Partitions Numériques de Stand By Me pour 2 Pianos, 4 mains

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Stand By Me
Non classifié 889

Piano & claviers
Piano, Voix et Guitare 1 325
Piano seul 1 225
Instruments en Do 572
Piano, Voix 511
Piano Facile 390

Piano grosses notes 106
Accordéon 38
Orgue 32
1 Piano, 4 mains 24
Accompagnement Piano 14
Piano (partie séparée) 12
Piano Trio: piano, violon, violoncelle 7
Accordéon, Voix 6
Ligne De Mélodie, Piano 6
Piano Quatuor: piano, violon, alto, violoncelle 3
2 Pianos, 4 mains 3

Piano Quatuor: piano, 2 violons, violoncelle 2
Piano Quintette: piano, 2 violons, alto, violoncelle 2
2 Pianos, 8 mains 1

+ 14 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 766
Guitare notes et tablatures 363
Guitare 163
Ukulele 151
Basse electrique 72

Paroles et Accords 62
Guitare (partie séparée) 20
Banjo 14
Dulcimer 11
2 Guitares (duo) 10
Mandoline 7
Ensemble de guitares 3
Ensemble de Ukulélés 3
Dobro 3
Ukulele Baryton 2
2 Dulcimers (duo) 2
Piano, Guitare (duo) 1
3 Guitares (trio) 1
4 Guitares (Quatuor) 1
Basse électrique (partie séparée) 1

+ 15 instrumentations

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Voix
Chorale SATB 229
Chorale 3 parties 116
Chorale 2 parties 69
Voix seule 67
Chorale TTBB 48

Chorale SSAA 45
Voix haute 41
Voix duo, Piano 37
Chorale Unison 30
Chorale 22
Voix duo 7
Voix Soprano, Piano 3
Voix basse, Piano 3
Voix moyenne, Piano 2
Voix Tenor 1
Voix Tenor, Piano 1
Voix Baryton 1
Voix basse 1

+ 13 instrumentations

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Vents
Saxophone (partie séparée) 132
Quatuor de Saxophones: 4 saxophones 98
Flûte traversière 94
Clarinette 85
Saxophone Alto 78

2 Saxophones (duo) 70
Flûte traversière et Piano 55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 53
Saxophone Alto et Piano 46
Saxophone Tenor 43
Saxophone Tenor et Piano 41
Clarinette et Piano 41
Flûte, Hautbois, Clarinette, Basson 35
Hautbois, Piano (duo) 29
Quatuor de Clarinettes: 4 clarinettes 28
2 Clarinettes (duo) 28
2 Flûtes traversières (duo) 25
Instruments en Mib 25
Saxophone Soprano et Piano 24
Hautbois (partie séparée) 21
Quatuor de Flûtes : 4 flûtes 18
3 Clarinettes (trio) 16
Flûte, Clarinette (duo) 13
Saxophone, Clarinette (duo) 13
Trio de Flûtes: 3 flûtes 13
Clarinette (partie séparée) 11
Saxophone Baryton, Piano 11
2 Hautbois (duo) 11
Clarinette, Violon (duo) 10
Quintette de Saxophone: 5 saxophones 9
Cor anglais, Piano 9
3 Saxophones (trio) 9
Ensemble de saxophones 9
Saxophone Soprano 9
Clarinette, Trompette (duo) 8
Ensemble de Clarinettes 7
Ensemble de Flûtes 6
Hautbois, Basson (duo) 6
Hautbois, Clarinette (duo) 6
2 Saxophones, Piano 6
Flûte, Violon 5
Clarinette et Alto 5
Flûte à Bec 5
Flûte, Trompette (duo) 4
Harmonica 4
Flûte, Alto (duo) 4
Hautbois 3
Flûte, Saxophone (duo) 3
Hautbois, Flûte 3
Ocarina 3
Flûte à bec Soprano 2
Quintette de Clarinettes: 5 clarinettes 2
Flûte à bec, Guitare (duo) 2
Flûte irlandaise 2
2 Flûte à bec (duo) 2
Flûte et Guitare 2
Clarinette Basse 2
Flûte, Hautbois, Basson 2
Hautbois, Clarinette, Basson (trio d'anches) 2
Clarinette Basse, Piano 2
Flute (partie séparée) 2
Clarinette, Guitare (duo) 1
Ensemble De Flûte à bec 1
Flûte à bec Soprano, Piano 1
2 Flûtes traversières, Piano 1
Clarinette, Violoncelle (duo) 1
Flûte, Clarinette, Piano (trio) 1
Flûte, Violoncelle, Piano (trio) 1
Saxophone Baryton 1
Quintette de Clarinette: Clarinette, Quatuor à Cordes 1
Flûte, Violon et Violoncelle 1
Clarinette, Violoncelle, Piano (trio) 1
Saxophone et Orgue 1
Flûte à bec Alto, Piano 1
Flûte, Violoncelle 1
5 Flûtes à bec 1
Quintette de Flûte : 5 flûtes 1
Saxophone 1
Flûte, Basson et Piano 1
Flûte, Hautbois, Clarinette (trio) 1
Flute, Cor (duo) 1
4 Hautbois 1
Hautbois, Violoncelle 1

+ 78 instrumentations

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Cuivres
Trompette 88
Trompette (partie séparée) 73
Trombone 67
Trombone (partie séparée) 64
Cor 50

Bass Clef Instruments 39
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 38
Quatuor de Cuivres : 2 trompettes, trombone, tuba 33
Trombone et Piano 28
Trompette, Piano 26
Instruments en Sib 22
2 Trompettes (duo) 18
2 Trombones (duo) 18
Tuba 16
Quatuor de Cuivres 15
Cor et Piano 14
Quatuor de Cuivres: 2 trompettes, Cor, trombone 11
Euphonium 11
Cor anglais, Piano 9
Euphonium, Piano (duo) 8
Trio de Cuivres 8
Trompette, Saxophone (duo) 7
Trompette, Trombone (duo) 7
Quatuor de cuivres: 4 trombones 6
Tuba et Piano 6
Cor (partie séparée) 6
Quatuor de cuivres: 4 cors 6
3 Trombones (trio) 5
Tuba (partie séparée) 4
Trompette, Cor (duo) 4
2 Cors (duo) 3
2 Tubas (duo) 2
4 Tubas 2
Tuba et Orgue 1
3 Trompettes (trio) 1
Quatuor de cuivres: 4 trompettes 1
Trompette, Trombone, Piano 1
Ensemble de Trompettes 1
2 Euphoniums et 2 Tubas 1
Ensemble de Tubas 1
Clarinette, Cor (duo) 1

+ 36 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 171
Violon 105
Violon et Piano 83
Alto, Piano 59
Violoncelle, Piano 54

Alto seul 47
Violoncelle 44
Violon, Violoncelle (duo) 42
2 Violons (duo) 39
Trio à Cordes: violon, alto, violoncelle 26
2 Violoncelles (duo) 26
Violoncelle (partie séparée) 26
Harpe 23
2 Altos (duo) 19
Contrebasse (partie séparée) 17
Violon, Alto (duo) 17
Alto (partie séparée) 13
Contre Basse 10
Alto, Violoncelle (duo) 9
Quintette à cordes: 2 violons, alto, violoncelle, basse 7
4 Violoncelles 7
Trio à Cordes: 2 violons, violoncelle 7
Piano Trio: Violon, Alto, Piano 6
Violon (partie séparée) 5
Trio à cordes 4
Quatuor à cordes: 4 violons 4
Contrebasse, Piano (duo) 3
Trio à Cordes: 3 violoncelles 3
Alto, Guitare (duo) 3
Violon, Guitare (duo) 3
Trio à cordes: 3 violins 2
Trio à Cordes: 2 violons, alto 2
Harpe, Voix 2
Trio à cordes: 3 altos 2
Quatuor à cordes : 4 altos 2
Harpe, Violon, Violoncelle 1
Violoncelle, Contrebasse (duo) 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Harpe et Piano 1
Harpe, Violon (duo) 1
2 Violons, Piano 1

+ 36 instrumentations

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Percussions & orchestre
Ensemble Jazz 138
Orchestre d'harmonie 131
Orchestre 54
Orchestre à Cordes 47
Fanfare 34

Jazz combo 34
Ensemble de cuivres 33
Batterie (partie séparée) 20
Cloches 14
Batterie 14
Orchestre de chambre 11
Percussion (partie séparée) 8
Vibraphone 7
Ensemble de Percussions 6
Marimba 3
Big band 1
3 Marimbas 1

+ 12 instrumentations

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Stand By Me

2 Pianos, 4 mains

Partitions à imprimer

3 partitions trouvées

All Of Me

All Of Me #2 Pianos, 4 mains #Pop #All Of Me #Hal Leonard - Digital Sheet Music #SheetMusicPlus

This edition: Interactive Download. New Age; Pop; Standards. Piano Duet. 10 pages. Published by Hal Leonard - Digital Sheet Music (HX.319884). - Piano Duet - Ne...(+)

This edition: Interactive Download. New Age; Pop; Standards. Piano Duet. 10 pages. Published by Hal Leonard - Digital Sheet Music (HX.319884). - Piano Duet - New Age; Pop; Standards - Hal Leonard - Digital Sheet Music

$4.99 ≈ 4.60€

Germaine Tailleferre: Trois Études for two pianos

Germaine Tailleferre: Trois Études for two pianos #2 Pianos, 4 mains #AVANCÉ #achieving the physical decline #Germaine Tailleferre #Germaine Tailleferre: Trois &E #Musik Fabrik Music Publishing #SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...(+)

Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolledÂ« Free Zone Â» of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist LÃ©on Blum during the Â« Front Populaire Â» period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal Â«Modern Music Â» which she wrote shortly after arriving in America in the Spring of 1942 :Â« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom Â».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and FranÃ§ois Lang, a pianist who was closely linked with the Group des Six and whohad performed in the premiÃ¨re of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with itâ€™s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didnâ€™t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that FranÃ§ois Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.ï»¿

$32.95 ≈ 30.36€

Swanee

Swanee #2 Pianos, 4 mains #AVANCÉ #Paul Posnak & Anita Castiglion #Paul Posnak #Swanee #Paul Posnak #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Cl...(+)

2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.

$12.00 ≈ 11.06€

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