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Vous avez sélectionné:
My First Concert
expert
Piano seul
Partitions à imprimer
26 partitions trouvées
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THE GREAT WALL CONCERTO Arranged For 2 Pianos, 4 Hands
THE GREAT WALL CONCERTO Arranged For 2 Pianos, 4 Hands
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Piano seul
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AVANCÉ
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO Arrang
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White Piano International Publishing
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.1316925 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classic...
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Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano - Level 5 - SKU: A0.1316925 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 33 pages. White Piano International Publishing #905605. Published by White Piano International Publishing (A0.1316925). THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands 33 Pages(Piano I Original Piano Score)           &(Piano II Orchestra Adaptation)Advanced Approx. Duration 13 minutes; 30 secondsBy ROBERT VAN HORNE Composing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto, capturing the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression of seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the original Conductor’s Piano & Orchestra Score of the concerto with instrumental parts (currently available at Sheet Music Plus and Sheet Music Direct), the Duo Piano Score of THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands is now also available at those two websites.Both Piano I and Piano II parts are clearly notated with phrasing, dynamics, accents, suggested fingerings and musical word descriptions for 2 Pianos, 4 Hands performances. THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands makes a wonderful and memorable performance piece for two piano recitals as well as a score for practicing with an orchestra, since Piano I is the original piano part.A 2 Pianos, 4 Hands recording or video of THE GREAT WALL CONCERTO is not available at this time, however, a 2006 recorded version with Piano & Orchestra is available for demo purposes only. Except for the piano, all other instruments included are digital samples. A YouTube video can be viewed at: http://www.youtube.com/watch?v=S_Zr10XMnJc In conclusion, THE GREAT WALL CONCERTO For Piano and Orchestra is not only a tribute to the Great Wall of China, but also to the power of music in expressing the inexpressible.Published by White Piano International Publishing Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$15.99 ≈
14.96€
Carson Cooman: Biblicals: Concerto for Solo Piano
Carson Cooman: Biblicals: Concerto for Solo Piano
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Piano seul
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AVANCÉ
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Carson Cooman
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Carson Cooman: Biblicals: Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music...
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Piano Solo - Level 5 - SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music Publishing #3038635. Published by Musik Fabrik Music Publishing (A0.533692). Biblicals: Concerto for Solo Piano in Five Movements (1998) was commissioned from thecomposer by an anonymous benefactor for pianist Kathleen Supové in tribute of her tirelesssupport of new music.The work is in five movements, each inspired by a different biblical quotation which isquoted in the score before each movement. If possible, these passages should be printed inthe program or read aloud before the performance of the work. Each movement isprogrammatic only in an internal sense. While the movements do not attempt to directlyportray the action of the passage in a storybook sense, they do attempt to capture the overallaffect of the verse. The form of the work is as a concerto for solo piano drawing on a titlethat has been used in the past by numerous composers. Likewise, although the work does notinvolve an orchestra, I have titled it concerto because it contains elements of a concerto solopart and because of the virtuosity required to perform the work. The work explores a widerangeof styles from quasi-lyrical to highly chromatic. Throughout, the work has a rhythmicintensity which should be observed by the performer.The first movement, Hovering Over the Waters, makes use of an irregular rhythmic patternintroduced in the opening measure and used throughout the work. Irregular and nervousrhythms using chromatic intervals pervade the entire movement.The second movement, Baldhead, is a forceful and loud movement making use of the clashbetween diatonic and pentatonic clusters. It is relentless in its pounding energy, irregularrhythms, and volume. This movement is dedicated to American composer Daniel Pinkhamon the occasion his 75th birthday in 1998. The connection of this movement to Pinkhamcomes in the superimposition of pentatonic and diatonic clusters, a technique used so well inone of my favorite Pinkham works, Blessings for Organ (1978).The third movement, Forgiven and Free, presents a tranquil scene involving the building ofchords, standard and otherwise, through the adding of tones one at a time. Brief chromaticmelodies appear and then disappear quickly.The fourth movement, Under the Sun, makes use of a motive involving four chords over a lefthand bass consisting of a major-tenth chord. This motive appears throughout the movement,constantly breaking in and interrupting the action. A variety of irregular rhythmic motivesappear throughout as a contrast to the main motive with its strict rhythm. Quotes of nurseryrhyme tunes are hidden throughout the movement as well in various forms.The fifth movement, The Seventh Angel, is a fast and furious tarantella. As the movementflies by a variety of musical ideas emerge and then disappear into the main motive again.The music continues to get faster and faster and finally the movement ends with a furiousprogression from the bottom to top of the piano and then a thunderous unison chord in thelower register.
$16.95 ≈
15.86€
Aspirations Op. 1
Aspirations Op. 1
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Piano seul
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AVANCÉ
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Contemporain
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Tayren N
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Aspirations Op. 1
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Tayren N. Ben-Abraham
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1027238 Composed by Tayren N. Ben-Abraham. 20th Century,Concert,Contemporary. Score. 10 pages. Tayren N. Ben-Abraham #203...
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Piano Solo - Level 5 - SKU: A0.1027238 Composed by Tayren N. Ben-Abraham. 20th Century,Concert,Contemporary. Score. 10 pages. Tayren N. Ben-Abraham #2039327. Published by Tayren N. Ben-Abraham (A0.1027238). This solo piano work describes the unfulfilled aspirations of a person or group of people and aims to be as a meditation by which these aspirations can be offered at the time of performance together as one voice along with the performer. This work is suitable for recitals, to be placed as solo repertoire as part of a concert, and more. Aspirations is suitable for all audiences. It is suitable for performers who are at an advanced level of piano skills to the professional. The entire work lasts approximate 7 minutes long. This piece was written in January and February 2012 with the official finishing date being February 28, 2012. It is my first serious piece which was composed in my undergraduate studies at Valley City State University under my professor Jorge Variego. The first 22 bars were conceived a year earlier as a sketch. This piece is part of the Valley City Collection, which describes works of music I composed while living in Valley City, North Dakota. The piece in the beginning involves bitonality, the bass being in A minor and the melodic line being in F major. The main theme is given much room to develop and soon runs into the secondary theme at measure 45. At measures 48 to 50 the main theme returns only to introduce the third theme at measure 51 to 52 then returning to the first theme. At measure 73, another theme enters to transition back to the main theme that is a variation at measure 81 to the end. Mainly composed in 12/8 time, the work concludes in 4/4 time. Your Performing Rights Organization Your Social Media Channels and Contact Information.
$5.00 ≈
4.68€
Movement II from Piano Sonata No. 1 in A minor
Movement II from Piano Sonata No. 1 in A minor
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Piano seul
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AVANCÉ
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Steven Shade
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Movement II from Piano Sonata
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Steve Shade
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.834333 Composed by Steven Shade. 20th Century,Concert,Romantic Period. Score. 8 pages. Steve Shade #3242171. Published by...
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Piano Solo - Level 5 - SKU: A0.834333 Composed by Steven Shade. 20th Century,Concert,Romantic Period. Score. 8 pages. Steve Shade #3242171. Published by Steve Shade (A0.834333). This is the slow second movement to my first piano sonata in A minor. This movement has a lyrical first theme that is contrasted by a virtuosic second theme. The main theme comes back before the piece is drawn to a close with a coda that hints at the main theme. Length: 8 pagesDuration: About 5 minutesDifficulty: Advanced.
$3.99 ≈
3.73€
Piano Sonata No 1
Piano Sonata No 1
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Piano seul
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AVANCÉ
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Contemporain
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Malcolm D Robertson
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Piano Sonata No 1
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Mr Malcolm D Robertson
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.927979 Composed by Malcolm D Robertson. 20th Century,Concert,Contemporary. Score. 32 pages. Mr Malcolm D Robertson #52091...
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Piano Solo - Level 5 - SKU: A0.927979 Composed by Malcolm D Robertson. 20th Century,Concert,Contemporary. Score. 32 pages. Mr Malcolm D Robertson #5209167. Published by Mr Malcolm D Robertson (A0.927979). Composed in 1988, the Sonata was one of my first substantial works and one in which I began to start exploring large scale structure. I've made some slight revisions during July 2019, but the Sonata is still basically as originally conceived. The Sonata is a challenge for a pianist of advanced ability.
$10.99 ≈
10.28€
Strangers In The Night
Strangers In The Night
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Piano seul
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AVANCÉ
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Frank Sinatra
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Timothy Stapay/Liberace
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Strangers In The Night
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1342176 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay/Liberace. Br...
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Piano Solo - Level 5 - SKU: A0.1342176 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #927698. Published by Timothy Stapay (A0.1342176). Strangers In The Night is here arranged as performed by famous piano artist, Liberace. He played this in concerts around the world and on his piano albums. This piano solo arrangement has all of the sparkle and fiery improvisations that made Liberace famous. Now for the first time, here is the sheet music as played by Liberace.On a personal note: I saw Liberace perform this live at a concert in Chicago, when I was a very, very young piano student. My parents were both Liberace fans and took me to one of his concerts. The memory stayed with me for a lifetime!Lyrics:[Verse 1]Strangers in the night exchanging glancesWondering in the night, what were the chances?We'd be sharing love before the night was through[Verse 2]Something in your eyes was so invitingSomething in your smile was so excitingSomething in my heart told me I must have you[Chorus]Strangers in the nightTwo lonely people, we were strangers in the nightUp to the moment when we said our first hello, little did we knowLove was just a glance away, a warm embracing dance away and[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night[Bridge]Love was just a glance away, a warm embracing dance away[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night [Outro]Dooby-doooby-dooDoob-dooob-doob-dee-daaDaaa-daaa-daaa-daaa-daaa.
$8.99 ≈
8.41€
Seven Preludes and Seven Fugues for Piano Based on the DFG codes Volume 1
Seven Preludes and Seven Fugues for Piano Based on the DFG codes Volume 1
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Piano seul
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AVANCÉ
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Contemporain
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David F Golightly
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Seven Preludes and Seven Fugue
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Modrana Music Publishers Ltd
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.966289 Composed by David F Golightly. 20th Century,Contemporary. Score. 54 pages. Modrana Music Publishers Ltd #2021867. ...
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Piano Solo - Level 5 - SKU: A0.966289 Composed by David F Golightly. 20th Century,Contemporary. Score. 54 pages. Modrana Music Publishers Ltd #2021867. Published by Modrana Music Publishers Ltd (A0.966289). Seven Preludes and Seven Fugues based on the codes D.F.G Dedicated to American Concert pianist Beth Levin These preludes use the number codes developed over 40 years of compositional output. Duration of the complete set 22 minutes. Since 1980 I have used various music codes within the structures of my music. These preludes and fugues are based on the D.F.G. codes related to number series. They are not serial but move through various tonal centres creating a variety and vibrancy of piano sonority. They are dedicated to American concert pianist Beth Levin as a thank you for her premiere with Mezzo Soprano Emiley Howard of my Housman settings for Mezzo Soprano and Piano in 2011 They are the first volume of a series of four volumes of Preludes and Fugues on the DFG codes planned for 2014-15. This first volume starts with an easy prelude and fugue to range through to a virtuoso conclusion with the seventh prelude and fugue.
$28.00 ≈
26.20€
Il est né
Il est né
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Piano seul
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AVANCÉ
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Noël
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Michael Swedberg
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Terrence Niska
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Il est né
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125770 By Michael Swedberg. By Traditional French Carol. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Sco...
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Piano Solo - Level 5 - SKU: A0.1125770 By Michael Swedberg. By Traditional French Carol. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726510. Published by Niska Music Publishing (A0.1125770). This song has a long history with me. I first wrote a five-part vocal to be sung by the group Five By Design (of which I was a member) back in the late 1990s or early 2000s. Unfortunately, it never found its way in to our repertoire. It sat on my computer for quite a few years before I revised it to be sung as a trio with my brother, Kurt, and his wife, Lorie. I had written a vocal arrangement of the carol for us to sing at some Christmas concerts and a few years later, when putting this album together, I returned to the first chart and adapted it for piano solo. The meter of the song moves back and forth between 3/4 and 2/4 and conveys the joy and hopefulness of the opening lyrics: “He is born, the Divine Child, Play the oboe, resound the bagpipes. He is born, the Divine Child, Let us all sing of his arrival.†It is this combination of instruments that I tried to emulate in the introduction, with the bagpipes in the left hand and the oboes in the right. When the tune proper begins, there is a definite rhythmic vitality that is maintained throughout the prelude as it celebrates the long-awaited birth of Jesus as foretold by the prophets over 4,000 years ago. From start to finish, the influence of both George Winston and Mannheim Steamroller can be heard in the music.
$3.99 ≈
3.73€
St. Louis Blues
St. Louis Blues
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Piano seul
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AVANCÉ
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W
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Timothy Stapay
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St. Louis Blues
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1224471 Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standards. Score. 8 page...
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Piano Solo - Level 5 - SKU: A0.1224471 Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #820575. Published by Timothy Stapay (A0.1224471). This arrangement of St. Louis Blues is written as performed by piano artist, Liberace. He performed this on his t.v. show and record albums. The Saint Louis Blues (or St. Louis Blues) is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman, Louis Armstrong, Cab Calloway, Bing Crosby, Bessie Smith, Eartha Kitt, Count Basie, Glenn Miller, Guy Lombardo, Liberace, and the Boston Pops Orchestra (under the directions of both Arthur Fiedler and Keith Lockhart) are among the artists who have recorded it. Lyrics:I hate to see that evening sun go down, I hate to see that evening sun go down, 'Cause my lovin' baby done left this town. If I feel tomorrow, like I feel today, If I feel tomorrow, like I feel today, I'm gonna pack my trunk and make my getaway. Oh, that St. Louis woman, with her diamond rings, She pulls my man around by her apron strings. And if it wasn't for powder and her store-bought hair, Oh, that man of mine wouldn't go nowhere. I got those St. Louis blues, just as blue as I can be, Oh, my man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I love my man like a schoolboy loves his pie, Like a Kentucky colonel loves his rocker and rye I'll love my man until the day I die, Lord, Lord. I got the St. Louis blues, just as blue as I can be, Lord, Lord! That man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I got those St. Louis blues, I got the blues, I got the blues, I got the blues, My man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me, Lord, Lord!Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$7.99 ≈
7.48€
Suite for Piano
Suite for Piano
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Piano seul
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AVANCÉ
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Contemporain
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published...
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Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s RusÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂrian melody, and a barely-recognizÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂcital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor SoÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a reÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively secÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂprised the next mornÂing when I went to the muÂsic library and listened to a reÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂcided to base my middle movement (the slow movement) around the theme of BeethoÂven’s scherzo, making it the hidÂden theme for a short set of variations. The end of the movement also contains less direct referÂences to the music of Brahms (very short alluÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00 ≈
11.23€
Smoke Gets In Your Eyes
Smoke Gets In Your Eyes
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Piano seul
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AVANCÉ
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The Platters
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Timothy Stapay
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Smoke Gets In Your Eyes
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,...
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Piano Solo - Level 5 - SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #821814. Published by Timothy Stapay (A0.1225761). Smoke Gets In Your Eyes is arranged as played by piano artist, Liberace.This version is from the rare early album Liberace At Home. Smoke Gets in Your Eyes is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin,[1] on October 13, 1933. On October 30, 1946, Nat King Cole recorded the song in his trio with Oscar Moore on guitar and Johnny Miller on double bass, during a live broadcast from New York City.[10] Cole performed it on television in 1957 for The Nat King Cole Show. Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics below:They asked me how I knewMy true love was trueI of course repliedSomething here inside cannot be deniedThey said someday you'll find all who love are blindWhen your heart's on fire,You must realize, smoke gets in your eyesSo I chaffed them and I gaily laughedTo think they could doubt my loveYet today my love has flown away,I am without my love (without my love)Now laughing friends derideTears I cannot hideSo I smile and sayWhen a lovely flame dies, smoke gets in your eyes(Smoke gets in your eyes, smoke gets in your eyes)Smoke gets in your eyes
$8.99 ≈
8.41€
Noël nouvelet
Noël nouvelet
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Piano seul
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AVANCÉ
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Michael Swedberg
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Terrence Niska
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Noël nouvelet
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125803 By Michael Swedberg. By Traditional French Melody. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Sc...
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Piano Solo - Level 5 - SKU: A0.1125803 By Michael Swedberg. By Traditional French Melody. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726544. Published by Niska Music Publishing (A0.1125803). I first became familiar with this tune in high school choir when we performed “Sing We Now of Christmas†for a holiday concert. I did not know that it had originated as a French carol from the late 15th/early16th century and like many of my favorite carols, it is set in a minor key. I had forgotten all about it until a friend suggested arranging it for this collection. As I began working on the piece, I was torn between staying true to the feel of the original and this growing sense I had to write something more dramatic and more inspired by one of my favorite composers, Ralph Vaughn Williams. I chose a much slower tempo than the French carol and as a result it has more depth and a sense of gravitas, reflecting the mystery of the birth of Christ. At the end of the first verse, I transition to the parallel major key and the music takes on a more lighthearted and almost dance-like character as the stable is visited by shepherds and kings alike to see for themselves the sleeping child and enjoy the sense of wonder and amazement at such a scene. The music then moves back to the opening and the original key as the kings offer their gifts to the babe and prepare to return home. Even though it is in a minor key, there is an overpowering grandeur in this prelude reflecting the events to come in His short life on this earth, but even more the importance to all that his sacrifice would bring. There is a brief coda that returns to the major key with the promise of hope offered by one so small.
$3.99 ≈
3.73€
The Last Time I Saw Paris
The Last Time I Saw Paris
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Piano seul
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AVANCÉ
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Classique
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,...
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Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$7.99 ≈
7.48€
Cornus - A Fantasy Ballade for Piano
Cornus - A Fantasy Ballade for Piano
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Piano seul
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AVANCÉ
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Aris Antoniades
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Cornus - A Fantasy Ballade for
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Aris Antoniades
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.942946 Composed by Aris Antoniades. Concert,Contemporary. Score. 14 pages. Aris Antoniades #3914555. Published by Aris An...
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Piano Solo - Level 5 - SKU: A0.942946 Composed by Aris Antoniades. Concert,Contemporary. Score. 14 pages. Aris Antoniades #3914555. Published by Aris Antoniades (A0.942946). Cornus - A Fantasy Ballade for Piano, composed by Aris Antoniades.Cornus is the name of the forest that surrounds the Army Unit I was stationed at, during the first year of my military service back in my homeland, Cyprus. The magical sounds of nature and the myths surrounding this forest were what kept me company during many cold, endless nights of sentry guard duty. On such nights, I would often let my imagination soar, making up stories and music. It was during one of those moments of spontaneous inspiration that I came up with the opening motif for this piece.The piece tries to musically depict the different feelings a questing knight experiences when he sets off into the depths of the forest and back. Just like all typical chivalric romances, the hero discovers something remarkable while he travels - something that has the power to change him forever. Although by the end of the story the hero returns back to where he started, he is now a different person since the adventure forced him to undergo a catharsis.
$12.95 ≈
12.12€
Movement I from Piano Sonata No. 1 in A minor
Movement I from Piano Sonata No. 1 in A minor
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Piano seul
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AVANCÉ
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Steve Shade
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Movement I from Piano Sonata N
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Steve Shade
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.834353 Composed by Steve Shade. 20th Century,Concert,Contemporary,Standards. Score. 18 pages. Steve Shade #4639517. Publi...
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Piano Solo - Level 5 - SKU: A0.834353 Composed by Steve Shade. 20th Century,Concert,Contemporary,Standards. Score. 18 pages. Steve Shade #4639517. Published by Steve Shade (A0.834353). This is the first movement to my Piano Sonata No. 1 in A minor. This is an advanced piece written in a neo-classical/-romantic style. It features a slow, melodic introduction that paves the way for the dramatic exposition within the first movement. This is a good stand-alone movement that would work well in a recital. This piece is for advanced pianist, and the contents include 18 pages.
$8.95 ≈
8.38€
The Drumfire Was Incessant, and Continued All Night With Unabated Fury
The Drumfire Was Incessant, and Continued All Night With Unabated Fury
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Piano seul
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AVANCÉ
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Andrew Harrison
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The Drumfire Was Incessant, an
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Phantom Dog Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1226201 By Andrew Harrison. By Andrew Harrison. 21st Century,Classical,Contemporary,Historic. Score. 31 pages. Phantom Do...
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Piano Solo - Level 5 - SKU: A0.1226201 By Andrew Harrison. By Andrew Harrison. 21st Century,Classical,Contemporary,Historic. Score. 31 pages. Phantom Dog Music #822230. Published by Phantom Dog Music (A0.1226201). The Drumfire Was Incessant, and Continued All Night With Unabated Fury is a solo piano piece, inspired by Newton Wanliss’s harrowing account of the Battle of Pozieres in his 1929 war biography The History of the 14th Battalion, A.I.F. The Battle of Pozieres ran between July and August 1916, as part of the First World War’s Somme Offensive. The composition focuses on the days leading up to August 9th, 1916, when my great-great uncle Private Leslie Robins, an infantryman in the 14th Battalion, was shot and wounded.In the early stages of writing the piece, whilst conducting preliminary research into the Battle of Pozieres, I was struck by the disparity between the British High Command’s notion of formulating a ‘plan’ for the battle, and the actuality of what occurred once soldiers ‘went over the top’ into no-man’s land. This dichotomous concept – exerting control over an inherently fluid and dynamic situation – I found to be most intriguing. It segued neatly into my aesthetic explorations of the role of improvisation (a dynamic process) within a larger notated context (a controlled environment). I decided that this dichotomy would play a fundamental role within the piece.Australian pianist Zubin Kanga commissioned The Drumfire… for his 2012 Spectrum concert series. The piece was given its world premiere on August 11th 2012 at the Melbourne Recital Centre, and was also performed at the Independent Theatre in Sydney on August 16th 2012.
$59.99 ≈
56.14€
"Burlesque" for piano Op. 1, No. 20
"Burlesque" for piano Op. 1, No. 20
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Piano seul
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AVANCÉ
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Contemporain
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Gary Noland
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#
"Burlesque" for pian
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Freeland Publications
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.980425 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 28 pages. Freeland Publications #3239731. Publi...
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Piano Solo - Level 5 - SKU: A0.980425 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 28 pages. Freeland Publications #3239731. Published by Freeland Publications (A0.980425). Duration: ca. 8 minutes (1983). Those who are fond of Richard Strauss's and Korngold's music may also enjoy this piece, which is written in an extended tonal language that would fit right in with fin-de-siècle Vienna. It concludes the first work in my catalogue I consider worthy of having an opus number ascribed to it: my Twenty Pieces for Piano Op. 1. ...the product of a very often tonal chromatic style, gentle, but with moments of coyness...possessed of a cheery quality, sometimes bumblingly good-natured-with forays into sharp dissonance...-Richard Binder, The Nashua Telegraph
$8.95 ≈
8.38€
"39 Variations on an Original Theme in F Major" for piano Op. 98
"39 Variations on an Original Theme in F Major" for piano Op. 98
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Piano seul
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AVANCÉ
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Contemporain
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Gary Noland
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"39 Variations on an Orig
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Freeland Publications
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.980450 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 192 pages. Freeland Publications #3246581. Publ...
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Piano Solo - Level 5 - SKU: A0.980450 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 192 pages. Freeland Publications #3246581. Published by Freeland Publications (A0.980450). Duration: ca. 90 minutes-2 hours. Quite possibly the longest set of piano variations in the entire classical music literature, with the exception, perhaps, of certain sets of variations for piano by Kaikhosru Shapurgi Sorabji. This work ends with a monstrous 35-page long fugue. In the 18th century, Bach composed the Goldberg Variations (30 variations), in the 19th century Beethoven composed the Diabelli Variations (33 variations), in the 20th century Frederic Rzewski composed The People United Will Never Be Defeated (36 variations), and now, in the 21st century, Gary Noland has composed his monumental 39 Variations on an Original Theme in F Major. (There seems to be a pattern of three variations added on for each century). This is a work for adventurous first-rate pianists! Some of the variations are self-contained and may be played separate from the whole.I'm fascinated by your variations. Perhaps a marathon performance with many pianists doing several variations? Could be interesting. RIchard Strauss would have loved it.-Jed Distler, pianist. Sheer genius!!!! Move over Bach!!!!!-Alfred Watson, composer & pianist. Very nice and exciting! I listened [to] both the parts on you tube and I was not bored at all ... impeccable technique with echos (in my opinion) from Bach, Beethoven, Satie up to contemporaries, and many others ... many compliments!!!-Sisto PalombellaOne word: monumental!-Joseph Ford, composerThis is amazing music … Wow!!!-John William BaxterBeautifully put together. Three cheers!-Scott Giles, composerThis is a remarkable set of variations, not only for the immensely imaginative treatment of the theme but also for the vast array of stylistic influences incorporated into the score. One need only listen to five minutes to appreciate the craftsmanship!-Lenny Cavallaro, composerI'm enjoying this very much. I liked the intellectual rigor that underlies it.-John Melcher, composerAmazing work!-Rudolf SchmittLink to Section One: https://www.youtube.com/watch?v=4JQYgBiP388Link to Section Two: https://www.youtube.com/watch?v=UjQLOoPGvII&t=1025s
$30.00 ≈
28.07€
Marie for shame - for piano (2 hands)
Marie for shame - for piano (2 hands)
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Piano seul
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AVANCÉ
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Contemporain
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David Warin Solomons
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Daniela Mastrandrea
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Marie for shame - for piano
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.575849 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score. 7 pages. David Warin Solom...
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Piano Solo - Level 5 - SKU: A0.575849 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score. 7 pages. David Warin Solomons #2028825. Published by David Warin Solomons (A0.575849). Arrangement by concert pianist and composer Daniela Mastrandrea of my Sweet Suite - a four movement sequence originally written for string quintet. This 2-hands piano version is fairly difficult and requires large stretches at times, but for those who like a challenge it is well worth it. However, we decided it would be good to provide 4-hands versions as well, which are easier to perform and also available on this site. The original stories behind the movements are: 1. Marie for shame - based on a setting of the poem Marie, vous estes paresseuse - Marie for shame you keep a-bed too long, you must get up and enjoy life. 2. Nocturne is basically a segue to the first movement, in which Marie yawns and goes back to sleep! The harmonies are rich and yet somnolent. 3. Camp David is a sprightly number based on the Yiddish folksong Ikh bin a meidel in de joren - I am a maiden come of age and I am looking for a husband. 4. Blue Boar Blue is based on a poem by a friend stuck studying in his college room (Blue Boar Quad at Christ Church Oxford) but dreaming of sunny outings to the river and punting. The sound samples are electronic previews. In the case of the 4-hands versions, the pdf files include the score and also separate piano parts. The original string quintets are also available on this site.
$6.00 ≈
5.61€
Four Original Piano Solos
Four Original Piano Solos
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Piano seul
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AVANCÉ
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David D
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Four Original Piano Solos
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David D Mason
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.769779 Composed by David D. Mason. 20th Century,Concert. Score. 14 pages. David D Mason #4303923. Published by David D Ma...
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Piano Solo - Level 5 - SKU: A0.769779 Composed by David D. Mason. 20th Century,Concert. Score. 14 pages. David D Mason #4303923. Published by David D Mason (A0.769779). Here we have four of my Piano compositions in one Album which I have aimed at the more advanced player. The first piece reached the final of the United Kingdom song contest.
$15.99 ≈
14.96€
Camp David for piano (2 hands)
Camp David for piano (2 hands)
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Piano seul
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AVANCÉ
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Contemporain
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David Warin Solomons
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Daniela Mastrandrea
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Camp David for piano
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.575851 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score. 7 pages. David Warin Solom...
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Piano Solo - Level 5 - SKU: A0.575851 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score. 7 pages. David Warin Solomons #2028829. Published by David Warin Solomons (A0.575851). Arrangement by concert pianist and composer Daniela Mastrandrea of my Sweet Suite - a four movement sequence originally written for string quintet. This 2-hands piano version is fairly difficult and requires large stretches at times, but for those who like a challenge it is well worth it. However, we decided it would be good to provide 4-hands versions as well, which are easier to perform and also available on this site. The original stories behind the movements are: 1. Marie for shame - based on a setting of the poem Marie, vous estes paresseuse - Marie for shame you keep a-bed too long, you must get up and enjoy life. 2. Nocturne is basically a segue to the first movement, in which Marie yawns and goes back to sleep! The harmonies are rich and yet somnolent. 3. Camp David is a sprightly number based on the Yiddish folksong Ikh bin a meidel in de joren - I am a maiden come of age and I am looking for a husband. 4. Blue Boar Blue is based on a poem by a friend stuck studying in his college room (Blue Boar Quad at Christ Church Oxford) but dreaming of sunny outings to the river and punting. The sound samples are electronic previews. In the case of the 4-hands versions, the pdf files include the score and also separate piano parts. The original string quintets are also available on this site.
$6.00 ≈
5.61€
Nocturne for piano (2 hands)
Nocturne for piano (2 hands)
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Piano seul
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AVANCÉ
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Contemporain
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David Warin Solomons
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Daniela Mastrandrea
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Nocturne for piano
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.575850 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score. 4 pages. David Warin Solom...
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Piano Solo - Level 5 - SKU: A0.575850 Composed by David Warin Solomons. Arranged by Daniela Mastrandrea. 20th Century. Score. 4 pages. David Warin Solomons #2028823. Published by David Warin Solomons (A0.575850). Arrangement by concert pianist and composer Daniela Mastrandrea of my Sweet Suite - a four movement sequence originally written for string quintet. This 2-hands piano version is fairly difficult and requires large stretches at times, but for those who like a challenge it is well worth it. However, we decided it would be good to provide 4-hands versions as well, which are easier to perform and also available on this site. The original stories behind the movements are: 1. Marie for shame - based on a setting of the poem Marie, vous estes paresseuse - Marie for shame you keep a-bed too long, you must get up and enjoy life. 2. Nocturne is basically a segue to the first movement, in which Marie yawns and goes back to sleep! The harmonies are rich and yet somnolent. 3. Camp David is a sprightly number based on the Yiddish folksong Ikh bin a meidel in de joren - I am a maiden come of age and I am looking for a husband. 4. Blue Boar Blue is based on a poem by a friend stuck studying in his college room (Blue Boar Quad at Christ Church Oxford) but dreaming of sunny outings to the river and punting. The sound samples are electronic previews. In the case of the 4-hands versions, the pdf files include the score and also separate piano parts. The original string quintets are also available on this site.
$6.00 ≈
5.61€
Rachmaninov - Level D - Prelude in C# Minor Arr. - (Key Map Tablature)
Rachmaninov - Level D - Prelude in C# Minor Arr. - (Key Map Tablature)
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Piano seul
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AVANCÉ
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Serge Rachmaninov
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John M
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Rachmaninov - Level D - Prelud
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.984770 Composed by Serge Rachmaninov. Arranged by John M. Honeycutt. 20th Century,Concert. Score. 10 pages. Music Innovat...
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Piano Solo - Level 5 - SKU: A0.984770 Composed by Serge Rachmaninov. Arranged by John M. Honeycutt. 20th Century,Concert. Score. 10 pages. Music Innovators Workshop #4627769. Published by Music Innovators Workshop (A0.984770). Earlier, I hesitated to publish this version that I arranged several years ago. This piece is so very well known and loved that I was concerned that a simpler version would not be well received. I recently changed my mind after playing through this version. This arrangement opens up playing this piece to many pianists who may find the original too daunting a challenge. Players and listeners will find that the arrangement sounds very much like the original. Some listeners may find it a little less full sounding - most won't be able to tell the difference.Here are the differences. (Of course its written on tablature, but that's a different issue.) First, the simpler version is not simple. It is very difficult. It just is not as difficult as the original. Second, it sounds very much like the original. It is a very full arrangement. The whole piece is there. It has not been shortened.The simplification consists mainly of removing some, but not all, of the doubling and tripling of notes. This lightens the feel of the piece just a bit. The recap of the theme at the end is simplified by changing the 4 note chords to 3 note chords, Where the right hand leaves the chords and moves very quickly down to double two bass notes and immediately back up to find the chords again, and again, the arrangement omits these few notes to leave the right hand where it is to play the chords.
$2.00 ≈
1.87€
"Liebesschmerz Fuge" for piano Op. 95
"Liebesschmerz Fuge" for piano Op. 95
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Piano seul
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AVANCÉ
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Contemporain
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Gary Noland
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"Liebesschmerz Fuge"
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Freeland Publications
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.980449 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 39 pages. Freeland Publications #3246459. Publi...
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Piano Solo - Level 5 - SKU: A0.980449 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 39 pages. Freeland Publications #3246459. Published by Freeland Publications (A0.980449). Duration: ca. 15-20 minutes. Lush extended tonal language. Highly chromatic and contrapuntal. An innovative fugue unlike any other in the literature. This work was begun in 1981 and underwent revisions on and off for 28 years until it was finally completed in 2009. This piece is intended only for first-rate virtuoso pianists. Written comments: Gary, this is wonderful! I am a Bach freak ... clearly you are as well (meant as a big compliment smile emoticon ). Love the title too heart emoticon.-Kurt Werderman. Completely charming. I get the Liebes part, but the other half seems entirely too much tongue-in-cheek fun for Schmerz. smile emoticon You wrote a brilliant piece that sounds so spontaneous it is hard to believe it had such a long gestation period as 28 years.-Rodney Punt. Here is to me really deep music of very high quality. I listened three times. The fugue has the kind of complexity and positive ambiguity which awakens my curiosity to listen again and again. The episodes are for me personally something of the most beautiful modern music written for piano I remember just now.-Frank David. Here is a link to a MIDI realization thereof: https://www.youtube.com/watch?v=3MGGAgzu4Xk
$14.99 ≈
14.03€
En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano seul
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AVANCÉ
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Ma...
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Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar?s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar?s best piano pieces; O Christmas, Isadar?s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar?s releases since his second piano album, 1999?s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar?s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar?s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with ?Broken Valentine,? a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. ?The Man Who Broke My Heart? is energetic and in constant swirling motion - also very free and from deep within. ?The Stairwell? is darker and much more mysterious, overflowing with Isadar?s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute ?Letting Go,? a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! ?En Face Du Miroir (Facing the Mirror)? is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with ?Blood ... Thicker Than Water,? again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar?s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar?s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn?t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9?x12? format with a stapled binding.
If you enjoy listening to Isadar?s music, I?m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
5.61€
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