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Fly Again
Non classifié 29

Piano & claviers
Piano seul 20
Piano, Voix 11
Piano, Voix et Guitare 5
Piano Facile 3
Piano Trio: piano, violon, violoncelle 2

Orgue 2

Accompagnement Piano 1
Piano Quatuor: piano, 2 violons, violoncelle 1
Instruments en Do 1

+ 4 instrumentations

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Guitares
Guitare 6
Guitare notes et tablatures 5
Ukulele 3
Basse electrique 2
Ligne De Mélodie, (Paroles) et Accords 1

Voix
Chorale SATB 8
Chorale Unison 4
Chorale 3 parties 2
Chorale SSATB 1
Voix basse, Piano 1

Chorale TTBB 1
Chorale 2 parties 1

+ 2 instrumentations

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Vents
Saxophone Alto et Piano 3
Flûte traversière et Piano 2
Clarinette et Piano 2
Ensemble de Flûtes 1
Hautbois, Piano (duo) 1

Quintette de Clarinette: Clarinette, Quatuor à Cordes 1
Flûte, Hautbois, Clarinette, Basson 1
Quatuor de Flûtes : 4 flûtes 1
Quatuor de Clarinettes: 4 clarinettes 1
Ensemble de Clarinettes 1
Saxophone Soprano et Piano 1

+ 6 instrumentations

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Cuivres
Euphonium, Piano (duo) 2
Trompette 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Trompette, Piano 1

Cordes
Violoncelle (partie séparée) 3
Quatuor à cordes: 2 violons, alto, violoncelle 3
Alto, Piano 3
Violon et Piano 2
Alto et Harpe 1

Violoncelle, Piano 1

+ 1 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 6
Ensemble de cuivres 4
Jazz combo 2
Orchestre 1
Orchestre de chambre 1

Orchestre à Cordes 1

+ 1 instrumentations

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Vous avez sélectionné:

Fly Again

Orgue

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2 partitions trouvées

Encore!

Encore! #Orgue #Fred Bock #Fred Bock #Encore! #Fred Bock Music Company #SheetMusicPlus

Organ SKU: HL.8738391 Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Bock Publications. Classical, General Worship, Sacred. 160 pages. Fred Bo...(+)

Organ SKU: HL.8738391 Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Bock Publications. Classical, General Worship, Sacred. 160 pages. Fred Bock Music Company #BG0773. Published by Fred Bock Music Company (HL.8738391). ISBN 9781934596487. UPC: 073999383911. 9.3x12.0x0.683 inches.50 of Fred Bock's best organ arrangements have been carefully selected for this collection, bringing a wide variety of styles and titles. From the popular El Shaddai, to the more traditional Savior Like a Shepherd Lead Us and Jesus Loves Me (coupled with Debussy's Clair De Lune), these pieces will be played over and over again.
Song List: I'll Fly Away (Albert E Brumley) Because He Lives (Wm & Gloria Gaither) To Be Used of God (Audrey Mieir) El-Shaddai (J Thompson/M Card) Let's Just Praise the Lord (William Gaither) Thou Art Worthy (Pauline Mills) I'll Tell the World That I'm A Christian (Bock) Healer of Broken Hearts (Bock) He Is with Me (Bock) He Touched Me (Bock) I Believe in A Hill Called Mt. Calvary (Bock) Over the Sunset Mountains (Bock) Plenty of Room in the Family (Bock) How Great Thou Art (Stuart K Hine) In This Very Room (Ron and Carol Harris) Jesus Loves Me (Bradbury/Debussy) Happiness Nearer, My God, to Thee (S. Adams) What A Friend We Have in Jesus (C Converse) This Is My Country (Raye/Jacobs) Love Lifted Me (J. Rowe/H. Smith) Savior, Like A Shepherd Lead Us (W. Bradbury) I've Got Peace Like A River Greater Is He That Is in Me (Lanny Wolfe) Day by Day (C Berg/O Ahnfelt) I Am A Promise (Wm. & Gloria Gaither) Joy Comes in the Morning (Wm. & Gloria Gaither) I Cannot Fail the Lord (Doris Akers) He's Everything to Me (R Carmichael) When He Shall Come (A J Pearce) Sweet, Sweet Spirit (Doris Akers) Oh, I Never Shall Forget the Day (R Carmichael) Sweeter As the Years Go by (Mrs. C H Morris) Yesterday, Today and Tomorrow (Don Wyrtzen) My Heart Is Filled with Jesus' Love (D Akers) Heaven Came Down and Glory Filled My Soul (John Peterson) Love At Home (Wm Driggs, Jr.) Thank God for the Promise of Spring (Wm Gaither) God Leads His Dear Children Along (G Young) Even So, Lord Jesus, Come (Wm. Gaither) Jesus Is Coming Again (J Peterson) He'll Never Let You Fall (R Carmichael) Go Tell It On the Mountain Amen Precious Memories LOVE OF GOD, THE (FREDERICK H LEHMAN) BLOOD WILL NEVER LOSE ITS POWER, THE (A. CROUCH) CHURCH TRIUMPHANT, THE (WM GAITHER) UNVEILED CHRIST, THE (N B HERRELL) MIRACLE OF GRACE, THE (R CARMICHAEL)

$24.95 ≈ 22.99€

Jan Zach - Fugue in C Minor

Jan Zach - Fugue in C Minor #Orgue #Classique #early 1745 he was living in Au #Jan Zach #Guido Menestrina #Jan Zach - Fugue in C Minor #Guido Menestrina #SheetMusicPlus

Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestr...(+)

Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 â€“ 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelÃ¡kovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to DlabacÅ¾, he studied organ under Bohuslav MatÄ›j ÄŒernohorskÃ½, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mÃªlÃ©es, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).

$4.99 ≈ 4.60€

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