Partitions Numériques de Angel's Son pour Clarinette Basse, Piano

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Angel's Son
Non classifié 410

Piano & claviers
Piano seul 182
Piano, Voix 113
Piano, Voix et Guitare 68
Piano Facile 48
Orgue 30

Piano grosses notes 15
1 Piano, 4 mains 7
Piano (partie séparée) 6
2 Pianos, 4 mains 5
Instruments en Do 5
Accompagnement Piano 4
Piano Quatuor: piano, violon, alto, violoncelle 2
Piano Trio: piano, violon, violoncelle 2
Orgue, Piano (duo) 1
Piano Quatuor: piano, 2 violons, violoncelle 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1

+ 11 instrumentations

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Guitares
Guitare notes et tablatures 32
Guitare 18
Ligne De Mélodie, (Paroles) et Accords 4
2 Guitares (duo) 3
Mandoline 2

Ukulele 1
Piano, Guitare (duo) 1

+ 2 instrumentations

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Voix
Chorale SATB 152
Chorale Unison 47
Chorale 3 parties 34
Chorale TTBB 31
Chorale 2 parties 28

Chorale SSAA 16
Voix duo, Piano 5
Voix Soprano, Piano 2
Voix Soprano 2
Voix moyenne, Piano 2
Voix haute 1
Chorale SSATTB 1
Chorale 1
Voix duo 1
Chorale SATTBB A Cappella 1
Voix Baryton, Piano 1

+ 11 instrumentations

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Vents
Saxophone (partie séparée) 54
3 Saxophones (trio) 43
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 27
Flûte, Hautbois, Basson 26
Saxophone Alto et Piano 23

Flûte traversière et Piano 23
Flûte, Clarinette et Basson 23
Clarinette 22
Flûte, Hautbois, Clarinette (trio) 22
Saxophone Alto 21
Flûte, Hautbois, Clarinette, Basson 21
3 Clarinettes (trio) 20
Clarinette (partie séparée) 19
Clarinette et Piano 18
Hautbois (partie séparée) 17
Flûte traversière 17
Hautbois, Piano (duo) 14
2 Clarinettes, Basson 14
Saxophone Tenor et Piano 13
Flute (partie séparée) 11
Saxophone Soprano et Piano 10
Flûte, Violon et Violoncelle 10
Quatuor de Saxophones: 4 saxophones 10
Trio de Flûtes: 3 flûtes 9
Quatuor de Clarinettes: 4 clarinettes 8
Ensemble de Clarinettes 7
Flûte et Guitare 7
Hautbois, Clarinette, Basson (trio d'anches) 5
Saxophone Baryton, Piano 5
2 Clarinettes (duo) 5
2 Saxophones (duo) 4
Ensemble de Flûtes 4
Cor anglais, Piano 4
Quatuor de Flûtes : 4 flûtes 3
Cor Anglais 3
Flûte à Bec 2
2 Flûtes traversières (duo) 2
Flûte, Hautbois (duo) 2
Clarinette, Violon (duo) 2
Flûte à bec Soprano 2
Hautbois, Clarinette (duo) 2
2 Saxophones, Piano 1
3 Flûtes à bec (trio) 1
Flûte, Violon 1
Ensemble De Flûte à bec 1
Clarinette, Violoncelle, Piano (trio) 1
Harmonica 1
Flûte à bec Alto 1
Flûte, Basson et Piano 1
Clarinette, trompette et piano 1
2 Clarinettes, Piano 1
Flûte, Hautbois, Piano (trio) 1
Quintette de Clarinettes: 5 clarinettes 1
Flûte, Violoncelle 1
2 Flûte à bec (duo) 1
Flûte, Clarinette, Piano (trio) 1
Flûte, Violoncelle, Piano (trio) 1
Clarinette Basse, Piano 1

Ensemble de saxophones 1
Flûte à bec Alto, Piano 1
Quintette de Flûte : 5 flûtes 1
Clarinette, Violoncelle (duo) 1
Flûte, Clarinette (duo) 1
Clarinette, Basson (duo) 1

+ 59 instrumentations

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Cuivres
Trompette (partie séparée) 25
Trompette 24
Trombone (partie séparée) 22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 20
Trompette, Piano 20

Trombone 19
Quatuor de Cuivres : 2 trompettes, trombone, tuba 16
Cor 14
Cor (partie séparée) 12
Trombone et Piano 12
Tuba (partie séparée) 8
Cor et Piano 7
Quatuor de Cuivres 6
2 Trompettes (duo) 5
Tuba et Piano 4
Tuba 4
Cor anglais, Piano 4
Quatuor de cuivres: 4 trombones 4
Cor Anglais 3
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
Euphonium, Piano (duo) 3
Quatuor de cuivres: 4 cors 2
2 Trombones (duo) 2
3 Trombones (trio) 1
Ensemble de Trompettes 1
2 Cors (duo) 1
2 Trompettes, Clavier (piano ou orgue) 1
3 Trompettes (trio) 1

+ 23 instrumentations

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Cordes
Violoncelle (partie séparée) 44
Quatuor à cordes: 2 violons, alto, violoncelle 37
Violon et Piano 31
Violon 21
Violoncelle, Piano 21

Violon (partie séparée) 20
Alto (partie séparée) 18
Harpe 17
Alto, Piano 13
Trio à Cordes: violon, alto, violoncelle 13
2 Violons (duo) 11
Contrebasse (partie séparée) 8
Violon, Violoncelle (duo) 8
Contre Basse 5
Trio à Cordes: 3 violoncelles 5
Trio à Cordes: 2 violons, violoncelle 4
Contrebasse, Piano (duo) 4
Trio à cordes: 3 violins 3
Violon, Alto (duo) 3
4 Violoncelles 3
Violoncelle 3
Harpe (partie séparée) 2
Alto seul 2
2 Harpes (duo) 2
Piano Trio: Violon, Alto, Piano 2
2 Violoncelles (duo) 2
Quatuor à cordes: 4 violons 2
Violoncelle , Guitare (duo) 1
Ensemble de Violons 1
Violoncelle, Orgue 1
2 Violoncelles, Piano 1
2 Altos (duo) 1
Violon, Guitare (duo) 1
Harpe, Voix 1
2 Violons, Piano 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Alto, Violoncelle (duo) 1

+ 32 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 122
Cloches 26
Orchestre 19
Ensemble de cuivres 18
Percussion (partie séparée) 10

Orchestre de chambre 9
Orchestre à Cordes 7
Ensemble Jazz 3
Timbales (partie séparée) 3
Marimba 2
Ensemble de Percussions 2
Fanfare 1
Batterie (partie séparée) 1

+ 8 instrumentations

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Angel's Son

Clarinette Basse, Piano

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1 partition trouvée

Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano

Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano #Clarinette Basse, Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...(+)

Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

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