Partitions Numériques de When You Believe pour Guitare

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When You Believe
Non classifié 100

Piano & claviers
Piano seul 45
Piano, Voix et Guitare 40
Piano, Voix 18
Piano Facile 8
Orgue 5

Piano grosses notes 4
Accompagnement Piano 1
Instruments en Do 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1

+ 4 instrumentations

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Guitares
Paroles et Accords 4
Guitare 3

Ligne De Mélodie, (Paroles) et Accords 2
Guitare notes et tablatures 2
Ukulele 1

Piano, Guitare (duo) 1
Basse electrique 1

+ 2 instrumentations

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Voix
Chorale SATB 46
Chorale 3 parties 16
Chorale TTBB 11
Chorale 2 parties 10
Chorale SSAA 7

Voix duo, Piano 5
Chorale 2
Voix duo 2
Chorale SSATTB 1
Voix seule 1
Chorale Unison 1

+ 6 instrumentations

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Vents
Clarinette 16
2 Flûtes traversières (duo) 13
Quatuor de Saxophones: 4 saxophones 10
Hautbois (partie séparée) 10
Flûte traversière 7

Saxophone (partie séparée) 5
Saxophone Alto et Piano 4
Saxophone Alto 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Saxophone Soprano et Piano 3
2 Saxophones (duo) 3
Saxophone Tenor 2
Flûte et Guitare 2
Saxophone Tenor et Piano 2
Clarinette et Piano 2
Ensemble de Clarinettes 1
Flûte, Hautbois, Clarinette, Basson 1
Harmonica 1
2 Clarinettes (duo) 1
Ensemble de Flûtes 1
Hautbois, Piano (duo) 1
Flûte, Clarinette, Piano (trio) 1

+ 17 instrumentations

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Cuivres
Trompette 6
Trombone 5
Trompette, Piano 5
Cor 4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3

Tuba 2
2 Trompettes (duo) 2
Trombone et Piano 1
Trompette, Trombone (duo) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
2 Cors (duo) 1
Quatuor de cuivres: 4 cors 1
2 Trombones, Piano 1
Trompette (partie séparée) 1

+ 9 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 9
Violon 8
2 Violons (duo) 7
Violon, Violoncelle (duo) 6
Harpe 5

Violoncelle 4
Violoncelle, Piano 4
Alto (partie séparée) 4
Alto, Piano 3
Violoncelle (partie séparée) 3
Violon et Piano 2
2 Violoncelles (duo) 2
Violon (partie séparée) 2
Alto seul 2
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Piano Trio: Violon, Alto, Piano 1
Contrebasse (partie séparée) 1

+ 12 instrumentations

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Percussions & orchestre
Orchestre 19
Orchestre d'harmonie 6
Percussion (partie séparée) 3
Cloches 3
Orchestre à Cordes 3

Jazz combo 2
Orchestre de chambre 2
Ensemble de cuivres 2
Ensemble Jazz 1

+ 4 instrumentations

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When You Believe

Guitare

Partitions à imprimer

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Edwin Culver: a bridge a-way, exits within (for solo guitar)

Edwin Culver: a bridge a-way, exits within (for solo guitar) #Guitare #INTERMÉDIAIRE #Contemporain #Edwin Culver #Edwin Culver: a bridge a-way, #Edwin Culver #SheetMusicPlus

Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...(+)

Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you canâ€™t fully understand no matter how hard you try? Perhaps itâ€™s something from our past that we never invited...or something weâ€™ve missed in our closest relationships, maybe itâ€™s just the dread weâ€™ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like weâ€™re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. Thereâ€™s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. Weâ€™re spinning our wheelsâ€¦But one of the interesting things about great minimalist music is that itâ€™s not merely about repetition. I donâ€™t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mindâ€™s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer canâ€™t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument heâ€™s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesnâ€™t feel like weâ€™re making headway whenever weâ€™re having to crawl out of our skin - until, suddenly, when itâ€™s all over. And you hear this towards the end of the piece, when thereâ€™s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One Iâ€™ve put my trust in, because I canâ€™t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.

$11.99 ≈ $16.36

Larry Williams Compositions- The Guitar Book

Larry Williams Compositions- The Guitar Book #Guitare #INTERMÉDIAIRE/AVANCÉ #Larry Williams #Larry Williams Compositions- T #Larry Andrew Williams #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...(+)

Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSERÂ Is anyone interested in new reading material anymore?Â I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to Â nd those few that would resonate with me for a lifetime, but it was always fun trying them all out.Â It still is, in fact.Â Well, times change and people change, but Iâ€™d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or â€“ Heaven forbid- something that maybe we ourselves wrote?Â Or some â€œunknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive?Â Letâ€™s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying â€œthey donâ€™t write â€˜em like that anymore,â€ are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered?Â And isnâ€™t that pioneering spirit just plain olâ€™ curiosity when it comes right down to it?Â Well I believe the key lies within the carrying out of these notions that curiosity places in us. Itâ€™s climbing the mountain simply because it is there.Â So, for right now, Iâ€™m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity.Â Itâ€™s what makes the world a smaller neighborhood.Â Larry Williams.

$20.00 ≈ $27.28

Frank Vignola- Building Guitar Finger Strength

Frank Vignola- Building Guitar Finger Strength #Guitare #INTERMÉDIAIRE #Jazz #Frank Vignola #Frank Vignola- Building Guitar #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus

Guitar (flatpicking) - Intermediate - SKU: M0.99659EB And 26 Different II-5-I Progressions. Composed by Frank Vignola. Style. Jazz. E-book and on...(+)

Guitar (flatpicking) - Intermediate - SKU: M0.99659EB And 26 Different II-5-I Progressions. Composed by Frank Vignola. Style. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99659EB. Published by Mel Bay Publications - Digital Sheet Music (M0.99659EB). ISBN 9781619112582. 8.75x11.75 inches.In the Building Finger Strength section of this book, we will cover 12 different finger-strengthening exercises. Practice these exercises slowly and accurately before trying to build speed. On the optional practice-along recording you will find three different tempos for each individual exercise. This is to help you build up your speed and your finger strength one step at a time. Obviously beginners should start with the slow tempo. I also believe that the more advanced students should start with the slow tempo to build accuracy. I found when recording these exercises for the practice-along recording that the slowest tempo was the hardest to execute with no mistakes. Diligent practice will build flexibility and strength!In the latter section of this book (26 ii-V-I Progressions), we will be looking at 26 different ways to play the ii Ã» V Ã» I chord progression. We will be working in the key of C. The ii chord is Dm7, the V chord is G7 and the I chord is C. It is recommended that you transpose these into other keys. These studies can be used for ear training and to facilitate improvisation on standard chord progressions. Includes access to online audio.

$12.99 ≈ $17.72

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