Partitions Numériques de Rita Ora pour 2 Pianos, 4 mains

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Rita Ora
Non classifié 138

Piano & claviers
Piano, Voix et Guitare 54
Piano seul 53
Piano Facile 16
Piano, Voix 9
Orgue 6

2 Pianos, 4 mains 2

1 Piano, 4 mains 1
Piano Trio: piano, violon, violoncelle 1
Piano (partie séparée) 1

+ 4 instrumentations

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Guitares
Ukulele 9
Guitare 2
Guitare (partie séparée) 1
Paroles et Accords 1
Guitare notes et tablatures 1

Voix
Chorale 3 parties 960
Chorale SATB 938
Chorale 2 parties 601
Chorale Unison 71
Chorale SSAA 47

Chorale TTBB 46
Chorale 23
Chorale SSAB, Piano 10
Chorale SSATB 5
Chorale SSATTB 3
Chorale SATBB 2
Voix haute 1

+ 7 instrumentations

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Vents
Saxophone Alto 5
Saxophone (partie séparée) 4
Clarinette 3
Quatuor de Clarinettes: 4 clarinettes 3
Flûte traversière 3

Harmonica 2
Saxophone Baryton, Piano 2
2 Flûtes traversières (duo) 2
Saxophone Alto et Piano 2
Hautbois, Piano (duo) 2
Flûte traversière et Piano 2
Saxophone Soprano et Piano 1
3 Saxophones (trio) 1
Clarinette Basse, Piano 1
Quatuor de Flûtes : 4 flûtes 1
2 Clarinettes (duo) 1
Flûte, Hautbois, Clarinette, Basson 1
Clarinette et Piano 1
Cor anglais, Piano 1
Saxophone Tenor et Piano 1
2 Saxophones (duo) 1
Quatuor de Saxophones: 4 saxophones 1

+ 17 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 5
Trompette 3
Trombone (partie séparée) 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
Trombone et Piano 2

Euphonium, Piano (duo) 2
Trompette (partie séparée) 2
Trombone 1
2 Trompettes (duo) 1
2 Trombones (duo) 1
Ensemble de Trombones 1
Ensemble de Trompettes 1
Cor (partie séparée) 1
Cor anglais, Piano 1
Tuba (partie séparée) 1

+ 10 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 12
Trio à Cordes: violon, alto, violoncelle 9
Violoncelle (partie séparée) 6
Violon et Piano 5
Harpe 4

Violon 2
2 Violons (duo) 1
Violoncelle 1
Violon, Violoncelle (duo) 1

+ 4 instrumentations

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Percussions & orchestre
Orchestre à Cordes 13
Orchestre d'harmonie 4
Orchestre 3
Percussion (partie séparée) 2
Fanfare 1

Ensemble de cuivres 1
Ensemble de Percussions 1

+ 2 instrumentations

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Artistes :
• Ora, Rita
Artistes francophones
• Rita Mitsouko

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Vous avez sélectionné:

Rita Ora

2 Pianos, 4 mains

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2 partitions trouvées

More Piano Sight-Reading 2

More Piano Sight-Reading 2 #2 Pianos, 4 mains #More Piano Sight-Reading 2 #Schott Music - Digital #SheetMusicPlus

Piano (2- and 4-hands) - easy to intermediate - SKU: S9.Q19483 Additional material for piano solo and duet. This edition: Sheet music. Schott Sig...(+)

Piano (2- and 4-hands) - easy to intermediate - SKU: S9.Q19483 Additional material for piano solo and duet. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q19483. Published by Schott Music - Digital (S9.Q19483). English â?¢ French â?¢ German.This collection of original tunes is an ideal extension of Piano Sight-Reading 2 (ED 12791), or a continuation of Piano Sight-Reading 1 (ED 12736), which presents 144 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the 7 sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as piano duets for practising ensemble sight-reading. Suitable for preliminary, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember. PIANO SIGHT-READING and MORE PIANO SIGHT-READING - press reviews The books have a classy presentation, with notation nicely engraved and well spaced ... For those looking for an authoritative and well structured approach to learning real-world sight-reading skills, John Kemberâ??s â??Piano Sight-Reading Seriesâ?? jumps to the top of my list of recommendations. - PIANODAO.COM.

$13.99 ≈ 13.09€

Sonata Hymnica No. 6

Sonata Hymnica No. 6 #2 Pianos, 4 mains #INTERMÉDIAIRE/AVANCÉ #James Siddons #Sonata Hymnica No. 6 #James Siddons Music and Writings #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...(+)

2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. OneÂ performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the trebleÂ staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianosÂ doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern thatÂ begins in measure 37. A standing conductor (not playing piano) may be desired. Â Although repetitive, the music in this sonata rarely repeats itselfÂ exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oralÂ tradition. ProgramÂ Note (for use in concert programs) by James Siddons Â The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns andÂ vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar wordsÂ sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for pianoÂ ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixthÂ sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shapedÂ by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours andÂ cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from theÂ Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speakÂ ofÂ standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strainsÂ of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-centuryÂ African Americans. He refers to their singing as the Frenzy or â€˜Shouting,â€™ when the Spirit of the Lord passed by, and seizing theÂ devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms,Â the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as wellÂ as percussive polyrhythms.

$10.00 ≈ 9.36€

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