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Vous avez sélectionné:
On a Mission
Orchestre
Partitions à imprimer
15 partitions trouvées
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1
Mission: Impossible Theme (for Orchestra)
Mission: Impossible Theme (for Orchestra)
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Adam Clayton And Larry Mulle
#
Javier Martínez Maya
#
Mission: Impossible Theme
#
Arte Nova Music Lab
#
SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download By Adam Clayton And Larry Mullen. Arranged by Javier Martínez Maya. Score, Set of Pa...
(+)
Full Orchestra - Advanced Intermediate - Digital Download By Adam Clayton And Larry Mullen. Arranged by Javier Martínez Maya. Score, Set of Parts. 56 pages. Published by Arte Nova Music Lab
Mission: Impossible is a series of American action spy films based on and a follow-on from the television series of the same name created by Bruce Geller. The series is mainly produced by and stars Tom Cruise, whose character is Ethan Hunt, an agent of the Impossible Missions Force (IMF). The films have been directed, written, and scored from various filmmakers and crew, while incorporating musical themes from the original series by Lalo Schifrin.
Beginning in 1996, the films (taking place starting six years after the events of the previous TV sequel series) follow the missions of the IMF's main field team under the leadership of Hunt to stop an enemy force all the while preventing an impending global disaster. The series focuses on Hunt as the lead character as opposed to the ensemble cast structure of the television series, although some characters, such as Luther Stickell (played by Ving Rhames) and Benji Dunn (played by Simon Pegg) have recurring roles in the films.
$60.00 ≈
56.15€
Minnie the Moocher: Bassoon
Minnie the Moocher: Bassoon
#
Orchestre
#
Methodes
#
The Blues Brothers
#
Ralph Ford
#
Minnie the Moocher: Bassoon
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015972_B1 Bassoon. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional...
(+)
Full Orchestra - SKU: AX.00-PC-0015972_B1 Bassoon. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015972_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015972_B1). UPC: 038081453538.A jazz classic that has stood the test of time, this arrangement captures all the magic of this great Cab Calloway tune from the 1930s. Also known as the Hi-dee-ho song, it was re-popularized by Cab himself in a 1970's comedy film that featured two brothers singing the blues that were on a mission from God. Included in this arrangement for your orchestra is the famous vocal scat that made this a huge hit that spans generations. Audiences of all ages are sure to enjoy joining in the fun and singing along on your next concert! (2:30).
$3.00 ≈
2.81€
Minnie the Moocher: Mallets
Minnie the Moocher: Mallets
#
Orchestre
#
Methodes
#
The Blues Brothers
#
Ralph Ford
#
Minnie the Moocher: Mallets
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015972_M1 Mallets. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional...
(+)
Full Orchestra - SKU: AX.00-PC-0015972_M1 Mallets. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015972_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015972_M1). UPC: 038081453538.A jazz classic that has stood the test of time, this arrangement captures all the magic of this great Cab Calloway tune from the 1930s. Also known as the Hi-dee-ho song, it was re-popularized by Cab himself in a 1970's comedy film that featured two brothers singing the blues that were on a mission from God. Included in this arrangement for your orchestra is the famous vocal scat that made this a huge hit that spans generations. Audiences of all ages are sure to enjoy joining in the fun and singing along on your next concert! (2:30).
$3.00 ≈
2.81€
Minnie the Moocher: Flute
Minnie the Moocher: Flute
#
Orchestre
#
Methodes
#
The Blues Brothers
#
Ralph Ford
#
Minnie the Moocher: Flute
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015972_F1 Flute. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. ...
(+)
Full Orchestra - SKU: AX.00-PC-0015972_F1 Flute. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015972_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015972_F1). UPC: 038081453538.A jazz classic that has stood the test of time, this arrangement captures all the magic of this great Cab Calloway tune from the 1930s. Also known as the Hi-dee-ho song, it was re-popularized by Cab himself in a 1970's comedy film that featured two brothers singing the blues that were on a mission from God. Included in this arrangement for your orchestra is the famous vocal scat that made this a huge hit that spans generations. Audiences of all ages are sure to enjoy joining in the fun and singing along on your next concert! (2:30).
$3.00 ≈
2.81€
Minnie the Moocher: Cello
Minnie the Moocher: Cello
#
Orchestre
#
Methodes
#
The Blues Brothers
#
Ralph Ford
#
Minnie the Moocher: Cello
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015972_VC1 Cello. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional....
(+)
Full Orchestra - SKU: AX.00-PC-0015972_VC1 Cello. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015972_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015972_VC1). UPC: 038081453538.A jazz classic that has stood the test of time, this arrangement captures all the magic of this great Cab Calloway tune from the 1930s. Also known as the Hi-dee-ho song, it was re-popularized by Cab himself in a 1970's comedy film that featured two brothers singing the blues that were on a mission from God. Included in this arrangement for your orchestra is the famous vocal scat that made this a huge hit that spans generations. Audiences of all ages are sure to enjoy joining in the fun and singing along on your next concert! (2:30).
$3.00 ≈
2.81€
Minnie the Moocher: Score
Minnie the Moocher: Score
#
Orchestre
#
Methodes
#
The Blues Brothers
#
Ralph Ford
#
Minnie the Moocher: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PR-0004282 Score. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Sco...
(+)
Full Orchestra - SKU: AX.00-PR-0004282 Score. By The Blues Brothers. By Cab Calloway and Irving Mills. Arranged by Ralph Ford. Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0004282. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004282). UPC: 038081453538.A jazz classic that has stood the test of time, this arrangement captures all the magic of this great Cab Calloway tune from the 1930s. Also known as the Hi-dee-ho song, it was re-popularized by Cab himself in a 1970's comedy film that featured two brothers singing the blues that were on a mission from God. Included in this arrangement for your orchestra is the famous vocal scat that made this a huge hit that spans generations. Audiences of all ages are sure to enjoy joining in the fun and singing along on your next concert! (2:30).
$10.00 ≈
9.36€
Star Trek (r) The Motion Picture for Orchestra
Star Trek (r) The Motion Picture for Orchestra
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Javier Martínez Maya
#
Star Trek
#
Arte Nova Music Lab
#
SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 90 pages. Published by Arte Nov...
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Full Orchestra - Advanced Intermediate - Digital Download Arranged by Javier Martínez Maya. Score, Set of Parts. 90 pages. Published by Arte Nova Music Lab
Star Trek is an American science fiction media franchise originating from the 1960s television series Star Trek, created by Gene Roddenberry. That series, now often known as "The Original Series", debuted on September 8, 1966, and aired for three seasons on NBC. It followed the voyages of the starship USS Enterprise, a space exploration vessel built by the United Federation of Planets in the 23rd century, on a mission "to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before". In creating Star Trek, Roddenberry was inspired by C. S. Forester'sHoratio Horn blower series of novels, Jonathan Swift's 1726 novel Gulliver's Travels, the 1956 film Forbidden Planet, and television westerns such asWagon Train.
The Star Trek canon includes the Original Series, nine spin-off television series, and a film franchise; further adaptations also exist in several media. After the conclusion of the Original Series, the adventures of its characters continued in the 22-episode Star Trek: The Animated Series and six feature films. A television revival beginning in the 1980s saw three sequel series and a prequel: Star Trek: The Next Generation, following the crew of a new starshipEnterprise a century after the original series; Star Trek: Deep Space Nine and Star Trek: Voyager, set in the same era as the Next Generation; andEnterprise, set before the original series in the early days of human interstellar travel. The adventures of the Next Generation crew continued in four additional feature films. In 2009, the film franchise underwent a reboot, creating an alternate continuity known as the Kelvin timeline; three films have been set in this continuity. The newest Star Trek television revival, beginning in 2017, includes the series Star Trek: Discovery, Picard, Short Treks, and Lower Decks, streaming exclusively on digital platforms. At least two additional television series are in development: Star Trek: Strange New Worlds and Star Trek: Prodigy.
Taken from https://en.wikipedia.org/wiki/Star_Trek
$60.00 ≈
56.15€
Main Title - Apollo 13
Main Title - Apollo 13
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Orchestre
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Film/TV
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James Horner
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Kevin Riley
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Main Title - Apollo 13
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Kevin Riley
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SheetMusicPlus
Full Orchestra - SKU: A0.480315 Composed by James Horner. Arranged by Kevin Riley. 20th Century,Film/TV,Patriotic. Score and parts. 32 pages. Published ...
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Full Orchestra - SKU: A0.480315 Composed by James Horner. Arranged by Kevin Riley. 20th Century,Film/TV,Patriotic. Score and parts. 32 pages. Published by Kevin Riley (A0.480315). Apollo 13 is a 1995 American space docudrama film directed by Ron Howard and starring Tom Hanks, Kevin Bacon, Bill Paxton, Ed Harris and Gary Sinise. The screenplay by William Broyles Jr. and Al Reinert dramatizes the aborted 1970 Apollo 13 lunar mission and is an adaptation of the 1994 book Lost Moon: The Perilous Voyage of Apollo 13, by astronaut Jim Lovell and Jeffrey Kluger. The film depicts astronauts Lovell, Jack Swigert and Fred Haise aboard Apollo 13 for America's fifth crewed mission to the Moon, which was intended to be the third to land. En route, an on-board explosion deprives their spacecraft of much of its oxygen supply and electrical power, which forces NASA's flight controllers to abort the Moon landing and turns the mission into one of seeking scientific and mechanical solutions to get the three men home safely. Howard went to great lengths to create a technically accurate movie, employing NASA's assistance in astronaut and flight-controller training for his cast and obtaining permission to film scenes aboard a reduced gravity aircraft for realistic depiction of the weightlessness experienced by the astronauts in space. Released to cinemas in the United States on June 30, 1995, Apollo 13 received critical acclaim and was nominated for nine Academy Awards, including Best Picture (winning for Best Film Editing and Best Sound). The film also won the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture, as well as two British Academy Film Awards. In total, the film grossed over $355 million worldwide during its theatrical releases.
$60.00 ≈
56.15€
Origins
Origins
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Origins
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755154 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 174 pages. Sy Brandon #3408009. Published ...
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Full Orchestra - Level 4 - SKU: A0.755154 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 174 pages. Sy Brandon #3408009. Published by Sy Brandon (A0.755154). Origins musically represents three important recent scientific explorations of space and matter that are designed to give humans a better understanding of the origins of the universe and the origins of life. The first movement, Black Holes and Cyclotrons, represents the quest to understand and reproduce the relationship between gravitation and energy that scientists believe caused the big bang and our ever-expanding universe. The music of this movement represents the danger inherent in these explorations into the unknown. There are sections of the movement that are lighter in nature that depict subatomic particles dancing around in a particle accelerator. The end of the movement increases in tempo reflecting the ever-increasing speeds of particle accelerators and the gravitational pull of black holes. The Surface of Mars is the title of the second movement that depicts NASA’s Mars Exploration Rover Mission. The rovers Spirit and Opportunity have explored the surface of Mars and have revealed the surface as being mostly a barren landscape void of life. The outer sections of this movement reflect this discovery. The middle section of the movement represents the excitement of one of the rovers finding indications of water having existed on Mars and therefore the possibility that life may have also existed. The third movement, Window Into Deep Space, is a tribute to the Hubble Space Telescope. This movement has many uplifting sections as the Hubble Space Telescope has provided views of the universe never before seen from Earth. It also has sections of anxiety as this mission was wrought with several failures that nearly derailed it. The promise of increased understanding of our universe is reflected in the ending of this composition. The score prints on legal size paper and the parts on letter.
$39.95 ≈
37.39€
Where Eagles Dare (Theme)
Where Eagles Dare (Theme)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ron Goodwin
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Kevin Riley
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Where Eagles Dare
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1363816 Composed by Ron Goodwin. Arranged by Kevin Riley. 20th Century,Film/TV. 56 pages. Kevin Riley #948214. Publis...
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Full Orchestra - Level 4 - SKU: A0.1363816 Composed by Ron Goodwin. Arranged by Kevin Riley. 20th Century,Film/TV. 56 pages. Kevin Riley #948214. Published by Kevin Riley (A0.1363816). Where Eagles Dare is a 1968 British-American action adventure war thriller spy film directed by Brian G. Hutton and starring Richard Burton, Clint Eastwood and Mary Ure. It follows a Special Operations Executive team of men attempting to save a captured American General from the fictional Schloß Adlerfortress, except the mission turns out not to be as it seems. It was filmed in Panavision using the Metrocolor process, and was distributed by Metro-Goldwyn-Mayer. Alistair MacLean wrote the screenplay, his first, at the same time that he wrote the novel of the same name. Both became commercial successes.The film involved some of the top filmmakers of the day and was shot on location in Austria and Bavaria. Hollywood stuntman Yakima Canutt was the second unit director and shot most of the action scenes; British stuntman Alf Joint doubled for Burton in many sequences, including the fight on top of the cable car; award-winning conductor and composer Ron Goodwin wrote the film score; and future Oscar-nomineeArthur Ibbetson worked on the cinematography. Where Eagles Dare received mostly positive critical reaction, with praise for the action sequences, musical score and the performances of Burton and Eastwood, and is considered a classic.
$70.00 ≈
65.51€
Homage to O'Keeffe for Orchestra
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99 ≈
37.42€
Where Eagles Dare (Theme) - Score Only
Where Eagles Dare (Theme) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569...
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Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99 ≈
14.03€
The Smoke The Thunders
The Smoke The Thunders
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Orchestre
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AVANCÉ
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Contemporain
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Andrew Wainwright
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The Smoke The Thunders
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Andrew Wainwright
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.890730 Composed by Andrew Wainwright. Contemporary. Score and parts. 144 pages. Andrew Wainwright #2964733. Published...
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Full Orchestra - Level 5 - SKU: A0.890730 Composed by Andrew Wainwright. Contemporary. Score and parts. 144 pages. Andrew Wainwright #2964733. Published by Andrew Wainwright (A0.890730). A finalist in the Salford University International Composers' Competition 2014, 'The Smoke that Thunders' tells the story of David Livingstone's journey to discover Victoria Falls. The piece starts out in optimistic fashion, with a Scottish folk song by Rabbie Burns, which Livingstone reportedly used to hum on his travels. The next section describes his battles with local African tribes, who were suspicious of his motives. After surviving these assaults, a more reflective section ensues, which describes the doubts Livingstone had about continuing his mission. This is epitomized by the hymn 'Lord, Send Me Anywhere', which Livingstone himself wrote. The final section describes his journey along the Zambezi River, the triumphant sounds eliciting his elation at discovering the magnificent Victoria Falls, or as it is known by locals, 'Mosi-oa-Tunya' (The smoke that thunders). *Please note audio file is of the brass band version.
$60.00 ≈
56.15€
Missa Solemnis, op. 27 (parts)
Missa Solemnis, op. 27 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #8...
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Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00 ≈
149.73€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99 ≈
80.47€
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