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--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
Revolutionary
Orchestre
Partitions à imprimer
5 partitions trouvées
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1
The Penitence of Time
The Penitence of Time
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Peter Petrack
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The Penitence of Time
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Distributed by The Wayfarer Partnership, LLC.
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1019535 Composed by Peter Petrack. Contemporary. Score and parts. 167 pages. Distributed by The Wayfarer Partnership,...
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Full Orchestra - Level 3 - SKU: A0.1019535 Composed by Peter Petrack. Contemporary. Score and parts. 167 pages. Distributed by The Wayfarer Partnership, LLC. #3516473. Published by Distributed by The Wayfarer Partnership, LLC. (A0.1019535). The Penitence of Time is an Orchestral tone poem based on the many ghost stories told about historic Bethlehem, Pennsylvania, especially those about Moravian College’s own music building, the 1748 Brethren’s House. It was used as a Revolutionary War hospital and meeting place for George Washington and his generals. Bethlehem may or may not be a haven for phantoms and specters, but it is certainly defined by the centuries of history that happened there. Listeners will hear orchestral bells striking midnight, as well as references to church chorales and Revolutionary War-era fife and drum. If you'd like to hear the full recording, feel free to visit Peter Petrack's Youtube channel.
$99.99 ≈
89.63€
Trumbull Sketches
Trumbull Sketches
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Kyle Wernke
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Trumbull Sketches
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Kyle Wernke Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publish...
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Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00 ≈
53.78€
Theme From Shaft
Theme From Shaft
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Isaac Hayes
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Kevin Riley
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Theme From Shaft
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1446171 By Isaac Hayes. By Isaac Hayes. Arranged by Kevin Riley. 20th Century,Disco,Film/TV,Funk,Pop. 72 pages. Kevin...
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Full Orchestra - Level 4 - SKU: A0.1446171 By Isaac Hayes. By Isaac Hayes. Arranged by Kevin Riley. 20th Century,Disco,Film/TV,Funk,Pop. 72 pages. Kevin Riley #1025993. Published by Kevin Riley (A0.1446171). One of the greatest factors contributing to Shaft's wild success and lasting appeal is its memorable musical score, a revolutionary funk/soul masterpiece. Hayes auditioned for the role of Shaft but was asked to compose the musical score instead. Vulgar, shallow, and crudely done, Shaft distinguished itself mainly by having the best musical score of the year. Isaac Hayes's sensual, moody background music added to the texture of the film.This version does not have a need for the guitar track that was in the original.
$80.00 ≈
71.71€
3 Pieces for Orchestra
3 Pieces for Orchestra
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Orchestre
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Hans Werner Henze and Karl Ama
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3 Pieces for Orchestra
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q54206 Based on a piano music by Karl Amadeus Hartmann. Composed by Hans Werner Henze and Karl Amadeus Hartmann. This edition...
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Orchestra - SKU: S9.Q54206 Based on a piano music by Karl Amadeus Hartmann. Composed by Hans Werner Henze and Karl Amadeus Hartmann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q54206. Published by Schott Music - Digital (S9.Q54206). These are free arrangements of three movements from Hartmann’s Piano Sonata ‘27. April 1945.’ Hartmann wrote the Sonata after witnessing endless columns of emaciated prisoners leaving the Dachau concentration camp. The music contains quotes from Jewish folk tunes and from revolutionary songs of the International Worker’s Movement. It is a declaration of pity and outrage and of solidarity with the victims of Nazi Fascism. (from: Hans Werner Henze, Ein Werkverzeichnis 1946-96 [ED 8579])3 (2. auch Picc., 3. auch Picc. u. Altfl.) · 2 · Engl. Hr. · 2 · Bassklar. · Heckelphon · Altsax. (auch Tenorsax.) · 2 · Kfg. - 4 · 3 · 3 · 1 - P. S. (hg. Beck. · 3 Tamt. [h./m./t.] · Tomt. · kl. Tr. [mit Schnarrs.] · gr. Tr. · gr. Tr. [mit Beck.] · Fingerzimb. · Röhrengl. · Glsp. · Vibr. · Marimba) (2 Spieler) - Hfe. · Cel. · Klav. - Str.
$30.99 ≈
27.78€
Concierto de Metal para un Recuerdo
Concierto de Metal para un Recuerdo
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Orchestre
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AVANCÉ
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Contemporain
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William Ortiz
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Blues and Rock &
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Concierto de Metal para un Rec
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William Ortiz
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1008985 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 127 pages. William Ortiz #5869315. Pub...
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Full Orchestra - Level 5 - SKU: A0.1008985 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 127 pages. William Ortiz #5869315. Published by William Ortiz (A0.1008985). The title of this work is a metaphor and it shouldn't be taken literally as a concerto for any specific instrument, although brass and metal percussion instruments are prominent. Ever since I can remember, Rhythm & Blues and Rock & Roll have had a strong influence in me musically. In like manner Concierto de Metal para un Recuerdo utilizes a popular and common 4-part street corner harmonic progression as it's main recourse. The sonic material or theme that evolves from that is transformed and modified into various melodic, harmonic, rhythmic and/or timbre motifs. A surprise feel good rock passage emerges revealing another cultural phenomena that permeates in our socio-musical environment. This work questions the possibility of overcoming abstruse musical concepts in contemporary concert music. But at the same time, it is revolutionary in the sense that it dares to contradict and confront Eurocentric musical concepts with an accessible and unpretentious street gutted idiom.
$45.00 ≈
40.34€
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