Partitions Numériques de la la land pour Hautbois, Piano (duo)

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la la land
Non classifié 67

Piano & claviers
Piano seul 31
Piano, Voix et Guitare 7
Piano, Voix 7
Orgue 3
Piano Quatuor: piano, violon, alto, violoncelle 2

Piano Trio: piano, violon, violoncelle 2
2 Pianos, 4 mains 1

+ 2 instrumentations

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Guitares
Guitare notes et tablatures 2
Basse electrique 1
Guitare 1

Voix
Chorale SATB 8
Voix seule 7
Chorale Unison 4
Chorale SSAA 2
Chorale TTBB 2

Vents
Flûte traversière 8
Saxophone (partie séparée) 8
3 Saxophones (trio) 7
Saxophone 6
2 Saxophones (duo) 6

Saxophone Alto et Piano 5
2 Clarinettes (duo) 5
Flûte traversière et Piano 4
Clarinette 4
Hautbois (partie séparée) 4
Saxophone Alto 4
Hautbois, Piano (duo) 3

Saxophone Tenor et Piano 2
2 Flûtes traversières (duo) 2
Saxophone Tenor 2
3 Clarinettes (trio) 2
Hautbois 2
Saxophone Baryton, Piano 2
Clarinette et Piano 2
Clarinette, Basson (duo) 1
Quatuor de Saxophones: 4 saxophones 1
Flûte, Violon et Violoncelle 1
Flûte, Clarinette et Basson 1
Trio de Flûtes: 3 flûtes 1
Clarinette Basse, Piano 1
Quatuor de Clarinettes: 4 clarinettes 1
Ensemble de Clarinettes 1
Clarinette, Violoncelle, Piano (trio) 1
Flûte, Hautbois, Clarinette (trio) 1
Flûte, Hautbois, Clarinette, Basson 1
Flûte, Hautbois, Basson 1
2 Hautbois (duo) 1
Hautbois, Basson (duo) 1
Hautbois, Flûte 1
Hautbois, Clarinette, Basson (trio d'anches) 1
3 Hautbois 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
Saxophone Soprano et Piano 1

+ 33 instrumentations

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Cuivres
Quatuor de cuivres: 4 trombones 12
Trompette 9
Cor 5
Quatuor de Cuivres : 2 trompettes, trombone, tuba 5
Trombone 4

Trompette, Piano 3
Euphonium 2
Trombone et Piano 2
2 Cors (duo) 1
Trompette, Cor (duo) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
2 Trombones (duo) 1
2 Trompettes (duo) 1
2 Euphoniums et 2 Tubas 1

+ 9 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 17
Violon 6
Violon et Piano 5
Violoncelle (partie séparée) 5
Alto seul 5

Violon, Violoncelle (duo) 5
Violoncelle 4
4 Violoncelles 4
Alto, Piano 4
2 Violons (duo) 3
Trio à Cordes: 2 violons, violoncelle 3
2 Violoncelles (duo) 2
Alto, Violoncelle (duo) 2
Trio à Cordes: violon, alto, violoncelle 2
2 Altos (duo) 2
Violoncelle, Piano 2
Alto (partie séparée) 1
Harpe 1
Trio à Cordes: 3 violoncelles 1
Violon, Alto (duo) 1
Violon, Guitare (duo) 1
Trio à cordes: 3 violins 1

+ 17 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 8
Orchestre de chambre 5
Orchestre à Cordes 4
Ensemble Jazz 3
Fanfare 2

Batterie 1
Ensemble de cuivres 1
Orchestre 1

+ 3 instrumentations

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la la land

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Hautbois, Piano (duo)

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3 partitions trouvées

Viva La Vida

Viva La Vida #Hautbois, Piano (duo) #INTERMÉDIAIRE/AVANCÉ #Coldplay #Fabio Britto #Viva La Vida #Fabio Britto #SheetMusicPlus

Oboe,Piano - Level 4 - SKU: A0.1174954 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Fabio Britto. Pop,Weddin...(+)

Oboe,Piano - Level 4 - SKU: A0.1174954 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Fabio Britto. Pop,Wedding. Score and part. 12 pages. Fabio Britto #775087. Published by Fabio Britto (A0.1174954). Arrangement of the song Viva La Vida (Coldplay) for Oboe Solo and Piano Accompaniment with Chords.

$8.99 ≈ 8.28€

Mussorgsky: Pictures at an Exhibition for Oboe & Piano

Mussorgsky: Pictures at an Exhibition for Oboe & Piano #Hautbois, Piano (duo) #INTERMÉDIAIRE/AVANCÉ #Modest MUSSORGSKY #James M #Mussorgsky: Pictures at an Exh #jmsgu3 #SheetMusicPlus

Oboe,Piano - Level 4 - SKU: A0.549933 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards...(+)

Oboe,Piano - Level 4 - SKU: A0.549933 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4303957. Published by jmsgu3 (A0.549933). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an ExhibitionÂ (ÐšÐ°Ñ€Ñ‚Ð¸Ð½ÐºÐ¸ Ñ Ð²Ñ‹ÑÑ‚Ð°Ð²ÐºÐ¸) by Modest PetroviÄ Musorgskij, 1874 (ÐœÐ¾Ð´ÐµÑÑ‚ ÐŸÐµÑ‚Ñ€Ð¾Ð²Ð¸Ñ‡ ÐœÑƒÑÐ¾Ñ€Ð³ÑÐºÐ¸Ð¹) Promenade 1Â Â Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenutoÂ Â page 1 1. GNOMUSÂ (The Gnome) Â Sempre vivoÂ page 4 Promenade 2Â Â Moderato commodo assai e con delicatezzaÂ page 10 Â 2. IL VECCHIO CASTELLOÂ (The Old Castle) Andante molto cantabile e con doloreÂ page 12 Â Promenade 3 Moderato non tanto, pesamenteÂ page 18 Â 3. TUILLERIESÂ Dispute d'enfants aprÃ¨s jeux (Children's Quarrel after Games)Â Allegretto non troppo, capricciosoÂ page 19 Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â 4. BYDLOÂ (Cattle) Sempre moderato pesanteÂ Â page 22 Promenade 4Â TranquilloÂ page 26 5. Ballet of the Unhatched ChicksÂ Ð‘Ð°Ð»ÐµÑ‚ Ð½ÐµÐ²Ñ‹Ð»ÑƒÐ¿Ð¸Ð²ÑˆÐ¸Ñ…ÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â ScherzinoÂ Â page 27 6. Samuel Goldenberg und SchmuÃ¿leÂ Ð•Ð²Ñ€ÐµÐ¹ Ð² Ð¼ÐµÑ…Ð¾Ð²Ð¾Ð¹ ÑˆÐ°Ð¿ÐºÐµ. CÐ°Ð½Ð´Ð¾Ð¼Ð¸Ñ€ Â AndanteÂ page 30 Promenade 5Â Â Allegro giusto, nel modo russico, poco sostenutoÂ page 36 7. LIMOGES.Â LE MARCHÃ‰.Â (La grande nouvelle) The Market (The Great News)Â Allegretto vivo, sempre scherzandoÂ Â page 39 8. CATACOMBAEÂ (Sepulchrum romanum) (Roman Tomb) ÐŸÐ°Ñ€Ð¸Ð¶ÑÐºÐ¸Ðµ ÐºÐ°Ñ‚Ð°ÐºÐ¾Ð¼Ð±Ñ‹ Â LargoÂ page 46 Â Â CON MORTUIS IN LINGUA MORTUAÂ (With the Dead in a Dead Language)Â Andante nonÂ troppo, con lamentoÂ pageÂ 47 9. The Hut on Hen's LegsÂ (Baba Yaga) Ð˜Ð·Ð±ÑƒÑˆÐºÐ° Ð‘Ð°Ð±Ñ‹-Ð¯Ð³Ð¸ Ð½Ð° ÐºÑƒÑ€ÑŒÐ¸Ñ… Ð¾Ð¶ÐºÐ°Ñ…. Ð§Ð°ÑÑ‹ Ð² Ñ€ÑƒÑÑÐºÐ¾Ð¼ ÑÑ‚Ð¸Ð»Ðµ Allegro con brio, feroceÂ page 50 10. The Bogatyr Gates (In the Capital in Kiev) ÐŸÑ€Ð¾ÐµÐºÑ‚ Ð³Ð¾Ñ€Ð¾Ð´ÑÐºÐ¸Ñ… Ð²Ð¾Ñ€Ð¾Ñ‚ Ð² ÐšÐ¸ÐµÐ²Ðµ. Ð“Ð»Ð°Ð²Ð½Ñ‹Ð¹ Ñ„Ð°ÑÐ°Ð´ The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaÂ page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.

$32.95 ≈ 30.36€

Fauré: Élégie Op. 24 for Oboe & Piano

Fauré: Élégie Op. 24 for Oboe & Piano #Hautbois, Piano (duo) #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #James M #Fauré: Élé #jmsgu3 #SheetMusicPlus

Oboe,Piano - Level 4 - SKU: A0.549726 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standar...(+)

Oboe,Piano - Level 4 - SKU: A0.549726 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531383. Published by jmsgu3 (A0.549726). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral.FaurÃ© Background: In the first place, Gabriel FaurÃ© 1845 â€“1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs AprÃ¨s un rÃªve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faureâ€™s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: FaurÃ© was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that FaurÃ© studied music composition with the French musical mastermind Camille Saint-SaÃ«ns, who became his lifelong friend. FaurÃ© eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Ã‰glise de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: FaurÃ© was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, FaurÃ©'s music was slow to become accepted, except of course, in England. Legacy: Historians often describe FaurÃ©'s music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when FaurÃ© was born, Chopin was still composing. However, by the time of FaurÃ©'s death, jazz and atonal music, in particular, had come to fruition. FaurÃ©, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faureâ€™s final works.

$32.95 ≈ 30.36€

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