Partitions Numériques de Black And White pour Trio à Cordes: 3 violoncelles

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Black And White
Non classifié 272

Piano & claviers
Piano seul 133
Piano, Voix et Guitare 54
Piano Facile 41
Accompagnement Piano 34
Instruments en Do 23

Piano, Voix 15
1 Piano, 4 mains 6
Orgue 5
2 Pianos, 4 mains 3
Piano grosses notes 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Piano Trio: piano, violon, violoncelle 1
Clavecin 1
Accordéon 1

+ 9 instrumentations

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Guitares
Guitare notes et tablatures 50
Paroles et Accords 3
Mandoline 3
Ligne De Mélodie, (Paroles) et Accords 2
Guitare 2

Basse electrique 2
Ukulele 1
2 Guitares (duo) 1
Piano, Guitare (duo) 1
Guitare (partie séparée) 1

+ 5 instrumentations

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Voix
Chorale SATB 9
Chorale 3 parties 8
Chorale 2 parties 3
Chorale TTBB 2
Chorale SSAB a cappella 1

Voix Soprano, Piano 1
Voix Tenor, Piano 1

+ 2 instrumentations

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Vents
Quatuor de Saxophones: 4 saxophones 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Flûte, Violoncelle, Piano (trio) 3
Clarinette 3
Flûte traversière 2

Flûte traversière et Piano 2
Clarinette, Violoncelle, Piano (trio) 2
Saxophone (partie séparée) 1
Saxophone Alto et Piano 1
Flûte, Violon 1
Flûte, Hautbois, Clarinette, Basson 1
2 Flûtes traversières (duo) 1
Quintette de Saxophone: 5 saxophones 1
Quintette de Clarinettes: 5 clarinettes 1
2 Clarinettes (duo) 1
Hautbois, Piano (duo) 1
Clarinette et Piano 1
Flûte et Guitare 1
Trio de Flûtes: 3 flûtes 1
Quatuor de Clarinettes: 4 clarinettes 1
Ensemble de Clarinettes 1
Flûte, Violon et Violoncelle 1

+ 17 instrumentations

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Cuivres
Trompette (partie séparée) 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2
Trombone (partie séparée) 1
Ensemble de Cors 1
Quatuor de cuivres: 4 trombones 1

2 Tubas (duo) 1
Ensemble de Trombones 1
Trompette, Piano 1

+ 3 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 10
Harpe 7
Trio à Cordes: violon, alto, violoncelle 3
2 Violons (duo) 3
Alto seul 2

Violon 2
Violoncelle, Piano 1
2 Harpes (duo) 1
Violon, Guitare (duo) 1
Trio à Cordes: 3 violoncelles 1

Violoncelle , Guitare (duo) 1
Violoncelle (partie séparée) 1
Alto, Guitare (duo) 1
Contrebasse (partie séparée) 1

+ 9 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 28
Orchestre 7
Batterie 4
Cloches 2
Jazz combo 2

Batterie (partie séparée) 1
Orchestre à Cordes 1
Orchestre de chambre 1
Percussion 1
Ensemble de cuivres 1
Piano et Orchestre 1

+ 6 instrumentations

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Black And White

Trio à Cordes: 3 violoncelles

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Six Thinking Hats [3 celli]

Six Thinking Hats [3 celli] #Trio à Cordes: 3 violoncelles #INTERMÉDIAIRE #Juan MarÃa Solare #Six Thinking Hats [3 celli] #Juan Maria Solare #SheetMusicPlus

String Ensemble,String Trio Cello - Level 3 - SKU: A0.596493 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,Standards. Score ...(+)

String Ensemble,String Trio Cello - Level 3 - SKU: A0.596493 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,Standards. Score and parts. 43 pages. Juan Maria Solare #3088705. Published by Juan Maria Solare (A0.596493). Six Thinking Hats for 3 violoncelli (in the first position) The title of these six pieces for cello trio refers to the theory of the Six Thinking Hats by Edward de Bono. This is a tool that provides a means for groups to think (plan and decide) together more effectively - or at least in a cohesive way. Six distinct states are identified and assigned a hat color: * Information (white hat): considering exclusively what information is available, what the facts are. * Emotions (red hat): instinctive gut reaction or statements of emotional feeling (but not without any justification) * Bad points judgment (black hat): logic applied to identifying flaws or barriers, seeking mismatch (the cons of an issue). * Good points judgment (yellow hat): logic applied to identifying benefits, seeking harmony (the pros). * Creativity (green hat): statements of provocation and investigation, seeing where a thought goes. * Thinking (blue hat) - thinking about thinking, a control instance. In my Trio, these color hats are assigned to different characters or moods. For instance the red hat is the most emotional last piece, very rhythmical. Or the black hat corresponds to a reflexive, rational piece which is not pessimistic but rather extreme reflexive, pondering. Or the blue hat, which should reflect the thinking about thinking and is therefore a canon. Technically speaking, all pieces are written for cello in the first position (sometimes extended or stretched), which makes them quite suitable for young cellists or adult beginners. The total duration of the work is about 12 minutes. The durations of the single pieces are: I = EnfÃ¡tica insistencia (white hat) [1'00] II = Milonga serena (yellow hat) [1'45] III = Estado de alerta (green hat) [1'45] IV = Canon arcaizante (blue hat) [4'00] V = Coral en quintas (black hat) [1'00] VI = Finale arrabbiato (red hat) [2'30] All these pieces can be performed individually. These six pieces for three cellists were composed in Bremen (and Worpswede) between 20th and 29th February 2012. They are dedicated to Juliane Dehning (who also kindly made essential suggestions about the bowings). International Standard Musical Work Code (ISWC): T-803.196.242-3 Recorded in La Rioja, Argentina by Dora Heisecke, Roque GonzÃ¡lez & Mariana Alcaraz: https://www.youtube.com/watch?v=1DluACws6DE More information: http://www.juanmariasolare.com/six_thinking_hats.html

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