Do 9
Piano grosses notes 2
1 Piano, 4 mains 2
Accompagnement Piano 2

+ 4 instrumentations

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Guitares
Guitare notes et tablatures 39
Ligne De Mélodie, (Paroles) et Accords 17
Guitare 9
Basse electrique 6
Ukulele 2

Mandoline 2

Piano, Guitare (duo) 1
Paroles et Accords 1

+ 3 instrumentations

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Voix
Chorale SATB 31
Chorale TTBB 13
Chorale 3 parties 6
Chorale SSAA 5
Chorale SSATB 1

Chorale 2 parties 1
Voix duo, Piano 1
Chorale 1
Chorale Unison 1

+ 4 instrumentations

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Vents
Quatuor de Clarinettes: 4 clarinettes 8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 6
Clarinette 6
Hautbois, Piano (duo) 6
Saxophone Alto et Piano 4

Hautbois (partie séparée) 4
Quatuor de Saxophones: 4 saxophones 4
Flûte traversière 3
Flûte, Hautbois, Clarinette, Basson 3
Flûte traversière et Piano 3
Quatuor de Flûtes : 4 flûtes 3
Clarinette et Piano 3
Saxophone (partie séparée) 3
Instruments en Mib 3
Cor anglais, Piano 2
Saxophone Soprano et Piano 2
Flûte, Violon, Piano 2
Saxophone Alto 2
Clarinette Basse, Piano 1
2 Flûtes traversières (duo) 1
Ensemble de Flûtes 1
Quintette de Saxophone: 5 saxophones 1
Flûte, Clarinette (duo) 1
Cor Anglais 1
Quintette de Flûte : 5 flûtes 1
2 Clarinettes (duo) 1
Quintette de Clarinettes: 5 clarinettes 1
Ensemble de Clarinettes 1
Clarinette, Basson (duo) 1
2 Saxophones (duo) 1
3 Clarinettes (trio) 1
Saxophone Baryton, Piano 1

+ 27 instrumentations

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Cuivres
Trompette 4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4
Euphonium, Piano (duo) 3
Bass Clef Instruments 3
Instruments en Sib 3

Tuba 3
Trompette, Piano 3
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Trombone 2
Cor anglais, Piano 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Cor et Piano 2
Trombone basse et Piano 2
Cor 2
2 Tubas (duo) 1
2 Trombones (duo) 1
Cor Anglais 1
Tuba et Piano 1
Instruments en Fa 1
Trombone et Piano 1

+ 15 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 14
Violon 11
Violon et Piano 10
Violoncelle, Piano 6
Alto, Piano 5

Violoncelle (partie séparée) 4
Trio à Cordes: violon, alto, violoncelle 3
Alto seul 3
2 Violons (duo) 2
Harpe 2
Contre Basse 1
Violoncelle 1
4 Violoncelles 1

+ 8 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 15
Orchestre à Cordes 12
Orchestre 8
Ensemble Jazz 7
Orchestre de chambre 4

Ensemble de cuivres 3
Batterie 2
Cloches 1
Ensemble de Percussions 1
Marimba 1

+ 5 instrumentations

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Vous avez sélectionné:

All By Myself

Mandoline

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2 partitions trouvées

Mandolin Chord Melody System

Mandolin Chord Melody System #Mandoline #INTERMÉDIAIRE #Methodes #Aaron Weinstein #Mandolin Chord Melody System #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvis...(+)

Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvising - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.

$14.99 ≈ 13.83€

Suite in D Minor for Two Mandolins

Suite in D Minor for Two Mandolins #Mandoline #Gordon Jackson #Suite in D Minor for Two Mando #Gordon Jackson #SheetMusicPlus

Mandolin - SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Classical,Folk,World. Score. 16 pages. Gordon Jackson #6498403. Published by Gordon Jacks...(+)

Mandolin - SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Classical,Folk,World. Score. 16 pages. Gordon Jackson #6498403. Published by Gordon Jackson (A0.1017685). Suite in D MinorThe Baroque period in music lasted from approximately the end of the sixteenth century to about the middle of the eighteenth, culminating most famously in the works of Bach and Handel. The suite was a short collection of stylised dance tunes, sometimes (but not here) preceded by a prelude. The suite typically comprised the dances allemande, courante, sarabande, and gigue, to which others may be added. I have added a bourrÃ©e and a minuet. Although this is arranged for two mandolins, other instruments can of course be used. I have added a line of mandolin tablature for those who donâ€™t read standard notation. (Actually, I donâ€™t read tablature myself â€“ I used my favourite notation program, Harmony Assistant, to write the score, and it very kindly created the tablature for me!)As a performer of mostly traditional folk tunes, I am driven first by melody, then rhythm, and only then by harmony. For each of these pieces, the melody came first, keeping to the strict rhythmic imperatives of each dance form. Only then were counterpoints added. In this score, the only dance to be repeated is the minuet. Here, the first time through is played on a single mandolin, with rather a lot of double stopping. On the second time through the first mandolin sticks to the basic melody, while the second mandolin plays a counterpoint. Some may recognise the opening bar of the bourrÃ©e; it was inspired by a tune by Turlough Ã“ Carolan (1670-1738) entitled The Princess Royal. The rest, however, is mine!

$6.99 ≈ 6.45€

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