Partitions Numériques de played on a piano pour Piccolo, Piano

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played on a piano
Non classifié 1 112

Piano & claviers
Piano grosses notes 3 036
Orgue 1 417
Piano seul 974
Piano Facile 445
1 Piano, 4 mains 124

Piano, Voix 119
Piano, Voix et Guitare 90
Accompagnement Piano 60
Clavier 50
2 Pianos, 4 mains 22
Piano Trio: piano, violon, violoncelle 13
Piano (partie séparée) 11
Instruments en Do 10
Piano Quatuor: piano, violon, alto, violoncelle 10
Clavecin 2
2 Pianos, 8 mains 2
Orgue, Piano (duo) 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Piano Quatuor: piano, 2 violons, violoncelle 1
Accordéon 1

+ 15 instrumentations

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Guitares
Ukulele 21
Guitare 14
Guitare notes et tablatures 9
Guitare (partie séparée) 3
Ligne De Mélodie, (Paroles) et Accords 3

Basse electrique 3
Piano, Guitare (duo) 3
Paroles et Accords 2
Banjo 1

+ 4 instrumentations

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Voix
Chorale SATB 54
Chorale 2 parties 27
Chorale Unison 26
Chorale 3 parties 23
Voix duo, Piano 8

Voix Alto, Piano 5
Voix duo 4
Chorale TTBB 4
Voix haute 1
Chorale SSATTB 1
Voix moyenne, Piano 1
Voix Soprano, Piano 1

+ 7 instrumentations

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Vents
Flûte traversière et Piano 143
Hautbois, Piano (duo) 76
Clarinette 63
Saxophone (partie séparée) 59
Flûte traversière 57

Clarinette et Piano 56
Saxophone Alto et Piano 42
Saxophone Tenor et Piano 38
2 Saxophones (duo) 37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 27
2 Flûtes traversières, Piano 26
Saxophone Soprano et Piano 25
Flûte à bec Soprano 20
Flûte, Hautbois, Clarinette, Basson 18
Cor Anglais 14
Quatuor de Clarinettes: 4 clarinettes 14
Saxophone Alto 12
2 Flûtes traversières (duo) 11
Flûte, Clarinette (duo) 10
Cor anglais, Piano 10
Hautbois (partie séparée) 9
Saxophone, Clarinette (duo) 9
2 Clarinettes (duo) 9
Quatuor de Saxophones: 4 saxophones 8
Saxophone Baryton, Piano 7
Quatuor de Flûtes : 4 flûtes 7
2 Hautbois (duo) 7
Clarinette, Trompette (duo) 7
Clarinette, Violon (duo) 6
Quintette de Clarinettes: 5 clarinettes 5
Clarinette Basse, Piano 5
Flûte à bec Alto 5
Flûte, Saxophone (duo) 5
Flûte à bec Tenor 5
3 Clarinettes (trio) 5
Trio de Flûtes: 3 flûtes 4
Quintette de Saxophone: 5 saxophones 4
Flûte, Trompette (duo) 3
Flûte, Violon 3
3 Saxophones (trio) 3
Hautbois, Basson (duo) 3
Hautbois, Clarinette (duo) 3
Quatuor de Flûtes à bec 3
Clarinette et Alto 3
Ensemble de Flûtes 2
Harmonica 2
Flûte, Violon, Violoncelle et Piano 2
Hautbois, Basson et Piano 2
Flûte à bec Soprano, Piano 2
Flûte à Bec 2
Hautbois, Flûte 2
2 Clarinettes, Piano 2
Flûte, Alto (duo) 2
Clarinette, Violoncelle (duo) 1
Flute (partie séparée) 1
Piccolo, Piano 1

Flûte, Hautbois, Clarinette (trio) 1
Ensemble De Flûte à bec 1
Flûte, Hautbois (duo) 1
Hautbois, Clarinette et Piano (Trio) 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Quintette de Clarinette: Clarinette, Quatuor à Cordes 1
Flûte, Hautbois, Piano (trio) 1
Clarinette, Basson (duo) 1
2 Hautbois, Piano 1
Flûte, Violon, Piano 1
Flûte à bec Alto, Piano 1
Flûte, Clarinette et Basson 1

+ 63 instrumentations

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Cuivres
Trompette, Piano 62
Trombone et Piano 51
Trombone 43
Cor et Piano 31
Tuba et Piano 24

Trompette 22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 17
Cor Anglais 14
Trompette (partie séparée) 14
Trombone (partie séparée) 10
Cor anglais, Piano 10
Euphonium 8
2 Trompettes (duo) 8
Euphonium, Piano (duo) 7
2 Trombones (duo) 7
Quatuor de Cuivres : 2 trompettes, trombone, tuba 6
Trompette, Saxophone (duo) 6
Trompette, Trombone (duo) 4
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
Trompette, Cor (duo) 3
Tuba 3
Quatuor de cuivres: 4 trombones 2
Quatuor de cuivres: 4 cors 2
Cor (partie séparée) 2
Tuba et Orgue 2
2 Tubas (duo) 1
Trompette, Euphonium (duo) 1
4 Tubas 1
Quatuor de cuivres: 4 trompettes 1
Trombone basse et Piano 1
Quatuor de Cuivres 1
2 Euphoniums et 2 Tubas 1
Cor 1
Trombone, Tuba (duo) 1
Tuba (partie séparée) 1

+ 30 instrumentations

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Cordes
Violon et Piano 139
Violoncelle, Piano 81
Alto, Piano 72
Quatuor à cordes: 2 violons, alto, violoncelle 48
Harpe 43

Violon 24
Violoncelle (partie séparée) 19
Contrebasse, Piano (duo) 17
Alto seul 12
2 Violoncelles (duo) 10
2 Altos (duo) 10
Violon, Alto (duo) 10
2 Violons (duo) 9
Violon, Violoncelle (duo) 9
Quintette à cordes: 2 violons, alto, violoncelle, basse 8
Harpe et Piano 8
Harpe, Flûte (duo) 5
Piano Trio: Violon, Alto, Piano 4
Trio à Cordes: violon, alto, violoncelle 4
Violoncelle 3
Violon (partie séparée) 3
Alto et Harpe 3
Violoncelle, Contrebasse (duo) 2
2 Harpes (duo) 2
Alto (partie séparée) 2
Harpe, Violoncelle (duo) 2
4 Violoncelles 2
Contrebasse (partie séparée) 2
2 Violons, Piano 2
Trio à Cordes: 3 violoncelles 1
Trio à Cordes: 2 violons, violoncelle 1
Trio à cordes: 3 violins 1
2 Altos, Piano 1
Trio à Cordes: 2 violons, alto 1
Violoncelle , Guitare (duo) 1
Violon, Guitare (duo) 1
2 Violoncelles, Piano 1
Quintette à cordes: 2 violons, 2 altos, violoncelle 1

+ 33 instrumentations

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Percussions & orchestre
Cloches 198
Orchestre de chambre 44
Orchestre d'harmonie 37
Ensemble Jazz 35
Orchestre 31

Orchestre à Cordes 23
Jazz combo 19
Ensemble de cuivres 9
Vibraphone 3
Ensemble de Percussions 3
Ensemble d'École 3
Batterie (partie séparée) 2
Marimba 1
Piano et Orchestre 1
Percussion (partie séparée) 1
Xylophone, Piano 1

+ 11 instrumentations

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played on a piano

Piccolo, Piano

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Sullivan: The Lost Chord for Piccolo & Piano

Sullivan: The Lost Chord for Piccolo & Piano #Piccolo, Piano #INTERMÉDIAIRE/AVANCÉ #Sir Arthur Seymour Sullivan #James M #dynamic control #Sullivan: The Lost Chord for P #jmsgu3 #SheetMusicPlus

Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...(+)

Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

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