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Vous avez sélectionné:
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22 partitions trouvées
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1
Innerspace
Innerspace
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Mikael Carlsson
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Innerspace
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Carlssons Kluster
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download Composed by Mikael Carlsson. 21st Century, Neo-Classical, Movies. Score, Set of Parts. 136 ...
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Mikael Carlsson. 21st Century, Neo-Classical, Movies. Score, Set of Parts. 136 pages. Published by Carlssons Kluster
A large orchestral piece, inspired by the classic film music of science fiction cinema, perfect for cross-over, pops programs. A symphonic love letter to science fiction!
Anyone familiar with the 1980s sci-fi cinema boosted by the success of Steven Spielberg should note the obvious reference in the title of this piece. The 1987 sci-fi adventure, directed by Joe Dante and produced by Spielberg, was one of my favourite movies as a teenager.
When the enthusiastic Gothia Concentus commissioned me to write Innerspace, the task was to write a stand-alone concert work that would serve as companion piece to an impressive set list of well-known genre works primarily from the world of film, but also video games. Since all of the other pieces were written for sci-fi adventures taking place in outer space, I wanted to go in the other direction - inwards.
My piece and its storyline is inspired by that of Joe Dante?s movie, and of course, even more so by the ingenious 1960s sci-fi gem Fantastic Voyage. I would not say, though, that the music itself is particularly inspired by the scores written for these films (by Jerry Goldsmith and Leonard Rosenman) - it?s more of a love letter to all of the great sci-fi music written in the past century.
Innerspace is in large doses based on an octatonic scale which I developed based on a chord progression that has been in my head since I was a teenager, just waiting for the righ opportunity to ?come out?. The piece makes a condensed journey from the stark and alarming opening, through atmospheric passages which are almost bitonal in character, via stirring action and heroic scherzo motifs to a triumphant finale.
It is my intention that this piece should be entertaining, fun and exciting for the post-modern symphony audience, as well as a lot of fun for the players and conductor who share my love for the great sci-fi movies!
Duration: ca 7:30
Instrumentation: 3(1.2.pic)3(1.2.eh)3(1.2.bcl)3(1.2.cbn) - 6652(1opt) - timp.3perc - hp.pno - str.
Mikael Carlsson
January 2019
$149.99 ≈
140.36€
Symphony in c Minor - Complete set of parts for Orchestra
Symphony in c Minor - Complete set of parts for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alice Mary Smith
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edited by John M
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Symphony in c Minor - Complete
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1308077 Composed by Alice Mary Smith (1839-1884). Arranged by edited by John M. Laverty. 19th Century,Classical. 238 ...
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Full Orchestra - Level 4 - SKU: A0.1308077 Composed by Alice Mary Smith (1839-1884). Arranged by edited by John M. Laverty. 19th Century,Classical. 238 pages. Zephyrwindmusic.com #897353. Published by zephyrwindmusic.com (A0.1308077). Edited by John M. Laverty to meet 21st-century publication standards. British composer Alice Mary Smith (1839-1884) was in her early 20’s when she wrote her ï¬rst major work, Symphony in C minor. Despite the many challenges faced by a female composer in Victorian-era Great Britain, Smith’s composition received a high level of praise from the British press following the work’s premiere by the Musical Society of London in 1863. Despite this early praise, Smith never received the long-term recognization her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s. This edition is based entirely on Smith’s original manuscript. The edition is highly edited, including an update to modern instrumentation and the addition of missing/ inconsistent dynamics and articulations. The original hand-written manuscript contains many additional markings in pencil (also included in this edition), apparently added after the inked manuscript was complete. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.
$40.00 ≈
37.43€
Symphony No.1 "Forgotten Lands", Movement III. Vivace, Allegro
Symphony No.1 "Forgotten Lands", Movement III. Vivace, Allegro
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Doug Clyde
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Symphony No.1 "Forgotten
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ALBEDO MUSIC
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.712781 Composed by Doug Clyde. Contemporary. Score and parts. 79 pages. ALBEDO MUSIC #2551059. Published by ALBEDO MU...
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Full Orchestra - Level 4 - SKU: A0.712781 Composed by Doug Clyde. Contemporary. Score and parts. 79 pages. ALBEDO MUSIC #2551059. Published by ALBEDO MUSIC (A0.712781). Symphony No. 1 Forgotten Lands- Movement III. Vivace, Allegro (Full Orchestra): Doug Clyde. Song: Movement III. Vivace, Allegro. Album: Symphony No. 1. Artist: ALBEDO. Composer: Doug Clyde. © 2012 by ALBEDO MUSIC. AMSM59. The third movement of a five movement Symphony based on the music from Forgotten Lands. Full Orchestra. Score & Parts- Flute 1, Flute 2, Oboe 1, Oboe 2, English Horn, Clarinet in Bb 1, Clarinet in Bb 2, Bassoon 1, Bassoon 2, Contrabassoon, Horn in F 1 & 3, Horn in F 2 & 4, Trombone 1 & 2, Contrabass Tuba or Bass Tuba, Timpani, Percussion 1 (Bongo Drums, Conga Drum, Snare Drum, Wood Blocks), Percussion 2 (Tambourine, Bass Drum, Crash Cymbals, Tam-Tam), Glockenspiel, Xylophone, Violin I, Violin II, Viola, Cello, Contrabass.
$29.99 ≈
28.06€
Symphony No.1 "Forgotten Lands", Movement V. Adagio, Vivace
Symphony No.1 "Forgotten Lands", Movement V. Adagio, Vivace
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Doug Clyde
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SATB Choir. Score &
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Symphony No.1 "Forgotten
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ALBEDO MUSIC
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.713228 Composed by Doug Clyde. Contemporary. Score and parts. 40 pages. ALBEDO MUSIC #2551065. Published by ALBEDO MU...
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Full Orchestra - Level 4 - SKU: A0.713228 Composed by Doug Clyde. Contemporary. Score and parts. 40 pages. ALBEDO MUSIC #2551065. Published by ALBEDO MUSIC (A0.713228). Symphony No. 1 Forgotten Lands- Movement V. Adagio, Vivace (Full Orchestra): Doug Clyde. Song: Movement V. Adagio, Vivace. Album: Symphony No. 1. Artist: ALBEDO. Composer: Doug Clyde. © 2012 by ALBEDO MUSIC. AMSM61. The fifth movement of a five movement Symphony based on the music from Forgotten Lands. Full Orchestra & SATB Choir. Score & Parts- Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, English Horn, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet, Bassoon 1, Bassoon 2, Contrabassoon, Horn in F 1, Horn in F 3, Horn in F 2 & 4, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Trombone 1, Trombone 2 & Bass Trombone, Contrabass Trombone & Contrabass Tuba or Bass Tuba, Timpani, Percussion (Bass Drum, Snare Drum, Tam-Tam), Harp, Piano, Organ, Soprano, Alto, Tenor, Bass, Violin I, Violin II, Viola, Cello, Contrabass
$29.99 ≈
28.06€
Symphony No.1 "Forgotten Lands", Movement I. Allegro, Vivace
Symphony No.1 "Forgotten Lands", Movement I. Allegro, Vivace
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Doug Clyde
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Symphony No.1 "Forgotten
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ALBEDO MUSIC
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.712779 Composed by Doug Clyde. Contemporary. Score and parts. 137 pages. ALBEDO MUSIC #2551055. Published by ALBEDO M...
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Full Orchestra - Level 4 - SKU: A0.712779 Composed by Doug Clyde. Contemporary. Score and parts. 137 pages. ALBEDO MUSIC #2551055. Published by ALBEDO MUSIC (A0.712779). Symphony No. 1 Forgotten Lands- Movement I. Allegro, Vivace (Full Orchestra): Doug Clyde. Song: Movement I. Allegro, Vivace. Album: Symphony No. 1. Artist: ALBEDO. Composer: Doug Clyde. © 2012 by ALBEDO MUSIC. AMSM57. The first movement of a five movement Symphony based on the music from Forgotten Lands. Full Orchestra. Score & Parts- Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, English Horn, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet, Bassoon 1, Bassoon 2, Contrabassoon, Horn in F 1 & 3, Horn in F 2 & 4, Trumpet in Bb 1, Trumpet in Bb 2 & 3, Trombone 1 & 2, Bass Trombone, Contrabass Trombone, Contrabass Tuba or Bass Tuba, Timpani, Drum Set, Harp, Piano, Violin I, Violin II, Viola, Cello, Contrabass.
$29.99 ≈
28.06€
The Dogs of War
The Dogs of War
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Liam A
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The Dogs of War
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Liam A Piper-Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031068 Composed by Liam A. Piper-Brandon. Contemporary,World. Score and parts. 10 pages. Liam A Piper-Brandon #28811...
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Full Orchestra - Level 4 - SKU: A0.1031068 Composed by Liam A. Piper-Brandon. Contemporary,World. Score and parts. 10 pages. Liam A Piper-Brandon #2881197. Published by Liam A Piper-Brandon (A0.1031068). This is also known as my first symphony. I had written this in the ambition to get placed as a finalist in the Young Composers challenge for 2016. This song is based around the phrase Cry Havoc and let slip the dogs of war a phrase going back to the time of William Shakespeare's play. Julius Caesar. In the scene, Mark Antony is alone with Julius Caesar's body, shortly after Caesar's assassination. In a soliloquy, he reveals his intention to incite the crowd at Caesar's funeral to rise up against the assassins. Foreseeing violence throughout Italy, Antony even imagines Caesar's spirit joining in the exhortations: ranging for revenge, with Ate by his side come hot from hell, shall in these confines with a Monarch's voice cry Havok! and let slip the dogs of war. The song is split into split into 3 parts, the intro, the march to war, and the VictoryThis song is 5 minutes and 5 seconds long, and is appropriate for schools and studentsIf you have any questions, please email me at Liampb1998@gmail.com or 2ndHanover@gmail.com
$5.99 ≈
5.61€
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
9.35€
Ite Missa Est for orchestra (Score and Parts)
Ite Missa Est for orchestra (Score and Parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Ite Missa Est for orchestra
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David Warin Solomons
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.576916 Composed by David Warin Solomons. Christian,Contemporary. Score and parts. 48 pages. David Warin Solomons #519...
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Full Orchestra - Level 4 - SKU: A0.576916 Composed by David Warin Solomons. Christian,Contemporary. Score and parts. 48 pages. David Warin Solomons #519345. Published by David Warin Solomons (A0.576916). This is based on the Organ Voluntary that was originally written for the mass for men's voices and organ. It is intended as an optional finale for the Mass for choir and orchestra (also available on this site), but it can also be performed as a separate item. The themes of the choral setting of the mass are taken up by the orchestra, leading to a musical mix reminiscent in some places of film soundtracks. The congregation is blessed by the priest and leave the church in exuberant mood with the music of the Mass ringing in their ears in this orchestral extravaganza. The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains score and parts. The score on its own is also available on this site. The Mass for choir and orchestra itself, and also the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$15.00 ≈
14.04€
Ite Missa Est for orchestra (Score only)
Ite Missa Est for orchestra (Score only)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Ite Missa Est for orchestra
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David Warin Solomons
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.576915 Composed by David Warin Solomons. Christian,Contemporary. Score and parts. 17 pages. David Warin Solomons #519...
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Full Orchestra - Level 4 - SKU: A0.576915 Composed by David Warin Solomons. Christian,Contemporary. Score and parts. 17 pages. David Warin Solomons #519341. Published by David Warin Solomons (A0.576915). This is based on the Organ Voluntary that was originally written for the mass for men's voices and organ. It is intended as an optional finale for the Mass for choir and orchestra (also available on this site), but it can also be performed as a separate item. The themes of the choral setting of the mass are taken up by the orchestra, leading to a musical mix reminiscent in some places of film soundtracks. The congregation is blessed by the priest and leave the church in exuberant mood with the music of the Mass ringing in their ears in this orchestral extravaganza. The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains just the score. The score with parts is also available on this site. The Mass for choir and orchestra itself, and also the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$7.00 ≈
6.55€
Mission: Impossible Theme (for Orchestra)
Mission: Impossible Theme (for Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Adam Clayton And Larry Mulle
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Javier Martínez Maya
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Mission: Impossible Theme
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download By Adam Clayton And Larry Mullen. Arranged by Javier Martínez Maya. Score, Set of Pa...
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Full Orchestra - Advanced Intermediate - Digital Download By Adam Clayton And Larry Mullen. Arranged by Javier Martínez Maya. Score, Set of Parts. 56 pages. Published by Arte Nova Music Lab
Mission: Impossible is a series of American action spy films based on and a follow-on from the television series of the same name created by Bruce Geller. The series is mainly produced by and stars Tom Cruise, whose character is Ethan Hunt, an agent of the Impossible Missions Force (IMF). The films have been directed, written, and scored from various filmmakers and crew, while incorporating musical themes from the original series by Lalo Schifrin.
Beginning in 1996, the films (taking place starting six years after the events of the previous TV sequel series) follow the missions of the IMF's main field team under the leadership of Hunt to stop an enemy force all the while preventing an impending global disaster. The series focuses on Hunt as the lead character as opposed to the ensemble cast structure of the television series, although some characters, such as Luther Stickell (played by Ving Rhames) and Benji Dunn (played by Simon Pegg) have recurring roles in the films.
$60.00 ≈
56.15€
RAGING FURIES - Goettinnen der Rache
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95 ≈
46.74€
Munamiktia - Score Only
Munamiktia - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Juan Guerra González
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Munamiktia - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1208333 Composed by Juan Guerra González. Classical,Contemporary. 30 pages. Juan Carlos Guerra Gonzalez #806440. P...
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Full Orchestra - Level 4 - SKU: A0.1208333 Composed by Juan Guerra González. Classical,Contemporary. 30 pages. Juan Carlos Guerra Gonzalez #806440. Published by Juan Carlos Guerra Gonzalez (A0.1208333). “Munamiktia†(To marry) is based on the six sones from “Los Chapetones†(a folkloric dance from Panchimalco, El Salvador). “Los Chapetones†is a satiric dance portraying the social constructs of the Colonial time. It represents a wedding between Doña Lucrecia de Castilla and Don Tomás Rainer with the intention of making an alliance between Turkey and Spain. The investigation of this dance and its original music was made possible thanks to Aracely Sánchez (cultural researcher), Marcial Gudiel (folkloric dance researcher), and Concepción Clará de Guevara (anthropologist) for the creation of the work “Panchimalco†in 1982 work that was commissioned by the National Dance School of El Salvador “Morena Celariéâ€. The editors of the “Diccionario de la Música Española e Hispanoamericana†(Dictionary of Spanish and Hispanic Music) found this dance was unique in its genre in America and the Caribbean making “Los Chapetones†something exclusive from El Salvador. For this work, a part of each one of the sones is transformed in its rhythm or intervals to put them in melodies or in lines for the bass that have been harmonized in a different way while interacting with themes created especially for this work. The title, which in Nahuat means to marry, also serves as a reference to the union between the traditional themes used and the composer’s own musical language. Munamiktia (To marry) was written for the Salvadoran Composers Competition organized by the Pan American Symphony Orchestra (PASO) in Washington, DC. Given its originality, the Jury decided, after a long deliberation, to award it second place. The World Premiere will take place during their 21/22 season after PASO resumes activities due to COVID.* The actual World Premiere took place on March 25th, 2023 in Washington D.C. With the Pan American Symphony Orchestra (PASO) conducted by the composer.For parts please visit www.juancarlosguerra.com/munamiktia
$99.99 ≈
93.57€
A. Arensky - Double Concerto, Orchestrated by A. Leytush - Score Only
A. Arensky - Double Concerto, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
A
#
A
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A. Arensky - Double Concerto,
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1378908 Composed by A. Arensky. Arranged by A. Leytush. 19th Century. 190 pages. Arkady Leytush #963624. Published by...
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Full Orchestra - Level 4 - SKU: A0.1378908 Composed by A. Arensky. Arranged by A. Leytush. 19th Century. 190 pages. Arkady Leytush #963624. Published by Arkady Leytush (A0.1378908). A. Arensky Double Concerto for Violin, Cello and Orchestra, Based on Piano Trio D - minor, Op.32, Orchestrated by A. Leytush. A double concert for violin and cello is difficult to find in the list of works of Russian composers of the 19th century. There are simply no such well-known works. I decided to take a chance by trying to do an orchestral transcription of the brilliant Arensky Piano Trio D minor op. 32, where the parts of the solo violin and cello remained in their place, and the piano part was completely replaced by the orchestra. Particular attention is paid to the balance of sound between solo instruments and the orchestra.
$60.00 ≈
56.15€
Dwarves, Op. 10
Dwarves, Op. 10
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ian Deterling
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Dwarves, Op. 10
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Ian Deterling
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.742984 Composed by Ian Deterling. 20th Century,Children,Contemporary,Film/TV. 89 pages. Ian Deterling #4641591. Publi...
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Full Orchestra - Level 4 - SKU: A0.742984 Composed by Ian Deterling. 20th Century,Children,Contemporary,Film/TV. 89 pages. Ian Deterling #4641591. Published by Ian Deterling (A0.742984). Composed by Ian Deterling, published by Deterling Music I wrote Dwarves in 2018 for Brian Langley - a good friend and wonderful band director. One day over a cup of coffee, he suggested that I should look into writing/arranging works for Flex-Band - a way of scoring music so that ensembles that frequently have to deal with ‘incomplete’ instrumentation (‘incomplete’ as far as traditional concert band ensembles go) can still perform works with the guarantee that all the parts are covered and the ensemble is properly balanced. Dwarves is the first piece I wrote specifically for Flex-Band. This orchestral arrangement was made specifically for the Northshore Philharmonic Orchestra - Tracey Gibbens, conductor. I always find it fascinating yet challenging (in a good way) whenever I revisit a work/adapt and rewrite it for a different instrumentation. Dwarves was definitely no exception. While working on different chord voicing, counter melodies, and having the full pallet of orchestral timbres at my disposal, I decided to transpose the piece up to B Minor (original key of G Minor). I felt this added an extra degree of brilliance while allowing some melodies and musical ideas to be dropped an octave for a contrasting heavier low end. Dwarves is based primarily on two different themes - the A theme (minor and serious) and the B (major, a bit more uplifting). There is a ‘C’ section, but it is loosely based on a variation of the A theme.
$60.00 ≈
56.15€
Symphony in c Minor - Score Only
Symphony in c Minor - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alice Mary Smith
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edited by John M
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Symphony in c Minor - Score On
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1308076 Composed by Alice Mary Smith (1839-1884). Arranged by edited by John M. Laverty. 19th Century,Classical. 147 ...
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Full Orchestra - Level 4 - SKU: A0.1308076 Composed by Alice Mary Smith (1839-1884). Arranged by edited by John M. Laverty. 19th Century,Classical. 147 pages. Zephyrwindmusic.com #897351. Published by zephyrwindmusic.com (A0.1308076). Edited by John M. Laverty to meet 21st-century publication standards. British composer Alice Mary Smith (1839-1884) was in her early 20’s when she wrote her ï¬rst major work, Symphony in C minor. Despite the many challenges faced by a female composer in Victorian-era Great Britain, Smith’s composition received a high level of praise from the British press following the work’s premiere by the Musical Society of London in 1863. Despite this early praise, Smith never received the long-term recognization her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s. This edition is based entirely on Smith’s original manuscript. The edition is highly edited, including an update to modern instrumentation and the addition of missing/ inconsistent dynamics and articulations. The original hand-written manuscript contains many additional markings in pencil (also included in this edition), apparently added after the inked manuscript was complete.
$40.00 ≈
37.43€
"Donegal to Down" (Concert Overture)
"Donegal to Down" (Concert Overture)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Thomas Quigley
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"Donegal to Down"
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Thomas Quigley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.731836 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and parts. 114 p...
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Full Orchestra - Level 4 - SKU: A0.731836 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and parts. 114 pages. Thomas Quigley #3397131. Published by Thomas Quigley (A0.731836). This overture is so called because It is based largely on two Irish tunes -The Donegal Reel and Star of the County Down.A highly skillful and polished orchestration, with great tunes, color, exuberance and variety, it is an ideal choice for a concert featuring Irish music. The reel opens and closes the piece with a triumphant version of Star of the County Down in the middle. The mood is up-beat throughout and it would also be appropriate as an opening concert item. Slightly challenging in places, it is suitable however for a competent student or amateur orchestra. A highly entertaining piece! (Duration 4:00).
$84.00 ≈
78.61€
MEGALOVANIA (from Undertale) for Orchestra
MEGALOVANIA (from Undertale) for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Toby Fox
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Javier Martínez Maya
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MEGALOVANIA
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download By Toby Fox. Arranged by Javier Martínez Maya. Score. 122 pages. Published by Arte N...
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Full Orchestra - Advanced Intermediate - Digital Download By Toby Fox. Arranged by Javier Martínez Maya. Score. 122 pages. Published by Arte Nova Music Lab
Undertale is a 2D role-playing video game created by indie developer Toby Fox. The player controls a child who has fallen into the Underground: a large, secluded region under the surface of the Earth, separated by a magic barrier. The player meets various monsters during the journey back to the surface. Some monsters might engage the player in a fight. The combat system involves the player navigating through mini-bullet hell attacks by the opponent. They can opt to pacify or subdue monsters in order to spare them instead of killing them. These choices affect the game, with the dialogue, characters, and story changing based on outcomes.
Outside of some artwork, Fox developed the entirety of the game by himself, including the script and music. The game took inspiration from several sources, including the Brandish, Mario & Luigi, and Mother role-playing series, bullet hell shooter series Touhou Project, role-playing game Moon: Remix RPG Adventure, and British comedy show Mr. Bean. Originally, Undertale was meant to be two hours in length and was set to be released in mid-2014. However, development was delayed over the next three years.
The game was released for Microsoft Windows and OS X in September 2015. It was also ported to Linux in July 2016, PlayStation 4 and PlayStation Vita in August 2017, the Nintendo Switch in September 2018, and Xbox One in March 2021. The game was acclaimed for its thematic material, intuitive combat system, musical score, originality, story, dialogue, and characters. The game sold over one million copies and was nominated for multiple accolades and awards. Severalgaming publications and conventions listed Undertale as game of the year. The first chapter of a related game, Deltarune, was released in October 2018.
Taken from https://en.wikipedia.org/wiki/Undertale
$60.00 ≈
56.15€
Festival
Festival
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...
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Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00 ≈
51.47€
Divinum Mysterium
Divinum Mysterium
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00 ≈
70.19€
Ship in a Stormy Seas
Ship in a Stormy Seas
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Cole Spencer
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Ship in a Stormy Seas
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Cole Spencer
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1033150 Composed by Cole Spencer. 20th Century,Contemporary,Romantic Period. Score and parts. 12 pages. Cole Spencer ...
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Full Orchestra - Level 4 - SKU: A0.1033150 Composed by Cole Spencer. 20th Century,Contemporary,Romantic Period. Score and parts. 12 pages. Cole Spencer #6115125. Published by Cole Spencer (A0.1033150). Ship in a Stormy Seas is tone poem based off of the painting Ship in a Stormy Seas by Russian romantic painter Ivan Aivazovsky. This piece depicts the high seas, alongside a sea shanty-like march, finishing with a quiet and peaceful finale.
$8.99 ≈
8.41€
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Claude Debussy/Robert Orledge:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. ...
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bdier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwal and that ?Isolde of the white hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.
The idea of a Tristan that restorced its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.
Unforunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bdier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
$19.95 ≈
18.67€
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