Partitions Numériques de Spirituals pour Ensemble de Violons

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Spirituals
Non classifié 970

Piano & claviers
Piano seul 172
Piano, Voix 56
Piano Facile 32
Orgue 24
2 Pianos, 4 mains 10

Instruments en Do 5
Piano, Voix et Guitare 5
Piano (partie séparée) 4
1 Piano, 4 mains 3
Accompagnement Piano 3
Piano Quatuor: piano, 2 violons, violoncelle 2
Accordéon 2
Orgue, Trompette (duo) 1

+ 8 instrumentations

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Guitares
Guitare 13
Guitare notes et tablatures 3
Paroles et Accords 2
Basse electrique 1
Guitare (partie séparée) 1

Voix
Chorale SATB 206
Chorale 3 parties 91
Chorale 2 parties 68
Voix Soprano, Piano 31
Chorale TTBB 31

Voix Alto, Piano 30
Chorale Unison 21
Chorale 16
Chorale SSAA 11
Voix duo, Piano 9
Voix moyenne, Piano 5
Voix haute 4
Voix duo 3
Voix basse 2
Chorale SSATB 1
Chorale SSAATTBB 1
Voix seule 1
Voix basse, Piano 1
Voix, Guitare 1
Soli, choeur mixte et accompagnement 1

+ 15 instrumentations

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Vents
2 Saxophones (duo) 51
2 Flûtes traversières (duo) 31
2 Clarinettes (duo) 28
Hautbois, Basson (duo) 22
Saxophone, Clarinette (duo) 19

Flûte traversière et Piano 17
Clarinette et Piano 17
Clarinette, Basson (duo) 17
Hautbois, Piano (duo) 16
Flûte, Trompette (duo) 16
Saxophone Soprano et Piano 16
Clarinette, Violon (duo) 14
Cor anglais, Piano 14
Saxophone Alto et Piano 13
Quatuor de Saxophones: 4 saxophones 13
Clarinette, Trompette (duo) 12
Saxophone Tenor et Piano 11
Saxophone Baryton, Piano 11
Clarinette 11
Quatuor de Clarinettes: 4 clarinettes 11
Flûte, Hautbois, Clarinette, Basson 10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 10
Flûte, Clarinette (duo) 9
2 Hautbois (duo) 8
Quintette de Saxophone: 5 saxophones 8
Flûte, Alto (duo) 8
Clarinette et Alto 8
Flûte à bec Alto, Piano 7
Hautbois, Clarinette (duo) 6
Hautbois (partie séparée) 6
Flûte, Saxophone (duo) 5
Clarinette (partie séparée) 5
Flute (partie séparée) 5
Flûte traversière 5
Hautbois, Flûte 4
Flûte, Violon 4
Saxophone (partie séparée) 4
Flûte à bec Soprano, Piano 3
Quatuor de Flûtes : 4 flûtes 3
Saxophone Alto 2
Quintette de Flûte : 5 flûtes 2
Trio de Flûtes: 3 flûtes 2
3 Saxophones (trio) 2
Ensemble de Clarinettes 2
Flûte, Violon, Piano 2
Quatuor de Flûtes à bec 2
3 Clarinettes (trio) 2
Flûte, Basson et Piano 1
Ensemble de saxophones 1
Flûte et Guitare 1
Flûte, Trombone (duo) 1
Flûte à bec Alto 1
Ensemble de Flûtes 1
2 Flûte à bec (duo) 1
Flûte à bec Soprano 1
Saxophone, Tuba (duo) 1
3 Flûtes à bec (trio) 1

+ 52 instrumentations

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Cuivres
Trombone et Piano 27
2 Cors (duo) 20
Trompette, Piano 15
Cor anglais, Piano 14
Trompette, Trombone (duo) 12

Trompette, Saxophone (duo) 11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 10
Euphonium, Piano (duo) 10
Quatuor de Cuivres : 2 trompettes, trombone, tuba 9
Trompette (partie séparée) 8
Trompette 7
2 Trompettes (duo) 7
Ensemble de Trombones 7
Trombone (partie séparée) 6
Trombone 6
2 Trombones (duo) 6
Quatuor de cuivres: 4 trombones 5
Tuba et Piano 4
Cor et Piano 4
Quatuor de Cuivres: 2 trompettes, Cor, trombone 4
Cor (partie séparée) 4
Cor 3
Quatuor de cuivres: 4 trompettes 2
3 Trompettes (trio) 2
Ensemble de Cors 2
Tuba (partie séparée) 2
Trompette, Cor (duo) 2
3 Trombones (trio) 2
Trio de Cuivres 2
2 Euphoniums et 2 Tubas 2
Ensemble de Trompettes 2
3 Cors (trio) 1
Tuba 1

+ 28 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 31
Violon et Piano 29
Violon, Violoncelle (duo) 27
Violon, Alto (duo) 27
Violoncelle, Piano 22

Alto, Piano 17
Alto, Violoncelle (duo) 13
2 Violoncelles (duo) 10
2 Violons (duo) 8
Violoncelle (partie séparée) 7
2 Altos (duo) 7
Violon 7
Violon (partie séparée) 6
Contrebasse (partie séparée) 6
Harpe 5
Alto seul 4
Trio à Cordes: violon, alto, violoncelle 3
Alto (partie séparée) 3
Harpe (partie séparée) 2
Contrebasse, Piano (duo) 2
Ensemble de Violons 2

2 Harpes (duo) 2
Piano Trio: Violon, Alto, Piano 2
Trio à Cordes: 2 violons, violoncelle 2
Contre Basse 2
Autoharp 1
Violoncelle , Guitare (duo) 1
Violoncelle 1
4 Violoncelles 1
Violon, Basson (duo) 1

+ 25 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 34
Cloches 31
Ensemble de cuivres 18
Orchestre à Cordes 18
Orchestre 10

Percussion (partie séparée) 5
Jazz combo 4
Instrumentation Flexible 1
Batterie 1
Batterie (partie séparée) 1
Orchestre de chambre 1
Ensemble Jazz 1

+ 7 instrumentations

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Spirituals

Ensemble de Violons

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2 partitions trouvées

Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)

Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet) #Ensemble de Violons #INTERMÉDIAIRE #Classique #Musique Sacrée #Antonin Dvorak #Regis Bookshar #Largo #Regis Bookshar #SheetMusicPlus

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...(+)

String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:â€ƒâ€ƒâ€ƒâ€ƒI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:â€ƒâ€ƒI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.

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