Partitions Numériques de When Love Takes Over pour Orchestre

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When Love Takes Over
Non classifié 18

Piano & claviers
Piano seul 9
Piano, Voix et Guitare 5
Piano, Voix 3
Piano Facile 2
Piano (partie séparée) 1

1 Piano, 4 mains 1
Piano Quatuor: piano, violon, alto, violoncelle 1

+ 2 instrumentations

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Guitares
Guitare (partie séparée) 1

Voix
Chorale 3
Chorale 3 parties 3
Chorale SATB 2
Chorale SSAA 2
Chorale 2 parties 1

Vents
Clarinette et Piano 2
Saxophone (partie séparée) 2
Flûte, Hautbois, Clarinette, Basson 1
Quintette de Flûte : 5 flûtes 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1

Saxophone Alto et Piano 1
Saxophone Tenor et Piano 1
Flûte traversière et Piano 1

+ 3 instrumentations

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Cuivres
Trompette (partie séparée) 2
Trompette, Piano 1
Trombone (partie séparée) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1

Cordes
Violon, Violoncelle (duo) 1
Violon 1
Quatuor à cordes: 2 violons, alto, violoncelle 1
Contrebasse (partie séparée) 1

Percussions & orchestre
Ensemble Jazz 2
Orchestre 2

Ensemble de cuivres 2
Orchestre d'harmonie 1
Batterie (partie séparée) 1

Orchestre de chambre 1

+ 1 instrumentations

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Formation musicale - Solfège 6

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When Love Takes Over

Orchestre

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Mark Brymer: When Love Takes Over (from The Passion: New Orleans) (complete set of parts) - orchestra/band #Orchestre #INTERMÉDIAIRE #Pop musique #Mark Brymer #Virtualsheetmusic

Instantly printable sheet music by Mark Brymer for orchestra/band of MEDIUM skill level. / pop

$32.99 ≈ 30.79€

Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only

Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only #Orchestre #INTERMÉDIAIRE/AVANCÉ #Classique #Claude Debussy/Robert Orledg #Claude Debussy/Robert Orledge: #Musik Fabrik Music Publishing #SheetMusicPlus

Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. ...(+)

Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.

Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph B�dier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwal and that ?Isolde of the white hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.

The idea of a Tristan that restorced its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.

Unforunately, Mourey?s actual libretto has been lost and the project eventually foundered because B�dier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!

$19.95 ≈ 18.62€

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