Partitions Numériques de Tell Me It's Over pour Orchestre d'harmonie

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Tell Me It's Over
Non classifié 42

Piano & claviers
Piano seul 14
Piano, Voix et Guitare 10
Piano, Voix 7
Orgue 2
Piano Facile 1

Guitares
Basse electrique 2
Mandoline 1
Ukulele 1
Banjo 1
Guitare notes et tablatures 1

Voix
Chorale SATB 13
Chorale 3 parties 7
Chorale 2 parties 5
Chorale TTBB 3
Chorale SSAA 1

Voix haute 1

+ 1 instrumentations

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Vents
2 Saxophones (duo) 8
Saxophone Tenor et Piano 5
Saxophone, Clarinette (duo) 5
Clarinette, Violon (duo) 4
Clarinette, Trompette (duo) 4

Saxophone (partie séparée) 3
Clarinette et Piano 3
Cor anglais, Piano 3
Hautbois, Clarinette (duo) 2
Flûte, Trompette (duo) 2
Clarinette et Alto 2
2 Clarinettes (duo) 2
2 Hautbois (duo) 2
Flûte, Clarinette (duo) 2
Flûte, Alto (duo) 2
Hautbois, Piano (duo) 2
Hautbois (partie séparée) 2
Ensemble de Flûtes 1
Flûte à bec Alto, Piano 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Saxophone Alto et Piano 1
Flûte, Saxophone (duo) 1
Hautbois, Basson (duo) 1
Saxophone Soprano et Piano 1
2 Flûtes traversières (duo) 1
Flûte à bec Soprano, Piano 1
Saxophone Alto 1
Flûte à bec Soprano 1
Flûte traversière 1
Clarinette 1
Saxophone Baryton, Piano 1

+ 26 instrumentations

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Cuivres
Cor anglais, Piano 3
Trombone et Piano 3
Trompette, Piano 2
2 Trompettes (duo) 2
Trompette, Trombone (duo) 2

Trompette, Saxophone (duo) 1
Euphonium, Piano (duo) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Trompette 1
Tuba 1
Trombone 1

+ 6 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 2
Violon et Piano 2
Violon, Alto (duo) 2
2 Violoncelles (duo) 2
2 Altos (duo) 2

Violon, Violoncelle (duo) 2
Violon 2
Trio à Cordes: violon, alto, violoncelle 1
2 Violons (duo) 1
Alto seul 1
Violoncelle, Piano 1
Harpe 1

+ 7 instrumentations

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Percussions & orchestre
Jazz combo 2
Orchestre à Cordes 1
Orchestre 1
Ensemble de cuivres 1
Orchestre d'harmonie 1

Ensemble Jazz 1

+ 1 instrumentations

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Tell Me It's Over

Orchestre d'harmonie

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Nordic Movement 1: Ginnungagap

Nordic Movement 1: Ginnungagap #Orchestre d'harmonie #FACILE #Aric Noble #It #Nordic Movement 1: Ginnungagap #Aric Noble #SheetMusicPlus

Concert Band - Level 2 - SKU: A0.1025077 Composed by Aric Noble. Contemporary,Folk. Score and parts. 10 pages. Aric Noble #5306619. Published by Aric No...(+)

Concert Band - Level 2 - SKU: A0.1025077 Composed by Aric Noble. Contemporary,Folk. Score and parts. 10 pages. Aric Noble #5306619. Published by Aric Noble (A0.1025077). Over the past few years I have become obsessed with Norse Mythology, and I mean real Norse Mythology. I say that withquotes because in my research I realized that a lot of people tell different stories. This is mainly because back when Christianity was growing,the Christians saw anything that wasn't Christian as pagan, so they got rid of it all. So that is why Greek, Roman, and Norse religions faded into mythologies, and all that was left was passed around in folk tales. And also because Marvel tells a very different tale of the mythology than the research I have collected and I want people to know these stories. Now moving passed the history lesson and into the music. This is interesting for me because this is the biggest original piece that I've ever made. This is going to be a multimovement piece, and this is the 1st movement, Ginnungagap, the endless void. This movement describes The Void, and the two lands of Fire(Muspelheim) and Ice(Niflhiem).Starting with The Void, it describes the blackness, and I use the absence of instruments to give this feeling, but however to give2 of the other themes to foreshadow it. It moves into this wild cascading theme for the Niflheim theme to describe the cold cascading environment of the world.After that it slows into a dark and ominous theme for Muspelheim(Surtr's Destiny). This was an interesting part to make because in mythology, Surtr, also referred to as Surt, is the fabled fire giant who destroys Asgard. No one knows where hecomes from, but from the moment of his creation, he knew of his destiny to destroy Asgard so he spent all of his time forging his sword to burrow into Asgard. I used a break drum to symbolize a hammer hitting an anvil to forge a sword, a lingering sound of Surtr's destiny.After this, I brought both themes together to resemble The Clash of the two worlds to create the Norse universe.The final theme in this first movement is entitled I am Ymir. In myhtology, Ymir is the father of everything. Created from the clash, he gave creation to all the gods, humans, giants, elves, and dwarves. This final theme takes Surtr's theme and flipsit to be mo.

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