Partitions Numériques de All I Do pour Saxophone Soprano et Piano

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All I Do
Non classifié 715

Piano & claviers
Instruments en Do 648
Piano seul 416
Piano, Voix et Guitare 217
Piano, Voix 114
Piano Facile 85

Orgue 34
2 Pianos, 4 mains 27
Piano grosses notes 17
Accordéon 5
Accompagnement Piano 4
1 Piano, 4 mains 2
Piano (partie séparée) 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
2 Accordéons 1
Piano Quatuor: piano, 2 violons, violoncelle 1
2 Pianos, 8 mains 1
Piano Quatuor: piano, violon, alto, violoncelle 1

+ 12 instrumentations

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Guitares
Guitare notes et tablatures 65
Guitare 33
Ligne De Mélodie, (Paroles) et Accords 32
Basse electrique 29
Paroles et Accords 17

Ukulele 9
4 Guitares (Quatuor) 5
Piano, Guitare (duo) 2
Guitare (partie séparée) 2
Basse électrique (partie séparée) 2
2 Dulcimers (duo) 1
Mandoline 1
Banjo 1
2 Guitares (duo) 1

+ 9 instrumentations

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Voix
Chorale SATB 157
Chorale TTBB 48
Chorale 3 parties 41
Chorale 2 parties 39
Chorale SSAA 31

Voix seule 21
Voix duo 13
Chorale Unison 11
Voix Soprano, Piano 8
Voix duo, Piano 7
Voix haute 2
Chorale 1
Voix Alto, Piano 1
Chorale SSAATTBB 1
Voix Tenor 1
Chorale SAATB A Cappella 1
Soli, choeur mixte et accompagnement 1

+ 12 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 33
Flûte traversière 27
Saxophone (partie séparée) 21
Flûte traversière et Piano 17
Clarinette 17

Hautbois, Piano (duo) 15
Saxophone Alto 12
Flûte, Hautbois, Clarinette, Basson 12
Clarinette et Piano 10
Quatuor de Clarinettes: 4 clarinettes 10
Ensemble de Clarinettes 10
Saxophone Tenor et Piano 10
Quatuor de Saxophones: 4 saxophones 9
Hautbois (partie séparée) 9
Saxophone Alto et Piano 9
Quintette de Saxophone: 5 saxophones 9
Ensemble de Flûtes 9
Flûte et Guitare 7
Quintette de Clarinettes: 5 clarinettes 7
2 Saxophones (duo) 7
Ensemble de saxophones 6
3 Clarinettes (trio) 6
Flûte à Bec 5
Quintette de Flûte : 5 flûtes 5
2 Flûtes traversières (duo) 4
Clarinette (partie séparée) 4
Quatuor de Flûtes : 4 flûtes 4
Flute (partie séparée) 4
Clarinette, Guitare (duo) 4
3 Saxophones (trio) 4
Saxophone Soprano et Piano 3

Flûte, Violon et Violoncelle 3
Hautbois 3
Cor anglais, Guitare (duo) 3
Hautbois, Guitare (duo) 2
2 Clarinettes (duo) 2
Quatuor de Flûtes à bec 2
Cor anglais, Piano 2
Saxophone Tenor 2
Flûte, Violon, Piano 1
Flûte, Hautbois, Basson 1
Flûte, Hautbois, Clarinette (trio) 1
Saxophone Baryton, Piano 1
Flûte, Clarinette, Piano (trio) 1
Flûte à bec Soprano 1
Flûte, Basson et Piano 1
Saxophone 1
Clarinette, Violon (duo) 1
Clarinette, Alto et Piano (trio) 1
2 Hautbois (duo) 1
Ensemble De Flûte à bec 1
Flûte, Alto et Piano 1
5 Flûtes à bec 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Flûte, trombone et piano 1

+ 50 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 28
Trompette 26
Quatuor de Cuivres 18
Quatuor de Cuivres : 2 trompettes, trombone, tuba 12
Trombone 12

Cor 11
Trompette (partie séparée) 10
Trombone (partie séparée) 8
Trombone et Piano 8
Trompette, Piano 8
Cor et Piano 6
Ensemble de Trompettes 5
Quatuor de Cuivres: 2 trompettes, Cor, trombone 5
Ensemble de Trombones 5
Euphonium 5
Cor (partie séparée) 4
Tuba 4
Ensemble de Cors 3
Tuba (partie séparée) 3
Quatuor de cuivres: 4 trombones 3
Cor anglais, Guitare (duo) 3
2 Trombones (duo) 3
Tuba et Piano 2
2 Trompettes (duo) 2
Cor anglais, Piano 2
Trompette, Trombone (duo) 2
Trio de Cuivres 1
Bass Clef Instruments 1
Quatuor de cuivres: 4 cors 1
Trompette, Euphonium (duo) 1

+ 25 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 116
Violon 36
Violon et Piano 25
Harpe 17
Violoncelle (partie séparée) 17

Violoncelle 14
Trio à Cordes: violon, alto, violoncelle 13
Violon, Violoncelle (duo) 13
Alto, Piano 13
Quintette à cordes: 2 violons, alto, violoncelle, basse 12
Violoncelle, Piano 9
Alto seul 9
2 Violons (duo) 6
Ensemble de Violons 3
Contre Basse 3
Violoncelle, Contrebasse (duo) 3
Violoncelle , Guitare (duo) 3
2 Violoncelles (duo) 3
Alto (partie séparée) 2
Alto, Violoncelle (duo) 2
4 Violoncelles 2
Violon (partie séparée) 2
2 Harpes (duo) 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 2
Trio à Cordes: 2 violons, violoncelle 2
Ensemble d'Altos 2
Harpe, Violon (duo) 2
Contrebasse, Piano (duo) 1
Harpe, Voix 1
Alto et Harpe 1
Harpe et Piano 1
Quatuor à cordes: 4 violons 1
Harpe, Flûte (duo) 1
Violon, Alto (duo) 1
Contrebasse (partie séparée) 1
2 Altos (duo) 1
Trio à cordes: 3 violins 1

+ 32 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 89
Orchestre à Cordes 73
Orchestre 68
Fanfare 27
Ensemble de cuivres 26

Ensemble Jazz 21
Orchestre de chambre 15
Jazz combo 11
Ensemble de Percussions 10
Batterie (partie séparée) 9
Batterie 8
Percussion (partie séparée) 4
Cloches 2
Piano et Orchestre 2
Timbales 1
Quintette de Cuivres: autres combinaisons 1
Xylophone ou Marimba ou Vibraphone 1
Percussion 1

+ 13 instrumentations

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Vous avez sélectionné:

All I Do

Saxophone Soprano et Piano

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3 partitions trouvées

A Night In Tunisia

A Night In Tunisia #Saxophone Soprano et Piano #INTERMÉDIAIRE #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score an...(+)

Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941â€“42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 ≈ 8.38€

In the Bleak Midwinter (Trio for Soprano Sax, Alto Sax and Piano)

In the Bleak Midwinter (Trio for Soprano Sax, Alto Sax and Piano) #Saxophone Soprano et Piano #INTERMÉDIAIRE #Noël #Gustav Holst #John A #In the Bleak Midwinter #John A. Dempsey #SheetMusicPlus

Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 3 - SKU: A0.524156 Composed by Gustav Holst. Arranged by John A. Dempsey. Celtic,Christian...(+)

Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 3 - SKU: A0.524156 Composed by Gustav Holst. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 15 pages. John A. Dempsey #4841203. Published by John A. Dempsey (A0.524156). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans. Â Arranged as a jubilant trio for soprano sax, alto sax and piano, this snowy, atmospheric music is recommended for Christmas concerts and holiday recitals as well as traditional Christmas church services and other seasonal worship events, including Christmas plays, pageants and programs. Â Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 11 pages of music (that includes Â separate two-page parts for soprano sax and alto sax). Â Concert Key (Piano): F major. Â Soprano Sax Key: G major. Â Alto Sax Key: D majorÂ Â Â What can I give Him, poor as I am?Â Â Â If I were a shepherd, I would give a lamb.Â Â Â If I were a wise man, I would do my partÂ Â Â But what can I give Him? Â Give Him my heart.

$11.99 ≈ 11.17€

Luther: Out of the Depths for Soprano Sax & Piano

Luther: Out of the Depths for Soprano Sax & Piano #Saxophone Soprano et Piano #DÉBUTANT #Martin Luther #James M #Luther: Out of the Depths for #jmsgu3 #SheetMusicPlus

Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score...(+)

Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the DepthsÂ I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 ≈ 23.25€

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