Partitions Numériques de I Don't Miss You At All pour Orchestre d'harmonie

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I Don't Miss You At All
Non classifié 4

Piano & claviers
Piano Facile 8
Piano seul 8
Piano, Voix 3
Piano, Voix et Guitare 3
Instruments en Do 2

Guitares
Guitare notes et tablatures 2
Paroles et Accords 1
Ukulele 1

Voix
Chorale SATB 2
Chorale 3 parties 1
Chorale 2 parties 1

Vents
Saxophone Tenor et Piano 2
Clarinette et Piano 2
Hautbois, Piano (duo) 1
Saxophone Baryton, Piano 1
Saxophone Alto et Piano 1

Flûte traversière et Piano 1
Saxophone Soprano et Piano 1

+ 2 instrumentations

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Cuivres
Trompette 1
Trompette, Piano 1
Quatuor de Cuivres 1

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 2
Violon et Piano 1
Violon, Violoncelle (duo) 1
Alto, Piano 1
Violoncelle, Piano 1

Percussions & orchestre
Orchestre d'harmonie 2

Orchestre à Cordes 1

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I Don't Miss You At All

Orchestre d'harmonie

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2 partitions trouvées

"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies

"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies #Orchestre d'harmonie #INTERMÉDIAIRE/AVANCÉ #A #Stephen Davies #"Clarinet Concert Concert #Stephen Davies #SheetMusicPlus

Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...(+)

Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956). Â Â CLARINET CONCERT CONCERTINO FOR WIND BAND I donâ€™t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying â€˜see moreâ€™, however this piece has a rather interesting story that Iâ€™d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680â€™s. When I say â€˜air raid shelterâ€™, that is exactly what it was like! Canâ€™t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon â€˜Joeâ€™ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (retâ€™d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our â€˜underground â€˜ library was deemed a fire hazard, and we were â€˜invitedâ€™ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of â€˜keep or throwâ€™, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled â€˜Clarinet Concertoâ€™, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should â€˜get it out thereâ€™ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but Iâ€™ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!

$49.99 ≈ 46.10€

Rosemary - "That's for remembrance...."

Rosemary - "That's for remembrance...." #Orchestre d'harmonie #INTERMÉDIAIRE #Classique #Edward Elgar #Joel Jacklich (A #Rosemary - "That's for re #Joel Jacklich #SheetMusicPlus

Concert Band - Level 3 - SKU: A0.1035592 Composed by Edward Elgar. Arranged by Joel Jacklich (A.S.C.A.P.). Romantic Period. Score and parts. 76 pages. J...(+)

Concert Band - Level 3 - SKU: A0.1035592 Composed by Edward Elgar. Arranged by Joel Jacklich (A.S.C.A.P.). Romantic Period. Score and parts. 76 pages. Joel Jacklich #640816. Published by Joel Jacklich (A0.1035592). PROGRAM NOTE: Rosemary - That's for remembrance.... In 1882, Sir Edward Elgar jotted down in his musical notebook a piano piece he titled Douce PensÃ©e (Sweet Thought). There it remained until 1913 when he got it out again, revised it slightly, re-titled it Rosemary - That's for remembrance, and published it for the first time. The title comes from Ophelia's Garland Speech in Shakespeare's Hamlet, where she says, There's rosemary, that's for remembrance. Pray you, love, remember. In 1915, the First World War had been raging in Europe for a year, and many British composers and poets had turned to artistic means to mourn those who died in the trenches of across the Channel. Elgar orchestrated the work at that time. In 1925, London publisher W. Paxton published arrangements by C. Jenkins made for brass and reed band and for military band; however, these are now out of print and no longer available. In the fall of 2015, Mitch Sturman, director of the Wilson Junior High School Warrior Band in El Centro, California, asked me to make an arrangement of Rosemary for the Eighth Annual Concert of Premieres, a series Sturman had begun in 2008, commissioning new works by known composers, and commissioning new arrangements of pieces he felt were worthy works in the public domain that were no longer in print and/or were written for ensembles containing instruments no longer part of the standard modern band or orchestra. INSTRUMENTATION: Flute I (4), Flute II (4), Oboe (1), Clarinet I (4), Clarinet II (4), Clarinet III (4), Bass Clarinet (1), Bassoon (1), Alto Saxophone (4), Tenor Saxophone (2), Baritone Saxophone (1); Trumpet I (3), Trumpet II (3), French Horn (2), Baritone Horn T.C. (2), Baritone Horn B.C. (2), Trombone (6), Tuba (2); Timpani [F2, B-flat 2] (1), Snare Drum (1),Triange (1), Suspended Cymbal (1), Bass Drum (1), Glockenspiel (1). Joel Jacklich May 21, 2015 El Centro, California.

$50.00 ≈ 46.11€

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