Partitions Numériques de some were not pour Saxophone Baryton, Piano

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some were not
Non classifié 306

Piano & claviers
Piano, Voix et Guitare 346
Piano seul 176
Piano, Voix 72
Piano Facile 32
Instruments en Do 8

Accompagnement Piano 3
2 Pianos, 4 mains 2
Piano Trio: piano, violon, violoncelle 2
Orgue 2
1 Piano, 4 mains 2
Piano Quatuor: piano, violon, alto, violoncelle 2
Piano grosses notes 1
Accordéon 1
Ensemble d'Accordéons 1
Clavecin 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1

+ 11 instrumentations

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Guitares
Guitare notes et tablatures 27
Guitare 22
Ukulele 4
Basse electrique 3
Dulcimer 2

2 Guitares (duo) 2
3 Guitares (trio) 1
4 Guitares (Quatuor) 1
Piano, Guitare (duo) 1
Paroles et Accords 1
Ligne De Mélodie, (Paroles) et Accords 1
Mandoline 1
Banjo 1

+ 8 instrumentations

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Voix
Chorale SATB 46
Chorale 3 parties 10
Voix Alto, Piano 5
Chorale TTBB 5
Chorale SSAA 4

Voix Tenor 4
Chorale Unison 4
Chorale 2 parties 3
Voix duo, Piano 2
Chorale SSATTB 1
Voix duo 1
Voix moyenne, Piano 1
Voix Soprano 1
Voix Soprano, Piano 1

+ 9 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 30
2 Flûtes traversières, Piano 25
Quatuor de Saxophones: 4 saxophones 25
Ensemble de saxophones 22
Quintette de Saxophone: 5 saxophones 16

Flûte traversière 8
Saxophone Alto et Piano 7
Clarinette 7
Flûte traversière et Piano 7
Ensemble de Clarinettes 6
Saxophone Soprano et Piano 6
Ensemble de Flûtes 5
Flûte, Hautbois, Clarinette, Basson 5
Quatuor de Clarinettes: 4 clarinettes 4
Hautbois, Piano (duo) 4
3 Clarinettes (trio) 4
Trio de Flûtes: 3 flûtes 3
Quatuor de Flûtes : 4 flûtes 3
3 Saxophones (trio) 3
Clarinette et Piano 3
Quintette de Flûte : 5 flûtes 3
2 Flûtes traversières (duo) 2
Flute, harpe et violon 2
Saxophone Baryton, Piano 2

Flûte, Hautbois, Clarinette (trio) 2
Clarinette Basse, Piano 1
Flûte à bec Alto, Piano 1
Hautbois, Harpe 1
Flûte, Clarinette (duo) 1
Flûte, Clarinette et Basson 1
2 Saxophones (duo) 1
Flûte à bec Soprano 1
Saxophone Soprano 1
Cor anglais, Piano 1
2 Clarinettes, Piano 1
Quintette de Clarinettes: 5 clarinettes 1
Piccolo 1
Clarinette Basse 1
Saxophone Tenor et Piano 1
Saxophone et Orgue 1
Clarinette, Harpe (duo) 1

+ 36 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 17
Quatuor de Cuivres: 2 trompettes, Cor, trombone 9
Ensemble de Trombones 6
Cor et Piano 5

Ensemble de Trompettes 4
Quatuor de Cuivres 3
Trompette 2
2 Cors (duo) 2
Trombone 2
Quatuor de cuivres: 4 trombones 2
Trompette, Piano 2
2 Trompettes (duo) 1
2 Tubas (duo) 1
Tuba et Piano 1
2 Trombones (duo) 1
Trompette, Trombone (duo) 1
4 Tubas 1
Cor anglais, Piano 1
Tuba (partie séparée) 1
Trombone et Piano 1

+ 16 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 33
Harpe 17
Trio à Cordes: violon, alto, violoncelle 16
Violon 13
Violon et Piano 9

Alto, Piano 7
Violoncelle, Piano 6
Violon, Violoncelle (duo) 5
Ensemble d'Altos 3
Ensemble de Violons 3
Alto seul 3
Harpe, Voix 2
2 Violons (duo) 2
Violoncelle 2
Harpe, Flûte (duo) 2
4 Violoncelles 2
Contrebasse, Piano (duo) 2
Trio à Cordes: 2 violons, violoncelle 2
Trio à Cordes: 3 violoncelles 1
Harpe et Piano 1
Violoncelle (partie séparée) 1
4 Contrebasses 1
Violon, Clarinette, Piano (trio) 1
Quatuor à cordes : 4 altos 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Quatuor à cordes: 4 violons 1
Ensemble de Violoncelles 1

+ 22 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 38
Orchestre à Cordes 22
Ensemble de cuivres 12
Orchestre de chambre 10
Orchestre 9

Jazz combo 5
Ensemble Jazz 5
Cloches 4
Ensemble de Percussions 2
Marimba 1
Batterie 1
Piano et Orchestre 1
2 Marimbas 1
Vibraphone 1

+ 9 instrumentations

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Saxophone Baryton, Piano

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Luther: Out of the Depths for Baritone Sax & Piano

Luther: Out of the Depths for Baritone Sax & Piano #Saxophone Baryton, Piano #DÉBUTANT #Martin Luther #James M #Luther: Out of the Depths for #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...(+)

Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the DepthsÂ I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 ≈ 23.07€

Schubert: Moment Musicaux for Baritone Sax & Piano

Schubert: Moment Musicaux for Baritone Sax & Piano #Saxophone Baryton, Piano #FACILE #Classique #Franz Schubert #James M #Schubert: Moment Musicaux for #jmsgu3 #SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...(+)

Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends. Â Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate â€“ probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz SchubertÂ (1797â€“1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958â€“960), and the song cycles Die schÃ¶ne MÃ¼llerinÂ (D. 795) and WinterreiseÂ (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubertâ€™s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.

$32.95 ≈ 30.47€

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