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Vous avez sélectionné:
How Long Has It Been
Guitare
Partitions à imprimer
6 partitions trouvées
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1
Jingle Bells
Jingle Bells
#
Guitare
#
DÉBUTANT
#
Noël
#
James Lord Pierpont
#
Rodrigo Faleiros
#
Jingle Bells
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Rodrigo Faleiros
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1300784 Composed by James Lord Pierpont. Arranged by Rodrigo Faleiros. Christmas,Holiday,Traditional. Individual part. 1...
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Solo Guitar - Level 1 - SKU: A0.1300784 Composed by James Lord Pierpont. Arranged by Rodrigo Faleiros. Christmas,Holiday,Traditional. Individual part. 1 pages. Rodrigo Faleiros #890488. Published by Rodrigo Faleiros (A0.1300784). Jingle Bells is a timeless Christmas carol that has been enjoyed by people of all ages for generations. This arrangement is perfect for beginners at the classical guitar and it’s sure to bring a smile to the faces of anyone who hears it. The simple yet beautiful melody of Jingle Bells is perfect for spreading holiday cheer, and this arrangement makes it accessible to anyone who wants to learn how to play it. Whether you’re a seasoned player or just starting out, this arrangement is sure to delight and inspire you. This easy guitar sheet music for Jingle Bells features chords for another musician to play along and fingerings to help reading and playing the score.Check out every other arrangement I've made for this and numerous other songs clicking here.
$1.99 ≈
1.83€
Jingle Bells
Jingle Bells
#
Guitare
#
DÉBUTANT
#
Noël
#
James Lord Pierpont
#
Rodrigo Faleiros
#
Jingle Bells
#
Rodrigo Faleiros
#
SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1300785 Composed by James Lord Pierpont. Arranged by Rodrigo Faleiros. Christmas,Holiday,Traditional. Individual part. 1...
(+)
Solo Guitar - Level 1 - SKU: A0.1300785 Composed by James Lord Pierpont. Arranged by Rodrigo Faleiros. Christmas,Holiday,Traditional. Individual part. 1 pages. Rodrigo Faleiros #890489. Published by Rodrigo Faleiros (A0.1300785). Jingle Bells is a timeless Christmas carol that has been enjoyed by people of all ages for generations. This arrangement is perfect for beginners at the classical guitar and it’s sure to bring a smile to the faces of anyone who hears it. The simple yet beautiful melody of Jingle Bells is perfect for spreading holiday cheer, and this arrangement makes it accessible to anyone who wants to learn how to play it. Whether you’re a seasoned player or just starting out, this arrangement is sure to delight and inspire you. This easy guitar sheet music for Jingle Bells features chords for another musician to play along.Check out every other arrangement I've made for this and numerous other songs clicking here.
$1.99 ≈
1.83€
Joy To The World for guitar quartet
Joy To The World for guitar quartet
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Guitare
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FACILE
#
Simon James
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Simon James
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Joy To The World for guitar qu
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DML
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1120784 By Simon James. By G. F. Handel. Arranged by Simon James. Baroque,Chamber,Christian,Christmas,Contemporary. Full Perf...
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Guitar - Level 2 - SKU: A0.1120784 By Simon James. By G. F. Handel. Arranged by Simon James. Baroque,Chamber,Christian,Christmas,Contemporary. Full Performance. Duration 91. DML #721999. Published by DML (A0.1120784). A popular Christmas carol, the tune usually used today is from an 1848 edition by Lowell Mason for The National Psalmist (Boston, 1848). There has long been speculation over how much a part Handel's Messiah had in Joy to the World. However, resemblances between Messiah and Joy to the World, have been dismissed as 'chance ' by Handel scholars today. It seems likely that the tune as we know it was probably from an 1833 publication by Thomas Hawkes with the title “Comfortâ€, Author Unknown. I have combined Handelian elements with the tune that most people know to create an arrangement that works well for guitar quartet retaining the bounce and vigour of the carol. Score available.
$1.99 ≈
1.83€
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99 ≈
11.00€
Sonidos Negros
Sonidos Negros
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Flamenco
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Richard Hirsch
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Sonidos Negros
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Richard Hirsch
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SheetMusicPlus
Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch...
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Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch
A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called ?Andalusian? cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.
$6.99 ≈
6.41€
Intermediate Pieces for Classical Guitar
Intermediate Pieces for Classical Guitar
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Guitare
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INTERMÉDIAIRE
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Classique
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Lily Afshar
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Intermediate Pieces for Classi
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - Composed by Lily Afshar. Classical. E-book. 116 pages. Mel Bay Publications - Digital Sheet Music #30832EB. Published by Mel...
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Guitar - Intermediate - Composed by Lily Afshar. Classical. E-book. 116 pages. Mel Bay Publications - Digital Sheet Music #30832EB. Published by Mel Bay Publications - Digital Sheet Music (
ISBN 9781513455006.
Intermediate-level guitarists will enjoy playing through this varied collection of pieces, all in one volume. A wide gamut of composers from the Renaissance to the nineteenth century is included, along with a few anonymous contributions. Continuing with the techniques and carefully thought-out fingerings and notation employed in Dr. Afshars previous publication (Beginning Pieces for Classical Guitar), selections like Carcassi Study #3 and Sor Studies Nos. 5 and 6 require the execution of rest stroke technique on their melodies in order to distinguish them clearly from the concurrent free-stroke accompaniment. In the same spirit, Study No. 5 by Fernando Sor has been written out in a way that clearly shows the melody as it appears on beats one and three. The nine-movement suites by Gaspar Sanz and Robert de Visee introduce the student guitarist to Baroque dances and ornamentation.
$17.99 ≈
16.51€
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