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Vous avez sélectionné:
chopin advanced
Hautbois, Piano (duo)
Partitions à imprimer
4 partitions trouvées
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1
Chopin Mazurka, Op.67, No. 4
Chopin Mazurka, Op.67, No. 4
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Stephen Weber
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Dr
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Chopin Mazurka, Op.67, No. 4
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Dr. Stephen Weber
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.940359 Composed by Stephen Weber. Arranged by Dr. Stephen Weber. Instructional,Romantic Period,Standards. Score and part....
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Oboe,Piano - Level 4 - SKU: A0.940359 Composed by Stephen Weber. Arranged by Dr. Stephen Weber. Instructional,Romantic Period,Standards. Score and part. 8 pages. Dr. Stephen Weber #3087061. Published by Dr. Stephen Weber (A0.940359). This arrangement of Chopin's Mazurka, Op. 67, No. 4, for piano, is a setting for solo oboe and piano. The lovely lyricism of Chopin and the Polish flavor of the mazurka emerge in this setting, suitable for intermediate through advanced players. The setting is ideal for high school students, as contest music, or for concert material for university students. The accompaniment is very accessible, providing harmonic support for the solo part. Composer Dr. Stephen Weber is Professor of Music at the University of Science and Arts of Oklahoma. He is a member of ASCAP and has a YouTube channel at which you can see performances of his works in the U.S., Europe, and Asia.
$2.99 ≈
2.74€
Waltz in A Minor (Chopin) - Oboe and Piano - Chamber music
Waltz in A Minor (Chopin) - Oboe and Piano - Chamber music
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.760519 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Easter,Holiday,Instructional,Love,Romantic Peri...
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Oboe,Piano - Level 3 - SKU: A0.760519 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Easter,Holiday,Instructional,Love,Romantic Period. Score and part. 9 pages. Raymond Fenech #4609607. Published by Raymond Fenech (A0.760519). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99 ≈
3.66€
Waltz in A Minor (Chopin) - 2 Oboes and Piano - Chamber music
Waltz in A Minor (Chopin) - 2 Oboes and Piano - Chamber music
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.760518 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Class...
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.760518 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and parts. 11 pages. Raymond Fenech #4609599. Published by Raymond Fenech (A0.760518). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$4.99 ≈
4.58€
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,...
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Oboe,Piano - Level 3 - SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.31€
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