Partitions Numériques de Plains pour Orchestre d'harmonie

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Plains
Non classifié 14

Piano & claviers
Piano seul 21
Piano, Voix et Guitare 4
2 Pianos, 4 mains 2
1 Piano, 4 mains 1
Piano, Voix 1

Piano Quatuor: piano, violon, alto, violoncelle 1

+ 1 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 2
Guitare 1

Voix
Chorale SATB 11
Voix Soprano, Piano 1
Chorale 3 parties 1

Vents
2 Saxophones (duo) 5
Saxophone, Clarinette (duo) 3
Clarinette, Trompette (duo) 2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 2
2 Clarinettes (duo) 2

Clarinette, Violon (duo) 2
Quatuor de Saxophones: 4 saxophones 2
Quatuor de Flûtes : 4 flûtes 2
Ensemble de Clarinettes 2
Clarinette et Piano 1
2 Hautbois (duo) 1
Hautbois, Flûte 1
Flûte, Violon 1
Flûte, Trompette (duo) 1
Flûte traversière et Piano 1
Flûte, Saxophone (duo) 1
2 Flûtes traversières (duo) 1
Flûte traversière 1
Flûte, Hautbois, Clarinette, Basson 1
Flûte, Clarinette (duo) 1
Clarinette et Alto 1
Hautbois, Clarinette (duo) 1
Flûte, Clarinette, Piano (trio) 1

+ 18 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 3
Trompette, Saxophone (duo) 2
Trompette 1
Trompette, Trombone (duo) 1
2 Trombones (duo) 1

Cor, Trompette, Trombone (trio) 1
2 Trompettes (duo) 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1

+ 3 instrumentations

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Cordes
Violoncelle, Piano 2
Quatuor à cordes: 2 violons, alto, violoncelle 2
Violon, Violoncelle (duo) 1
Violon, Alto (duo) 1
Harpe 1

2 Altos (duo) 1
Violon 1
2 Violons (duo) 1
2 Violoncelles (duo) 1
Violon et Piano 1

+ 5 instrumentations

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Percussions & orchestre
Orchestre 6
Orchestre à Cordes 2
Orchestre d'harmonie 2

Jazz combo 1
Cloches 1

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Plains

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Orchestre d'harmonie

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2 partitions trouvées

NEW HORIZONS

NEW HORIZONS #Orchestre d'harmonie #INTERMÉDIAIRE/AVANCÉ #John Michael Pekowski #NEW HORIZONS #John Michael Pekowski #SheetMusicPlus

Concert Band - Level 4 - SKU: A0.1317270 Composed by John Michael Pekowski. 21st Century,Classical,Thriller. 88 pages. John Michael Pekowski #905930. Pu...(+)

Concert Band - Level 4 - SKU: A0.1317270 Composed by John Michael Pekowski. 21st Century,Classical,Thriller. 88 pages. John Michael Pekowski #905930. Published by John Michael Pekowski (A0.1317270). In July of 2015, NASAâ€™s New Horizons spacecraft skimmed past Pluto revealing a dynamic landscape. Important new data was collected, helping to piece together the history of a world with a patchwork geology featuring towering mountains, flowing glaciers, and plains of ice. I was inspired by the spirit of exploration. With this is mind, I arranged semi-symmetrical sets with varying densities into pitch topologies constrained by numerical relationships. These are juxtaposed next to each other, helping to suggest the patchwork geology of Pluto. As I was composing, I gave preference to fluidic voice-leading and dramatic exposition. I also had to end with a satisfying resolution because NASAâ€™s mission has been such a success. In fact, New Horizons continues to explore objects in the outer solar system.Conductor's note: The (optional) last twelve bars are bit of an unintentional homage to sci-fi, but have their roots in the triplet pattern established in the introduction. In this piece I was using a narrower set list, and interestingly these types of hommages are more common within the simpler numerical permutations of smaller quantites.

$75.00 ≈ £59.00

Revelations 5 (Mvt. II)

Revelations 5 (Mvt. II) #Orchestre d'harmonie #INTERMÉDIAIRE/AVANCÉ #Contemporain #John Dorhauer #Revelations 5 #John J Dorhauer #SheetMusicPlus

Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Publi...(+)

Concert Band - Level 4 - SKU: A0.1024060 Composed by John Dorhauer. 20th Century,Contemporary. Score and Parts. 126 pages. John J Dorhauer #59173. Published by John J Dorhauer (A0.1024060). Back to School 2015 This standalone movement balances chaotic, breakneck ensemble writing with placid, luscious quieter moments. Inspired by the fifth chapter of the Book of Revelation, the music vividly depicts the duality of the lion/lamb character (hence the plurality of the title), and the ample use of mixed meter and solo opportunities (particularly for flute and percussion) will offer an engaging challenge to most high school ensembles. Although this is the middle movement of a three-movement work, it works in its own self-contained world. Contact information: johnjdorhauer@gmail.com PRO: ASCAP Social Media: https://www.facebook.com/JohnDorhauer?fref=ts / https://twitter.com/JohnDorhauer Duration: 9 minutes Year of Release: 2011 Program Notes: This composition is intended to function on two different levels: it is simultaneously a programmatic depiction of the events that unfold in Revelation 5 and a musical representation of the duality found in the scripture. It was this sense of duality that persuaded me to keep the s at the end of Revelation in the title â€“ it is as if there are multiple revelations to be found within both the scripture and my musical interpretation of it. In the book of Revelation, the prophet John is sharing an apocalyptic vision to a group of churches in Asia as a means of hope â€“ even though these people were being persecuted for their beliefs, John promises the rapture in which God will save the believers and destroy the nonbelievers. The fifth chapter begins with Johnâ€™s ascension to heaven, and it concludes just before the Christ-like Lion of Judah breaks the seals of the scroll that will unleash the rapture. While this is intended to be a message of hope, it will also bring about cataclysmic death and destruction. Herein lies the duality â€“ how can a message of hope come as the result of such a violent outcome? Movement II (of three) corresponds with only verse 6, and it is more of a character study than a programmatic narrative. It examines the Lion of Judah character, which is portrayed at first as an overwhelming and aggressive figure after it approaches from the distance in the hazy beginning section. This character is also depicted in the scripture as a lamb, though, and this is reflected in the pieceâ€™s latter half, which is a softer reimagining of the Lion characterâ€™s material. The Lion and the Lamb are not two different characters but, rather, different sides of the same character. It is this duality that drives the movement, and it explains the connections between these otherwise distinct sections. This movement was originally performed by the CCPA Wind Ensemble in April 2010 when it received first place in CCPAâ€™s wind ensemble composition contest.

$50.00 ≈ £39.33

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