Partitions Numériques de Cold As Ice pour Orchestre d'harmonie

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Cold As Ice
Non classifié 78

Piano & claviers
Piano, Voix 35
Piano seul 24
Piano, Voix et Guitare 18
Piano Facile 9
Instruments en Do 3

Piano Trio: piano, violon, violoncelle 2
Accompagnement Piano 1
Piano Quatuor: piano, 2 violons, violoncelle 1

+ 3 instrumentations

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Guitares
Guitare notes et tablatures 6
Ligne De Mélodie, (Paroles) et Accords 5
Paroles et Accords 3
2 Guitares (duo) 2
2 Ukuleles 2

Ukulele 2
Guitare 1
Basse electrique 1

+ 3 instrumentations

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Voix
Chorale SATB 26
Chorale 3 parties 11
Chorale SSAA 5
Chorale 2 parties 5
Chorale TTBB 5

Chorale Unison 3
Voix seule 2
Voix haute 2

+ 3 instrumentations

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Vents
2 Saxophones (duo) 20
2 Flûte à bec (duo) 16
2 Flûtes traversières (duo) 8
2 Clarinettes (duo) 6
Saxophone (partie séparée) 6

Saxophone Tenor et Piano 4
Flûte à bec Alto 4
Flûte à Bec 4
Flûte à bec Soprano 4
Saxophone Soprano et Piano 4
Flûte à bec Tenor 4
2 Hautbois (duo) 4
Hautbois, Piano (duo) 4
Saxophone Alto et Piano 3
Clarinette et Piano 3
Flûte traversière et Piano 2
Flûte traversière 2
Hautbois (partie séparée) 2
Saxophone Baryton, Piano 2
Saxophone Alto 2
Clarinette 2
Flûte, Clarinette (duo) 2
Quintette de Saxophone: 5 saxophones 1
Flûte, Hautbois, Clarinette, Basson 1
Quintette de Clarinettes: 5 clarinettes 1
Ensemble de Clarinettes 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Quintette de Flûte : 5 flûtes 1

+ 23 instrumentations

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Cuivres
2 Trombones (duo) 7
2 Trompettes (duo) 6
Tuba et Piano 4
2 Cors (duo) 4
Trompette, Piano 4

Cor et Piano 3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Trompette 3
Trombone et Piano 3
Cor 2
Trombone 2
Trompette, Cor (duo) 2
Trompette, Trombone (duo) 2
Tuba 2
2 Tubas (duo) 2
Euphonium, Piano (duo) 1

+ 11 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 9
2 Violons (duo) 8
Violon 7
2 Violoncelles (duo) 6
Violon, Violoncelle (duo) 5

Violoncelle, Piano 4
2 Altos (duo) 4
Violon et Piano 4
Quintette à cordes: 2 violons, alto, violoncelle, basse 4
Alto, Piano 3
Contrebasse, Piano (duo) 3
Violon, Alto (duo) 2
Violoncelle 2
2 Contrebasses (duo) 2
Contre Basse 2
Trio à Cordes: violon, alto, violoncelle 2
Violoncelle (partie séparée) 2
Piano Trio: Violon, Alto, Piano 2
Alto (partie séparée) 1
Alto seul 1
4 Violoncelles 1
Alto, Violoncelle (duo) 1
Harpe 1

+ 18 instrumentations

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Percussions & orchestre
Orchestre à Cordes 4
Orchestre 3
Jazz combo 3
Orchestre d'harmonie 2

Ensemble Jazz 1

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Vous avez sélectionné:

Cold As Ice

Orchestre d'harmonie

Partitions à imprimer

2 partitions trouvées

Nordic Movement 1: Ginnungagap

Nordic Movement 1: Ginnungagap #Orchestre d'harmonie #FACILE #Aric Noble #It #Nordic Movement 1: Ginnungagap #Aric Noble #SheetMusicPlus

Concert Band - Level 2 - SKU: A0.1025077 Composed by Aric Noble. Contemporary,Folk. Score and parts. 10 pages. Aric Noble #5306619. Published by Aric No...(+)

Concert Band - Level 2 - SKU: A0.1025077 Composed by Aric Noble. Contemporary,Folk. Score and parts. 10 pages. Aric Noble #5306619. Published by Aric Noble (A0.1025077). Over the past few years I have become obsessed with Norse Mythology, and I mean real Norse Mythology. I say that withquotes because in my research I realized that a lot of people tell different stories. This is mainly because back when Christianity was growing,the Christians saw anything that wasn't Christian as pagan, so they got rid of it all. So that is why Greek, Roman, and Norse religions faded into mythologies, and all that was left was passed around in folk tales. And also because Marvel tells a very different tale of the mythology than the research I have collected and I want people to know these stories. Now moving passed the history lesson and into the music. This is interesting for me because this is the biggest original piece that I've ever made. This is going to be a multimovement piece, and this is the 1st movement, Ginnungagap, the endless void. This movement describes The Void, and the two lands of Fire(Muspelheim) and Ice(Niflhiem).Starting with The Void, it describes the blackness, and I use the absence of instruments to give this feeling, but however to give2 of the other themes to foreshadow it. It moves into this wild cascading theme for the Niflheim theme to describe the cold cascading environment of the world.After that it slows into a dark and ominous theme for Muspelheim(Surtr's Destiny). This was an interesting part to make because in mythology, Surtr, also referred to as Surt, is the fabled fire giant who destroys Asgard. No one knows where hecomes from, but from the moment of his creation, he knew of his destiny to destroy Asgard so he spent all of his time forging his sword to burrow into Asgard. I used a break drum to symbolize a hammer hitting an anvil to forge a sword, a lingering sound of Surtr's destiny.After this, I brought both themes together to resemble The Clash of the two worlds to create the Norse universe.The final theme in this first movement is entitled I am Ymir. In myhtology, Ymir is the father of everything. Created from the clash, he gave creation to all the gods, humans, giants, elves, and dwarves. This final theme takes Surtr's theme and flipsit to be mo.

$24.99 ≈ 22.93€

"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies

"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies #Orchestre d'harmonie #INTERMÉDIAIRE/AVANCÉ #A #Stephen Davies #"Clarinet Concert Concert #Stephen Davies #SheetMusicPlus

Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...(+)

Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956). Â Â CLARINET CONCERT CONCERTINO FOR WIND BAND I donâ€™t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying â€˜see moreâ€™, however this piece has a rather interesting story that Iâ€™d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680â€™s. When I say â€˜air raid shelterâ€™, that is exactly what it was like! Canâ€™t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon â€˜Joeâ€™ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (retâ€™d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our â€˜underground â€˜ library was deemed a fire hazard, and we were â€˜invitedâ€™ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of â€˜keep or throwâ€™, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled â€˜Clarinet Concertoâ€™, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should â€˜get it out thereâ€™ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but Iâ€™ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!

$49.99 ≈ 45.87€

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