Partitions Numériques de My First Concert pour Chorale SSAA

Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1267123 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Ro...(+)

Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1267123 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Rock,Standards. 18 pages. MTC Publishing #859757. Published by MTC Publishing (A0.1267123). You Took The Words Right Out Of My Mouth - Choral Arrangement for SSAA and Piano by Michael Thomas Coull.You Took the Words Right Out of My Mouth (also known as You Took the Words Right Out of My Mouth (Hot Summer Night)) is the first solo single by the American singer Meat Loaf, released in 1977. Â It is a track from his album Bat Out of Hell, written by Jim Steinman.Â According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loafâ€™s words, a â€˜pop songâ€™. Â His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together.Â The song was the first single released from the album, with an edit of For Crying Out Loud as the B-side. Â The record peaked at No. 73 in the Record World singles chart, and didn't appear at all in Billboard Hot 100. Â Billboard reviewed the single, finding the guitar introduction to be energetic, the beat to be â€˜catchyâ€™ and the vocal performance to be somewhat similar to Bruce Springsteen.Â Billboard also commented on how occasional pauses in the instruments allow the â€˜infectiousâ€™ vocals to be highlighted.Â Â Following the success of the next two singles, Two Out of Three Ain't Bad and Paradise by the Dashboard Light, the song was re-released in October 1978 with Paradise as the B-side. Â This issue peaked at No. 39 on the Billboard Hot 100 chart, over a year after the first release of the song.This exciting and energetic choral arrangement is voiced for SSAA women's choir with piano accompaniment, and will lend a touch of contemporary pop/rock to your next concert.Also available for SATB.

$3.99 ≈ 3.72€

Love Me Like I Am

Love Me Like I Am #Chorale SSAA #FACILE #Musique Sacrée #Christian contemporain #King & Country #Jeff Tincher #Country song #Love Me Like I Am #Jeff Tincher #SheetMusicPlus

Choral Choir (SSAA) - Level 2 - SKU: A0.1227056 By King & Country. By Joel Smallbone, Josh Kerr, Luke Smallbone, and Michael Pollack. Arranged by Jeff T...(+)

Choral Choir (SSAA) - Level 2 - SKU: A0.1227056 By King & Country. By Joel Smallbone, Josh Kerr, Luke Smallbone, and Michael Pollack. Arranged by Jeff Tincher. Christian,Contemporary,Praise & Worship,Religious,Sacred. Octavo. 12 pages. Jeff Tincher #823066. Published by Jeff Tincher (A0.1227056). This is my favorite For King & Country song. I first heard it at one of their concerts and fell in love with it. This arrangement, in the original key, is from the single released with Jordan Sparks. It is much more powerful than the original, I feel. Duration = 3:07. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

$1.99 ≈ 1.86€

Lost Lullabies - SSAA choir with piano, Holocaust children survivors

Lost Lullabies - SSAA choir with piano, Holocaust children survivors #Chorale SSAA #INTERMÉDIAIRE #Stella ter Hart #Lost Lullabies - SSAA choir wi #Stella ter Hart #SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.890640 Composed by Stella ter Hart. Concert,Folk,Jewish,Standards. 8 pages. Stella ter Hart #3455425. Pub...(+)

Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.890640 Composed by Stella ter Hart. Concert,Folk,Jewish,Standards. 8 pages. Stella ter Hart #3455425. Published by Stella ter Hart (A0.890640). Inspired by the 1,116 orphaned Polish children who, as Holocaust survivors, were brought to Canada after World War II and became known as The Redeemed Children. These tunes, and others like them, were the only possessions they had and their only direct connection to the past. I received a copy of a book of tunes (unarranged) while speaking at a conference; an elderly gentlemen came up to me, pressed them into my hands and asked me to help keep them alive. The work features two tunes, both on the theme of motherhood. The first tune describes a young mother shushing everything around her so that her little son can sleep. The second tune rejoices when the poor are raised up and a barren woman's house is filled with the laughter of children.To honour the integrity of the tunes, this work features idiomatic writing and harmonies and captures not only the rhythm but also the intended mood and sentiment. Brief solo opportunities feature a soprano and alto in a traditional 'cantor' style section. Shifting from sweet and gentle to driving and energetic, this is an excellent work to build musical expression, story telling and deep empathy.Suitable for all intermediate level treble choirs for any recital, concert or festival occasion.Duration: 4:05 Key Structure: Eflat major and C minor Level: intermediate Language: Yiddish and Hebrew (translations and pronunciation guide provided)composer contact: www.stellaterhart.com

$2.50 ≈ 2.33€

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