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Vous avez sélectionné:
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Saxophone Alto et Piano
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5 partitions trouvées
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1
Lament (Alto Saxophone & Piano)
Lament (Alto Saxophone & Piano)
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Paul Barker Music
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Lament
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Paul Barker Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1423590 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1423590 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Score and part. 13 pages. Paul Barker Music #1004832. Published by Paul Barker Music (A0.1423590). Lament is a powerfully scored duet for Alto Saxophone and Piano. It presents a dynamic range of emotions created through the rich use of harmony, strong melodic themes and dramatic cadenzas. This contemporary work is scored to showcase both soloists in a virtuosic dialogue and is ideal for recitals, concerts, and competitions.Performance Recording and Piano Accompaniment MP3s are also available from www.paulbarkermusic.com and here.Duration: 3:10Level: Intermediate (UK Grade 5+ & US 2+)Occasion: Concert – Competitions - Recital Orchestration: Alto Saxophone - Piano.
$5.95 ≈
5.48€
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95 ≈
11.00€
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95 ≈
18.36€
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Scor...
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Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 29 pages. Musik Fabrik Music Publishing #3133401. Published by Musik Fabrik Music Publishing (A0.534135). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. Versions are available from Musik Fabrik for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$16.95 ≈
15.60€
Jules Deersseman: Sérénade, Opus 33 for alto saxophone and piano
Jules Deersseman: Sérénade, Opus 33 for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jules Demersseman
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Paul Wehage
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to the main melody
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Jules Deersseman: Sér&e
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.534438 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and par...
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Alto Saxophone,Piano - Level 4 - SKU: A0.534438 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3493579. Published by Musik Fabrik Music Publishing (A0.534438). One of the first original compositions written for the saxophone, by one of Sax's closest associates. Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a long lyrical episode punctuated with more florid passages which serve as counterpoint to the main melody.. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone.
$11.95 ≈
11.00€
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