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Vous avez sélectionné:
Opening Night Drums
Partitions à imprimer
10 partitions trouvées
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1
Opening Night - Drums
Opening Night - Drums
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Batterie
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Enfant
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Film Walt Disney
#
Mac Huff
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Disney
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Opening Night - Drums
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Mac Huff. For Drums. Combo. Children; Disney; Film/TV; Musical/Show; Pop. Individual instrument part. 10 pages. Published by Hal Leonard - Digital Sheet Musi...
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By Mac Huff. For Drums. Combo. Children; Disney; Film/TV; Musical/Show; Pop. Individual instrument part. 10 pages. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.44€
Silent Night Prelude for percussion octet
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
#
#
Silent Night Prelude for percu
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Pharaoh Publications
#
SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99 ≈
4.59€
Aint No Silent Night
Aint No Silent Night
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Chorale SATB
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INTERMÉDIAIRE
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Noël
#
Shay Hovell
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Shay Hovell
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Aint No Silent Night
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Hauteville Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.909368 Composed by Shay Hovell. Arranged by Shay Hovell. Christmas,Contemporary,Holiday,Pop. Octavo. 39 pages. H...
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Choral Choir (SATB) - Level 3 - SKU: A0.909368 Composed by Shay Hovell. Arranged by Shay Hovell. Christmas,Contemporary,Holiday,Pop. Octavo. 39 pages. Hauteville Publishing #3564085. Published by Hauteville Publishing (A0.909368). Great show choir opening for a christmas show- Elves sing their story of a night to party now that Christmas work is done. SATB Piano, Drums, Glokenspeil, and Bass. Running time 5:35.
$2.50 ≈
2.30€
Reveille, for instruments in six parts - Score and Parts
Reveille, for instruments in six parts - Score and Parts
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Paul Burnell
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Reveille, for instruments in s
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Paul Burnell
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SheetMusicPlus
Level 4 - SKU: A0.1426124 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 41 pages. Paul Burnell #1006920. Published by Paul Burnell (A0....
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Level 4 - SKU: A0.1426124 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 41 pages. Paul Burnell #1006920. Published by Paul Burnell (A0.1426124). Reveille by Paul Burnell.Composed 2002, with minor revisions to the score in 2023.For instruments in six parts, reading treble clef.Optional: percussion (2 low drums, agogo bells, marimba or piano), six voices, drone on EDuration 7:00 approx.Score in CThe instrumental parts may be played with multiple performers on each part 1-6. Octave transpositions are allowed optionally at any point, in addition to those bars marked with ‘opt. 8’. If there are multiple performers on each part then have solo performers from rehearsal letter E to the end. The technique instructions in brackets (pizz., arco, con sord.) are not meant to indicate specific instruments, they are applicable only to those appropriate instruments who may be performing.Optional - Percussion instruments. Two low drums, agogo bells, marimba or piano.Optional - Voices. In the opening section, each voice in turn speaks the name of the subsequent instrumental performer at the beginning of the indicated bar (or any person if there are multiple players within the part). The subsequent rhythms are a guide and can be interpreted freely.The voices may characterise their delivery so that each person is distinguished from the other. For example - angry, loving, curious, frightened, strict, cynical.Optional - Drone on low E. The drone may be played on any instruments, taking breath or rests as necessary. The drone ends in the bar before rehearsal letter E. The drone may be doubled one or two octaves higher and/or an octave lower than written. If multiple instruments are playing the drone, the players may fade in and out of the drone texture ad lib.Any of the following also optional: Voices enter, three with folded bed sheets who unfold and shake them open; others recite list of night birds. Hang sheets to make a screen. Instrumentalists enter. Bird flying silhouettes or bird hand-shapes projected. Intermittent recorded sounds of flapping wings. At end voices fold sheets, exit with instrumentalists, flapping wings sound fades. Other instruments sustain low e from beginning to letter E.Bird names: barn owl, stone curlew, nightjar, long-eared owl, whip-poor-will, Japanese night heron, tawny owl, northern mockingbird, hermit thrush, black crowned night heron, great horned owl, shearwater, woodcock, common nighthawk, chuck-will’s-widow, Jerdon’s courser, corncrake.
$3.99 ≈
3.67€
Have You Heard? - Full Score (Digital Download)
Have You Heard? - Full Score (Digital Download)
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Noël
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Joel Raney
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Away in a Manger
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Have You Heard? - Full Score
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
Conductor's Score - SKU: LX.30-3731L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas. Full Score (). 1...
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Conductor's Score - SKU: LX.30-3731L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas. Full Score (). 180 pages. Lorenz Publishing - Digital Sheet Music #e30/3731L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3731L). Orchestrated by Ed Hogan.Digital Full Score for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
$99.95 ≈
91.99€
Have You Heard? - Set of Parts (Digital Download)
Have You Heard? - Set of Parts (Digital Download)
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Orchestre
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Noël
#
Joel Raney
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Away in a Manger
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Have You Heard? - Set of Parts
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
Instrumental Parts, Full Orchestra - SKU: LX.30-3732L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas....
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Instrumental Parts, Full Orchestra - SKU: LX.30-3732L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas. Set of Parts (). 481 pages. Lorenz Publishing - Digital Sheet Music #e30/3732L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3732L). Orchestrated by Ed Hogan.Digital Set of Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
$249.95 ≈
230.05€
Tuesday Morning at School (a 9/11 Story)
Tuesday Morning at School (a 9/11 Story)
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Stephen Sullivan
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Original Score
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Tuesday Morning at School
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Stephen Sullivan Arts
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SheetMusicPlus
Instrumental Duet,Piano Electric Guitar,Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.1385825 By Stephen Sullivan. By Stephen Sullivan- arranged ...
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Instrumental Duet,Piano Electric Guitar,Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.1385825 By Stephen Sullivan. By Stephen Sullivan- arranged for SATB and Rock Band. Arranged by Original Score. 21st Century,Patriotic,Rock,Singer/Songwriter. 16 pages. Stephen Sullivan Arts #969765. Published by Stephen Sullivan Arts (A0.1385825). Based on the events of 9/11 and including audio clips from where the airport officials indicated the carnage on board one of the planes that struck the former World Trade Centers 1 and 2 on Tuesday, September 11th, 2001. I was 12 and a half years old at the time, and my brother was 10 and a half. Before he woke up, he had nightmares about flames. That was really creepy. The song centers on the trauma that the elementary school students across the street from the destruction in Manhattan faced as they witnessed the planes strike the towers, and everything that ensued. It uses the opening melody of Rachmaninoff's 2nd Piano Concerto, repeated and with the addition of drums, a wild bass solo, and some electric guitar riffs. It's a little painful even for me to listen to. I listened to it a lot this evening before posting it for sale.Stephen Sullivan- 02/20/2024Southeast Indiana *.
$4.99 ≈
4.59€
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00 ≈
46.02€
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Opening Night Drums
