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When Love Takes Over
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Vous avez sélectionné:
When Love Takes Over
Piano seul
Partitions à imprimer
9 partitions trouvées
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1
Love Everlasting
Love Everlasting
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Love Everlasting
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1076411 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Easter,Praise & Worship,...
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Piano Solo - Level 3 - SKU: A0.1076411 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Easter,Praise & Worship,Sacred. Score. 3 pages. Sharon Wilson #680567. Published by Sharon Wilson (A0.1076411). This solo piano arrangement is one of the 12 original, worship songs in the collection Sacred Meditations.Designed for those times when a short, sacred musical interlude is needed, this selection takes about one minute to perform. This quiet and reflective arrangement is ideal for filling transitional moments during a worship service such as before or after the prelude, offertory, invitation, communion, prayer, or postlude.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com
$2.99 ≈
2.79€
Yuki-Onna (piano solo)
Yuki-Onna (piano solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Pub...
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Piano Solo - Level 4 - SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99 ≈
5.59€
Little Green Apples
Little Green Apples
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Piano seul
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INTERMÉDIAIRE
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O
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Timothy Stapay
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Little Green Apples
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1415388 By O.C. Smith. By Bobby Russell. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Sco...
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Piano Solo - Level 3 - SKU: A0.1415388 By O.C. Smith. By Bobby Russell. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 5 pages. Timothy Stapay #997124. Published by Timothy Stapay (A0.1415388). Here is a timeless country classic arranged for piano solo. A song the whole family will love to sing.Little Green Apples is a classic country song that was recorded by Glen Campbell in 1968. It was written by Bobby Russell and became a major hit, reaching the top 40 charts in both the United States and the United Kingdom. The song’s popularity has endured over the years, and it remains a beloved classic in the country music genre. Bobby Gentry sang this song in a wonderful duet with Glenn on his T.V. show.[Verse 1]Well, I wake up in the mornin' with my hair down in my eyesAnd she says, HiAnd I hurry to the breakfast table while the kids are goin' off to school, GoodbyeAnd she reaches out and takes my handAnd squeezes it and says, How you feelin', Hon?And I look across at smilin' lips that warms my heartAnd I see my mornin' sun[Pre-Chorus]And if that's not lovin' meThen all I've got to say[Chorus]God didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeThere's no such thing as Dr. SuessDisneyland and Mother Goose, no nursery rhymeGod didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeAnd when my self is feelin' lowI think about your face aglow and ease my mind[Verse 2]Sometimes I call him up knowin' he's busyAnd ask if he could get away and meet meMaybe grab a bite to eatAnd he drops what he's doin' and hurries down to meet meAnd I'm always lateHe sits waitin' patiently and smiles when he first sees me'Cause he's made that way [Pre-Chorus]And if that's not lovin' meThen all I've got to say[Chorus]God didn't make the little green applesAnd it don't snow in Indianapolis when the winter comeThere's no such thing as make-believePuppy dogs and autumn leaves, no BB gunGod didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeAnd when my self is feelin' lowI think about your face aglow and ease my mind
$5.99 ≈
5.59€
AS DANTE (TO HELL AND BACK)
AS DANTE (TO HELL AND BACK)
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Piano seul
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Contemporain
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Monica Bergo
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your
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AS DANTE
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012728 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743167. Published by Moni Bergo (A0.1012728).
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Piano Solo - SKU: A0.1012728 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743167. Published by Moni Bergo (A0.1012728). Music and song composed by me ♫ *'¨` * • .¸¸. As Dante (To hell and back)♫ ♫ *'¨` * • .¸¸. ♫ I'd recognize anywhere and millions your eyes when will my time I certainly find it my rebellious soul that more chains will not have over the time and distances Your light will follow and how Dante I will commence from the bottom the deepest hell between the screams of the damned three groans and sins between greedy and slothful but you're not here I feel that changes and transforms the essence takes shape love transfigures removes all fear I find you I swear I'll take you with me memories, images in my mind 2 of us in the excerpt of apparent life for us that we are in hell were forged on us a tear and 100 sins I do not believe, do not watch and do not feel You that rest and peace have reached and then suddenly appears to me your face We are in hell for us is heaven ... we rush wrists tied, I do not care You squeeze to hurt me think of me stronger and shalt see my colors It was death to turn me but you can repaint me and then I'll be whatever you want as in life if you want me wind I breath and the evils I will comfort If you want me want rose scent the air and will blossom As Dante told We are Paolo and Francesca 2 doves and then just and I find the joy of living smile reborn and fight to recover what in life we we never had happiness everyone is looking for and chase and then expect strange to say but I find it here On flames on hell as Dante that one day for that dark forest left dance, dance white souls purgatory are never tired why the hell is a real torture but it is the paradise that do more scares and how Dante but without Virgilio I try by myself to my best because Charonte accept my toll conceal my love and now we are already on journey how strange my mind that does not have any rest It has no limits or boundaries and fear a little 'makes me is my curse as a mark on the skin but as said one on last Dante I go out to see the stars that day will come and then I swear I look for you and take you to a safe place Please , just remember only my face and will not be hell will be heaven ... Monica Bergo
$5.00 ≈
4.67€
Yesterday Once More
Yesterday Once More
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Piano seul
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INTERMÉDIAIRE
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The Carpenters
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Timothy Stapay
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Yesterday Once More
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Song...
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Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99 ≈
6.53€
Get Out Piano Minus Vocal
Get Out Piano Minus Vocal
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Piano seul
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Steven H
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Ashley Ivers
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Get Out Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Piano - SKU: A0.1069990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Accompaniment. Duration 210. Boothe Publishing #4737115. ...
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Piano - SKU: A0.1069990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Accompaniment. Duration 210. Boothe Publishing #4737115. Published by Boothe Publishing (A0.1069990). Whether its food, alcohol,drugs, or viewing pornography. Addictions destroy the lives of everyone around them. I look at addictions as if they were little devils that have us down and are jumping on top of us and won’t let us get up. Little by little the addicted and all of his friends and family lose faith, hope, love, peace, joy, and self respect. The shame of addiction keeps them in despair. They constantly have voices in their heads that say you’re no good, you’re no good, do you hear me, you’re no good. Well I’m here to tell you that is a lie. You are good. You are worth something. Life ,family, love, peace, joy. Those are all things that are worth fighting for. Take them back. You are not unworthy. You can fight the addiction. You have made mistakes that are correctable. God tells us to resist the devil and he will flee from you. Then God says to draw near unto Him and He will draw near unto you. When God draws close to us, we will receive His strength and power to leave the addiction behind. With Him we can overcome anything.
$1.99 ≈
1.86€
Sweet Betsy Sonatina
Sweet Betsy Sonatina
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Piano seul
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INTERMÉDIAIRE
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Thomas Coker
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Sweet Betsy Sonatina
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Thomas Rembert Coker Jr
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.933610 Composed by Thomas Coker. 20th Century,Instructional,Standards. Score. 9 pages. Thomas Rembert Coker Jr #3503503. ...
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Piano Solo - Level 3 - SKU: A0.933610 Composed by Thomas Coker. 20th Century,Instructional,Standards. Score. 9 pages. Thomas Rembert Coker Jr #3503503. Published by Thomas Rembert Coker Jr (A0.933610). To quote Wikipedia: Sweet Betsy from Pike is an American ballad about the trials of a pioneer named Betsy and her lover Ike who migrate from Pike County (Missouri?) to California. The cover art here is drawn by artist, Kaytha Coker Potts, whose image captures the imagined Betsy and Ike as they cross rivers, plains, and mountains on the way to California. The music for the various movements of Sweet Betsy, similarly, can be seen as musical pictures of this harrowing yet thrilling trip. Movement I pictures a joyful determination to make the trip, accompanied by energy enough to make the early struggles endurable. Movement II pictures rest and reflection. The evening comes when one thinks through the events of the day with peace and anticipation of continuing the journey tomorrow. Movement III paints the joy of the journey with the end in sight. High energy and much joy is found here.This sonatina was inspired by – and in many ways patterned after – Dmitri Kabalevsky’s Sonatina Op. 13, No. 1. The first movement, Allegretto, imitates Kabalevsky’s use of the arch phrase in which two bars are mirrored by the following two bars. As the movement progresses, the tempo adjusts to meet continuing challenges – all filled with energy. In the second movement, Introspection Andante, one takes the time to rest and reflect and, in so doing, to find the mental and musical balance needed on a journey as well as in music. Movement III, the sonatina’s name sake, is in rondo form and rollicks along in b minor and 6/8 meter. The tune, Sweet Betsy, always in mind yet unstated, finally erupts three times in the center section, first in the left hand (in B Major), then a second time (in F Major) before appearing in the right hand (in C# Major) while accompanied (in B Major) in the left hand. The resulting conflicting tonalities are followed by a transitional sixteenth note run leading back to the first theme in b minor as the rondo plays out.
$4.99 ≈
4.66€
In the Bleak Midwinter
In the Bleak Midwinter
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Piano seul
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AVANCÉ
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Noël
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Michael Swedberg
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Terrence Niska
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In the Bleak Midwinter
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages....
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Piano Solo - Level 5 - SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726553. Published by Niska Music Publishing (A0.1125813). Another arrangement that had its genesis as a vocal chart for Five By Design. However, this piece went on to be performed in our holiday show, “A Winter’s Evening.†I have always loved the Gustav Holst melody to Christina Rossetti’s poem, subsequently it was that setting that I chose to arrange for our group. When I was selecting pieces for my second collection of Christmas Preludes, I knew this would be among them. The piece starts out quite gently, and in my mind’s ear I hear a cello and oboe establishing a mood of utter serenity and calm as the snow gently falls outside the frost-covered window. Soon the oboe is joined by a clarinet as they play a duet while the cello continues the gentle sway of eighth notes. For the pianist, there must be great control of the left hand to keep it as calm as possible while the melody floats above, just as the snow falls to the earth. As the second verse begins, the right hand now plays a triplet pattern beneath the melody. It is a gentle breeze, stirred by the wings of angels and cherubim, upon which the crystalline flakes swirl and dance in the cold night air. All the while the left hand continues its steady motion of eighth notes. Halfway through the triplet pattern moves to the left hand and the right hand takes up the eighth notes while still keeping the melody above all. The verse comes to a close with a slowing of the tempo to emphasize the importance of what the poet states in the last lines of the poem: “Yet what I can I give Him, — Give my heart.†It is all that any of us can do, and all that we are asked to do.
$3.99 ≈
3.72€
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledg
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Claude Debussy: Prléude à L'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Reci...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bdier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bdier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
$10.35 ≈
9.66€
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