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It's a sin to tell a lie
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Vous avez sélectionné:
It's a sin to tell a lie
Chorale 3 parties
Partitions à imprimer
4 partitions trouvées
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1
A Poor Wayfaring Stranger
A Poor Wayfaring Stranger
#
Chorale 3 parties
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FACILE
#
Musique Sacrée
#
Traditional
#
Hans Rudolf
#
A Poor Wayfaring Stranger
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Hans Rudolf
#
SheetMusicPlus
Choral Choir (SAT) - Level 2 - SKU: A0.1200196 Composed by Traditional. Arranged by Hans Rudolf. 19th Century,Christian,Historic,Praise & Worship,Religi...
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Choral Choir (SAT) - Level 2 - SKU: A0.1200196 Composed by Traditional. Arranged by Hans Rudolf. 19th Century,Christian,Historic,Praise & Worship,Religious. Octavo. 19 pages. Hans Rudolf #798998. Published by Hans Rudolf (A0.1200196). A Poor Wayfaring Stranger is a traditional American folk song with roots that can be traced back to the early 19th century. The song tells the story of a weary traveler who is journeying through a difficult world in search of a brighter future in the afterlife. The song's haunting melody and poignant lyrics have made it a favorite of singers and audiences alike, and it has been covered by countless artists over the years.The song's origins are somewhat murky, but it is believed to have originated in the southern United States, possibly in the Appalachian Mountains. The earliest known version of the song dates back to the 1820s, when it was collected by musicologist and folklorist John Jacob Niles. Niles recorded the song as part of his efforts to preserve traditional American folk music, and he later performed it as part of his own repertoire.Over the years, A Poor Wayfaring Stranger has become a staple of the American folk music canon, and it has been covered by a wide range of artists, including Joan Baez, Johnny Cash, Emmylou Harris, and many others. The song's haunting melody and spiritual themes have made it a powerful symbol of hope and perseverance, and it continues to inspire and move people around the world.
$4.99 ≈
4.64€
They Didn’t Believe Me (TTB, a cappella)
They Didn’t Believe Me (TTB, a cappella)
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Chorale 3 parties
#
INTERMÉDIAIRE/AVANCÉ
#
Herbert Reynolds and Jerome D
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Cathy Stamegna
#
They Didn’t Believe Me
#
Cathy Stamegna
#
SheetMusicPlus
Choral Choir (3-Part) - Level 4 - SKU: A0.1076271 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. A Cappella,Broadway,Conte...
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Choral Choir (3-Part) - Level 4 - SKU: A0.1076271 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. A Cappella,Broadway,Contest,Festival,Film/TV,Musical/Show,Wedding. Octavo. 8 pages. Cathy Stamegna #680426. Published by Cathy Stamegna (A0.1076271). Jerome Kern’s first big hit (with Herbert Reynolds), this number from the 1914 Broadway musical, “The Girl from Utah,†helped change the trajectory of American love songs away from European influence (waltzes, flowery lyrics) and more toward the musical styles of the time. Its 4/4 meter shows influence of the American musical styles of the era (ragtime, fox trot) as well as a move toward American vernacular lyrics. It also became a World War I anthem, but has continued to be popular and has appeared in films and been recorded by many over the years (Frank Sinatra, Bing Crosby, Harry Bellafonte). a.k.a. “We’ll Never Tell Them.†Performance Time: approx. 2:35.
$2.25 ≈
2.09€
They Didn’t Believe Me (SAB, a cappella)
They Didn’t Believe Me (SAB, a cappella)
#
Chorale 3 parties
#
INTERMÉDIAIRE/AVANCÉ
#
Herbert Reynolds and Jerome D
#
Cathy Stamegna
#
They Didn’t Believe Me
#
Cathy Stamegna
#
SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.1076273 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. A Cappella,Broadway,Contest,...
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Choral Choir (SAB) - Level 4 - SKU: A0.1076273 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. A Cappella,Broadway,Contest,Festival,Film/TV,Musical/Show,Wedding. Octavo. 8 pages. Cathy Stamegna #680428. Published by Cathy Stamegna (A0.1076273). Jerome Kern’s first big hit (with Herbert Reynolds), this number from the 1914 Broadway musical, “The Girl from Utah,†helped change the trajectory of American love songs away from European influence (waltzes, flowery lyrics) and more toward the musical styles of the time. Its 4/4 meter shows influence of the American musical styles of the era (ragtime, fox trot) as well as a move toward American vernacular lyrics. It also became a World War I anthem, but has continued to be popular and has appeared in films and been recorded by many over the years (Frank Sinatra, Bing Crosby, Harry Bellafonte). a.k.a. “We’ll Never Tell Them.†Performance Time: approx. 2:35.
$2.25 ≈
2.09€
William Taylor SSA
William Taylor SSA
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Chorale 3 parties
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Traditional
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Debbie Warren
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William Taylor SSA
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Keep Calm and Keep Singing
#
SheetMusicPlus
Choral Choir (SSA) - SKU: A0.846741 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 12 pages. Keep Calm and Keep Singing #...
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Choral Choir (SSA) - SKU: A0.846741 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 12 pages. Keep Calm and Keep Singing #453430. Published by Keep Calm and Keep Singing (A0.846741). The Ballad of William Taylor (or Willy Taylor), Bold William Taylor or The Female Lieutenant (as it is sometimes called) tells the story of a woman who is deserted on her wedding day by William Taylor because he has been pressed ganged and sent away to sea. She decides to follow after him and disguises herself as a man in order to sign up. Her identity is discovered when her tunic bursts open during a battle revealing her womanhood! She tells the Captain she is looking for William Taylor and he tells her where to find him. However, William Taylor has found a new lady. Clearly upset that William Taylor has forgotten her so easily our heroine draws a pair of pistols and dispatches both her disloyal lover and his new lady! In some versions the Captain is so impressed with her that he either marries her himself or makes her a ship’s commander or both! In this arrangement for SSA the middle voice is always on the tune in the verses whereas the higher and lower harmony voices either sing the melody or their harmony part. It is important these counter- melodies do not overpower the tune and the words otherwise the story is lost. Try to bring out the melody in the chorus. In fact you might like to try having all the voices on the melody for the first chorus to establish it. Also works with mixed voices by adding men to the alto part for the verses and the melody line for the chorus. FREE resources are available (backing track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase. Easy level Duration: 2'30.
$1.99 ≈
1.85€
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