Partitions Numériques de Chester G pour Orgue

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Chester G
Sheetmusicplus
Non classifié 33

Piano & claviers
Piano seul 22
Accompagnement Piano 17
Piano, Voix 8
Orgue 3

Piano Facile 3

Piano Trio: piano, violon, violoncelle 3
Piano, Voix et Guitare 2
Orgue, Trompette (duo) 1

+ 3 instrumentations

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Guitares
Guitare 1

Voix
Chorale SATB 11
Chorale 3 parties 3
Chorale Unison 3

Vents
Flûte traversière et Piano 8
Clarinette et Piano 5
Hautbois, Piano (duo) 4
Saxophone Alto et Piano 3
2 Saxophones, Piano 2

Flûte traversière 2
Saxophone et Orgue 1
2 Flûtes traversières (duo) 1
Flûte, Hautbois, Clarinette, Basson 1
Saxophone Tenor et Piano 1

+ 5 instrumentations

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Cuivres
Trombone et Piano 5
Trompette, Piano 3
Cor et Piano 3
2 Cors (duo) 2
2 Trompettes (duo) 1

Cordes
Violon et Piano 6
Violoncelle, Piano 5
Alto, Piano 3
Quatuor à cordes: 2 violons, alto, violoncelle 2
2 Violons, Piano 1

Harpe, Voix 1

+ 1 instrumentations

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Percussions & orchestre
Orchestre 4
Cloches 4
Orchestre, Violon 3
Piano et Orchestre 2
Orchestre d'harmonie 2

Orchestre de chambre 2
Orchestre à Cordes 1

+ 2 instrumentations

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Chester G

SheetMusicPlus

Orgue

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3 partitions trouvées

Ever In Joyful Song

Ever In Joyful Song #Orgue #INTERMÉDIAIRE/AVANCÉ #Musique Sacrée #Chester G #Phillip Graebing #Ever In Joyful Song #Phillip Graebing #SheetMusicPlus

Organ - Level 4 - SKU: A0.1017467 Composed by Chester G. Allen. Arranged by Phillip Graebing. Christian,Sacred. Score. 5 pages. Phillip Graebing #611850...(+)

Organ - Level 4 - SKU: A0.1017467 Composed by Chester G. Allen. Arranged by Phillip Graebing. Christian,Sacred. Score. 5 pages. Phillip Graebing #6118503. Published by Phillip Graebing (A0.1017467). The hymn Praise Him! Praise Him by Fanny Crosby to the tune Joyful Song by Chester G. Allen arranged for organ solo.

$4.99 ≈ 4.61€

The Spirit of the Lord - for Cantor and Congregation

The Spirit of the Lord - for Cantor and Congregation #Orgue #INTERMÉDIAIRE #Dr #Dr #The Spirit of the Lord - for C #School Sisters of St. Francis #SheetMusicPlus

Organ - Level 3 - SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri L. Masiakowski. 20th Century,Religious...(+)

Organ - Level 3 - SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri L. Masiakowski. 20th Century,Religious,Sacred. Score. 7 pages. School Sisters of St. Francis #989483. Published by School Sisters of St. Francis (A0.1406728). â€œThe Spirit of the Lordâ€ Â Sr. Theophane Hytrek OSFDedicated to Robert Verwoert on the occasion of his ordination to the priesthood â€” May 1971Sr. Theophane Hytrek OSF earned her PhD in composition from the University of Rochester (Eastman School of Music) in 1955. Â She is known for a variety of compositional genres, e.g. keyboard (organ and piano), voice, and orchestra. Compositions for voice include masses, responses, psalm settings, hymns for congregation, choral music and solos.TEXT:The Spirit of the Lord is upon us.Â Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 â€“ December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.Rehearsal recommendation:The verse text is notated in consistent eighth-notes. Do not interpret this to mean that all syllables are to receive equal time. Â Speak the text in natural cadence and then sing the pitches in that same natural cadence. Â This will best represent Sr. Theophaneâ€™s intention.We invite you to browse other creative works by the School Sisters of St. Francis on our website: Â https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm Â Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.

$4.99 ≈ 4.61€

Sagas Nos. 1-6

Sagas Nos. 1-6 #Orgue #AVANCÉ #Jean Guillou #Sagas Nos. 1-6 #Schott Music - Digital #SheetMusicPlus

Organ - advanced to difficult - SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Mus...(+)

Organ - advanced to difficult - SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Music - Digital #Q6218. Published by Schott Music - Digital (S9.Q6218). This is the name given to the ancient tales and legends of Scandinavia, mostly drawn up in Iceland. The term itself is of Germanic origin, form the verb 'sagen' which means to say, to recount. The title also has to do with what is said, what is recounted, in a musical epic of today. Three of these pieces, Sagas 2, 4 and 6, have the particularity of being improvisations. In Saga 1, the instrument seems to awaken out of a dream of which the two opposing elements gradually become ordered. Pedal staccati soon take control and come to predominate as they build up while, in a spirit of contradiction, various solo steps, Cornet, Cromore, unfold their melismas. The dream then reestablishes itself, this time for good. The second Saga is a sombre, frenetic dance based on groups of five semiquaves. It dies away, then, after a long silence, a note emerges, and this lone note, on three different solo stops, beaten, hunted by its two neighbouring notes in increasingly animated accents, anacruses and appoggiaturas, disappears, giving way to the sombre dance which then broadens out. It is interrupted all of a sudden by the irritated, exasperated, fuming tone of that harshness that overdoes itself and vanishes. The sombre dance appears one last time, letting itself go into paroxym. The third Saga unfolds as a very ancient chant, the memory of an Ossianic chant of the earliest times. The fourth Saga develops the lyricism of a tale to be told. But in midway comes a sort of destructive outburst of which the ever tighter links give way for a moment to pure narrativity, which, after a few upsets, ends the piece with the memory of great danger overcome by candour. The fifth Saga is a kind of quiet walk, interspersed with a few controversies, interceptions and demonstrations that are rather more lively. The sixth Saga develops a kind of theme in runs, whose constantly rhythmic rebounding might bring out the idea of apologetic or exalted acclamation.Jean Guillou (*1930) gilt als einer der bedeutenden Organisten und Orgelkomponisten der Gegenwart. Sein kompositorisches Schaffen umfasst Ã¼ber 40 Orgelwerke, auÃŸerdem Symphonien, Klavier- und Orgelkonzerte und Kammermusik. Auch bereichert der DuprÃ©-SchÃ¼ler, der seit 1963 Titularorganist an St. Eustache in Paris ist, das gÃ¤ngige Orgelrepertoire durch eine Reihe auÃŸergewÃ¶hnlicher Transkriptionen von Orchesterwerken.

$22.99 ≈ 21.26€

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