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Vous avez sélectionné:
Modern classical
expert
Orchestre
Partitions à imprimer
13 partitions trouvées
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1
Southwood - Modern Symphony for small orchestra
Southwood - Modern Symphony for small orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Rudy Volkmann
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Southwood - Modern Symphony fo
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Rudy Volkmann
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1005640 Composed by Rudy Volkmann. Contemporary. Score and parts. 225 pages. Rudy Volkmann #6073661. Published by Rud...
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Full Orchestra - Level 5 - SKU: A0.1005640 Composed by Rudy Volkmann. Contemporary. Score and parts. 225 pages. Rudy Volkmann #6073661. Published by Rudy Volkmann (A0.1005640). Southwood is a 20-minute, three-movement symphony for small (Schubert-sized) orchestra with an expanded percussion section. It is melodic, structured on classical formal models, and often harmonically dissonant (employing mixed meters as well). It is scored for 2 Flutes ( II d. Piccolo), 2 Oboes ( II d. English Horn), 2 Bb Clarinets ( II d. Bass Clarinet), 2 Bassoons, 2 French Horns, 2 Trumpets in C, Timpani, Xylophone (both soft and hard mallets), Snare Drum, Bass Drum, Auxiliary Percussion (2 players - including Cymbals, Suspended Cymbal, Tambourine, Triangle, Large Gong, and Mark Tree), and Strings. The FINALE mp3 gives you the feel for the piece, but FINALE’S un-pitched percussion sound files are inadequate to convey the real feel of any of those instruments. In addition, several effects such as string glissandos, Suspended Cymbal coin edge slides, and the Mark Tree parts are simply missing.
$95.00 ≈
87.54€
Chevalier De Sangreal
Chevalier De Sangreal
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Orchestre
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AVANCÉ
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Hans Zimmer
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Chevalier De Sangreal
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Rel...
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Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.
$150.00 ≈
138.22€
Symphony in C minor - Full Score - Score Only
Symphony in C minor - Full Score - Score Only
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Orchestre
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AVANCÉ
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Alice Mary Smith
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edited by John M Laverty
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Symphony in C minor - Full Sco
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1395044 Composed by Alice Mary Smith. Arranged by edited by John M Laverty. 19th Century,Classical. 147 pages. Zephyr...
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Full Orchestra - Level 5 - SKU: A0.1395044 Composed by Alice Mary Smith. Arranged by edited by John M Laverty. 19th Century,Classical. 147 pages. Zephyrwindmusic.com #978510. Published by zephyrwindmusic.com (A0.1395044). British composer Alice Mary Smith (1839-1884) was in her early 20’s when she wrote her first major work, Symphony in C minor. Despite the many challenges faced by a female composer in Victorian era Great Britain, Smith’s composition received a high level of praise from the British press following the work’s premiere by the Musical Society of London in 1863. Despite this early praise, Smith never received the long-term recognization her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s.This edition is based entirely on Smith’s original manuscript. The edition is highly edited including an update to modern instrumentation and the addition of missing/inconsistent dynamics and articulations. The original hand-written manuscript contains many additional markings in pencil (also included in this edition), apparently added after the inked manuscript was complete.Parts are also available, and as with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in B-flat2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTimpaniStrings.
$50.00 ≈
46.07€
Dorian - Score Only
Dorian - Score Only
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Orchestre
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AVANCÉ
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Karol Niklas
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Dorian - Score Only
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Karol Niklas
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1082629 Composed by Karol Niklas. 20th Century,Film/TV,New Age,Romantic Period,Traditional. Score and parts. 15 pages...
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Full Orchestra - Level 5 - SKU: A0.1082629 Composed by Karol Niklas. 20th Century,Film/TV,New Age,Romantic Period,Traditional. Score and parts. 15 pages. Karol Niklas #686840. Published by Karol Niklas (A0.1082629). It's a classical orchestral piece about sea depicting a journey of a man on a boat. It's a very modern attempt at portraying this story and I hope you enjoy it :).
$20.00 ≈
18.43€
Seven Brothers
Seven Brothers
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Orchestre
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AVANCÉ
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Contemporain
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Jason Savory
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Seven Brothers
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Jason Savory
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SheetMusicPlus
Composed by Jason Savory. Contemporary Classical, Post- Romantic, Post-Modern, Movies. Score, Set of Parts. 242 pages. Published by Jason Savory...
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Composed by Jason Savory. Contemporary Classical, Post- Romantic, Post-Modern, Movies. Score, Set of Parts. 242 pages. Published by Jason Savory
$35.00 ≈
32.25€
St. Stephen
St. Stephen
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Orchestre
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AVANCÉ
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The Grateful Dead
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Lee Johnson
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Finale href=https://www
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St. Stephen
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Lee Johnson Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1181727 By The Grateful Dead. By Jerry Garcia, Phil Lesh, and Robert Hunter. Arranged by Lee Johnson. 20th Century,Co...
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Full Orchestra - Level 5 - SKU: A0.1181727 By The Grateful Dead. By Jerry Garcia, Phil Lesh, and Robert Hunter. Arranged by Lee Johnson. 20th Century,Contemporary,Contest,Festival. Score and parts. 117 pages. Lee Johnson Music #781507. Published by Lee Johnson Music (A0.1181727). SAINT STEPHEN - for symphony orchestra - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations.Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture & FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.com Kings Bishop Productions YouTube Channel
$59.99 ≈
55.28€
DEAD OVERTURE & FINALE
DEAD OVERTURE & FINALE
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Orchestre
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AVANCÉ
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Lee Johnson
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DEAD OVERTURE & FINALE
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Lee Johnson Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1181690 By Lee Johnson. By Lee Johnson. 20th Century,Contemporary,Contest,Festival. Score and parts. 66 pages. Lee Jo...
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Full Orchestra - Level 5 - SKU: A0.1181690 By Lee Johnson. By Lee Johnson. 20th Century,Contemporary,Contest,Festival. Score and parts. 66 pages. Lee Johnson Music #781470. Published by Lee Johnson Music (A0.1181690). DEAD OVERTURE & FINALE - for symphony orchestra - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. This spirited work can be used as a fun overture/finale for movements from Dead Symphony no. 6 or for other orchestral works. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$39.99 ≈
36.85€
New York Variations
New York Variations
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Orchestre
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AVANCÉ
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Contemporain
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Jazz
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David Chesky
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New York Variations
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Pamaluc Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.882383 Composed by David Chesky. Contemporary,Jazz. Score and parts. 765 pages. Pamaluc Music #18581. Published by Pa...
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Full Orchestra - Level 5 - SKU: A0.882383 Composed by David Chesky. Contemporary,Jazz. Score and parts. 765 pages. Pamaluc Music #18581. Published by Pamaluc Music (A0.882383). From the Urban series. This work is an aural palette of modern day New York. Highly energized. The rhythms of the street collide with 21st century classical harmony. Works well for a ballet, as that was the composers intentions. Duration 23:00 min 3fl./ 2ob./ 2cl./ b.cl/ 2bs./ Cbsn/ 4hrns./ 3 tpts./ 3tbns./ tuba / tymp./ 5 perc./ harp/ strings.
$34.98 ≈
32.23€
Concerto for Violoncello and Orchestra No. 1, Op. 8 - Score Only
Concerto for Violoncello and Orchestra No. 1, Op. 8 - Score Only
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Orchestre
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AVANCÉ
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Classique
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David Popper
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Concerto for Violoncello and O
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Paladino Editions
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1281968 By David Popper. By David Popper. 19th Century,Classical,Romantic Period. 63 pages. Paladino Editions #873321...
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Full Orchestra - Level 5 - SKU: A0.1281968 By David Popper. By David Popper. 19th Century,Classical,Romantic Period. 63 pages. Paladino Editions #873321. Published by Paladino Editions (A0.1281968). This edition by conductor Tecwyn Evans and cellist Martin Rummel, who together recorded this work for Naxos, presents the first modern score of David Popper’s first cello concerto, written during his time at the Löwenberg Court. While the solo part is a classic example of the 19th century virtuoso concerto genre, the accompaniment is much more sophisticated and colorful than that of some other similar works.Performance material is available for hire.Orchestration: 2-2-2-2 - 2-0-3-0 - timp - vc solo - str.
$32.95 ≈
30.36€
Symphony No. 9, Mvt. IV (alla marcia) (Beethoven's "Ode to Joy") [full score & set of parts]
Symphony No. 9, Mvt. IV (alla marcia) (Beethoven's "Ode to Joy") [full score & set of parts]
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Orchestre
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Patrick Sheehan
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Symphony No. 9, Mvt. IV
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Patrick Sheehan
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1152400 Composed by Ludwig van Beethoven. Arranged by Patrick Sheehan. Classical. Score and parts. 132 pages. Patrick...
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Full Orchestra - Level 5 - SKU: A0.1152400 Composed by Ludwig van Beethoven. Arranged by Patrick Sheehan. Classical. Score and parts. 132 pages. Patrick Sheehan #752625. Published by Patrick Sheehan (A0.1152400). C-edition score with modern-day transposing instruments. INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Contrabassoon, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Triangle, Crash Cymbals, Bass Drum Timpani, Soprano, Alto, Tenor, Bass, Violin I, Violin II, Viola, Violoncello, Contrabass. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
23.04€
Symphony No. 3 in A minor, op. 17 (parts)
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
193.51€
Symphony No. 3 in A minor, op. 17
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
193.51€
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