Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Pat a Pan
Non classifié
369
Piano & claviers
Piano seul
30
Piano, Voix
14
Orgue
2
1 Piano, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Guitares
Mandoline
1
Voix
Chorale SATB
10
Chorale TTBB
7
Vents
Ensemble de Clarinettes
8
Ensemble de saxophones
6
Saxophone Alto et Piano
3
Saxophone (partie séparée)
3
Hautbois (partie séparée)
2
Saxophone Soprano et Piano
2
Flûte traversière et Piano
1
Flûte traversière
1
Flûte, Violon
1
Flûte, Violoncelle
1
Cor anglais, Piano
1
Flûte, Alto (duo)
1
Saxophone Alto
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette Basse
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 11 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Cor
5
Tuba
2
Cor anglais, Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3
Alto seul
2
Violon
2
Violon, Violoncelle (duo)
2
Alto, Piano
2
2 Violoncelles (duo)
2
Violoncelle
2
Violon et Piano
1
Violoncelle (partie séparée)
1
2 Violons (duo)
1
2 Altos (duo)
1
Violon, Alto (duo)
1
Violoncelle, Piano
1
Harpe
1
Alto, Violoncelle (duo)
1
+ 10 instrumentations
Retracter
Percussions & orchestre
Orchestre
58
Jazz combo
22
Ensemble Jazz
20
Orchestre d'harmonie
9
Orchestre de chambre
8
Big band
8
Ensemble de cuivres
4
Orchestre à Cordes
1
Cloches
1
+ 4 instrumentations
Retracter
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
PARTITIONS GRATUITES
185 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Pat a Pan
expert
Piano seul
Partitions à imprimer
30 partitions trouvées
<
1
26
Pat-a-pan
Pat-a-pan
#
Piano seul
#
AVANCÉ
#
French carol
#
Samuel Wellman
#
Pat-a-pan
#
Samuel Wellman
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.882144 Composed by French carol. Arranged by Samuel Wellman. Christian,Christmas,Contemporary. Score. 4 pages. Samuel Wel...
(+)
Piano Solo - Level 5 - SKU: A0.882144 Composed by French carol. Arranged by Samuel Wellman. Christian,Christmas,Contemporary. Score. 4 pages. Samuel Wellman #6645679. Published by Samuel Wellman (A0.882144). Pat-a-pan is a French Christmas carol from before the 1700s, of Burgundian origin. The text asks Willie and Robin, two figures common in French culture, to praise God and the birth of Jesus Christ with flute and drum. Near the end I have a canon of the tune, with the bass in augmentation. Hooray!
$6.00 ≈
5.53€
Prelude 2 in A Minor Aolian
Prelude 2 in A Minor Aolian
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 2 in A Minor Aolian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden...
(+)
Piano Solo - Level 5 - SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
O Say Can You See (The Star-Spangled Banner)
O Say Can You See (The Star-Spangled Banner)
#
Piano seul
#
AVANCÉ
#
Amy J
#
Amy J
#
O Say Can You See
#
Amy J. Snyder
#
SheetMusicPlus
Piano - Level 5 - SKU: A0.1106115 By Amy J. Snyder. By John Stafford Smith. Arranged by Amy J. Snyder. Historic,Holiday,Patriotic. Full Performance. Dur...
(+)
Piano - Level 5 - SKU: A0.1106115 By Amy J. Snyder. By John Stafford Smith. Arranged by Amy J. Snyder. Historic,Holiday,Patriotic. Full Performance. Duration 337. Amy J. Snyder #709233. Published by Amy J. Snyder (A0.1106115). This recording of O Say Can You See (The Star-Spangled Banner) is a piano solo at an early advanced level, and a very different style: easy listening piano with pretty harmonies and expressiveness. Great for patriotic events and holiday gatherings.
$2.25 ≈
2.07€
The Star Spangled Banner for Solo Piano (2021 Inaugural Edition)
The Star Spangled Banner for Solo Piano (2021 Inaugural Edition)
#
Piano seul
#
AVANCÉ
#
Americana
#
Patriotique
#
John Stafford Smith
#
Elizabeth Borowsky
#
The Star Spangled Banner for S
#
Piano Prodigies
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.941667 Composed by John Stafford Smith. Arranged by Elizabeth Borowsky. Contemporary,Folk,Graduation,Holiday,Patriotic. S...
(+)
Piano Solo - Level 5 - SKU: A0.941667 Composed by John Stafford Smith. Arranged by Elizabeth Borowsky. Contemporary,Folk,Graduation,Holiday,Patriotic. Score. 4 pages. Piano Prodigies #6247775. Published by Piano Prodigies (A0.941667). Inspired by the 2021 United States Presidential inauguration, here is a stunning piano solo version of The Star Spangled Banner. Times are a changin' - and so are the time signatures in this piece! For early advanced through advanced pianists.
$5.00 ≈
4.61€
Patriotic Medley, revised 2023, America the Beautiful, America, Battle Hymn, Star-Spangled Banner
Patriotic Medley, revised 2023, America the Beautiful, America, Battle Hymn, Star-Spangled Banner
#
Piano seul
#
AVANCÉ
#
Americana
#
Patriotique
#
Samuel A
#
Patriotic Medley, revised 2023
#
Kevin G. Pace
#
SheetMusicPlus
Composed by Samuel A. Ward, John Stafford Smith. Arranged by Kevin G. Pace (ASCAP). 20th Century, Christian, Contemporary, Patriotic, Religious. Score...
(+)
Composed by Samuel A. Ward, John Stafford Smith. Arranged by Kevin G. Pace (ASCAP). 20th Century, Christian, Contemporary, Patriotic, Religious. Score. 7 pages. Kevin G. Pace #850992. Published by Kevin G. Pace
$3.99 ≈
3.68€
Chorale, Fantasy and Fugue (on the Star-Spangled Banner), Op. 1
Chorale, Fantasy and Fugue (on the Star-Spangled Banner), Op. 1
#
Piano seul
#
AVANCÉ
#
Sam Post
#
Chorale, Fantasy and Fugue
#
Sam Post, composer/pianist
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.946997 Composed by Sam Post. Contemporary,Folk,Patriotic. Score. 9 pages. Sam Post, composer/pianist #5303623. Published ...
(+)
Piano Solo - Level 5 - SKU: A0.946997 Composed by Sam Post. Contemporary,Folk,Patriotic. Score. 9 pages. Sam Post, composer/pianist #5303623. Published by Sam Post, composer/pianist (A0.946997). A chorale, fantasy and fugue on the Star-Spangled Banner, our (borrowed) national anthem tune. Composed in 2013 and played by the composer.
$7.00 ≈
6.45€
THE STAR SPANGLED BANNER early adv. piano solo
THE STAR SPANGLED BANNER early adv. piano solo
#
Piano seul
#
AVANCÉ
#
Americana
#
Patriotique
#
Anonymous
#
Meryt Wilson
#
piano solo
#
THE STAR SPANGLED BANNER early
#
Meryt Wilson,MusicForTheMaster
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.892265 Composed by Anonymous. Arranged by Meryt Wilson. Concert,Holiday,Patriotic. Score. 5 pages. Meryt Wilson,MusicForT...
(+)
Piano Solo - Level 5 - SKU: A0.892265 Composed by Anonymous. Arranged by Meryt Wilson. Concert,Holiday,Patriotic. Score. 5 pages. Meryt Wilson,MusicForTheMaster #4635383. Published by Meryt Wilson,MusicForTheMaster (A0.892265). Arranged for early advanced piano solo. A variety of alternate major and minor chords and melodic and technical elements have been particularly used to reflect the words and mood of the text. Suitable for program and recital. Four pages .
$4.00 ≈
3.68€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
#
Piano seul
#
AVANCÉ
#
Eric Paul Nolte and Felix Le C
#
Eric Paul Nolte
#
Etude in C, Le Couppey-Nolte
#
Eric Paul Nolte
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
(+)
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
3.68€
Rondo Scherzando for Piano Solo
Rondo Scherzando for Piano Solo
#
Piano seul
#
AVANCÉ
#
Contemporain
#
James Domine
#
Rondo Scherzando for Piano Sol
#
Earth Music, Ltd.
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.976513 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 22 pages. Earth Music, Ltd. #2081805. Publishe...
(+)
Piano Solo - Level 5 - SKU: A0.976513 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 22 pages. Earth Music, Ltd. #2081805. Published by Earth Music, Ltd. (A0.976513). The Rondo Scherzando opens with a fanfare that leads directly to principal theme. This somewhat unruly passage with cinematographic overtones leads to a post-modern fantasy that feels like latter-day jazz meditation. The reverie unfolds, leading us to a quasi-humorous semi-bizarre circus-like rendering of the scherzando theme, presented as an episode in a pantheon of unlikely, unexpected and unanticipated circumstances, that dwindles away quietly into a deceptively calm serenity. Subsequent passages turn the main theme over in a variety of different permutations until finally it returns in full regalia to the opening fanfare, this time presented as a final coda that concludes the piece. Originally written with orchestral accompaniment as the third movement of the Piano Concerto #1 in Bb minor, this arrangement for solo piano was made at the request of Joanna Ezrin, pianist and pedagogue, and has been recognized at the MTAC annual convention.
$8.95 ≈
8.24€
Komorebi
Komorebi
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Adam Scott Neal
#
Komorebi
#
Adam Scott Neal
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.954270 Composed by Adam Scott Neal. 20th Century,Contemporary. Score. 11 pages. Adam Scott Neal #2807649. Published by Ad...
(+)
Piano Solo - Level 5 - SKU: A0.954270 Composed by Adam Scott Neal. 20th Century,Contemporary. Score. 11 pages. Adam Scott Neal #2807649. Published by Adam Scott Neal (A0.954270). Program note:Komorebi is a Japanese word for sunlight filtering through tree leaves. This piece makes use of some (easy) special effects with sympathetic strings. It features some challenging rhythmic textures, but the harmonies are consonant, with shimmering beauty.
$7.99 ≈
7.36€
Two part Invention No. 1 in C# Minor of Jeffrey Joseph Arnold (Classical-style)
Two part Invention No. 1 in C# Minor of Jeffrey Joseph Arnold (Classical-style)
#
Piano seul
#
AVANCÉ
#
Jeffrey Joseph Arnold
#
Two part Invention No. 1 in C#
#
Tin Pan Alley Music Co.
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1007663 Composed by Jeffrey Joseph Arnold. 20th Century,Classical,Instructional. Score. 3 pages. Tin Pan Alley Music Co. ...
(+)
Piano Solo - Level 5 - SKU: A0.1007663 Composed by Jeffrey Joseph Arnold. 20th Century,Classical,Instructional. Score. 3 pages. Tin Pan Alley Music Co. #3538961. Published by Tin Pan Alley Music Co. (A0.1007663). This is an original two part invention written by Jeffrey Joseph Arnold. It is the first of two inventions written by this composer in 1995. It is patterned after the many inventions of Bach, but with a unique and individual sound. This is more for the advanced player and a challenging with an aggressive tempo. This is the first time offered to the public. Hope you enjoy.
$3.99 ≈
3.68€
Prelude 12 in Bb Minor Dorian
Prelude 12 in Bb Minor Dorian
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 12 in Bb Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
(+)
Piano Solo - Level 5 - SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
5.52€
Prelude 4 in D Minor Phrygian
Prelude 4 in D Minor Phrygian
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 4 in D Minor Phrygian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden ...
(+)
Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 5 in Bb Major Lydian
Prelude 5 in Bb Major Lydian
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 5 in Bb Major Lydian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden ...
(+)
Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 13 in F# Major Ionian
Prelude 13 in F# Major Ionian
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 13 in F# Major Ionian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
(+)
Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 8 in C Minor Aolian
Prelude 8 in C Minor Aolian
#
Piano seul
#
AVANCÉ
#
Contemporain
#
Brian Golden
#
Brian Golden
#
Prelude 8 in C Minor Aolian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden ...
(+)
Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
5.52€
Tocata Criolla
Tocata Criolla
#
Piano seul
#
AVANCÉ
#
Samuel Robles
#
Tocata Criolla
#
Samuel Robles
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1209193 Composed by Samuel Robles. Classical,Contemporary,Latin,Multicultural,World. Score. 17 pages. Samuel Robles #8073...
(+)
Piano Solo - Level 5 - SKU: A0.1209193 Composed by Samuel Robles. Classical,Contemporary,Latin,Multicultural,World. Score. 17 pages. Samuel Robles #807304. Published by Samuel Robles (A0.1209193). The Tocata Criolla is a work based on Panamanian rhythms, particularly the atravesao, a compound pattern used in the tamborito and cumbia traditions in the central provinces. The piece involves energetic gestures and agressive playing juxtaposed with more lyrical material, but with a constant energetic drive. A powerful addition to any virtuosic program, a Latin American-themed evening, or as a brilliant encore, the Tocata Criolla will surely dazzle your audience. The piece is dedicated to the memory of Panamanian composer Roque Cordero.(Duration: 6'10).
$9.99 ≈
9.20€
What Now My Love
What Now My Love
#
Piano seul
#
AVANCÉ
#
Elvis Presley
#
Timothy Stapay
#
What Now My Love
#
Timothy Stapay
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1235275 By Elvis Presley. By Carl Sigman, Francois Becaud, and Pierre Delano. Arranged by Timothy Stapay. Film/TV,Jazz,La...
(+)
Piano Solo - Level 5 - SKU: A0.1235275 By Elvis Presley. By Carl Sigman, Francois Becaud, and Pierre Delano. Arranged by Timothy Stapay. Film/TV,Jazz,Latin,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #830811. Published by Timothy Stapay (A0.1235275). This arrangement of What Now My Love is written as performed by legendary pianist, Liberace. It's in a moderate Bolero rhythmic style.What Now, My Love? is the English title of a popular song whose original French version, Et maintenant (English: And Now) was written in 1961 by composer Gilbert Bécaud and lyricist Pierre Delanoë. The recurring musical pattern in the background is the Boléro by Ravel. English lyrics and the title were written by Carl Sigma.Lyrics:What now my love, now that you've left meHow can I live through another dayWatching my dreams turn to ashesAnd my hopes turn to bits of clayOnce I could see, once I could feelNow I am numb, I've become unrealI walk the night, without a goalStripped of my heart and my soulWhat now my love, now that it's overI feel the world falling all around meHere come the stars, tumbling around meThere's the sky, where that sea should beWhat now my love, now that you're goneI'd be a fool to go on and onNo one would care, no one would cryIf I should live if I should live or dieWhat now my love, now there is nothingOnly my last, my last good-byeWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
8.28€
Forest Green
Forest Green
#
Piano seul
#
AVANCÉ
#
New Age
#
Contemporain
#
Kathleen Ryan
#
Kathleen Ryan
#
Forest Green
#
Indigo Mesa Music LLC
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1199167 By Kathleen Ryan. By Kathleen Ryan. Arranged by Kathleen Ryan. Classical,Contemporary,New Age. Score. 6 pages. In...
(+)
Piano Solo - Level 5 - SKU: A0.1199167 By Kathleen Ryan. By Kathleen Ryan. Arranged by Kathleen Ryan. Classical,Contemporary,New Age. Score. 6 pages. Indigo Mesa Music LLC #798231. Published by Indigo Mesa Music LLC (A0.1199167). English folk song.I have set this melody in several arrangements; this is actually the most rambunctious of the lot! This is bravura piano playing and not for the faint of heart. The right hand has a long passage of double notes at 16th-note speed. The left hand plays 8th-note many-octave-spanning double notes for much of the arrangement, and then has double notes at 16th-note speed for the final section. To perform this will require a lot of practice and then sheer (relaxed!) bravado.Forest Green is really my all-time favorite melody. I anticipate setting it a dozen or more different ways.For example, this is the melody the English use for the Christmas carol O Little Town of Bethlehem, and I have arranged it more lyrically for that song. Perhaps someday it will make it onto a CD.I have also used this melody for the final section of my arrangement of All Through the Night on Under the Greenwood Tree. That is a far more lyrical arrangement as well.This melody, in a highly arranged version, also makes a cameo in These Hands Held Music, on Passages.All of these arrangements are currently available in pdf. Who knows, perhaps someday I’ll create an entire album of arrangements of Forest Green!~ Kathleen
$5.25 ≈
4.84€
Hommage an Ursula [piano solo]
Hommage an Ursula [piano solo]
#
Piano seul
#
AVANCÉ
#
Juan MarÃa Solare
#
thus, there are 25 sections
#
Hommage an Ursula [piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pa...
(+)
Piano Solo - Level 5 - SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
$4.00 ≈
3.68€
Say Yes
Say Yes
#
Piano seul
#
AVANCÉ
#
Aska, Chage, and Don Black
#
Lydia McCool
#
Say Yes
#
Lydia McCool
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1374867 Composed by Aska, Chage, and Don Black. Arranged by Lydia McCool. Classical,Film/TV,Multicultural,Pop,Singer/Song...
(+)
Piano Solo - Level 5 - SKU: A0.1374867 Composed by Aska, Chage, and Don Black. Arranged by Lydia McCool. Classical,Film/TV,Multicultural,Pop,Singer/Songwriter,World. Score. 4 pages. Lydia McCool #959403. Published by Lydia McCool (A0.1374867). Genre: contemporary lyrical, pop-style Time signature: 4/4 Tonal Center: E major Description: This is an arrangement of Chage & Aska's famous song Say Yes for advanced piano by Lydia McCool. This song is a theme song for a very popular Japanese Drama 101st Marriage Proposal 『101回目ã®ãƒ—ãƒãƒãƒ¼ã‚ºã€ in 1991. Several dotted rhythmic patterns are added to reflect the lilting of the singing. This increases the complexity of the music. The piece ends on an E chord after the final arpeggio . In the recording the final section of Chopin's E major etude is played but this part of the music is not included in this score. This etude is heard in the drama as well. Hence, they go well together. For fans of Chage Aska, this this arrangement will make a wonderful performance for public and personal enjoyment.
$7.99 ≈
7.36€
<
1
26
